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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDB3B0 it is the complementary color #124C4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDB3B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDB3B0 shade: #F2B3AB, #FFC5BE, #FFD7D1, #FFE9E4 and #FFFBF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDB3B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDB3B0 shade: #EDB3B0, #DCA19D, #CB8F8A, #BA7D77 and #A96B64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDB3B0 shade: #EDB3B0 and #EDB0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDB3B0 shade: #EDB3B0, #EDC3B0, #EDD3B0, #EDE4B0 and #E5EDB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDB3B0 shade matches the following richer shades: #EDB3B0, #F4ABA8 and #FCA4A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDB3B0 shade: #EDB3B0, #E5BAB7, #DDC1BF, #D5C8C7 and #CDCFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDB3B0 shade: #EDB0CE, #EDB0BE, #EDB2B0, #EDC2B0 and #EDD2B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDB3B0 shade: #DD726C, #E5928E, #EDB3B0, #F4D3D1 and #FCF3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDB3B0 shade: #EDB3B0, #DEEDB0 and #B0C6ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDB3B0 shade: #EDB3B0, #B0EDB2 and #B2B0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDB3B0 shade: #EDB3B0, #DEEDB0, #B0EBED and #BEB0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDB3B0 shade: #EDB3B0, #CCEDB0, #B0EBED and #D0B0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

Complementary color

CMYK 77 / 4 / 0 / 69

HEX #124C4F

RGB 18 76 79

HSL 182.95, 0.63%, 0.19%

LAB 29.06, -16.83, -7.13

 

CMYK 0 / 26 / 29 / 5

HEX #F2B3AB

RGB 242 179 171

HSL 6.76, 0.73%, 0.81%

LAB 78.5, 21.82, 13.08

 

CMYK 0 / 23 / 25 / 0

HEX #FFC5BE

RGB 255 197 190

HSL 6.46, 1%, 0.87%

LAB 84.44, 19.69, 11.48

 

CMYK 0 / 16 / 18 / 0

HEX #FFD7D1

RGB 255 215 209

HSL 7.83, 1%, 0.91%

LAB 89.14, 13.01, 8.15

 

CMYK 0 / 9 / 11 / 0

HEX #FFE9E4

RGB 255 233 228

HSL 11.11, 1%, 0.95%

LAB 93.94, 6.66, 5.12

 

CMYK 0 / 2 / 3 / 0

HEX #FFFBF7

RGB 255 251 247

HSL 30, 1%, 0.98%

LAB 98.82, 0.64, 2.37

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 0 / 27 / 29 / 14

HEX #DCA19D

RGB 220 161 157

HSL 3.81, 0.47%, 0.74%

LAB 71.65, 21.33, 10.71

 

CMYK 0 / 30 / 32 / 20

HEX #CB8F8A

RGB 203 143 138

HSL 4.62, 0.38%, 0.67%

LAB 65.1, 22.09, 11.77

 

CMYK 0 / 33 / 36 / 27

HEX #BA7D77

RGB 186 125 119

HSL 5.37, 0.33%, 0.6%

LAB 58.45, 22.94, 12.94

 

CMYK 0 / 37 / 41 / 34

HEX #A96B64

RGB 169 107 100

HSL 6.09, 0.29%, 0.53%

LAB 51.69, 23.91, 14.27

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 0 / 26 / 26 / 7

HEX #EDB0B0

RGB 237 176 176

HSL 0, 0.63%, 0.81%

LAB 77.39, 22.24, 8.73

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 0 / 18 / 26 / 7

HEX #EDC3B0

RGB 237 195 176

HSL 18.69, 0.63%, 0.81%

LAB 81.93, 12.16, 15.16

 

CMYK 0 / 11 / 26 / 7

HEX #EDD3B0

RGB 237 211 176

HSL 34.43, 0.63%, 0.81%

LAB 85.87, 3.79, 20.66

 

CMYK 0 / 4 / 26 / 7

HEX #EDE4B0

RGB 237 228 176

HSL 51.15, 0.63%, 0.81%

LAB 90.15, -4.92, 26.54

 

CMYK 3 / 0 / 26 / 7

HEX #E5EDB0

RGB 229 237 176

HSL 67.87, 0.63%, 0.81%

LAB 91.85, -12.39, 28.74

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 0 / 30 / 31 / 4

HEX #F4ABA8

RGB 244 171 168

HSL 2.37, 0.78%, 0.81%

LAB 76.79, 26.41, 12.32

 

CMYK 0 / 35 / 37 / 1

HEX #FCA4A0

RGB 252 164 160

HSL 2.61, 0.94%, 0.81%

LAB 75.94, 32.08, 15.61

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 0 / 19 / 20 / 10

HEX #E5BAB7

RGB 229 186 183

HSL 3.91, 0.47%, 0.81%

LAB 79.15, 14.97, 7.35

 

CMYK 0 / 13 / 14 / 13

HEX #DDC1BF

RGB 221 193 191

HSL 4, 0.31%, 0.81%

LAB 80.33, 9.58, 4.65

 

CMYK 0 / 6 / 7 / 16

HEX #D5C8C7

RGB 213 200 199

HSL 4.29, 0.14%, 0.81%

LAB 81.61, 4.35, 2.12

 

CMYK 1 / 0 / 0 / 19

HEX #CDCFCF

RGB 205 207 207

HSL 180, 0.02%, 0.81%

LAB 82.97, -0.68, -0.25

 

CMYK 0 / 26 / 13 / 7

HEX #EDB0CE

RGB 237 176 206

HSL 330.49, 0.63%, 0.81%

LAB 78.18, 26.75, -6.44

 

CMYK 0 / 26 / 20 / 7

HEX #EDB0BE

RGB 237 176 190

HSL 346.23, 0.63%, 0.81%

LAB 77.74, 24.25, 1.62

 

CMYK 0 / 25 / 26 / 7

HEX #EDB2B0

RGB 237 178 176

HSL 1.97, 0.63%, 0.81%

LAB 77.86, 21.17, 9.4

 

CMYK 0 / 18 / 26 / 7

HEX #EDC2B0

RGB 237 194 176

HSL 17.7, 0.63%, 0.81%

LAB 81.69, 12.69, 14.82

 

CMYK 0 / 11 / 26 / 7

HEX #EDD2B0

RGB 237 210 176

HSL 33.44, 0.63%, 0.81%

LAB 85.62, 4.31, 20.31

 

CMYK 0 / 48 / 51 / 13

HEX #DD726C

RGB 221 114 108

HSL 3.19, 0.62%, 0.65%

LAB 60.33, 41.09, 22.54

 

CMYK 0 / 36 / 38 / 10

HEX #E5928E

RGB 229 146 142

HSL 2.76, 0.63%, 0.73%

LAB 68.87, 30.88, 15.26

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 0 / 14 / 14 / 4

HEX #F4D3D1

RGB 244 211 209

HSL 3.43, 0.61%, 0.89%

LAB 87.2, 11.18, 5.23

 

CMYK 0 / 4 / 4 / 1

HEX #FCF3F3

RGB 252 243 243

HSL 0, 0.6%, 0.97%

LAB 96.52, 3.01, 1.06

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 6 / 0 / 26 / 7

HEX #DEEDB0

RGB 222 237 176

HSL 74.75, 0.63%, 0.81%

LAB 91.34, -14.94, 27.97

 

CMYK 26 / 16 / 0 / 7

HEX #B0C6ED

RGB 176 198 237

HSL 218.36, 0.63%, 0.81%

LAB 79.46, 1.06, -21.75

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 26 / 0 / 25 / 7

HEX #B0EDB2

RGB 176 237 178

HSL 121.97, 0.63%, 0.81%

LAB 88.45, -30.51, 22.52

 

CMYK 25 / 26 / 0 / 7

HEX #B2B0ED

RGB 178 176 237

HSL 241.97, 0.63%, 0.81%

LAB 73.95, 13.66, -30.16

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 6 / 0 / 26 / 7

HEX #DEEDB0

RGB 222 237 176

HSL 74.75, 0.63%, 0.81%

LAB 91.34, -14.94, 27.97

 

CMYK 26 / 1 / 0 / 7

HEX #B0EBED

RGB 176 235 237

HSL 181.97, 0.63%, 0.81%

LAB 89.28, -18.08, -7.03

 

CMYK 20 / 26 / 0 / 7

HEX #BEB0ED

RGB 190 176 237

HSL 253.77, 0.63%, 0.81%

LAB 74.9, 17.27, -28.63

 

CMYK 0 / 24 / 26 / 7

HEX #EDB3B0

RGB 237 179 176

HSL 2.95, 0.63%, 0.81%

LAB 78.1, 20.64, 9.73

 

CMYK 14 / 0 / 26 / 7

HEX #CCEDB0

RGB 204 237 176

HSL 92.46, 0.63%, 0.81%

LAB 90.11, -21.37, 26.09

 

CMYK 26 / 1 / 0 / 7

HEX #B0EBED

RGB 176 235 237

HSL 181.97, 0.63%, 0.81%

LAB 89.28, -18.08, -7.03

 

CMYK 12 / 26 / 0 / 7

HEX #D0B0ED

RGB 208 176 237

HSL 271.48, 0.63%, 0.81%

LAB 76.42, 22.85, -26.16

 

Description

Color code: HEX #EDB3B0 | qconv.com Color code: HEX #EDB3B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 179 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 179 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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