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Color name
HEX #EDAC21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDAC21 it is the complementary color #1253DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDAC21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDAC21 shade: #F2AC1C, #FFBE2F, #FFD042, #FFE255 and #FFF468

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDAC21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDAC21 shade: #EDAC21, #DC9A0E, #CB8800, #BA7600 and #A96400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDAC21 shade: #EDAC21, #ED7521, #ED3E21 and #ED2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDAC21 shade: #EDAC21, #EDE321, #C0ED21, #89ED21 and #52ED21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDAC21 shade matches the following richer shades: #EDAC21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDAC21 shade: #EDAC21, #D9A534, #C69E48, #B2965B and #9F8F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDAC21 shade: #ED3C21, #ED7221, #EDA921, #EDDF21 and #C4ED21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDAC21 shade: #AD7A0E, #D39511, #EDAC21, #F0BA47 and #F3C86D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDAC21 shade: #EDAC21, #3CED21 and #5721ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDAC21 shade: #EDAC21, #21EDA9 and #A921ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDAC21 shade: #EDAC21, #3CED21, #2165ED and #D121ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDAC21 shade: #EDAC21, #21ED43, #2165ED and #ED21CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

Complementary color

CMYK 92 / 63 / 0 / 13

HEX #1253DE

RGB 18 83 222

HSL 220.88, 0.85%, 0.47%

LAB 40.56, 35.31, -75.49

 

CMYK 0 / 29 / 88 / 5

HEX #F2AC1C

RGB 242 172 28

HSL 40.37, 0.89%, 0.53%

LAB 75.12, 15.09, 74.27

 

CMYK 0 / 25 / 82 / 0

HEX #FFBE2F

RGB 255 190 47

HSL 41.25, 1%, 0.59%

LAB 80.9, 11.64, 74.58

 

CMYK 0 / 18 / 74 / 0

HEX #FFD042

RGB 255 208 66

HSL 45.08, 1%, 0.63%

LAB 85.39, 3.01, 72.37

 

CMYK 0 / 11 / 67 / 0

HEX #FFE255

RGB 255 226 85

HSL 49.76, 1%, 0.67%

LAB 90, -5.21, 69.78

 

CMYK 0 / 4 / 59 / 0

HEX #FFF468

RGB 255 244 104

HSL 55.63, 1%, 0.7%

LAB 94.72, -12.98, 67.02

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 0 / 30 / 94 / 14

HEX #DC9A0E

RGB 220 154 14

HSL 40.78, 0.88%, 0.46%

LAB 68.28, 14.96, 70.72

 

CMYK 0 / 33 / 100 / 20

HEX #CB8800

RGB 203 136 0

HSL 40.2, 1%, 0.4%

LAB 61.92, 17.1, 67.37

 

CMYK 0 / 37 / 100 / 27

HEX #BA7600

RGB 186 118 0

HSL 38.06, 1%, 0.36%

LAB 55.48, 19.48, 62.12

 

CMYK 0 / 41 / 100 / 34

HEX #A96400

RGB 169 100 0

HSL 35.5, 1%, 0.33%

LAB 48.94, 21.95, 56.81

HEX #A96400

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 0 / 51 / 86 / 7

HEX #ED7521

RGB 237 117 33

HSL 24.71, 0.85%, 0.53%

LAB 62.37, 41.71, 62.56

 

CMYK 0 / 74 / 86 / 7

HEX #ED3E21

RGB 237 62 33

HSL 8.53, 0.85%, 0.53%

LAB 53.56, 65.01, 55.41

 

CMYK 0 / 86 / 86 / 7

HEX #ED2121

RGB 237 33 33

HSL 0, 0.85%, 0.53%

LAB 50.92, 72.44, 53.27

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 0 / 4 / 86 / 7

HEX #EDE321

RGB 237 227 33

HSL 57.06, 0.85%, 0.53%

LAB 88.47, -15.13, 83.61

 

CMYK 19 / 0 / 86 / 7

HEX #C0ED21

RGB 192 237 33

HSL 73.24, 0.85%, 0.53%

LAB 87.91, -38.19, 81.81

 

CMYK 42 / 0 / 86 / 7

HEX #89ED21

RGB 137 237 33

HSL 89.41, 0.85%, 0.53%

LAB 84.99, -57.91, 78.18

 

CMYK 65 / 0 / 86 / 7

HEX #52ED21

RGB 82 237 33

HSL 105.59, 0.85%, 0.53%

LAB 83.16, -72.36, 75.88

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 0 / 24 / 76 / 15

HEX #D9A534

RGB 217 165 52

HSL 41.09, 0.68%, 0.53%

LAB 70.81, 8.74, 62.27

 

CMYK 0 / 20 / 64 / 22

HEX #C69E48

RGB 198 158 72

HSL 40.95, 0.53%, 0.53%

LAB 67.22, 5.33, 49.43

 

CMYK 0 / 16 / 49 / 30

HEX #B2965B

RGB 178 150 91

HSL 40.69, 0.36%, 0.53%

LAB 63.37, 2.63, 34.86

 

CMYK 0 / 10 / 31 / 38

HEX #9F8F6E

RGB 159 143 110

HSL 40.41, 0.2%, 0.53%

LAB 60.02, 0.76, 19.77

 

CMYK 0 / 75 / 86 / 7

HEX #ED3C21

RGB 237 60 33

HSL 7.94, 0.85%, 0.53%

LAB 53.33, 65.65, 55.23

 

CMYK 0 / 52 / 86 / 7

HEX #ED7221

RGB 237 114 33

HSL 23.82, 0.85%, 0.53%

LAB 61.78, 43.19, 62.08

 

CMYK 0 / 29 / 86 / 7

HEX #EDA921

RGB 237 169 33

HSL 40, 0.85%, 0.53%

LAB 73.86, 14.63, 71.84

 

CMYK 0 / 6 / 86 / 7

HEX #EDDF21

RGB 237 223 33

HSL 55.88, 0.85%, 0.53%

LAB 87.43, -13.16, 82.77

 

CMYK 17 / 0 / 86 / 7

HEX #C4ED21

RGB 196 237 33

HSL 72.06, 0.85%, 0.53%

LAB 88.17, -36.62, 82.12

 

CMYK 0 / 29 / 92 / 32

HEX #AD7A0E

RGB 173 122 14

HSL 40.75, 0.85%, 0.37%

LAB 54.9, 11.61, 58.39

 

CMYK 0 / 29 / 92 / 17

HEX #D39511

RGB 211 149 17

HSL 40.82, 0.85%, 0.45%

LAB 66.05, 13.76, 68.1

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 0 / 23 / 70 / 6

HEX #F0BA47

RGB 240 186 71

HSL 40.83, 0.85%, 0.61%

LAB 78.52, 8.31, 63.18

 

CMYK 0 / 18 / 55 / 5

HEX #F3C86D

RGB 243 200 109

HSL 40.75, 0.85%, 0.69%

LAB 82.63, 4.69, 50.68

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 75 / 0 / 86 / 7

HEX #3CED21

RGB 60 237 33

HSL 112.06, 0.85%, 0.53%

LAB 82.72, -76.16, 75.32

 

CMYK 63 / 86 / 0 / 7

HEX #5721ED

RGB 87 33 237

HSL 255.88, 0.85%, 0.53%

LAB 36.42, 70.25, -90.74

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 86 / 0 / 29 / 7

HEX #21EDA9

RGB 33 237 169

HSL 160, 0.85%, 0.53%

LAB 83.84, -61.76, 20.09

 

CMYK 29 / 86 / 0 / 7

HEX #A921ED

RGB 169 33 237

HSL 280, 0.85%, 0.53%

LAB 46.49, 79.16, -73.8

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 75 / 0 / 86 / 7

HEX #3CED21

RGB 60 237 33

HSL 112.06, 0.85%, 0.53%

LAB 82.72, -76.16, 75.32

 

CMYK 86 / 57 / 0 / 7

HEX #2165ED

RGB 33 101 237

HSL 220, 0.85%, 0.53%

LAB 46.64, 30.19, -74.02

 

CMYK 12 / 86 / 0 / 7

HEX #D121ED

RGB 209 33 237

HSL 291.76, 0.85%, 0.53%

LAB 52.68, 85.17, -63.47

 

CMYK 0 / 27 / 86 / 7

HEX #EDAC21

RGB 237 172 33

HSL 40.88, 0.85%, 0.53%

LAB 74.58, 13.05, 72.42

 

CMYK 86 / 0 / 72 / 7

HEX #21ED43

RGB 33 237 67

HSL 130, 0.85%, 0.53%

LAB 82.54, -77.17, 65.56

 

CMYK 86 / 57 / 0 / 7

HEX #2165ED

RGB 33 101 237

HSL 220, 0.85%, 0.53%

LAB 46.64, 30.19, -74.02

 

CMYK 0 / 86 / 14 / 7

HEX #ED21CB

RGB 237 33 203

HSL 310, 0.85%, 0.53%

LAB 55.49, 85.14, -39.41

 

Description

Color code: HEX #EDAC21 | qconv.com Color code: HEX #EDAC21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 172 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 172 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 86% 7% C M Y K

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