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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED81E3 it is the complementary color #127E1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED81E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED81E3 shade: #F281DE, #FF93F1, #FFA5FF, #FFB7FF and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED81E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED81E3 shade: #ED81E3, #DC6FD0, #CB5DBD, #BA4BAA and #A93997

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED81E3 shade: #ED82E3, #ED82C6, #ED82A9, #ED828C and #ED8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED81E3 shade: #ED82E3, #DA82ED, #BD82ED, #A082ED and #8382ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED81E3 shade matches the following richer shades: #ED82E3 and #F876EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED81E3 shade: #ED82E3, #E18DD9, #D699D0, #CAA4C6 and #BEB0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED81E3 shade: #BC82ED, #D982ED, #ED82E4, #ED82C7 and #ED82AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED81E3 shade: #E239D3, #E75DDB, #ED82E3, #F2A6EB and #F7CAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED81E3 shade: #ED81E3, #EDA082 and #82EDCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED81E3 shade: #ED81E3, #E4ED82 and #82E4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED81E3 shade: #ED81E3, #EDA082, #82ED8A and #82CEED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED81E3 shade: #ED81E3, #EDC082, #82ED8A and #82AEED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 4 / 7

HEX #ED81E3

RGB 237 129 227

HSL 305.56, 0.75%, 0.72%

LAB 68.93, 54.67, -31.95

 

Complementary color

CMYK 86 / 0 / 78 / 51

HEX #127E1C

RGB 18 126 28

HSL 125.56, 0.75%, 0.28%

LAB 45.82, -48.07, 42.38

 

CMYK 0 / 47 / 8 / 5

HEX #F281DE

RGB 242 129 222

HSL 310.62, 0.81%, 0.73%

LAB 69.36, 55.3, -28.47

 

CMYK 0 / 42 / 5 / 0

HEX #FF93F1

RGB 255 147 241

HSL 307.78, 1%, 0.79%

LAB 75.13, 53.42, -29.9

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 46 / 4 / 7

HEX #ED81E3

RGB 237 129 227

HSL 305.56, 0.75%, 0.72%

LAB 68.93, 54.67, -31.95

 

CMYK 0 / 50 / 5 / 14

HEX #DC6FD0

RGB 220 111 208

HSL 306.61, 0.61%, 0.65%

LAB 62.62, 55.32, -31.3

 

CMYK 0 / 54 / 7 / 20

HEX #CB5DBD

RGB 203 93 189

HSL 307.64, 0.51%, 0.58%

LAB 56.29, 55.88, -30.51

 

CMYK 0 / 60 / 9 / 27

HEX #BA4BAA

RGB 186 75 170

HSL 308.65, 0.45%, 0.51%

LAB 49.95, 56.26, -29.53

 

CMYK 0 / 66 / 11 / 34

HEX #A93997

RGB 169 57 151

HSL 309.64, 0.5%, 0.44%

LAB 43.65, 56.32, -28.26

 

CMYK 0 / 45 / 4 / 7

HEX #ED82E3

RGB 237 130 227

HSL 305.61, 0.75%, 0.72%

LAB 69.12, 54.18, -31.66

 

CMYK 0 / 45 / 16 / 7

HEX #ED82C6

RGB 237 130 198

HSL 321.87, 0.75%, 0.72%

LAB 68.06, 49.5, -17.18

 

CMYK 0 / 45 / 29 / 7

HEX #ED82A9

RGB 237 130 169

HSL 338.13, 0.75%, 0.72%

LAB 67.15, 45.4, -2.23

 

CMYK 0 / 45 / 41 / 7

HEX #ED828C

RGB 237 130 140

HSL 354.39, 0.75%, 0.72%

LAB 66.42, 41.94, 13.09

 

CMYK 0 / 45 / 45 / 7

HEX #ED8282

RGB 237 130 130

HSL 0, 0.75%, 0.72%

LAB 66.2, 40.91, 18.42

 

CMYK 0 / 45 / 4 / 7

HEX #ED82E3

RGB 237 130 227

HSL 305.61, 0.75%, 0.72%

LAB 69.12, 54.18, -31.66

 

CMYK 8 / 45 / 0 / 7

HEX #DA82ED

RGB 218 130 237

HSL 289.35, 0.75%, 0.72%

LAB 67.27, 50.51, -40.24

 

CMYK 20 / 45 / 0 / 7

HEX #BD82ED

RGB 189 130 237

HSL 273.08, 0.75%, 0.72%

LAB 64.08, 42.37, -45.46

 

CMYK 32 / 45 / 0 / 7

HEX #A082ED

RGB 160 130 237

HSL 256.82, 0.75%, 0.72%

LAB 61.27, 34.54, -50.09

 

CMYK 45 / 45 / 0 / 7

HEX #8382ED

RGB 131 130 237

HSL 240.56, 0.75%, 0.72%

LAB 58.89, 27.31, -54.02

 

CMYK 0 / 45 / 4 / 7

HEX #ED82E3

RGB 237 130 227

HSL 305.61, 0.75%, 0.72%

LAB 69.12, 54.18, -31.66

 

CMYK 0 / 52 / 5 / 3

HEX #F876EC

RGB 248 118 236

HSL 305.54, 0.9%, 0.72%

LAB 68.73, 64.49, -37.13

 

CMYK 0 / 45 / 4 / 7

HEX #ED82E3

RGB 237 130 227

HSL 305.61, 0.75%, 0.72%

LAB 69.12, 54.18, -31.66

 

CMYK 0 / 37 / 4 / 12

HEX #E18DD9

RGB 225 141 217

HSL 305.71, 0.58%, 0.72%

LAB 69.52, 43.19, -25.65

 

CMYK 0 / 29 / 3 / 16

HEX #D699D0

RGB 214 153 208

HSL 305.9, 0.43%, 0.72%

LAB 70.62, 31.64, -19.1

 

CMYK 0 / 19 / 2 / 21

HEX #CAA4C6

RGB 202 164 198

HSL 306.32, 0.26%, 0.72%

LAB 71.68, 19.76, -12.1

 

CMYK 0 / 7 / 1 / 25

HEX #BEB0BD

RGB 190 176 189

HSL 304.29, 0.1%, 0.72%

LAB 73.33, 7.36, -4.81

 

CMYK 21 / 45 / 0 / 7

HEX #BC82ED

RGB 188 130 237

HSL 272.52, 0.75%, 0.72%

LAB 63.98, 42.09, -45.63

 

CMYK 8 / 45 / 0 / 7

HEX #D982ED

RGB 217 130 237

HSL 288.79, 0.75%, 0.72%

LAB 67.15, 50.23, -40.43

 

CMYK 0 / 45 / 4 / 7

HEX #ED82E4

RGB 237 130 228

HSL 305.05, 0.75%, 0.72%

LAB 69.16, 54.35, -32.15

 

CMYK 0 / 45 / 16 / 7

HEX #ED82C7

RGB 237 130 199

HSL 321.31, 0.75%, 0.72%

LAB 68.09, 49.65, -17.68

 

CMYK 0 / 45 / 28 / 7

HEX #ED82AB

RGB 237 130 171

HSL 337.01, 0.75%, 0.72%

LAB 67.21, 45.66, -3.27

 

CMYK 0 / 75 / 7 / 11

HEX #E239D3

RGB 226 57 211

HSL 305.33, 0.74%, 0.55%

LAB 55.89, 78.65, -43.48

 

CMYK 0 / 60 / 5 / 9

HEX #E75DDB

RGB 231 93 219

HSL 305.22, 0.74%, 0.64%

LAB 61.6, 68.23, -38.97

 

CMYK 0 / 45 / 4 / 7

HEX #ED82E3

RGB 237 130 227

HSL 305.61, 0.75%, 0.72%

LAB 69.12, 54.18, -31.66

 

CMYK 0 / 31 / 3 / 5

HEX #F2A6EB

RGB 242 166 235

HSL 305.53, 0.75%, 0.8%

LAB 77.37, 38.63, -23.33

 

CMYK 0 / 18 / 2 / 3

HEX #F7CAF3

RGB 247 202 243

HSL 305.33, 0.74%, 0.88%

LAB 86.25, 22.65, -14.16

 

CMYK 0 / 46 / 4 / 7

HEX #ED81E3

RGB 237 129 227

HSL 305.56, 0.75%, 0.72%

LAB 68.93, 54.67, -31.95

 

CMYK 0 / 32 / 45 / 7

HEX #EDA082

RGB 237 160 130

HSL 16.82, 0.75%, 0.72%

LAB 72.73, 25.22, 27.27

 

CMYK 45 / 0 / 14 / 7

HEX #82EDCB

RGB 130 237 203

HSL 160.93, 0.75%, 0.72%

LAB 86.81, -38.81, 6.91

 

CMYK 0 / 46 / 4 / 7

HEX #ED81E3

RGB 237 129 227

HSL 305.56, 0.75%, 0.72%

LAB 68.93, 54.67, -31.95

 

CMYK 4 / 0 / 45 / 7

HEX #E4ED82

RGB 228 237 130

HSL 65.05, 0.75%, 0.72%

LAB 91.09, -18.13, 50.55

 

CMYK 45 / 4 / 0 / 7

HEX #82E4ED

RGB 130 228 237

HSL 185.05, 0.75%, 0.72%

LAB 85.17, -26.54, -13.38

 

CMYK 0 / 46 / 4 / 7

HEX #ED81E3

RGB 237 129 227

HSL 305.56, 0.75%, 0.72%

LAB 68.93, 54.67, -31.95

 

CMYK 0 / 32 / 45 / 7

HEX #EDA082

RGB 237 160 130

HSL 16.82, 0.75%, 0.72%

LAB 72.73, 25.22, 27.27

 

CMYK 45 / 0 / 42 / 7

HEX #82ED8A

RGB 130 237 138

HSL 124.49, 0.75%, 0.72%

LAB 85.58, -50.82, 38.55

 

CMYK 45 / 13 / 0 / 7

HEX #82CEED

RGB 130 206 237

HSL 197.38, 0.75%, 0.72%

LAB 79.04, -15.51, -22.63

 

CMYK 0 / 46 / 4 / 7

HEX #ED81E3

RGB 237 129 227

HSL 305.56, 0.75%, 0.72%

LAB 68.93, 54.67, -31.95

 

CMYK 0 / 19 / 45 / 7

HEX #EDC082

RGB 237 192 130

HSL 34.77, 0.75%, 0.72%

LAB 80.36, 8.29, 37.25

 

CMYK 45 / 0 / 42 / 7

HEX #82ED8A

RGB 130 237 138

HSL 124.49, 0.75%, 0.72%

LAB 85.58, -50.82, 38.55

 

CMYK 45 / 27 / 0 / 7

HEX #82AEED

RGB 130 174 237

HSL 215.33, 0.75%, 0.72%

LAB 70.27, 1.68, -36.11

 

Description

Color code: HEX #ED81E3 | qconv.com Color code: HEX #ED81E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 129 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 129 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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