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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED58BB it is the complementary color #12A744. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED58BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED58BB shade: #F258B6, #FF6AC9, #FF7CDC, #FF8EEF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED58BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED58BB shade: #ED58BB, #DC46A8, #CB3495, #BA2282 and #A9106F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED58BB shade: #ED58BB, #ED5893, #ED586B and #ED5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED58BB shade: #ED58BB, #ED58E3, #CF58ED, #A758ED and #7F58ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED58BB shade matches the following richer shades: #ED58BB and #FC49C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED58BB shade: #ED58BB, #DE67B6, #CF76B1, #C085AD and #B294A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED58BB shade: #CF58ED, #ED58E3, #ED58BB, #ED5894 and #ED586C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED58BB shade: #DC179A, #E933AC, #ED58BB, #F17ECA and #F5A3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED58BB shade: #ED58BB, #EDA858 and #58EDE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED58BB shade: #ED58BB, #BBED58 and #58BBED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED58BB shade: #ED58BB, #EDA858, #58ED8A and #589EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED58BB shade: #ED58BB, #EDD458, #58ED8A and #5871ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

Complementary color

CMYK 89 / 0 / 59 / 35

HEX #12A744

RGB 18 167 68

HSL 140.13, 0.81%, 0.36%

LAB 60.05, -56.95, 40.56

 

CMYK 0 / 64 / 25 / 5

HEX #F258B6

RGB 242 88 182

HSL 323.38, 0.86%, 0.65%

LAB 60.99, 67.85, -18.78

 

CMYK 0 / 58 / 21 / 0

HEX #FF6AC9

RGB 255 106 201

HSL 321.74, 1%, 0.71%

LAB 66.36, 66.51, -21.21

 

CMYK 0 / 51 / 14 / 0

HEX #FF7CDC

RGB 255 124 220

HSL 316.03, 1%, 0.74%

LAB 70.07, 61.18, -26.14

 

CMYK 0 / 44 / 6 / 0

HEX #FF8EEF

RGB 255 142 239

HSL 308.5, 1%, 0.78%

LAB 74.09, 55.56, -30.41

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 68 / 24 / 14

HEX #DC46A8

RGB 220 70 168

HSL 320.8, 0.68%, 0.57%

LAB 54.47, 67.06, -20.93

 

CMYK 0 / 74 / 27 / 20

HEX #CB3495

RGB 203 52 149

HSL 321.46, 0.59%, 0.5%

LAB 48.66, 66.49, -18.84

 

CMYK 0 / 82 / 30 / 27

HEX #BA2282

RGB 186 34 130

HSL 322.11, 0.69%, 0.43%

LAB 43.06, 65.17, -16.17

 

CMYK 0 / 91 / 34 / 34

HEX #A9106F

RGB 169 16 111

HSL 322.75, 0.83%, 0.36%

LAB 37.76, 62.76, -12.71

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 63 / 38 / 7

HEX #ED5893

RGB 237 88 147

HSL 336.24, 0.81%, 0.64%

LAB 59.06, 62.33, -1.49

 

CMYK 0 / 63 / 55 / 7

HEX #ED586B

RGB 237 88 107

HSL 352.35, 0.81%, 0.64%

LAB 58.08, 58.69, 20.51

 

CMYK 0 / 63 / 63 / 7

HEX #ED5858

RGB 237 88 88

HSL 0, 0.81%, 0.64%

LAB 57.74, 57.4, 31.05

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 63 / 4 / 7

HEX #ED58E3

RGB 237 88 227

HSL 304.03, 0.81%, 0.64%

LAB 62.11, 73, -42.59

 

CMYK 13 / 63 / 0 / 7

HEX #CF58ED

RGB 207 88 237

HSL 287.92, 0.81%, 0.64%

LAB 58.38, 67.68, -54.36

 

CMYK 30 / 63 / 0 / 7

HEX #A758ED

RGB 167 88 237

HSL 271.81, 0.81%, 0.64%

LAB 53.29, 58.75, -62.8

 

CMYK 46 / 63 / 0 / 7

HEX #7F58ED

RGB 127 88 237

HSL 255.7, 0.81%, 0.64%

LAB 49.01, 50.58, -69.92

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 71 / 24 / 1

HEX #FC49C0

RGB 252 73 192

HSL 320.11, 0.97%, 0.64%

LAB 61.02, 77.08, -24.32

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 54 / 18 / 13

HEX #DE67B6

RGB 222 103 182

HSL 320.17, 0.64%, 0.64%

LAB 60.43, 55.62, -19.89

 

CMYK 0 / 43 / 14 / 19

HEX #CF76B1

RGB 207 118 177

HSL 320.22, 0.48%, 0.64%

LAB 61.13, 42.69, -16.16

 

CMYK 0 / 31 / 10 / 25

HEX #C085AD

RGB 192 133 173

HSL 319.32, 0.32%, 0.64%

LAB 62.51, 28.88, -11.98

 

CMYK 0 / 17 / 6 / 30

HEX #B294A8

RGB 178 148 168

HSL 320, 0.16%, 0.64%

LAB 64.54, 14.66, -6.27

 

CMYK 13 / 63 / 0 / 7

HEX #CF58ED

RGB 207 88 237

HSL 287.92, 0.81%, 0.64%

LAB 58.38, 67.68, -54.36

 

CMYK 0 / 63 / 4 / 7

HEX #ED58E3

RGB 237 88 227

HSL 304.03, 0.81%, 0.64%

LAB 62.11, 73, -42.59

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 63 / 38 / 7

HEX #ED5894

RGB 237 88 148

HSL 335.84, 0.81%, 0.64%

LAB 59.09, 62.43, -2.03

 

CMYK 0 / 63 / 54 / 7

HEX #ED586C

RGB 237 88 108

HSL 351.95, 0.81%, 0.64%

LAB 58.1, 58.77, 19.96

 

CMYK 0 / 90 / 30 / 14

HEX #DC179A

RGB 220 23 154

HSL 320.1, 0.81%, 0.48%

LAB 49.69, 77.45, -19.98

 

CMYK 0 / 78 / 26 / 9

HEX #E933AC

RGB 233 51 172

HSL 320.11, 0.81%, 0.56%

LAB 54.73, 76.67, -22.68

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 48 / 16 / 5

HEX #F17ECA

RGB 241 126 202

HSL 320.35, 0.8%, 0.72%

LAB 67.94, 53.33, -19.54

 

CMYK 0 / 33 / 11 / 4

HEX #F5A3D9

RGB 245 163 217

HSL 320.49, 0.8%, 0.8%

LAB 76.45, 38.12, -14.92

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 29 / 63 / 7

HEX #EDA858

RGB 237 168 88

HSL 32.21, 0.81%, 0.64%

LAB 74.01, 17.51, 50.58

 

CMYK 63 / 0 / 4 / 7

HEX #58EDE3

RGB 88 237 227

HSL 175.97, 0.81%, 0.64%

LAB 86.1, -41.44, -6.88

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 21 / 0 / 63 / 7

HEX #BBED58

RGB 187 237 88

HSL 80.13, 0.81%, 0.64%

LAB 87.89, -37.46, 64.81

 

CMYK 63 / 21 / 0 / 7

HEX #58BBED

RGB 88 187 237

HSL 200.13, 0.81%, 0.64%

LAB 72.05, -14.17, -33.5

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 29 / 63 / 7

HEX #EDA858

RGB 237 168 88

HSL 32.21, 0.81%, 0.64%

LAB 74.01, 17.51, 50.58

 

CMYK 63 / 0 / 42 / 7

HEX #58ED8A

RGB 88 237 138

HSL 140.13, 0.81%, 0.64%

LAB 84.21, -60.74, 36.51

 

CMYK 63 / 33 / 0 / 7

HEX #589EED

RGB 88 158 237

HSL 211.81, 0.81%, 0.64%

LAB 63.87, 1.88, -46.27

 

CMYK 0 / 63 / 21 / 7

HEX #ED58BB

RGB 237 88 187

HSL 320.13, 0.81%, 0.64%

LAB 60.4, 67.14, -22.6

 

CMYK 0 / 11 / 63 / 7

HEX #EDD458

RGB 237 212 88

HSL 49.93, 0.81%, 0.64%

LAB 84.89, -5.42, 62.67

 

CMYK 63 / 0 / 42 / 7

HEX #58ED8A

RGB 88 237 138

HSL 140.13, 0.81%, 0.64%

LAB 84.21, -60.74, 36.51

 

CMYK 63 / 52 / 0 / 7

HEX #5871ED

RGB 88 113 237

HSL 229.93, 0.81%, 0.64%

LAB 51.84, 28.88, -65.48

 

Description

Color code: HEX #ED58BB | qconv.com Color code: HEX #ED58BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 88 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 88 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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