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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED9417 it is the complementary color #126BE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED9417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED9417 shade: #F29412, #FFA625, #FFB838, #FFCA4B and #FFDC5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED9417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED9417 shade: #ED9417, #DC8204, #CB7000, #BA5E00 and #A94C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED9417 shade: #ED9416, #ED5A16, #ED2016 and #ED1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED9417 shade: #ED9416, #EDCE16, #D2ED16, #99ED16 and #5FED16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED9417 shade matches the following richer shades: #ED9416

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED9417 shade: #ED9416, #D9902A, #C58D3F, #B08953 and #9C8667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED9417 shade: #ED2116, #ED5A16, #ED9316, #EDCD16 and #D4ED16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED9417 shade: #A5650C, #CB7D0F, #ED9416, #F0A53C and #F3B763

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED9417 shade: #ED9417, #45ED16 and #3D16ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED9417 shade: #ED9417, #16ED93 and #9316ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED9417 shade: #ED9417, #45ED16, #1670ED and #BE16ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED9417 shade: #ED9417, #16ED28, #1670ED and #ED16DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 90 / 7

HEX #ED9417

RGB 237 148 23

HSL 35.05, 0.86%, 0.51%

LAB 68.93, 25.55, 70.41

 

Complementary color

CMYK 92 / 54 / 0 / 9

HEX #126BE8

RGB 18 107 232

HSL 215.05, 0.86%, 0.49%

LAB 47.59, 23.68, -69.68

 

CMYK 0 / 39 / 93 / 5

HEX #F29412

RGB 242 148 18

HSL 34.82, 0.9%, 0.51%

LAB 69.54, 27.56, 72.15

 

CMYK 0 / 35 / 85 / 0

HEX #FFA625

RGB 255 166 37

HSL 35.5, 1%, 0.57%

LAB 75.24, 23.9, 72.74

 

CMYK 0 / 28 / 78 / 0

HEX #FFB838

RGB 255 184 56

HSL 38.59, 1%, 0.61%

LAB 79.51, 15.05, 70.41

 

CMYK 0 / 21 / 71 / 0

HEX #FFCA4B

RGB 255 202 75

HSL 42.33, 1%, 0.65%

LAB 83.97, 6.49, 67.58

 

CMYK 0 / 14 / 63 / 0

HEX #FFDC5E

RGB 255 220 94

HSL 46.96, 1%, 0.68%

LAB 88.57, -1.67, 64.55

 

CMYK 0 / 38 / 90 / 7

HEX #ED9417

RGB 237 148 23

HSL 35.05, 0.86%, 0.51%

LAB 68.93, 25.55, 70.41

 

CMYK 0 / 41 / 98 / 14

HEX #DC8204

RGB 220 130 4

HSL 35, 0.96%, 0.44%

LAB 62.67, 27.7, 68.29

 

CMYK 0 / 45 / 100 / 20

HEX #CB7000

RGB 203 112 0

HSL 33.1, 1%, 0.4%

LAB 56.37, 30.08, 63.81

 

CMYK 0 / 49 / 100 / 27

HEX #BA5E00

RGB 186 94 0

HSL 30.32, 1%, 0.36%

LAB 50.03, 32.52, 58.71

 

CMYK 0 / 55 / 100 / 34

HEX #A94C00

RGB 169 76 0

HSL 26.98, 1%, 0.33%

LAB 43.66, 34.93, 53.6

 

CMYK 0 / 38 / 91 / 7

HEX #ED9416

RGB 237 148 22

HSL 35.16, 0.86%, 0.51%

LAB 68.93, 25.53, 70.63

 

CMYK 0 / 62 / 91 / 7

HEX #ED5A16

RGB 237 90 22

HSL 18.98, 0.86%, 0.51%

LAB 57.44, 54.13, 62.33

 

CMYK 0 / 86 / 91 / 7

HEX #ED2016

RGB 237 32 22

HSL 2.79, 0.86%, 0.51%

LAB 50.8, 72.45, 57.81

 

CMYK 0 / 91 / 91 / 7

HEX #ED1616

RGB 237 22 22

HSL 0, 0.86%, 0.51%

LAB 50.26, 74, 57.45

 

CMYK 0 / 38 / 91 / 7

HEX #ED9416

RGB 237 148 22

HSL 35.16, 0.86%, 0.51%

LAB 68.93, 25.53, 70.63

 

CMYK 0 / 13 / 91 / 7

HEX #EDCE16

RGB 237 206 22

HSL 51.35, 0.86%, 0.51%

LAB 83.02, -4.83, 81.24

 

CMYK 11 / 0 / 91 / 7

HEX #D2ED16

RGB 210 237 22

HSL 67.53, 0.86%, 0.51%

LAB 89.08, -31.25, 85.01

 

CMYK 35 / 0 / 91 / 7

HEX #99ED16

RGB 153 237 22

HSL 83.44, 0.86%, 0.51%

LAB 85.7, -52.87, 80.89

 

CMYK 60 / 0 / 91 / 7

HEX #5FED16

RGB 95 237 22

HSL 99.63, 0.86%, 0.51%

LAB 83.47, -69.88, 78.14

 

CMYK 0 / 38 / 91 / 7

HEX #ED9416

RGB 237 148 22

HSL 35.16, 0.86%, 0.51%

LAB 68.93, 25.53, 70.63

 

CMYK 0 / 38 / 91 / 7

HEX #ED9416

RGB 237 148 22

HSL 35.16, 0.86%, 0.51%

LAB 68.93, 25.53, 70.63

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 28 / 68 / 23

HEX #C58D3F

RGB 197 141 63

HSL 34.93, 0.54%, 0.51%

LAB 62.74, 13.6, 48.72

 

CMYK 0 / 22 / 53 / 31

HEX #B08953

RGB 176 137 83

HSL 34.84, 0.37%, 0.51%

LAB 59.66, 8.2, 34.45

 

CMYK 0 / 14 / 34 / 39

HEX #9C8667

RGB 156 134 103

HSL 35.09, 0.21%, 0.51%

LAB 57.17, 3.61, 19.8

 

CMYK 0 / 86 / 91 / 7

HEX #ED2116

RGB 237 33 22

HSL 3.07, 0.86%, 0.51%

LAB 50.86, 72.26, 57.85

 

CMYK 0 / 62 / 91 / 7

HEX #ED5A16

RGB 237 90 22

HSL 18.98, 0.86%, 0.51%

LAB 57.44, 54.13, 62.33

 

CMYK 0 / 38 / 91 / 7

HEX #ED9316

RGB 237 147 22

HSL 34.88, 0.86%, 0.51%

LAB 68.7, 26.06, 70.46

 

CMYK 0 / 14 / 91 / 7

HEX #EDCD16

RGB 237 205 22

HSL 51.07, 0.86%, 0.51%

LAB 82.77, -4.32, 81.04

 

CMYK 11 / 0 / 91 / 7

HEX #D4ED16

RGB 212 237 22

HSL 66.98, 0.86%, 0.51%

LAB 89.22, -30.45, 85.18

 

CMYK 0 / 39 / 93 / 35

HEX #A5650C

RGB 165 101 12

HSL 34.9, 0.86%, 0.35%

LAB 48.68, 19.78, 53.72

 

CMYK 0 / 38 / 93 / 20

HEX #CB7D0F

RGB 203 125 15

HSL 35.11, 0.86%, 0.43%

LAB 59.34, 23.26, 63.13

 

CMYK 0 / 38 / 91 / 7

HEX #ED9416

RGB 237 148 22

HSL 35.16, 0.86%, 0.51%

LAB 68.93, 25.53, 70.63

 

CMYK 0 / 31 / 75 / 6

HEX #F0A53C

RGB 240 165 60

HSL 35, 0.86%, 0.59%

LAB 73.39, 18.88, 62.52

 

CMYK 0 / 25 / 59 / 5

HEX #F3B763

RGB 243 183 99

HSL 35, 0.86%, 0.67%

LAB 78.36, 12.82, 50.47

 

CMYK 0 / 38 / 90 / 7

HEX #ED9417

RGB 237 148 23

HSL 35.05, 0.86%, 0.51%

LAB 68.93, 25.55, 70.41

 

CMYK 71 / 0 / 91 / 7

HEX #45ED16

RGB 69 237 22

HSL 106.88, 0.86%, 0.51%

LAB 82.86, -75.1, 77.37

 

CMYK 74 / 91 / 0 / 7

HEX #3D16ED

RGB 61 22 237

HSL 250.88, 0.86%, 0.51%

LAB 33.31, 71.9, -95.97

 

CMYK 0 / 38 / 90 / 7

HEX #ED9417

RGB 237 148 23

HSL 35.05, 0.86%, 0.51%

LAB 68.93, 25.55, 70.41

 

CMYK 91 / 0 / 38 / 7

HEX #16ED93

RGB 22 237 147

HSL 154.88, 0.86%, 0.51%

LAB 83.36, -66.91, 30.69

 

CMYK 38 / 91 / 0 / 7

HEX #9316ED

RGB 147 22 237

HSL 274.88, 0.86%, 0.51%

LAB 42.6, 78.54, -80.3

 

CMYK 0 / 38 / 90 / 7

HEX #ED9417

RGB 237 148 23

HSL 35.05, 0.86%, 0.51%

LAB 68.93, 25.55, 70.41

 

CMYK 71 / 0 / 91 / 7

HEX #45ED16

RGB 69 237 22

HSL 106.88, 0.86%, 0.51%

LAB 82.86, -75.1, 77.37

 

CMYK 91 / 53 / 0 / 7

HEX #1670ED

RGB 22 112 237

HSL 214.88, 0.86%, 0.51%

LAB 49.34, 22.58, -69.63

 

CMYK 20 / 91 / 0 / 7

HEX #BE16ED

RGB 190 22 237

HSL 286.88, 0.86%, 0.51%

LAB 49.05, 84.06, -69.5

 

CMYK 0 / 38 / 90 / 7

HEX #ED9417

RGB 237 148 23

HSL 35.05, 0.86%, 0.51%

LAB 68.93, 25.55, 70.41

 

CMYK 91 / 0 / 83 / 7

HEX #16ED28

RGB 22 237 40

HSL 125.02, 0.86%, 0.51%

LAB 82.32, -79.63, 73.29

 

CMYK 91 / 53 / 0 / 7

HEX #1670ED

RGB 22 112 237

HSL 214.88, 0.86%, 0.51%

LAB 49.34, 22.58, -69.63

 

CMYK 0 / 91 / 8 / 7

HEX #ED16DB

RGB 237 22 219

HSL 305.02, 0.86%, 0.51%

LAB 55.78, 88.78, -48.08

 

Description

Color code: HEX #ED9417 | qconv.com Color code: HEX #ED9417 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 148 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 148 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 90 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 90% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - Udo's Choice
Link: http://www.udoschoice.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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