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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA096 it is the complementary color #125F69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA096. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA096 shade: #F2A091, #FFB2A4, #FFC4B7, #FFD6CA and #FFE8DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA096. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA096 shade: #EDA096, #DC8E83, #CB7C70, #BA6A5D and #A9584A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA096 shade: #EDA096 and #ED9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA096 shade: #EDA096, #EDB796, #EDCF96, #EDE696 and #DCED96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA096 shade matches the following richer shades: #EDA096 and #F7988C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA096 shade: #EDA096, #E3A7A0, #D9AFAA, #CFB7B4 and #C5BEBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA096 shade: #ED96BC, #ED96A4, #ED9F96, #EDB696 and #EDCD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA096 shade: #E1604F, #E78073, #EDA096, #F3C0B9 and #F9E0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA096 shade: #EDA096, #D3ED96 and #96B0ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA096 shade: #EDA096, #96ED9F and #9F96ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA096 shade: #EDA096, #D3ED96, #96E4ED and #B096ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA096 shade: #EDA096, #B9ED96, #96E4ED and #CA96ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

Complementary color

CMYK 83 / 10 / 0 / 59

HEX #125F69

RGB 18 95 105

HSL 186.9, 0.71%, 0.24%

LAB 36.62, -18.31, -12.12

 

CMYK 0 / 34 / 40 / 5

HEX #F2A091

RGB 242 160 145

HSL 9.28, 0.79%, 0.76%

LAB 73.59, 28.73, 20.37

 

CMYK 0 / 30 / 36 / 0

HEX #FFB2A4

RGB 255 178 164

HSL 9.23, 1%, 0.82%

LAB 79.49, 26.34, 18.45

 

CMYK 0 / 23 / 28 / 0

HEX #FFC4B7

RGB 255 196 183

HSL 10.83, 1%, 0.86%

LAB 84.05, 19.27, 14.66

 

CMYK 0 / 16 / 21 / 0

HEX #FFD6CA

RGB 255 214 202

HSL 13.58, 1%, 0.9%

LAB 88.74, 12.5, 11.26

 

CMYK 0 / 9 / 13 / 0

HEX #FFE8DD

RGB 255 232 221

HSL 19.41, 1%, 0.93%

LAB 93.53, 6.07, 8.18

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 0 / 35 / 40 / 14

HEX #DC8E83

RGB 220 142 131

HSL 7.42, 0.56%, 0.69%

LAB 66.67, 28.33, 18.18

 

CMYK 0 / 39 / 45 / 20

HEX #CB7C70

RGB 203 124 112

HSL 7.91, 0.47%, 0.62%

LAB 60.14, 29.36, 19.6

 

CMYK 0 / 43 / 50 / 27

HEX #BA6A5D

RGB 186 106 93

HSL 8.39, 0.4%, 0.55%

LAB 53.53, 30.51, 21.23

 

CMYK 0 / 48 / 56 / 34

HEX #A9584A

RGB 169 88 74

HSL 8.84, 0.39%, 0.48%

LAB 46.85, 31.77, 23.1

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 0 / 37 / 37 / 7

HEX #ED9696

RGB 237 150 150

HSL 0, 0.71%, 0.76%

LAB 70.88, 32.69, 13.77

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 0 / 23 / 37 / 7

HEX #EDB796

RGB 237 183 150

HSL 22.76, 0.71%, 0.76%

LAB 78.5, 15.19, 24.3

 

CMYK 0 / 13 / 37 / 7

HEX #EDCF96

RGB 237 207 150

HSL 39.31, 0.71%, 0.76%

LAB 84.4, 2.61, 32.21

 

CMYK 0 / 3 / 37 / 7

HEX #EDE696

RGB 237 230 150

HSL 55.17, 0.71%, 0.76%

LAB 90.23, -9.11, 39.85

 

CMYK 7 / 0 / 37 / 7

HEX #DCED96

RGB 220 237 150

HSL 71.72, 0.71%, 0.76%

LAB 90.77, -19.03, 40.3

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 0 / 38 / 43 / 3

HEX #F7988C

RGB 247 152 140

HSL 6.73, 0.87%, 0.76%

LAB 72.31, 34.28, 21.45

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 0 / 26 / 30 / 11

HEX #E3A7A0

RGB 227 167 160

HSL 6.27, 0.54%, 0.76%

LAB 73.87, 21.14, 12.31

 

CMYK 0 / 19 / 22 / 15

HEX #D9AFAA

RGB 217 175 170

HSL 6.38, 0.38%, 0.76%

LAB 75.02, 14.49, 8.34

 

CMYK 0 / 12 / 13 / 19

HEX #CFB7B4

RGB 207 183 180

HSL 6.67, 0.22%, 0.76%

LAB 76.33, 8.07, 4.65

 

CMYK 0 / 4 / 4 / 23

HEX #C5BEBD

RGB 197 190 189

HSL 7.5, 0.06%, 0.76%

LAB 77.5, 2.27, 1.37

 

CMYK 0 / 37 / 21 / 7

HEX #ED96BC

RGB 237 150 188

HSL 333.79, 0.71%, 0.76%

LAB 71.86, 37.73, -5.92

 

CMYK 0 / 37 / 31 / 7

HEX #ED96A4

RGB 237 150 164

HSL 350.34, 0.71%, 0.76%

LAB 71.21, 34.41, 6.47

 

CMYK 0 / 33 / 37 / 7

HEX #ED9F96

RGB 237 159 150

HSL 6.21, 0.71%, 0.76%

LAB 72.89, 27.94, 16.58

 

CMYK 0 / 23 / 37 / 7

HEX #EDB696

RGB 237 182 150

HSL 22.07, 0.71%, 0.76%

LAB 78.26, 15.72, 23.97

 

CMYK 0 / 14 / 37 / 7

HEX #EDCD96

RGB 237 205 150

HSL 37.93, 0.71%, 0.76%

LAB 83.9, 3.65, 31.55

 

CMYK 0 / 57 / 65 / 12

HEX #E1604F

RGB 225 96 79

HSL 6.99, 0.71%, 0.6%

LAB 57.01, 49.19, 34.82

 

CMYK 0 / 45 / 50 / 9

HEX #E78073

RGB 231 128 115

HSL 6.72, 0.71%, 0.68%

LAB 64.7, 38.28, 24.67

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 0 / 21 / 24 / 5

HEX #F3C0B9

RGB 243 192 185

HSL 7.24, 0.71%, 0.84%

LAB 81.98, 17.22, 10.49

 

CMYK 0 / 10 / 12 / 2

HEX #F9E0DC

RGB 249 224 220

HSL 8.28, 0.71%, 0.92%

LAB 91.06, 7.93, 5.07

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 11 / 0 / 37 / 7

HEX #D3ED96

RGB 211 237 150

HSL 77.93, 0.71%, 0.76%

LAB 90.15, -22.38, 39.36

 

CMYK 37 / 26 / 0 / 7

HEX #96B0ED

RGB 150 176 237

HSL 222.07, 0.71%, 0.76%

LAB 71.99, 5.71, -33.35

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 37 / 0 / 33 / 7

HEX #96ED9F

RGB 150 237 159

HSL 126.21, 0.71%, 0.76%

LAB 86.78, -41.77, 29.75

 

CMYK 33 / 37 / 0 / 7

HEX #9F96ED

RGB 159 150 237

HSL 246.21, 0.71%, 0.76%

LAB 65.98, 22.86, -42.67

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 11 / 0 / 37 / 7

HEX #D3ED96

RGB 211 237 150

HSL 77.93, 0.71%, 0.76%

LAB 90.15, -22.38, 39.36

 

CMYK 37 / 4 / 0 / 7

HEX #96E4ED

RGB 150 228 237

HSL 186.21, 0.71%, 0.76%

LAB 86.05, -21.68, -11.98

 

CMYK 26 / 37 / 0 / 7

HEX #B096ED

RGB 176 150 237

HSL 257.93, 0.71%, 0.76%

LAB 67.39, 27.61, -40.35

 

CMYK 0 / 32 / 37 / 7

HEX #EDA096

RGB 237 160 150

HSL 6.9, 0.71%, 0.76%

LAB 73.12, 27.41, 16.9

 

CMYK 22 / 0 / 37 / 7

HEX #B9ED96

RGB 185 237 150

HSL 95.86, 0.71%, 0.76%

LAB 88.49, -31.72, 36.89

 

CMYK 37 / 4 / 0 / 7

HEX #96E4ED

RGB 150 228 237

HSL 186.21, 0.71%, 0.76%

LAB 86.05, -21.68, -11.98

 

CMYK 15 / 37 / 0 / 7

HEX #CA96ED

RGB 202 150 237

HSL 275.86, 0.71%, 0.76%

LAB 69.81, 35.22, -36.4

 

Description

Color code: HEX #EDA096 | qconv.com Color code: HEX #EDA096 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 160 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 160 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 37% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

80% - Kehlani | SWEETSEXYS...
Link: http://www.kehlanimusic.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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