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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED77AE it is the complementary color #128851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED77AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED77AE shade: #F277A9, #FF89BC, #FF9BCF, #FFADE2 and #FFBFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED77AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED77AE shade: #ED77AE, #DC659B, #CB5388, #BA4175 and #A92F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED77AE shade: #ED77AE, #ED778E and #ED7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED77AE shade: #ED77AE, #ED77CE, #EC77ED, #CC77ED and #AD77ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED77AE shade matches the following richer shades: #ED77AE and #F96BAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED77AE shade: #ED77AE, #E183AF, #D490B0, #C89CB1 and #BBA9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED77AE shade: #ED77ED, #ED77CD, #ED77AE, #ED778F and #ED7F77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED77AE shade: #E32E83, #E85398, #ED77AE, #F29CC4 and #F6C0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED77AE shade: #ED77AE, #EDCD77 and #77DDED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED77AE shade: #ED77AE, #AEED77 and #77AEED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED77AE shade: #ED77AE, #EDCD77, #77EDB6 and #7797ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED77AE shade: #ED77AE, #E9ED77, #77EDB6 and #7B77ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

Complementary color

CMYK 87 / 0 / 40 / 47

HEX #128851

RGB 18 136 81

HSL 152.03, 0.77%, 0.3%

LAB 49.9, -43.82, 21.13

 

CMYK 0 / 51 / 30 / 5

HEX #F277A9

RGB 242 119 169

HSL 335.61, 0.83%, 0.71%

LAB 65.7, 52.49, -4.29

 

CMYK 0 / 46 / 26 / 0

HEX #FF89BC

RGB 255 137 188

HSL 334.07, 1%, 0.77%

LAB 71.41, 50.4, -6.34

 

CMYK 0 / 39 / 19 / 0

HEX #FF9BCF

RGB 255 155 207

HSL 328.8, 1%, 0.8%

LAB 75.58, 44.01, -10.63

 

CMYK 0 / 32 / 11 / 0

HEX #FFADE2

RGB 255 173 226

HSL 321.22, 1%, 0.84%

LAB 79.98, 37.65, -14.39

 

CMYK 0 / 25 / 4 / 0

HEX #FFBFF5

RGB 255 191 245

HSL 309.38, 1%, 0.87%

LAB 84.54, 31.43, -17.71

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 54 / 30 / 14

HEX #DC659B

RGB 220 101 155

HSL 332.77, 0.63%, 0.63%

LAB 58.87, 52.24, -6.71

 

CMYK 0 / 59 / 33 / 20

HEX #CB5388

RGB 203 83 136

HSL 333.5, 0.54%, 0.56%

LAB 52.58, 52.85, -5.18

 

CMYK 0 / 65 / 37 / 27

HEX #BA4175

RGB 186 65 117

HSL 334.21, 0.48%, 0.49%

LAB 46.32, 53.24, -3.3

 

CMYK 0 / 72 / 42 / 34

HEX #A92F62

RGB 169 47 98

HSL 334.92, 0.56%, 0.42%

LAB 40.16, 53.23, -0.92

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 50 / 40 / 7

HEX #ED778E

RGB 237 119 142

HSL 348.31, 0.77%, 0.7%

LAB 64.28, 47.66, 8.94

 

CMYK 0 / 50 / 50 / 7

HEX #ED7777

RGB 237 119 119

HSL 0, 0.77%, 0.7%

LAB 63.78, 45.4, 21.33

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 50 / 13 / 7

HEX #ED77CE

RGB 237 119 206

HSL 315.76, 0.77%, 0.7%

LAB 66.26, 56.12, -24.39

 

CMYK 0 / 50 / 0 / 7

HEX #EC77ED

RGB 236 119 237

HSL 299.49, 0.77%, 0.7%

LAB 67.38, 60.94, -39.89

 

CMYK 14 / 50 / 0 / 7

HEX #CC77ED

RGB 204 119 237

HSL 283.22, 0.77%, 0.7%

LAB 63.46, 52.27, -46.32

 

CMYK 27 / 50 / 0 / 7

HEX #AD77ED

RGB 173 119 237

HSL 267.46, 0.77%, 0.7%

LAB 60.06, 44.06, -51.92

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 57 / 31 / 2

HEX #F96BAD

RGB 249 107 173

HSL 332.11, 0.92%, 0.7%

LAB 64.7, 60.74, -7.94

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 42 / 22 / 12

HEX #E183AF

RGB 225 131 175

HSL 331.91, 0.61%, 0.7%

LAB 66.01, 41.64, -7.48

 

CMYK 0 / 32 / 17 / 17

HEX #D490B0

RGB 212 144 176

HSL 331.76, 0.44%, 0.7%

LAB 67.34, 30.38, -6.24

 

CMYK 0 / 22 / 12 / 22

HEX #C89CB1

RGB 200 156 177

HSL 331.36, 0.29%, 0.7%

LAB 68.92, 19.72, -4.6

 

CMYK 0 / 10 / 5 / 27

HEX #BBA9B1

RGB 187 169 177

HSL 333.33, 0.12%, 0.7%

LAB 70.95, 7.91, -1.75

 

CMYK 0 / 50 / 0 / 7

HEX #ED77ED

RGB 237 119 237

HSL 300, 0.77%, 0.7%

LAB 67.51, 61.21, -39.68

 

CMYK 0 / 50 / 14 / 7

HEX #ED77CD

RGB 237 119 205

HSL 316.27, 0.77%, 0.7%

LAB 66.22, 55.97, -23.89

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 50 / 40 / 7

HEX #ED778F

RGB 237 119 143

HSL 347.8, 0.77%, 0.7%

LAB 64.31, 47.77, 8.4

 

CMYK 0 / 46 / 50 / 7

HEX #ED7F77

RGB 237 127 119

HSL 4.07, 0.77%, 0.7%

LAB 65.37, 41.39, 23.47

 

CMYK 0 / 80 / 42 / 11

HEX #E32E83

RGB 227 46 131

HSL 331.82, 0.76%, 0.54%

LAB 51.75, 72.24, -2.95

 

CMYK 0 / 64 / 34 / 9

HEX #E85398

RGB 232 83 152

HSL 332.21, 0.76%, 0.62%

LAB 57.66, 63.44, -6.56

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 36 / 19 / 5

HEX #F29CC4

RGB 242 156 196

HSL 332.09, 0.77%, 0.78%

LAB 73.96, 37.49, -7.16

 

CMYK 0 / 22 / 12 / 4

HEX #F6C0D9

RGB 246 192 217

HSL 332.22, 0.75%, 0.86%

LAB 83.07, 23.15, -5.04

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 14 / 50 / 7

HEX #EDCD77

RGB 237 205 119

HSL 43.73, 0.77%, 0.7%

LAB 83.44, 0.49, 46.67

 

CMYK 50 / 7 / 0 / 7

HEX #77DDED

RGB 119 221 237

HSL 188.14, 0.77%, 0.7%

LAB 82.78, -25.54, -17.02

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 27 / 0 / 50 / 7

HEX #AEED77

RGB 174 237 119

HSL 92.03, 0.77%, 0.7%

LAB 87.44, -39.36, 50.48

 

CMYK 50 / 27 / 0 / 7

HEX #77AEED

RGB 119 174 237

HSL 212.03, 0.77%, 0.7%

LAB 69.69, -0.91, -37.06

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 0 / 14 / 50 / 7

HEX #EDCD77

RGB 237 205 119

HSL 43.73, 0.77%, 0.7%

LAB 83.44, 0.49, 46.67

 

CMYK 50 / 0 / 23 / 7

HEX #77EDB6

RGB 119 237 182

HSL 152.03, 0.77%, 0.7%

LAB 85.94, -45.88, 16.56

 

CMYK 50 / 36 / 0 / 7

HEX #7797ED

RGB 119 151 237

HSL 223.73, 0.77%, 0.7%

LAB 63.48, 12.2, -46.78

 

CMYK 0 / 50 / 27 / 7

HEX #ED77AE

RGB 237 119 174

HSL 332.03, 0.77%, 0.7%

LAB 65.16, 51.52, -8

 

CMYK 2 / 0 / 50 / 7

HEX #E9ED77

RGB 233 237 119

HSL 62.03, 0.77%, 0.7%

LAB 91.34, -17.18, 56.08

 

CMYK 50 / 0 / 23 / 7

HEX #77EDB6

RGB 119 237 182

HSL 152.03, 0.77%, 0.7%

LAB 85.94, -45.88, 16.56

 

CMYK 48 / 50 / 0 / 7

HEX #7B77ED

RGB 123 119 237

HSL 242.03, 0.77%, 0.7%

LAB 55.6, 31.99, -59.3

 

Description

Color code: HEX #ED77AE | qconv.com Color code: HEX #ED77AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 119 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 119 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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