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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED6E4D it is the complementary color #1291B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED6E4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED6E4D shade: #F26E48, #FF805B, #FF926E, #FFA481 and #FFB694

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED6E4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED6E4D shade: #ED6E4D, #DC5C3A, #CB4A27, #BA3814 and #A92601

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED6E4D shade: #ED6F4E and #ED4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED6E4D shade: #ED6F4E, #ED9A4E, #EDC54E, #EBED4E and #C0ED4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED6E4D shade matches the following richer shades: #ED6F4E and #FD663E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED6E4D shade: #ED6F4E, #DD785E, #CE816D, #BE8B7D and #AE948D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED6E4D shade: #ED4E83, #ED4E59, #ED6E4E, #ED984E and #EDC34E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED6E4D shade: #D43C15, #E95029, #ED6F4E, #F18D74 and #F4AC99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED6E4D shade: #ED6E4D, #ADED4E and #4E6EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED6E4D shade: #ED6E4D, #4EED6E and #6E4EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED6E4D shade: #ED6E4D, #ADED4E, #4ECDED and #8E4EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED6E4D shade: #ED6E4D, #7EED4E, #4ECDED and #BD4EED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 68 / 7

HEX #ED6E4D

RGB 237 110 77

HSL 12.38, 0.82%, 0.62%

LAB 61.39, 46.79, 41.58

 

Complementary color

CMYK 90 / 19 / 0 / 30

HEX #1291B2

RGB 18 145 178

HSL 192.38, 0.82%, 0.38%

LAB 55.68, -19.66, -26.16

 

CMYK 0 / 55 / 70 / 5

HEX #F26E48

RGB 242 110 72

HSL 13.41, 0.87%, 0.62%

LAB 62.08, 48.36, 45.2

 

CMYK 0 / 50 / 64 / 0

HEX #FF805B

RGB 255 128 91

HSL 13.54, 1%, 0.68%

LAB 67.62, 45.48, 42.16

 

CMYK 0 / 43 / 57 / 0

HEX #FF926E

RGB 255 146 110

HSL 14.9, 1%, 0.72%

LAB 71.52, 37.74, 36.87

 

CMYK 0 / 36 / 49 / 0

HEX #FFA481

RGB 255 164 129

HSL 16.67, 1%, 0.75%

LAB 75.7, 30.01, 32.11

 

CMYK 0 / 29 / 42 / 0

HEX #FFB694

RGB 255 182 148

HSL 19.07, 1%, 0.79%

LAB 80.1, 22.46, 27.83

 

CMYK 0 / 54 / 68 / 7

HEX #ED6E4D

RGB 237 110 77

HSL 12.38, 0.82%, 0.62%

LAB 61.39, 46.79, 41.58

 

CMYK 0 / 58 / 74 / 14

HEX #DC5C3A

RGB 220 92 58

HSL 12.59, 0.7%, 0.55%

LAB 55.25, 48.18, 43.97

 

CMYK 0 / 64 / 81 / 20

HEX #CB4A27

RGB 203 74 39

HSL 12.8, 0.68%, 0.47%

LAB 49.18, 49.53, 46.47

 

CMYK 0 / 70 / 89 / 27

HEX #BA3814

RGB 186 56 20

HSL 13.01, 0.81%, 0.4%

LAB 43.24, 50.68, 48.64

 

CMYK 0 / 78 / 99 / 34

HEX #A92601

RGB 169 38 1

HSL 13.21, 0.99%, 0.33%

LAB 37.52, 51.34, 50.04

 

CMYK 0 / 53 / 67 / 7

HEX #ED6F4E

RGB 237 111 78

HSL 12.45, 0.82%, 0.62%

LAB 61.59, 46.36, 41.28

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 53 / 67 / 7

HEX #ED6F4E

RGB 237 111 78

HSL 12.45, 0.82%, 0.62%

LAB 61.59, 46.36, 41.28

 

CMYK 0 / 35 / 67 / 7

HEX #ED9A4E

RGB 237 154 78

HSL 28.68, 0.82%, 0.62%

LAB 70.64, 24.33, 51.59

 

CMYK 0 / 17 / 67 / 7

HEX #EDC54E

RGB 237 197 78

HSL 44.91, 0.82%, 0.62%

LAB 81.01, 1.69, 62.76

 

CMYK 1 / 0 / 67 / 7

HEX #EBED4E

RGB 235 237 78

HSL 60.75, 0.82%, 0.62%

LAB 91.13, -19.2, 73.07

 

CMYK 19 / 0 / 67 / 7

HEX #C0ED4E

RGB 192 237 78

HSL 76.98, 0.82%, 0.62%

LAB 88.12, -36.24, 69.05

 

CMYK 0 / 53 / 67 / 7

HEX #ED6F4E

RGB 237 111 78

HSL 12.45, 0.82%, 0.62%

LAB 61.59, 46.36, 41.28

 

CMYK 0 / 60 / 75 / 1

HEX #FD663E

RGB 253 102 62

HSL 12.57, 0.98%, 0.62%

LAB 62.28, 55.51, 51

 

CMYK 0 / 53 / 67 / 7

HEX #ED6F4E

RGB 237 111 78

HSL 12.45, 0.82%, 0.62%

LAB 61.59, 46.36, 41.28

 

CMYK 0 / 46 / 57 / 13

HEX #DD785E

RGB 221 120 94

HSL 12.28, 0.65%, 0.62%

LAB 61.32, 36.86, 31.71

 

CMYK 0 / 37 / 47 / 19

HEX #CE816D

RGB 206 129 109

HSL 12.37, 0.5%, 0.62%

LAB 61.59, 27.54, 23.32

 

CMYK 0 / 27 / 34 / 25

HEX #BE8B7D

RGB 190 139 125

HSL 12.92, 0.33%, 0.62%

LAB 62.42, 17.52, 15.13

 

CMYK 0 / 15 / 19 / 32

HEX #AE948D

RGB 174 148 141

HSL 12.73, 0.17%, 0.62%

LAB 63.43, 8.54, 7.29

 

CMYK 0 / 67 / 45 / 7

HEX #ED4E83

RGB 237 78 131

HSL 340, 0.82%, 0.62%

LAB 57.16, 64.7, 5.14

 

CMYK 0 / 67 / 62 / 7

HEX #ED4E59

RGB 237 78 89

HSL 355.85, 0.82%, 0.62%

LAB 56.26, 61.5, 28.6

 

CMYK 0 / 54 / 67 / 7

HEX #ED6E4E

RGB 237 110 78

HSL 12.08, 0.82%, 0.62%

LAB 61.4, 46.84, 41.06

 

CMYK 0 / 36 / 67 / 7

HEX #ED984E

RGB 237 152 78

HSL 27.92, 0.82%, 0.62%

LAB 70.18, 25.38, 51.08

 

CMYK 0 / 18 / 67 / 7

HEX #EDC34E

RGB 237 195 78

HSL 44.15, 0.82%, 0.62%

LAB 80.51, 2.72, 62.23

 

CMYK 0 / 72 / 90 / 17

HEX #D43C15

RGB 212 60 21

HSL 12.25, 0.82%, 0.46%

LAB 48.61, 57.72, 54.39

 

CMYK 0 / 66 / 82 / 9

HEX #E95029

RGB 233 80 41

HSL 12.19, 0.81%, 0.54%

LAB 55.3, 57.34, 53.09

 

CMYK 0 / 53 / 67 / 7

HEX #ED6F4E

RGB 237 111 78

HSL 12.45, 0.82%, 0.62%

LAB 61.59, 46.36, 41.28

 

CMYK 0 / 41 / 52 / 5

HEX #F18D74

RGB 241 141 116

HSL 12, 0.82%, 0.7%

LAB 68.76, 35.45, 29.72

 

CMYK 0 / 30 / 37 / 4

HEX #F4AC99

RGB 244 172 153

HSL 12.53, 0.81%, 0.78%

LAB 76.7, 24.06, 20.34

 

CMYK 0 / 54 / 68 / 7

HEX #ED6E4D

RGB 237 110 77

HSL 12.38, 0.82%, 0.62%

LAB 61.39, 46.79, 41.58

 

CMYK 27 / 0 / 67 / 7

HEX #ADED4E

RGB 173 237 78

HSL 84.15, 0.82%, 0.62%

LAB 87, -43.33, 67.53

 

CMYK 67 / 54 / 0 / 7

HEX #4E6EED

RGB 78 110 237

HSL 227.92, 0.82%, 0.62%

LAB 50.55, 29.18, -67.58

 

CMYK 0 / 54 / 68 / 7

HEX #ED6E4D

RGB 237 110 77

HSL 12.38, 0.82%, 0.62%

LAB 61.39, 46.79, 41.58

 

CMYK 67 / 0 / 54 / 7

HEX #4EED6E

RGB 78 237 110

HSL 132.08, 0.82%, 0.62%

LAB 83.61, -66.77, 49.17

 

CMYK 54 / 67 / 0 / 7

HEX #6E4EED

RGB 110 78 237

HSL 252.08, 0.82%, 0.62%

LAB 45.47, 53.01, -75.77

 

CMYK 0 / 54 / 68 / 7

HEX #ED6E4D

RGB 237 110 77

HSL 12.38, 0.82%, 0.62%

LAB 61.39, 46.79, 41.58

 

CMYK 27 / 0 / 67 / 7

HEX #ADED4E

RGB 173 237 78

HSL 84.15, 0.82%, 0.62%

LAB 87, -43.33, 67.53

 

CMYK 67 / 14 / 0 / 7

HEX #4ECDED

RGB 78 205 237

HSL 192.08, 0.82%, 0.62%

LAB 76.92, -25.01, -26.03

 

CMYK 40 / 67 / 0 / 7

HEX #8E4EED

RGB 142 78 237

HSL 264.15, 0.82%, 0.62%

LAB 48.65, 58.57, -70.44

 

CMYK 0 / 54 / 68 / 7

HEX #ED6E4D

RGB 237 110 77

HSL 12.38, 0.82%, 0.62%

LAB 61.39, 46.79, 41.58

 

CMYK 47 / 0 / 67 / 7

HEX #7EED4E

RGB 126 237 78

HSL 101.89, 0.82%, 0.62%

LAB 84.77, -58.83, 64.51

 

CMYK 67 / 14 / 0 / 7

HEX #4ECDED

RGB 78 205 237

HSL 192.08, 0.82%, 0.62%

LAB 76.92, -25.01, -26.03

 

CMYK 20 / 67 / 0 / 7

HEX #BD4EED

RGB 189 78 237

HSL 281.89, 0.82%, 0.62%

LAB 54.43, 67.96, -60.82

 

Description

Color code: HEX #ED6E4D | qconv.com Color code: HEX #ED6E4D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 110 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 110 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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