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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED6DBA it is the complementary color #129245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED6DBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED6DBA shade: #F26DB5, #FF7FC8, #FF91DB, #FFA3EE and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED6DBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED6DBA shade: #ED6DBA, #DC5BA7, #CB4994, #BA3781 and #A9256E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED6DBA shade: #ED6DBA, #ED6D97, #ED6D75 and #ED6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED6DBA shade: #ED6DBA, #ED6DDC, #DB6DED, #B86DED and #966DED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED6DBA shade matches the following richer shades: #ED6DBA and #FA60BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED6DBA shade: #ED6DBA, #DF7AB7, #D288B4, #C595B2 and #B8A2AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED6DBA shade: #D96DED, #ED6DDE, #ED6DBC, #ED6D9A and #ED6D78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED6DBA shade: #E32497, #E849A8, #ED6DBA, #F192CB and #F6B7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED6DBA shade: #ED6DBA, #EDB86D and #6DEDEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED6DBA shade: #ED6DBA, #BCED6D and #6DBCED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED6DBA shade: #ED6DBA, #EDB86D, #6DED9E and #6DA2ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED6DBA shade: #ED6DBA, #EDDE6D, #6DED9E and #6D7CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

Complementary color

CMYK 88 / 0 / 53 / 43

HEX #129245

RGB 18 146 69

HSL 143.91, 0.78%, 0.32%

LAB 53.08, -49.71, 31.67

 

CMYK 0 / 55 / 25 / 5

HEX #F26DB5

RGB 242 109 181

HSL 327.52, 0.84%, 0.69%

LAB 64.28, 58.73, -13.22

 

CMYK 0 / 50 / 22 / 0

HEX #FF7FC8

RGB 255 127 200

HSL 325.78, 1%, 0.75%

LAB 69.9, 56.87, -15.28

 

CMYK 0 / 43 / 14 / 0

HEX #FF91DB

RGB 255 145 219

HSL 319.64, 1%, 0.78%

LAB 73.95, 50.88, -19.67

 

CMYK 0 / 36 / 7 / 0

HEX #FFA3EE

RGB 255 163 238

HSL 311.09, 1%, 0.82%

LAB 78.24, 44.81, -23.5

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 59 / 24 / 14

HEX #DC5BA7

RGB 220 91 167

HSL 324.65, 0.65%, 0.61%

LAB 57.55, 58.4, -15.66

 

CMYK 0 / 64 / 27 / 20

HEX #CB4994

RGB 203 73 148

HSL 325.38, 0.56%, 0.54%

LAB 51.38, 58.68, -14.1

 

CMYK 0 / 70 / 31 / 27

HEX #BA3781

RGB 186 55 129

HSL 326.11, 0.54%, 0.47%

LAB 45.3, 58.59, -12.15

 

CMYK 0 / 78 / 35 / 34

HEX #A9256E

RGB 169 37 110

HSL 326.82, 0.64%, 0.4%

LAB 39.38, 57.87, -9.62

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 54 / 36 / 7

HEX #ED6D97

RGB 237 109 151

HSL 340.31, 0.78%, 0.68%

LAB 62.66, 53.47, 1.44

 

CMYK 0 / 54 / 51 / 7

HEX #ED6D75

RGB 237 109 117

HSL 356.25, 0.78%, 0.68%

LAB 61.85, 50.07, 19.84

 

CMYK 0 / 54 / 54 / 7

HEX #ED6D6D

RGB 237 109 109

HSL 0, 0.78%, 0.68%

LAB 61.69, 49.41, 24.2

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 54 / 7 / 7

HEX #ED6DDC

RGB 237 109 220

HSL 307.97, 0.78%, 0.68%

LAB 65.05, 63, -34.09

 

CMYK 8 / 54 / 0 / 7

HEX #DB6DED

RGB 219 109 237

HSL 291.56, 0.78%, 0.68%

LAB 63.44, 61.15, -46.24

 

CMYK 22 / 54 / 0 / 7

HEX #B86DED

RGB 184 109 237

HSL 275.16, 0.78%, 0.68%

LAB 59.2, 52.19, -53.23

 

CMYK 37 / 54 / 0 / 7

HEX #966DED

RGB 150 109 237

HSL 259.22, 0.78%, 0.68%

LAB 55.62, 43.89, -59.15

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 62 / 24 / 2

HEX #FA60BD

RGB 250 96 189

HSL 323.77, 0.94%, 0.68%

LAB 63.64, 67.72, -18.62

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 45 / 18 / 13

HEX #DF7AB7

RGB 223 122 183

HSL 323.76, 0.61%, 0.68%

LAB 64.18, 46.78, -14.76

 

CMYK 0 / 35 / 14 / 18

HEX #D288B4

RGB 210 136 180

HSL 324.32, 0.45%, 0.68%

LAB 65.44, 34.64, -11.33

 

CMYK 0 / 24 / 10 / 23

HEX #C595B2

RGB 197 149 178

HSL 323.75, 0.29%, 0.68%

LAB 66.96, 22.67, -8.09

 

CMYK 0 / 12 / 5 / 28

HEX #B8A2AF

RGB 184 162 175

HSL 324.55, 0.13%, 0.68%

LAB 68.84, 10.32, -3.77

 

CMYK 8 / 54 / 0 / 7

HEX #D96DED

RGB 217 109 237

HSL 290.63, 0.78%, 0.68%

LAB 63.18, 60.63, -46.66

 

CMYK 0 / 54 / 6 / 7

HEX #ED6DDE

RGB 237 109 222

HSL 307.03, 0.78%, 0.68%

LAB 65.13, 63.32, -35.07

 

CMYK 0 / 54 / 21 / 7

HEX #ED6DBC

RGB 237 109 188

HSL 322.97, 0.78%, 0.68%

LAB 63.81, 58.18, -17.97

 

CMYK 0 / 54 / 35 / 7

HEX #ED6D9A

RGB 237 109 154

HSL 338.91, 0.78%, 0.68%

LAB 62.74, 53.81, -0.16

 

CMYK 0 / 54 / 49 / 7

HEX #ED6D78

RGB 237 109 120

HSL 354.84, 0.78%, 0.68%

LAB 61.91, 50.33, 18.21

 

CMYK 0 / 84 / 33 / 11

HEX #E32497

RGB 227 36 151

HSL 323.87, 0.77%, 0.52%

LAB 51.64, 76.45, -15.1

 

CMYK 0 / 69 / 28 / 9

HEX #E849A8

RGB 232 73 168

HSL 324.15, 0.78%, 0.6%

LAB 56.83, 69.11, -17.16

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 39 / 16 / 5

HEX #F192CB

RGB 241 146 203

HSL 324, 0.77%, 0.76%

LAB 71.94, 43.42, -14.05

 

CMYK 0 / 26 / 10 / 4

HEX #F6B7DD

RGB 246 183 221

HSL 323.81, 0.78%, 0.84%

LAB 81.12, 28.57, -10.09

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 22 / 54 / 7

HEX #EDB86D

RGB 237 184 109

HSL 35.16, 0.78%, 0.68%

LAB 78.1, 10.59, 45.1

 

CMYK 54 / 0 / 1 / 7

HEX #6DEDEA

RGB 109 237 234

HSL 178.59, 0.78%, 0.68%

LAB 86.88, -35.97, -9.34

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 21 / 0 / 54 / 7

HEX #BCED6D

RGB 188 237 109

HSL 82.97, 0.78%, 0.68%

LAB 88.14, -35.33, 56.12

 

CMYK 54 / 21 / 0 / 7

HEX #6DBCED

RGB 109 188 237

HSL 202.97, 0.78%, 0.68%

LAB 73.11, -10.73, -31.8

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 22 / 54 / 7

HEX #EDB86D

RGB 237 184 109

HSL 35.16, 0.78%, 0.68%

LAB 78.1, 10.59, 45.1

 

CMYK 54 / 0 / 33 / 7

HEX #6DED9E

RGB 109 237 158

HSL 142.97, 0.78%, 0.68%

LAB 85.14, -52.83, 27.78

 

CMYK 54 / 32 / 0 / 7

HEX #6DA2ED

RGB 109 162 237

HSL 215.16, 0.78%, 0.68%

LAB 65.91, 3.66, -43

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DBA

RGB 237 109 186

HSL 323.91, 0.78%, 0.68%

LAB 63.74, 57.9, -16.94

 

CMYK 0 / 6 / 54 / 7

HEX #EDDE6D

RGB 237 222 109

HSL 52.97, 0.78%, 0.68%

LAB 87.66, -8.99, 56.45

 

CMYK 54 / 0 / 33 / 7

HEX #6DED9E

RGB 109 237 158

HSL 142.97, 0.78%, 0.68%

LAB 85.14, -52.83, 27.78

 

CMYK 54 / 48 / 0 / 7

HEX #6D7CED

RGB 109 124 237

HSL 232.97, 0.78%, 0.68%

LAB 55.87, 26.06, -58.93

 

Description

Color code: HEX #ED6DBA | qconv.com Color code: HEX #ED6DBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 109 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 109 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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