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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC430 it is the complementary color #123BCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC430. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC430 shade: #F2C42B, #FFD63E, #FFE851, #FFFA64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC430. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC430 shade: #EDC430, #DCB21D, #CBA00A, #BA8E00 and #A97C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC430 shade: #EDC430, #ED9130, #ED5E30 and #ED3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC430 shade: #EDC430, #E3ED30, #B0ED30, #7DED30 and #4AED30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC430 shade matches the following richer shades: #EDC430

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC430 shade: #EDC430, #DAB942, #C8AF54, #B6A567 and #A49B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC430 shade: #ED5C30, #ED8E30, #EDC130, #E6ED30 and #B4ED30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC430 shade: #BA9510, #E0B413, #EDC430, #F0CE56 and #F3D97C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC430 shade: #EDC430, #36ED30 and #7530ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC430 shade: #EDC430, #30EDC1 and #C130ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC430 shade: #EDC430, #36ED30, #305CED and #E630ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC430 shade: #EDC430, #30ED62, #305CED and #ED30BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

Complementary color

CMYK 91 / 71 / 0 / 19

HEX #123BCF

RGB 18 59 207

HSL 226.98, 0.84%, 0.44%

LAB 33.48, 44.83, -78.51

 

CMYK 0 / 19 / 82 / 5

HEX #F2C42B

RGB 242 196 43

HSL 46.13, 0.88%, 0.56%

LAB 81.03, 2.89, 75.32

 

CMYK 0 / 16 / 76 / 0

HEX #FFD63E

RGB 255 214 62

HSL 47.25, 1%, 0.62%

LAB 86.85, -0.21, 75.14

 

CMYK 0 / 9 / 68 / 0

HEX #FFE851

RGB 255 232 81

HSL 52.07, 1%, 0.66%

LAB 91.49, -8.41, 72.85

 

CMYK 0 / 2 / 61 / 0

HEX #FFFA64

RGB 255 250 100

HSL 58.06, 1%, 0.7%

LAB 96.22, -16.16, 70.31

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 0 / 19 / 87 / 14

HEX #DCB21D

RGB 220 178 29

HSL 46.81, 0.77%, 0.49%

LAB 74.28, 2.44, 72.4

 

CMYK 0 / 21 / 95 / 20

HEX #CBA00A

RGB 203 160 10

HSL 46.63, 0.91%, 0.42%

LAB 67.92, 4.2, 70.17

 

CMYK 0 / 24 / 100 / 27

HEX #BA8E00

RGB 186 142 0

HSL 45.81, 1%, 0.36%

LAB 61.47, 6.22, 66.14

 

CMYK 0 / 27 / 100 / 34

HEX #A97C00

RGB 169 124 0

HSL 44.02, 1%, 0.33%

LAB 54.92, 8.45, 60.76

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 0 / 39 / 80 / 7

HEX #ED9130

RGB 237 145 48

HSL 30.79, 0.84%, 0.56%

LAB 68.36, 27.74, 62.33

 

CMYK 0 / 60 / 80 / 7

HEX #ED5E30

RGB 237 94 48

HSL 14.6, 0.84%, 0.56%

LAB 58.25, 52.97, 52.86

 

CMYK 0 / 80 / 80 / 7

HEX #ED3030

RGB 237 48 48

HSL 0, 0.84%, 0.56%

LAB 52.21, 69.47, 46.97

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 4 / 0 / 80 / 7

HEX #E3ED30

RGB 227 237 48

HSL 63.17, 0.84%, 0.56%

LAB 90.37, -23.72, 81.54

 

CMYK 26 / 0 / 80 / 7

HEX #B0ED30

RGB 176 237 48

HSL 79.37, 0.84%, 0.56%

LAB 87, -43.82, 77.27

 

CMYK 47 / 0 / 80 / 7

HEX #7DED30

RGB 125 237 48

HSL 95.56, 0.84%, 0.56%

LAB 84.56, -61.02, 74.14

 

CMYK 69 / 0 / 80 / 7

HEX #4AED30

RGB 74 237 48

HSL 111.75, 0.84%, 0.56%

LAB 83.04, -73.21, 72.18

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 0 / 15 / 70 / 15

HEX #DAB942

RGB 218 185 66

HSL 46.97, 0.67%, 0.56%

LAB 76.07, -0.77, 62.02

 

CMYK 0 / 13 / 58 / 22

HEX #C8AF54

RGB 200 175 84

HSL 47.07, 0.51%, 0.56%

LAB 71.95, -2.06, 49.14

 

CMYK 0 / 9 / 43 / 29

HEX #B6A567

RGB 182 165 103

HSL 47.09, 0.35%, 0.56%

LAB 67.9, -2.59, 34.32

 

CMYK 0 / 5 / 26 / 36

HEX #A49B79

RGB 164 155 121

HSL 47.44, 0.19%, 0.56%

LAB 63.93, -2.28, 19.05

 

CMYK 0 / 61 / 80 / 7

HEX #ED5C30

RGB 237 92 48

HSL 13.97, 0.84%, 0.56%

LAB 57.92, 53.85, 52.54

 

CMYK 0 / 40 / 80 / 7

HEX #ED8E30

RGB 237 142 48

HSL 29.84, 0.84%, 0.56%

LAB 67.7, 29.31, 61.71

 

CMYK 0 / 19 / 80 / 7

HEX #EDC130

RGB 237 193 48

HSL 46.03, 0.84%, 0.56%

LAB 79.82, 2.46, 72.62

 

CMYK 3 / 0 / 80 / 7

HEX #E6ED30

RGB 230 237 48

HSL 62.22, 0.84%, 0.56%

LAB 90.6, -22.49, 81.82

 

CMYK 24 / 0 / 80 / 7

HEX #B4ED30

RGB 180 237 48

HSL 78.1, 0.84%, 0.56%

LAB 87.23, -42.32, 77.56

 

CMYK 0 / 20 / 91 / 27

HEX #BA9510

RGB 186 149 16

HSL 46.94, 0.84%, 0.4%

LAB 63.32, 2.62, 65.03

 

CMYK 0 / 20 / 92 / 12

HEX #E0B413

RGB 224 180 19

HSL 47.12, 0.84%, 0.48%

LAB 75.16, 2.95, 75.2

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 0 / 14 / 64 / 6

HEX #F0CE56

RGB 240 206 86

HSL 46.75, 0.84%, 0.64%

LAB 83.62, -1.23, 62.23

 

CMYK 0 / 11 / 49 / 5

HEX #F3D97C

RGB 243 217 124

HSL 46.89, 0.83%, 0.72%

LAB 87.06, -2.79, 48.78

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 77 / 0 / 80 / 7

HEX #36ED30

RGB 54 237 48

HSL 118.1, 0.84%, 0.56%

LAB 82.68, -76.29, 71.72

 

CMYK 51 / 80 / 0 / 7

HEX #7530ED

RGB 117 48 237

HSL 261.9, 0.84%, 0.56%

LAB 41.23, 67.92, -82.69

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 80 / 0 / 19 / 7

HEX #30EDC1

RGB 48 237 193

HSL 166.03, 0.84%, 0.56%

LAB 84.51, -55.04, 8.56

 

CMYK 19 / 80 / 0 / 7

HEX #C130ED

RGB 193 48 237

HSL 286.03, 0.84%, 0.56%

LAB 51.34, 79.15, -65.76

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 77 / 0 / 80 / 7

HEX #36ED30

RGB 54 237 48

HSL 118.1, 0.84%, 0.56%

LAB 82.68, -76.29, 71.72

 

CMYK 80 / 61 / 0 / 7

HEX #305CED

RGB 48 92 237

HSL 226.03, 0.84%, 0.56%

LAB 44.8, 36.98, -77.01

 

CMYK 3 / 80 / 0 / 7

HEX #E630ED

RGB 230 48 237

HSL 297.78, 0.84%, 0.56%

LAB 57.13, 85.66, -56.16

 

CMYK 0 / 17 / 80 / 7

HEX #EDC430

RGB 237 196 48

HSL 46.98, 0.84%, 0.56%

LAB 80.57, 0.9, 73.29

 

CMYK 80 / 0 / 59 / 7

HEX #30ED62

RGB 48 237 98

HSL 135.87, 0.84%, 0.56%

LAB 82.96, -72.61, 53.68

 

CMYK 80 / 61 / 0 / 7

HEX #305CED

RGB 48 92 237

HSL 226.03, 0.84%, 0.56%

LAB 44.8, 36.98, -77.01

 

CMYK 0 / 80 / 22 / 7

HEX #ED30BA

RGB 237 48 186

HSL 316.19, 0.84%, 0.56%

LAB 55.75, 79.99, -29.2

 

Description

Color code: HEX #EDC430 | qconv.com Color code: HEX #EDC430 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 196 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 196 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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