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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED5E7C it is the complementary color #12A183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED5E7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED5E7C shade: #F25E77, #FF708A, #FF829D, #FF94B0 and #FFA6C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED5E7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED5E7C shade: #ED5E7C, #DC4C69, #CB3A56, #BA2843 and #A91630

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED5E7C shade: #ED5E7C and #ED5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED5E7C shade: #ED5E7C, #ED5EA2, #ED5EC9, #EA5EED and #C35EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED5E7C shade matches the following richer shades: #ED5E7C and #FB4F73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED5E7C shade: #ED5E7C, #DE6C84, #D07B8D, #C18995 and #B3989D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED5E7C shade: #ED5EC9, #ED5EA3, #ED5E7D, #ED655E and #ED8B5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED5E7C shade: #E01842, #E9395E, #ED5E7C, #F1839A and #F5A8B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED5E7C shade: #ED5E7C, #EDEA5E and #5EB6ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED5E7C shade: #ED5E7C, #7DED5E and #5E7DED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED5E7C shade: #ED5E7C, #EDEA5E, #5EEDCE and #5E60ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED5E7C shade: #ED5E7C, #C4ED5E, #5EEDCE and #865EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

Complementary color

CMYK 89 / 0 / 19 / 37

HEX #12A183

RGB 18 161 131

HSL 167.41, 0.8%, 0.35%

LAB 59.21, -41.97, 5.86

 

CMYK 0 / 61 / 51 / 5

HEX #F25E77

RGB 242 94 119

HSL 349.86, 0.85%, 0.66%

LAB 60.08, 58.7, 16.39

 

CMYK 0 / 56 / 46 / 0

HEX #FF708A

RGB 255 112 138

HSL 349.09, 1%, 0.72%

LAB 65.5, 56.65, 13.31

 

CMYK 0 / 49 / 38 / 0

HEX #FF829D

RGB 255 130 157

HSL 347.04, 1%, 0.75%

LAB 69.23, 50.08, 7.83

 

CMYK 0 / 42 / 31 / 0

HEX #FF94B0

RGB 255 148 176

HSL 344.3, 1%, 0.79%

LAB 73.27, 43.34, 3.05

 

CMYK 0 / 35 / 24 / 0

HEX #FFA6C3

RGB 255 166 195

HSL 340.45, 1%, 0.83%

LAB 77.56, 36.61, -1.13

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 65 / 52 / 14

HEX #DC4C69

RGB 220 76 105

HSL 347.92, 0.67%, 0.58%

LAB 53.39, 58.09, 14.83

 

CMYK 0 / 71 / 58 / 20

HEX #CB3A56

RGB 203 58 86

HSL 348.41, 0.58%, 0.51%

LAB 47.49, 58.33, 17.74

 

CMYK 0 / 78 / 64 / 27

HEX #BA2843

RGB 186 40 67

HSL 348.9, 0.65%, 0.44%

LAB 41.79, 58.02, 21.32

 

CMYK 0 / 87 / 72 / 34

HEX #A91630

RGB 169 22 48

HSL 349.39, 0.77%, 0.37%

LAB 36.41, 56.82, 25.75

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 60 / 32 / 7

HEX #ED5EA2

RGB 237 94 162

HSL 331.47, 0.8%, 0.65%

LAB 60.44, 61.49, -8.16

 

CMYK 0 / 60 / 15 / 7

HEX #ED5EC9

RGB 237 94 201

HSL 315.1, 0.8%, 0.65%

LAB 61.85, 66.64, -28.35

 

CMYK 1 / 60 / 0 / 7

HEX #EA5EED

RGB 234 94 237

HSL 298.74, 0.8%, 0.65%

LAB 63.02, 71.51, -46.76

 

CMYK 18 / 60 / 0 / 7

HEX #C35EED

RGB 195 94 237

HSL 282.38, 0.8%, 0.65%

LAB 57.77, 62.23, -55.42

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 69 / 54 / 2

HEX #FB4F73

RGB 251 79 115

HSL 347.44, 0.96%, 0.65%

LAB 59.29, 67.12, 17.87

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 51 / 41 / 13

HEX #DE6C84

RGB 222 108 132

HSL 347.37, 0.63%, 0.65%

LAB 59.82, 46.81, 8.04

 

CMYK 0 / 41 / 32 / 18

HEX #D07B8D

RGB 208 123 141

HSL 347.29, 0.47%, 0.65%

LAB 61.22, 35.19, 4.61

 

CMYK 0 / 29 / 23 / 24

HEX #C18995

RGB 193 137 149

HSL 347.14, 0.31%, 0.65%

LAB 62.84, 23.14, 2.17

 

CMYK 0 / 15 / 12 / 30

HEX #B3989D

RGB 179 152 157

HSL 348.89, 0.15%, 0.65%

LAB 65.34, 10.85, 1.1

 

CMYK 0 / 60 / 15 / 7

HEX #ED5EC9

RGB 237 94 201

HSL 315.1, 0.8%, 0.65%

LAB 61.85, 66.64, -28.35

 

CMYK 0 / 60 / 31 / 7

HEX #ED5EA3

RGB 237 94 163

HSL 331.05, 0.8%, 0.65%

LAB 60.48, 61.61, -8.69

 

CMYK 0 / 60 / 47 / 7

HEX #ED5E7D

RGB 237 94 125

HSL 346.99, 0.8%, 0.65%

LAB 59.43, 57.62, 11.87

 

CMYK 0 / 57 / 60 / 7

HEX #ED655E

RGB 237 101 94

HSL 2.94, 0.8%, 0.65%

LAB 60, 52.05, 30.51

 

CMYK 0 / 41 / 60 / 7

HEX #ED8B5E

RGB 237 139 94

HSL 18.88, 0.8%, 0.65%

LAB 67.49, 33.22, 39.85

 

CMYK 0 / 89 / 71 / 12

HEX #E01842

RGB 224 24 66

HSL 347.4, 0.81%, 0.49%

LAB 48.13, 71.61, 31.5

 

CMYK 0 / 76 / 60 / 9

HEX #E9395E

RGB 233 57 94

HSL 347.39, 0.8%, 0.57%

LAB 53.01, 67.9, 21.27

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 46 / 36 / 5

HEX #F1839A

RGB 241 131 154

HSL 347.45, 0.8%, 0.73%

LAB 67.48, 44.42, 6.77

 

CMYK 0 / 31 / 25 / 4

HEX #F5A8B8

RGB 245 168 184

HSL 347.53, 0.79%, 0.81%

LAB 76.61, 30.5, 3.34

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 1 / 60 / 7

HEX #EDEA5E

RGB 237 234 94

HSL 58.74, 0.8%, 0.65%

LAB 90.62, -16, 66.33

 

CMYK 60 / 23 / 0 / 7

HEX #5EB6ED

RGB 94 182 237

HSL 203.08, 0.8%, 0.65%

LAB 70.84, -10.43, -35.36

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 47 / 0 / 60 / 7

HEX #7DED5E

RGB 125 237 94

HSL 106.99, 0.8%, 0.65%

LAB 84.86, -57.69, 58.11

 

CMYK 60 / 47 / 0 / 7

HEX #5E7DED

RGB 94 125 237

HSL 226.99, 0.8%, 0.65%

LAB 55.24, 22.58, -59.99

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 0 / 1 / 60 / 7

HEX #EDEA5E

RGB 237 234 94

HSL 58.74, 0.8%, 0.65%

LAB 90.62, -16, 66.33

 

CMYK 60 / 0 / 13 / 7

HEX #5EEDCE

RGB 94 237 206

HSL 166.99, 0.8%, 0.65%

LAB 85.71, -45.72, 3.59

 

CMYK 60 / 59 / 0 / 7

HEX #5E60ED

RGB 94 96 237

HSL 239.16, 0.8%, 0.65%

LAB 48.08, 40.18, -71.55

 

CMYK 0 / 60 / 48 / 7

HEX #ED5E7C

RGB 237 94 124

HSL 347.41, 0.8%, 0.65%

LAB 59.4, 57.53, 12.42

 

CMYK 17 / 0 / 60 / 7

HEX #C4ED5E

RGB 196 237 94

HSL 77.2, 0.8%, 0.65%

LAB 88.5, -33.6, 63.17

 

CMYK 60 / 0 / 13 / 7

HEX #5EEDCE

RGB 94 237 206

HSL 166.99, 0.8%, 0.65%

LAB 85.71, -45.72, 3.59

 

CMYK 43 / 60 / 0 / 7

HEX #865EED

RGB 134 94 237

HSL 256.78, 0.8%, 0.65%

LAB 50.91, 48.68, -66.82

 

Description

Color code: HEX #ED5E7C | qconv.com Color code: HEX #ED5E7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 94 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 94 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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