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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDB5D0 it is the complementary color #124A2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDB5D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDB5D0 shade: #F2B5CB, #FFC7DE, #FFD9F1, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDB5D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDB5D0 shade: #EDB5D0, #DCA3BD, #CB91AA, #BA7F97 and #A96D84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDB5D0 shade: #EDB5D0, #EDB5C1 and #EDB5B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDB5D0 shade: #EDB5D0, #EDB5DF, #EBB5ED, #DCB5ED and #CDB5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDB5D0 shade matches the following richer shades: #EDB5D0, #F4ADCF and #FBA6CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDB5D0 shade: #EDB5D0, #E5BCD0, #DEC3D0, #D6CBD0 and #CFD2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDB5D0 shade: #ECB5ED, #EDB5DF, #EDB5D0, #EDB5C1 and #EDB7B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDB5D0 shade: #DD72A5, #E593BB, #EDB5D0, #F5D6E5 and #FDF7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDB5D0 shade: #EDB5D0, #EDDDB5 and #B5E6ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDB5D0 shade: #EDB5D0, #D0EDB5 and #B5D0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDB5D0 shade: #EDB5D0, #EDDDB5, #B5EDD2 and #B5C4ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDB5D0 shade: #EDB5D0, #ECEDB5, #B5EDD2 and #B6B5ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

Complementary color

CMYK 76 / 0 / 36 / 71

HEX #124A2F

RGB 18 74 47

HSL 151.07, 0.61%, 0.18%

LAB 27.38, -25.36, 11.03

 

CMYK 0 / 25 / 16 / 5

HEX #F2B5CB

RGB 242 181 203

HSL 338.36, 0.7%, 0.83%

LAB 79.75, 25.36, -2.44

 

CMYK 0 / 22 / 13 / 0

HEX #FFC7DE

RGB 255 199 222

HSL 335.36, 1%, 0.89%

LAB 85.7, 23.38, -3.74

 

CMYK 0 / 15 / 5 / 0

HEX #FFD9F1

RGB 255 217 241

HSL 322.11, 1%, 0.93%

LAB 90.43, 17.1, -6.81

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 26 / 14 / 14

HEX #DCA3BD

RGB 220 163 189

HSL 332.63, 0.45%, 0.75%

LAB 72.95, 25.01, -5.07

 

CMYK 0 / 29 / 16 / 20

HEX #CB91AA

RGB 203 145 170

HSL 334.14, 0.36%, 0.68%

LAB 66.4, 25.67, -4.36

 

CMYK 0 / 32 / 19 / 27

HEX #BA7F97

RGB 186 127 151

HSL 335.59, 0.3%, 0.61%

LAB 59.75, 26.39, -3.58

 

CMYK 0 / 36 / 22 / 34

HEX #A96D84

RGB 169 109 132

HSL 337, 0.26%, 0.55%

LAB 52.99, 27.18, -2.73

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 24 / 19 / 7

HEX #EDB5C1

RGB 237 181 193

HSL 347.14, 0.61%, 0.82%

LAB 78.99, 22.04, 1.8

 

CMYK 0 / 24 / 24 / 7

HEX #EDB5B5

RGB 237 181 181

HSL 0, 0.61%, 0.82%

LAB 78.69, 20.28, 7.87

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 24 / 6 / 7

HEX #EDB5DF

RGB 237 181 223

HSL 315, 0.61%, 0.82%

LAB 79.83, 26.93, -13.18

 

CMYK 1 / 24 / 0 / 7

HEX #EBB5ED

RGB 235 181 237

HSL 297.86, 0.61%, 0.82%

LAB 80.08, 28.78, -20.36

 

CMYK 7 / 24 / 0 / 7

HEX #DCB5ED

RGB 220 181 237

HSL 281.79, 0.61%, 0.82%

LAB 78.68, 23.94, -22.62

 

CMYK 14 / 24 / 0 / 7

HEX #CDB5ED

RGB 205 181 237

HSL 265.71, 0.61%, 0.82%

LAB 77.37, 19.18, -24.74

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 29 / 15 / 4

HEX #F4ADCF

RGB 244 173 207

HSL 331.27, 0.76%, 0.82%

LAB 78.24, 30.92, -6.8

 

CMYK 0 / 34 / 18 / 2

HEX #FBA6CF

RGB 251 166 207

HSL 331.06, 0.91%, 0.82%

LAB 77.45, 36.99, -7.89

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 18 / 9 / 10

HEX #E5BCD0

RGB 229 188 208

HSL 330.73, 0.44%, 0.82%

LAB 80.28, 17.89, -4.5

 

CMYK 0 / 12 / 6 / 13

HEX #DEC3D0

RGB 222 195 208

HSL 331.11, 0.29%, 0.82%

LAB 81.35, 11.72, -2.99

 

CMYK 0 / 5 / 3 / 16

HEX #D6CBD0

RGB 214 203 208

HSL 332.73, 0.12%, 0.82%

LAB 82.68, 4.7, -1.13

 

CMYK 1 / 0 / 0 / 18

HEX #CFD2D1

RGB 207 210 209

HSL 160, 0.03%, 0.82%

LAB 83.95, -1.2, 0.13

 

CMYK 0 / 24 / 0 / 7

HEX #ECB5ED

RGB 236 181 237

HSL 298.93, 0.61%, 0.82%

LAB 80.18, 29.11, -20.21

 

CMYK 0 / 24 / 6 / 7

HEX #EDB5DF

RGB 237 181 223

HSL 315, 0.61%, 0.82%

LAB 79.83, 26.93, -13.18

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 24 / 19 / 7

HEX #EDB5C1

RGB 237 181 193

HSL 347.14, 0.61%, 0.82%

LAB 78.99, 22.04, 1.8

 

CMYK 0 / 23 / 24 / 7

HEX #EDB7B5

RGB 237 183 181

HSL 2.14, 0.61%, 0.82%

LAB 79.16, 19.22, 8.55

 

CMYK 0 / 48 / 25 / 13

HEX #DD72A5

RGB 221 114 165

HSL 331.4, 0.61%, 0.66%

LAB 61.76, 47.55, -8.17

 

CMYK 0 / 36 / 18 / 10

HEX #E593BB

RGB 229 147 187

HSL 330.73, 0.61%, 0.74%

LAB 70.26, 36.4, -7.84

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 13 / 7 / 4

HEX #F5D6E5

RGB 245 214 229

HSL 330.97, 0.61%, 0.9%

LAB 88.53, 13.23, -3.4

 

CMYK 0 / 2 / 1 / 1

HEX #FDF7FA

RGB 253 247 250

HSL 330, 0.6%, 0.98%

LAB 97.76, 2.52, -0.74

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 7 / 24 / 7

HEX #EDDDB5

RGB 237 221 181

HSL 42.86, 0.61%, 0.82%

LAB 88.47, -0.68, 21.65

 

CMYK 24 / 3 / 0 / 7

HEX #B5E6ED

RGB 181 230 237

HSL 187.5, 0.61%, 0.82%

LAB 88.22, -14.12, -8.57

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 12 / 0 / 24 / 7

HEX #D0EDB5

RGB 208 237 181

HSL 91.07, 0.61%, 0.82%

LAB 90.47, -19.21, 24.06

 

CMYK 24 / 12 / 0 / 7

HEX #B5D0ED

RGB 181 208 237

HSL 211.07, 0.61%, 0.82%

LAB 82.41, -2.77, -17.27

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 7 / 24 / 7

HEX #EDDDB5

RGB 237 221 181

HSL 42.86, 0.61%, 0.82%

LAB 88.47, -0.68, 21.65

 

CMYK 24 / 0 / 11 / 7

HEX #B5EDD2

RGB 181 237 210

HSL 151.07, 0.61%, 0.82%

LAB 89.41, -23.15, 7.31

 

CMYK 24 / 17 / 0 / 7

HEX #B5C4ED

RGB 181 196 237

HSL 223.93, 0.61%, 0.82%

LAB 79.28, 3.63, -21.99

 

CMYK 0 / 24 / 12 / 7

HEX #EDB5D0

RGB 237 181 208

HSL 331.07, 0.61%, 0.82%

LAB 79.39, 24.41, -5.73

 

CMYK 0 / 0 / 24 / 7

HEX #ECEDB5

RGB 236 237 181

HSL 61.07, 0.61%, 0.82%

LAB 92.46, -9.15, 27.11

 

CMYK 24 / 0 / 11 / 7

HEX #B5EDD2

RGB 181 237 210

HSL 151.07, 0.61%, 0.82%

LAB 89.41, -23.15, 7.31

 

CMYK 23 / 24 / 0 / 7

HEX #B6B5ED

RGB 182 181 237

HSL 241.07, 0.61%, 0.82%

LAB 75.52, 12.1, -27.73

 

Description

Color code: HEX #EDB5D0 | qconv.com Color code: HEX #EDB5D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 181 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 181 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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