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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDC9E4 it is the complementary color #12361B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDC9E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDC9E4 shade: #F2C9DF, #FFDBF2, #FFEDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDC9E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDC9E4 shade: #EDC9E4, #DCB7D1, #CBA5BE, #BA93AB and #A98198

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDC9E4 shade: #EDC9E4, #EDC9DA, #EDC9D0 and #EDC9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDC9E4 shade: #EDC9E4, #ECC9ED, #E2C9ED, #D9C9ED and #CFC9ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDC9E4 shade matches the following richer shades: #EDC9E4, #F2C3E7, #F8BDEA and #FEB8EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDC9E4 shade: #EDC9E4, #E7CFE1, #E1D5DE, #DBDADB and #D6E0D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDC9E4 shade: #E3C9ED, #ECC9ED, #EDC9E4, #EDC9DA and #EDC9D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDC9E4 shade: #D88BC5, #E2AAD4, #EDC9E4 and #F7E8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDC9E4 shade: #EDC9E4, #EDD9C9 and #C9EDE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDC9E4 shade: #EDC9E4, #E4EDC9 and #C9E4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDC9E4 shade: #EDC9E4, #EDD9C9, #C9EDD2 and #C9DDED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDC9E4 shade: #EDC9E4, #EDE4C9, #C9EDD2 and #C9D2ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

Complementary color

CMYK 67 / 0 / 50 / 79

HEX #12361B

RGB 18 54 27

HSL 135, 0.5%, 0.14%

LAB 19.42, -20.22, 13.19

 

CMYK 0 / 17 / 8 / 5

HEX #F2C9DF

RGB 242 201 223

HSL 327.8, 0.61%, 0.87%

LAB 84.99, 18.02, -5.46

 

CMYK 0 / 14 / 5 / 0

HEX #FFDBF2

RGB 255 219 242

HSL 321.67, 1%, 0.93%

LAB 90.93, 16.23, -6.59

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 17 / 5 / 14

HEX #DCB7D1

RGB 220 183 209

HSL 317.84, 0.35%, 0.79%

LAB 78.28, 17.62, -8.09

 

CMYK 0 / 19 / 6 / 20

HEX #CBA5BE

RGB 203 165 190

HSL 320.53, 0.27%, 0.72%

LAB 71.77, 18.11, -7.54

 

CMYK 0 / 21 / 8 / 27

HEX #BA93AB

RGB 186 147 171

HSL 323.08, 0.22%, 0.65%

LAB 65.16, 18.63, -6.96

 

CMYK 0 / 24 / 10 / 34

HEX #A98198

RGB 169 129 152

HSL 325.5, 0.19%, 0.58%

LAB 58.42, 19.21, -6.34

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 15 / 8 / 7

HEX #EDC9DA

RGB 237 201 218

HSL 331.67, 0.5%, 0.86%

LAB 84.4, 15.45, -3.71

 

CMYK 0 / 15 / 12 / 7

HEX #EDC9D0

RGB 237 201 208

HSL 348.33, 0.5%, 0.86%

LAB 84.14, 13.79, 1.24

 

CMYK 0 / 15 / 15 / 7

HEX #EDC9C9

RGB 237 201 201

HSL 0, 0.5%, 0.86%

LAB 83.96, 12.68, 4.72

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 15 / 0 / 7

HEX #ECC9ED

RGB 236 201 237

HSL 298.33, 0.5%, 0.86%

LAB 84.85, 18.46, -13.17

 

CMYK 5 / 15 / 0 / 7

HEX #E2C9ED

RGB 226 201 237

HSL 281.67, 0.5%, 0.86%

LAB 84, 15.16, -14.54

 

CMYK 8 / 15 / 0 / 7

HEX #D9C9ED

RGB 217 201 237

HSL 266.67, 0.5%, 0.86%

LAB 83.25, 12.22, -15.73

 

CMYK 13 / 15 / 0 / 7

HEX #CFC9ED

RGB 207 201 237

HSL 250, 0.5%, 0.86%

LAB 82.46, 9.01, -17

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 19 / 5 / 5

HEX #F2C3E7

RGB 242 195 231

HSL 314.04, 0.64%, 0.86%

LAB 83.8, 22.57, -11.49

 

CMYK 0 / 24 / 6 / 3

HEX #F8BDEA

RGB 248 189 234

HSL 314.24, 0.81%, 0.86%

LAB 83.07, 28.27, -14.13

 

CMYK 0 / 28 / 7 / 0

HEX #FEB8EC

RGB 254 184 236

HSL 315.43, 0.97%, 0.86%

LAB 82.6, 33.23, -15.84

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 10 / 3 / 9

HEX #E7CFE1

RGB 231 207 225

HSL 315, 0.33%, 0.86%

LAB 85.53, 11.44, -5.83

 

CMYK 0 / 5 / 1 / 12

HEX #E1D5DE

RGB 225 213 222

HSL 315, 0.17%, 0.86%

LAB 86.44, 5.71, -2.96

 

CMYK 0 / 0 / 0 / 14

HEX #DBDADB

RGB 219 218 219

HSL 300, 0.01%, 0.86%

LAB 87.15, 0.52, -0.38

 

CMYK 4 / 0 / 4 / 12

HEX #D6E0D8

RGB 214 224 216

HSL 132, 0.14%, 0.86%

LAB 88.24, -4.81, 2.74

 

CMYK 4 / 15 / 0 / 7

HEX #E3C9ED

RGB 227 201 237

HSL 283.33, 0.5%, 0.86%

LAB 84.08, 15.49, -14.41

 

CMYK 0 / 15 / 0 / 7

HEX #ECC9ED

RGB 236 201 237

HSL 298.33, 0.5%, 0.86%

LAB 84.85, 18.46, -13.17

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 15 / 8 / 7

HEX #EDC9DA

RGB 237 201 218

HSL 331.67, 0.5%, 0.86%

LAB 84.4, 15.45, -3.71

 

CMYK 0 / 15 / 12 / 7

HEX #EDC9D1

RGB 237 201 209

HSL 346.67, 0.5%, 0.86%

LAB 84.16, 13.96, 0.74

 

CMYK 0 / 36 / 9 / 15

HEX #D88BC5

RGB 216 139 197

HSL 314.81, 0.5%, 0.7%

LAB 67.35, 37.88, -17.93

 

CMYK 0 / 25 / 6 / 11

HEX #E2AAD4

RGB 226 170 212

HSL 315, 0.49%, 0.78%

LAB 75.87, 27.2, -13.26

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 6 / 2 / 3

HEX #F7E8F3

RGB 247 232 243

HSL 316, 0.48%, 0.94%

LAB 93.43, 6.97, -3.5

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 8 / 15 / 7

HEX #EDD9C9

RGB 237 217 201

HSL 26.67, 0.5%, 0.86%

LAB 87.9, 4.31, 10.36

 

CMYK 15 / 0 / 3 / 7

HEX #C9EDE7

RGB 201 237 231

HSL 170, 0.5%, 0.86%

LAB 91.12, -12.81, -1.02

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 4 / 0 / 15 / 7

HEX #E4EDC9

RGB 228 237 201

HSL 75, 0.5%, 0.86%

LAB 92.26, -9.1, 16.44

 

CMYK 15 / 4 / 0 / 7

HEX #C9E4ED

RGB 201 228 237

HSL 195, 0.5%, 0.86%

LAB 88.93, -7.04, -7.38

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 8 / 15 / 7

HEX #EDD9C9

RGB 237 217 201

HSL 26.67, 0.5%, 0.86%

LAB 87.9, 4.31, 10.36

 

CMYK 15 / 0 / 11 / 7

HEX #C9EDD2

RGB 201 237 210

HSL 135, 0.5%, 0.86%

LAB 90.61, -16.77, 9.19

 

CMYK 15 / 7 / 0 / 7

HEX #C9DDED

RGB 201 221 237

HSL 206.67, 0.5%, 0.86%

LAB 87.12, -3.43, -10.08

 

CMYK 0 / 15 / 4 / 7

HEX #EDC9E4

RGB 237 201 228

HSL 315, 0.5%, 0.86%

LAB 84.68, 17.18, -8.63

 

CMYK 0 / 4 / 15 / 7

HEX #EDE4C9

RGB 237 228 201

HSL 45, 0.5%, 0.86%

LAB 90.65, -1.35, 14.27

 

CMYK 15 / 0 / 11 / 7

HEX #C9EDD2

RGB 201 237 210

HSL 135, 0.5%, 0.86%

LAB 90.61, -16.77, 9.19

 

CMYK 15 / 11 / 0 / 7

HEX #C9D2ED

RGB 201 210 237

HSL 225, 0.5%, 0.86%

LAB 84.29, 2.32, -14.3

 

Description

Color code: HEX #EDC9E4 | qconv.com Color code: HEX #EDC9E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 201 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 201 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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