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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA5DE it is the complementary color #125A21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA5DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA5DE shade: #F2A5D9, #FFB7EC, #FFC9FF, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA5DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA5DE shade: #EDA5DE, #DC93CB, #CB81B8, #BA6FA5 and #A95D92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA5DE shade: #EDA5DE, #EDA5CB, #EDA5B7 and #EDA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA5DE shade: #EDA5DE, #E8A5ED, #D5A5ED, #C2A5ED and #AEA5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA5DE shade matches the following richer shades: #EDA5DE, #F59CE3 and #FE94E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA5DE shade: #EDA5DE, #E4AED9, #DBB6D4, #D3BFCF and #CAC8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA5DE shade: #D5A5ED, #E8A5ED, #EDA5DE, #EDA5CB and #EDA5B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA5DE shade: #DF60C5, #E683D1, #EDA5DE, #F4C8EA and #FAEAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA5DE shade: #EDA5DE, #EDC2A5 and #A5EDDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA5DE shade: #EDA5DE, #DEEDA5 and #A5DEED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA5DE shade: #EDA5DE, #EDC2A5, #A5EDB3 and #A5D0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA5DE shade: #EDA5DE, #EDD7A5, #A5EDB3 and #A5BBED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

Complementary color

CMYK 80 / 0 / 63 / 65

HEX #125A21

RGB 18 90 33

HSL 132.5, 0.67%, 0.21%

LAB 33.03, -34.84, 26.38

 

CMYK 0 / 32 / 10 / 5

HEX #F2A5D9

RGB 242 165 217

HSL 319.48, 0.75%, 0.8%

LAB 76.56, 36.07, -14.79

 

CMYK 0 / 28 / 7 / 0

HEX #FFB7EC

RGB 255 183 236

HSL 315.83, 1%, 0.86%

LAB 82.48, 34.08, -16.01

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 33 / 8 / 14

HEX #DC93CB

RGB 220 147 203

HSL 313.97, 0.51%, 0.72%

LAB 69.75, 35.97, -17.59

 

CMYK 0 / 36 / 9 / 20

HEX #CB81B8

RGB 203 129 184

HSL 315.41, 0.42%, 0.65%

LAB 63.23, 36.7, -17.01

 

CMYK 0 / 40 / 11 / 27

HEX #BA6FA5

RGB 186 111 165

HSL 316.8, 0.35%, 0.58%

LAB 56.61, 37.47, -16.37

 

CMYK 0 / 45 / 14 / 34

HEX #A95D92

RGB 169 93 146

HSL 318.16, 0.31%, 0.51%

LAB 49.9, 38.26, -15.63

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 30 / 14 / 7

HEX #EDA5CB

RGB 237 165 203

HSL 328.33, 0.67%, 0.79%

LAB 75.59, 32.11, -8.64

 

CMYK 0 / 30 / 23 / 7

HEX #EDA5B7

RGB 237 165 183

HSL 345, 0.67%, 0.79%

LAB 75.03, 29.08, 1.5

 

CMYK 0 / 30 / 30 / 7

HEX #EDA5A5

RGB 237 165 165

HSL 0, 0.67%, 0.79%

LAB 74.59, 26.61, 10.74

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 2 / 30 / 0 / 7

HEX #E8A5ED

RGB 232 165 237

HSL 295.83, 0.67%, 0.79%

LAB 76.18, 36.35, -26.33

 

CMYK 10 / 30 / 0 / 7

HEX #D5A5ED

RGB 213 165 237

HSL 280, 0.67%, 0.79%

LAB 74.3, 30.4, -29.38

 

CMYK 18 / 30 / 0 / 7

HEX #C2A5ED

RGB 194 165 237

HSL 264.17, 0.67%, 0.79%

LAB 72.56, 24.56, -32.2

 

CMYK 27 / 30 / 0 / 7

HEX #AEA5ED

RGB 174 165 237

HSL 247.5, 0.67%, 0.79%

LAB 70.89, 18.61, -34.92

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 36 / 7 / 4

HEX #F59CE3

RGB 245 156 227

HSL 312.13, 0.82%, 0.79%

LAB 75.29, 43.42, -22.13

 

CMYK 0 / 42 / 9 / 0

HEX #FE94E8

RGB 254 148 232

HSL 312.45, 0.98%, 0.79%

LAB 74.87, 51.13, -25.39

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 24 / 5 / 11

HEX #E4AED9

RGB 228 174 217

HSL 312.22, 0.5%, 0.79%

LAB 77.15, 26.6, -14.04

 

CMYK 0 / 17 / 3 / 14

HEX #DBB6D4

RGB 219 182 212

HSL 311.35, 0.34%, 0.79%

LAB 78.03, 18.35, -10.09

 

CMYK 0 / 9 / 2 / 17

HEX #D3BFCF

RGB 211 191 207

HSL 312, 0.19%, 0.79%

LAB 79.39, 9.86, -5.45

 

CMYK 0 / 1 / 0 / 21

HEX #CAC8CA

RGB 202 200 202

HSL 300, 0.02%, 0.79%

LAB 80.81, 1.06, -0.76

 

CMYK 10 / 30 / 0 / 7

HEX #D5A5ED

RGB 213 165 237

HSL 280, 0.67%, 0.79%

LAB 74.3, 30.4, -29.38

 

CMYK 2 / 30 / 0 / 7

HEX #E8A5ED

RGB 232 165 237

HSL 295.83, 0.67%, 0.79%

LAB 76.18, 36.35, -26.33

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 30 / 14 / 7

HEX #EDA5CB

RGB 237 165 203

HSL 328.33, 0.67%, 0.79%

LAB 75.59, 32.11, -8.64

 

CMYK 0 / 30 / 22 / 7

HEX #EDA5B8

RGB 237 165 184

HSL 344.17, 0.67%, 0.79%

LAB 75.06, 29.22, 0.99

 

CMYK 0 / 57 / 12 / 13

HEX #DF60C5

RGB 223 96 197

HSL 312.28, 0.66%, 0.63%

LAB 59.97, 61.37, -29.16

 

CMYK 0 / 43 / 9 / 10

HEX #E683D1

RGB 230 131 209

HSL 312.73, 0.66%, 0.71%

LAB 67.77, 48.54, -23.83

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 18 / 4 / 4

HEX #F4C8EA

RGB 244 200 234

HSL 313.64, 0.67%, 0.87%

LAB 85.24, 21.12, -10.92

 

CMYK 0 / 6 / 1 / 2

HEX #FAEAF7

RGB 250 234 247

HSL 311.25, 0.62%, 0.95%

LAB 94.26, 7.65, -4.34

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 18 / 30 / 7

HEX #EDC2A5

RGB 237 194 165

HSL 24.17, 0.67%, 0.79%

LAB 81.46, 11.23, 20.36

 

CMYK 30 / 0 / 6 / 7

HEX #A5EDDE

RGB 165 237 222

HSL 167.5, 0.67%, 0.79%

LAB 88.85, -25.44, 0.11

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 6 / 0 / 30 / 7

HEX #DEEDA5

RGB 222 237 165

HSL 72.5, 0.67%, 0.79%

LAB 91.15, -16.42, 33.3

 

CMYK 30 / 6 / 0 / 7

HEX #A5DEED

RGB 165 222 237

HSL 192.5, 0.67%, 0.79%

LAB 85.18, -14.65, -13.2

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 18 / 30 / 7

HEX #EDC2A5

RGB 237 194 165

HSL 24.17, 0.67%, 0.79%

LAB 81.46, 11.23, 20.36

 

CMYK 30 / 0 / 24 / 7

HEX #A5EDB3

RGB 165 237 179

HSL 131.67, 0.67%, 0.79%

LAB 87.88, -33.81, 21.12

 

CMYK 30 / 12 / 0 / 7

HEX #A5D0ED

RGB 165 208 237

HSL 204.17, 0.67%, 0.79%

LAB 81.42, -7.42, -18.86

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DE

RGB 237 165 222

HSL 312.5, 0.67%, 0.79%

LAB 76.18, 35.27, -18.12

 

CMYK 0 / 9 / 30 / 7

HEX #EDD7A5

RGB 237 215 165

HSL 41.67, 0.67%, 0.79%

LAB 86.66, 0.29, 27.48

 

CMYK 30 / 0 / 24 / 7

HEX #A5EDB3

RGB 165 237 179

HSL 131.67, 0.67%, 0.79%

LAB 87.88, -33.81, 21.12

 

CMYK 30 / 21 / 0 / 7

HEX #A5BBED

RGB 165 187 237

HSL 221.67, 0.67%, 0.79%

LAB 75.86, 3.82, -27.32

 

Description

Color code: HEX #EDA5DE | qconv.com Color code: HEX #EDA5DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 165 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 165 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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