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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED5EB7 it is the complementary color #12A148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED5EB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED5EB7 shade: #F25EB2, #FF70C5, #FF82D8, #FF94EB and #FFA6FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED5EB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED5EB7 shade: #ED5EB7, #DC4CA4, #CB3A91, #BA287E and #A9166B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED5EB7 shade: #ED5EB7, #ED5E90, #ED5E6A and #ED5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED5EB7 shade: #ED5EB7, #ED5EDD, #D65EED, #AF5EED and #895EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED5EB7 shade matches the following richer shades: #ED5EB7 and #FB4FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED5EB7 shade: #ED5EB7, #DE6CB3, #D07BB0, #C189AC and #B398A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED5EB7 shade: #D55EED, #ED5EDE, #ED5EB8, #ED5E92 and #ED5E6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED5EB7 shade: #E01894, #E939A6, #ED5EB7, #F183C7 and #F5A8D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED5EB7 shade: #ED5EB7, #EDAF5E and #5EEDE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED5EB7 shade: #ED5EB7, #B8ED5E and #5EB8ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED5EB7 shade: #ED5EB7, #EDAF5E, #5EED92 and #5E9CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED5EB7 shade: #ED5EB7, #EDDA5E, #5EED92 and #5E71ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

Complementary color

CMYK 89 / 0 / 55 / 37

HEX #12A148

RGB 18 161 72

HSL 142.66, 0.8%, 0.35%

LAB 58.12, -54.39, 36.31

 

CMYK 0 / 61 / 26 / 5

HEX #F25EB2

RGB 242 94 178

HSL 325.95, 0.85%, 0.66%

LAB 61.74, 64.9, -15.35

 

CMYK 0 / 56 / 23 / 0

HEX #FF70C5

RGB 255 112 197

HSL 324.34, 1%, 0.72%

LAB 67.19, 63.36, -17.7

 

CMYK 0 / 49 / 15 / 0

HEX #FF82D8

RGB 255 130 216

HSL 318.72, 1%, 0.75%

LAB 71, 57.75, -22.5

 

CMYK 0 / 42 / 8 / 0

HEX #FF94EB

RGB 255 148 235

HSL 311.21, 1%, 0.79%

LAB 75.1, 51.93, -26.67

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FE

RGB 255 166 254

HSL 300.67, 1%, 0.83%

LAB 79.44, 46.04, -30.3

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 65 / 25 / 14

HEX #DC4CA4

RGB 220 76 164

HSL 323.33, 0.67%, 0.58%

LAB 55.14, 64.28, -17.57

 

CMYK 0 / 71 / 29 / 20

HEX #CB3A91

RGB 203 58 145

HSL 324, 0.58%, 0.51%

LAB 49.21, 64.02, -15.61

 

CMYK 0 / 78 / 32 / 27

HEX #BA287E

RGB 186 40 126

HSL 324.66, 0.65%, 0.44%

LAB 43.45, 63.13, -13.11

 

CMYK 0 / 87 / 37 / 34

HEX #A9166B

RGB 169 22 107

HSL 325.31, 0.77%, 0.37%

LAB 37.97, 61.28, -9.87

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 60 / 39 / 7

HEX #ED5E90

RGB 237 94 144

HSL 339.02, 0.8%, 0.65%

LAB 59.91, 59.48, 1.5

 

CMYK 0 / 60 / 55 / 7

HEX #ED5E6A

RGB 237 94 106

HSL 354.97, 0.8%, 0.65%

LAB 59.02, 56.04, 22.36

 

CMYK 0 / 60 / 60 / 7

HEX #ED5E5E

RGB 237 94 94

HSL 0, 0.8%, 0.65%

LAB 58.81, 55.19, 28.98

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 60 / 7 / 7

HEX #ED5EDD

RGB 237 94 221

HSL 306.71, 0.8%, 0.65%

LAB 62.7, 69.65, -38.3

 

CMYK 10 / 60 / 0 / 7

HEX #D65EED

RGB 214 94 237

HSL 290.35, 0.8%, 0.65%

LAB 60.26, 66.73, -51.3

 

CMYK 26 / 60 / 0 / 7

HEX #AF5EED

RGB 175 94 237

HSL 273.99, 0.8%, 0.65%

LAB 55.31, 57.6, -59.49

 

CMYK 42 / 60 / 0 / 7

HEX #895EED

RGB 137 94 237

HSL 258.04, 0.8%, 0.65%

LAB 51.2, 49.29, -66.34

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 69 / 26 / 2

HEX #FB4FBA

RGB 251 79 186

HSL 322.67, 0.96%, 0.65%

LAB 61.35, 74.08, -20.39

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 51 / 19 / 13

HEX #DE6CB3

RGB 222 108 179

HSL 322.63, 0.63%, 0.65%

LAB 61.23, 52.8, -16.97

 

CMYK 0 / 41 / 15 / 18

HEX #D07BB0

RGB 208 123 176

HSL 322.59, 0.47%, 0.65%

LAB 62.26, 40.24, -13.87

 

CMYK 0 / 29 / 11 / 24

HEX #C189AC

RGB 193 137 172

HSL 322.5, 0.31%, 0.65%

LAB 63.51, 26.85, -9.9

 

CMYK 0 / 15 / 6 / 30

HEX #B398A9

RGB 179 152 169

HSL 322.22, 0.15%, 0.65%

LAB 65.67, 12.97, -5.14

 

CMYK 10 / 60 / 0 / 7

HEX #D55EED

RGB 213 94 237

HSL 289.93, 0.8%, 0.65%

LAB 60.13, 66.49, -51.53

 

CMYK 0 / 60 / 6 / 7

HEX #ED5EDE

RGB 237 94 222

HSL 306.29, 0.8%, 0.65%

LAB 62.75, 69.81, -38.79

 

CMYK 0 / 60 / 22 / 7

HEX #ED5EB8

RGB 237 94 184

HSL 322.24, 0.8%, 0.65%

LAB 61.19, 64.27, -19.68

 

CMYK 0 / 60 / 38 / 7

HEX #ED5E92

RGB 237 94 146

HSL 338.18, 0.8%, 0.65%

LAB 59.97, 59.69, 0.42

 

CMYK 0 / 60 / 54 / 7

HEX #ED5E6C

RGB 237 94 108

HSL 354.13, 0.8%, 0.65%

LAB 59.06, 56.2, 21.25

 

CMYK 0 / 89 / 34 / 12

HEX #E01894

RGB 224 24 148

HSL 322.8, 0.81%, 0.49%

LAB 50.26, 77.53, -15.46

 

CMYK 0 / 76 / 29 / 9

HEX #E939A6

RGB 233 57 166

HSL 322.84, 0.8%, 0.57%

LAB 55.08, 74.33, -18.64

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 46 / 17 / 5

HEX #F183C7

RGB 241 131 199

HSL 322.91, 0.8%, 0.73%

LAB 68.79, 50.41, -16.57

 

CMYK 0 / 31 / 12 / 4

HEX #F5A8D8

RGB 245 168 216

HSL 322.6, 0.79%, 0.81%

LAB 77.5, 35.33, -12.78

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 26 / 60 / 7

HEX #EDAF5E

RGB 237 175 94

HSL 33.99, 0.8%, 0.65%

LAB 75.74, 14.21, 49.68

 

CMYK 60 / 0 / 2 / 7

HEX #5EEDE8

RGB 94 237 232

HSL 177.9, 0.8%, 0.65%

LAB 86.39, -39.16, -9.06

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 22 / 0 / 60 / 7

HEX #B8ED5E

RGB 184 237 94

HSL 82.24, 0.8%, 0.65%

LAB 87.76, -38.11, 62.15

 

CMYK 60 / 22 / 0 / 7

HEX #5EB8ED

RGB 94 184 237

HSL 202.24, 0.8%, 0.65%

LAB 71.4, -11.51, -34.48

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 26 / 60 / 7

HEX #EDAF5E

RGB 237 175 94

HSL 33.99, 0.8%, 0.65%

LAB 75.74, 14.21, 49.68

 

CMYK 60 / 0 / 38 / 7

HEX #5EED92

RGB 94 237 146

HSL 141.82, 0.8%, 0.65%

LAB 84.5, -58.2, 32.91

 

CMYK 60 / 34 / 0 / 7

HEX #5E9CED

RGB 94 156 237

HSL 213.99, 0.8%, 0.65%

LAB 63.57, 4.12, -46.74

 

CMYK 0 / 60 / 23 / 7

HEX #ED5EB7

RGB 237 94 183

HSL 322.66, 0.8%, 0.65%

LAB 61.16, 64.14, -19.16

 

CMYK 0 / 8 / 60 / 7

HEX #EDDA5E

RGB 237 218 94

HSL 52.03, 0.8%, 0.65%

LAB 86.48, -8.06, 61.82

 

CMYK 60 / 0 / 38 / 7

HEX #5EED92

RGB 94 237 146

HSL 141.82, 0.8%, 0.65%

LAB 84.5, -58.2, 32.91

 

CMYK 60 / 52 / 0 / 7

HEX #5E71ED

RGB 94 113 237

HSL 232.03, 0.8%, 0.65%

LAB 52.18, 29.89, -64.91

 

Description

Color code: HEX #ED5EB7 | qconv.com Color code: HEX #ED5EB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 94 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 94 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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