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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED58BE it is the complementary color #12A741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED58BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED58BE shade: #F258B9, #FF6ACC, #FF7CDF, #FF8EF2 and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED58BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED58BE shade: #ED58BE, #DC46AB, #CB3498, #BA2285 and #A91072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED58BE shade: #ED58BE, #ED5896, #ED586E and #ED5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED58BE shade: #ED58BE, #ED58E6, #CC58ED, #A458ED and #7C58ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED58BE shade matches the following richer shades: #ED58BE and #FC49C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED58BE shade: #ED58BE, #DE67B9, #CF76B3, #C085AE and #B294A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED58BE shade: #CA58ED, #ED58E8, #ED58C0, #ED5899 and #ED5871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED58BE shade: #DC179E, #E933B0, #ED58BE, #F17ECD and #F5A3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED58BE shade: #ED58BE, #EDA358 and #58EDDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED58BE shade: #ED58BE, #C0ED58 and #58C0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED58BE shade: #ED58BE, #EDA358, #58ED85 and #58A3ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED58BE shade: #ED58BE, #EDCF58, #58ED85 and #5876ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

Complementary color

CMYK 89 / 0 / 61 / 35

HEX #12A741

RGB 18 167 65

HSL 138.93, 0.81%, 0.36%

LAB 60.02, -57.35, 41.93

 

CMYK 0 / 64 / 24 / 5

HEX #F258B9

RGB 242 88 185

HSL 322.21, 0.86%, 0.65%

LAB 61.1, 68.23, -20.33

 

CMYK 0 / 58 / 20 / 0

HEX #FF6ACC

RGB 255 106 204

HSL 320.54, 1%, 0.71%

LAB 66.46, 66.92, -22.73

 

CMYK 0 / 51 / 13 / 0

HEX #FF7CDF

RGB 255 124 223

HSL 314.66, 1%, 0.74%

LAB 70.18, 61.63, -27.63

 

CMYK 0 / 44 / 5 / 0

HEX #FF8EF2

RGB 255 142 242

HSL 306.9, 1%, 0.78%

LAB 74.2, 56.06, -31.87

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 68 / 22 / 14

HEX #DC46AB

RGB 220 70 171

HSL 319.6, 0.68%, 0.57%

LAB 54.59, 67.45, -22.5

 

CMYK 0 / 74 / 25 / 20

HEX #CB3498

RGB 203 52 152

HSL 320.26, 0.59%, 0.5%

LAB 48.78, 66.86, -20.45

 

CMYK 0 / 82 / 28 / 27

HEX #BA2285

RGB 186 34 133

HSL 320.92, 0.69%, 0.43%

LAB 43.18, 65.52, -17.82

 

CMYK 0 / 91 / 33 / 34

HEX #A91072

RGB 169 16 114

HSL 321.57, 0.83%, 0.36%

LAB 37.88, 63.08, -14.42

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 63 / 37 / 7

HEX #ED5896

RGB 237 88 150

HSL 335.03, 0.81%, 0.64%

LAB 59.15, 62.65, -3.11

 

CMYK 0 / 63 / 54 / 7

HEX #ED586E

RGB 237 88 110

HSL 351.14, 0.81%, 0.64%

LAB 58.14, 58.92, 18.84

 

CMYK 0 / 63 / 63 / 7

HEX #ED5858

RGB 237 88 88

HSL 0, 0.81%, 0.64%

LAB 57.74, 57.4, 31.05

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 63 / 3 / 7

HEX #ED58E6

RGB 237 88 230

HSL 302.82, 0.81%, 0.64%

LAB 62.25, 73.47, -44.05

 

CMYK 14 / 63 / 0 / 7

HEX #CC58ED

RGB 204 88 237

HSL 286.71, 0.81%, 0.64%

LAB 57.97, 67, -55.03

 

CMYK 31 / 63 / 0 / 7

HEX #A458ED

RGB 164 88 237

HSL 270.6, 0.81%, 0.64%

LAB 52.93, 58.1, -63.39

 

CMYK 48 / 63 / 0 / 7

HEX #7C58ED

RGB 124 88 237

HSL 254.5, 0.81%, 0.64%

LAB 48.73, 50.01, -70.39

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 71 / 22 / 1

HEX #FC49C4

RGB 252 73 196

HSL 318.77, 0.97%, 0.64%

LAB 61.17, 77.58, -26.36

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 54 / 17 / 13

HEX #DE67B9

RGB 222 103 185

HSL 318.66, 0.64%, 0.64%

LAB 60.55, 56.06, -21.44

 

CMYK 0 / 43 / 14 / 19

HEX #CF76B3

RGB 207 118 179

HSL 318.88, 0.48%, 0.64%

LAB 61.2, 43.02, -17.2

 

CMYK 0 / 31 / 9 / 25

HEX #C085AE

RGB 192 133 174

HSL 318.31, 0.32%, 0.64%

LAB 62.54, 29.05, -12.5

 

CMYK 0 / 17 / 6 / 30

HEX #B294A8

RGB 178 148 168

HSL 320, 0.16%, 0.64%

LAB 64.54, 14.66, -6.27

 

CMYK 15 / 63 / 0 / 7

HEX #CA58ED

RGB 202 88 237

HSL 285.91, 0.81%, 0.64%

LAB 57.7, 66.54, -55.48

 

CMYK 0 / 63 / 2 / 7

HEX #ED58E8

RGB 237 88 232

HSL 302.01, 0.81%, 0.64%

LAB 62.35, 73.79, -45.01

 

CMYK 0 / 63 / 19 / 7

HEX #ED58C0

RGB 237 88 192

HSL 318.12, 0.81%, 0.64%

LAB 60.6, 67.82, -25.17

 

CMYK 0 / 63 / 35 / 7

HEX #ED5899

RGB 237 88 153

HSL 333.83, 0.81%, 0.64%

LAB 59.24, 62.98, -4.73

 

CMYK 0 / 63 / 52 / 7

HEX #ED5871

RGB 237 88 113

HSL 349.93, 0.81%, 0.64%

LAB 58.2, 59.16, 17.18

 

CMYK 0 / 90 / 28 / 14

HEX #DC179E

RGB 220 23 158

HSL 318.88, 0.81%, 0.48%

LAB 49.85, 77.89, -22.12

 

CMYK 0 / 78 / 24 / 9

HEX #E933B0

RGB 233 51 176

HSL 318.79, 0.81%, 0.56%

LAB 54.89, 77.15, -24.77

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 48 / 15 / 5

HEX #F17ECD

RGB 241 126 205

HSL 318.78, 0.8%, 0.72%

LAB 68.04, 53.79, -21.06

 

CMYK 0 / 33 / 11 / 4

HEX #F5A3DB

RGB 245 163 219

HSL 319.02, 0.8%, 0.8%

LAB 76.51, 38.44, -15.91

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 31 / 63 / 7

HEX #EDA358

RGB 237 163 88

HSL 30.2, 0.81%, 0.64%

LAB 72.83, 20.16, 49.23

 

CMYK 63 / 0 / 6 / 7

HEX #58EDDE

RGB 88 237 222

HSL 173.96, 0.81%, 0.64%

LAB 85.96, -42.74, -4.45

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 19 / 0 / 63 / 7

HEX #C0ED58

RGB 192 237 88

HSL 78.12, 0.81%, 0.64%

LAB 88.2, -35.57, 65.23

 

CMYK 63 / 19 / 0 / 7

HEX #58C0ED

RGB 88 192 237

HSL 198.12, 0.81%, 0.64%

LAB 73.47, -16.8, -31.3

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 31 / 63 / 7

HEX #EDA358

RGB 237 163 88

HSL 30.2, 0.81%, 0.64%

LAB 72.83, 20.16, 49.23

 

CMYK 63 / 0 / 44 / 7

HEX #58ED85

RGB 88 237 133

HSL 138.12, 0.81%, 0.64%

LAB 84.14, -61.55, 38.89

 

CMYK 63 / 31 / 0 / 7

HEX #58A3ED

RGB 88 163 237

HSL 209.8, 0.81%, 0.64%

LAB 65.27, -0.98, -44.08

 

CMYK 0 / 63 / 20 / 7

HEX #ED58BE

RGB 237 88 190

HSL 318.93, 0.81%, 0.64%

LAB 60.52, 67.55, -24.14

 

CMYK 0 / 13 / 63 / 7

HEX #EDCF58

RGB 237 207 88

HSL 47.92, 0.81%, 0.64%

LAB 83.62, -2.87, 61.29

 

CMYK 63 / 0 / 44 / 7

HEX #58ED85

RGB 88 237 133

HSL 138.12, 0.81%, 0.64%

LAB 84.14, -61.55, 38.89

 

CMYK 63 / 50 / 0 / 7

HEX #5876ED

RGB 88 118 237

HSL 227.92, 0.81%, 0.64%

LAB 53.11, 25.81, -63.43

 

Description

Color code: HEX #ED58BE | qconv.com Color code: HEX #ED58BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 88 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 88 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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