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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDCCC4 it is the complementary color #12333B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDCCC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDCCC4 shade: #F2CCBF, #FFDED2, #FFF0E5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDCCC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDCCC4 shade: #EDCCC4, #DCBAB1, #CBA89E, #BA968B and #A98478

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDCCC4 shade: #EDCCC4 and #EDC4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDCCC4 shade: #EDCCC4, #EDD7C4, #EDE2C4, #ECEDC4 and #E1EDC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDCCC4 shade matches the following richer shades: #EDCCC4, #F3C8BE and #F9C4B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDCCC4 shade: #EDCCC4, #E6D0CA, #E0D3D0, #DAD7D7 and #D4DBDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDCCC4 shade: #EDC4D2, #EDC4C7, #EDCBC4, #EDD6C4 and #EDE1C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDCCC4 shade: #D99585, #E3B1A4, #EDCCC4 and #F6E7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDCCC4 shade: #EDCCC4, #DDEDC4 and #C4CDED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDCCC4 shade: #EDCCC4, #C4EDCB and #CBC4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDCCC4 shade: #EDCCC4, #DDEDC4, #C4E5ED and #D4C4ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDCCC4 shade: #EDCCC4, #D1EDC4, #C4E5ED and #E0C4ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

Complementary color

CMYK 69 / 14 / 0 / 77

HEX #12333B

RGB 18 51 59

HSL 191.71, 0.53%, 0.15%

LAB 19.27, -9.06, -8.65

 

CMYK 0 / 16 / 21 / 5

HEX #F2CCBF

RGB 242 204 191

HSL 15.29, 0.66%, 0.85%

LAB 84.91, 11.4, 11.45

 

CMYK 0 / 13 / 18 / 0

HEX #FFDED2

RGB 255 222 210

HSL 16, 1%, 0.91%

LAB 90.85, 9.53, 10.07

 

CMYK 0 / 6 / 10 / 0

HEX #FFF0E5

RGB 255 240 229

HSL 25.38, 1%, 0.95%

LAB 95.68, 3.24, 7.11

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 0 / 15 / 20 / 14

HEX #DCBAB1

RGB 220 186 177

HSL 12.56, 0.38%, 0.78%

LAB 78.17, 10.76, 9.08

 

CMYK 0 / 17 / 22 / 20

HEX #CBA89E

RGB 203 168 158

HSL 13.33, 0.3%, 0.71%

LAB 71.67, 11.24, 9.95

 

CMYK 0 / 19 / 25 / 27

HEX #BA968B

RGB 186 150 139

HSL 14.04, 0.25%, 0.64%

LAB 65.05, 11.77, 10.89

 

CMYK 0 / 22 / 29 / 34

HEX #A98478

RGB 169 132 120

HSL 14.69, 0.22%, 0.57%

LAB 58.31, 12.38, 11.9

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 0 / 17 / 17 / 7

HEX #EDC4C4

RGB 237 196 196

HSL 0, 0.53%, 0.85%

LAB 82.63, 14.54, 5.46

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 0 / 9 / 17 / 7

HEX #EDD7C4

RGB 237 215 196

HSL 27.8, 0.53%, 0.85%

LAB 87.29, 4.59, 12.13

 

CMYK 0 / 5 / 17 / 7

HEX #EDE2C4

RGB 237 226 196

HSL 43.9, 0.53%, 0.85%

LAB 90.04, -1.08, 16.02

 

CMYK 0 / 0 / 17 / 7

HEX #ECEDC4

RGB 236 237 196

HSL 61.46, 0.53%, 0.85%

LAB 92.75, -7.02, 19.8

 

CMYK 5 / 0 / 17 / 7

HEX #E1EDC4

RGB 225 237 196

HSL 77.56, 0.53%, 0.85%

LAB 91.94, -10.93, 18.55

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BE

RGB 243 200 190

HSL 11.32, 0.69%, 0.85%

LAB 84.01, 13.72, 10.71

 

CMYK 0 / 21 / 26 / 2

HEX #F9C4B8

RGB 249 196 184

HSL 11.08, 0.84%, 0.85%

LAB 83.48, 17.19, 13.25

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 0 / 10 / 12 / 10

HEX #E6D0CA

RGB 230 208 202

HSL 12.86, 0.36%, 0.85%

LAB 85.1, 6.66, 5.75

 

CMYK 0 / 6 / 7 / 12

HEX #E0D3D0

RGB 224 211 208

HSL 11.25, 0.21%, 0.85%

LAB 85.5, 3.97, 3.08

 

CMYK 0 / 1 / 1 / 15

HEX #DAD7D7

RGB 218 215 215

HSL 0, 0.04%, 0.85%

LAB 86.21, 1.03, 0.35

 

CMYK 4 / 1 / 0 / 13

HEX #D4DBDD

RGB 212 219 221

HSL 193.33, 0.12%, 0.85%

LAB 86.94, -1.98, -1.81

 

CMYK 0 / 17 / 11 / 7

HEX #EDC4D2

RGB 237 196 210

HSL 339.51, 0.53%, 0.85%

LAB 82.99, 16.76, -1.51

 

CMYK 0 / 17 / 16 / 7

HEX #EDC4C7

RGB 237 196 199

HSL 355.61, 0.53%, 0.85%

LAB 82.7, 15.01, 3.97

 

CMYK 0 / 14 / 17 / 7

HEX #EDCBC4

RGB 237 203 196

HSL 10.24, 0.53%, 0.85%

LAB 84.33, 10.85, 7.91

 

CMYK 0 / 10 / 17 / 7

HEX #EDD6C4

RGB 237 214 196

HSL 26.34, 0.53%, 0.85%

LAB 87.04, 5.1, 11.77

 

CMYK 0 / 5 / 17 / 7

HEX #EDE1C4

RGB 237 225 196

HSL 42.44, 0.53%, 0.85%

LAB 89.79, -0.57, 15.66

 

CMYK 0 / 31 / 39 / 15

HEX #D99585

RGB 217 149 133

HSL 11.43, 0.53%, 0.69%

LAB 67.98, 23.64, 18.8

 

CMYK 0 / 22 / 28 / 11

HEX #E3B1A4

RGB 227 177 164

HSL 12.38, 0.53%, 0.77%

LAB 76.35, 16.32, 13.62

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 0 / 6 / 7 / 4

HEX #F6E7E4

RGB 246 231 228

HSL 10, 0.5%, 0.93%

LAB 92.73, 4.58, 3.27

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 7 / 0 / 17 / 7

HEX #DDEDC4

RGB 221 237 196

HSL 83.41, 0.53%, 0.85%

LAB 91.65, -12.34, 18.11

 

CMYK 17 / 14 / 0 / 7

HEX #C4CDED

RGB 196 205 237

HSL 226.83, 0.53%, 0.85%

LAB 82.65, 3.41, -16.79

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 17 / 0 / 14 / 7

HEX #C4EDCB

RGB 196 237 203

HSL 130.24, 0.53%, 0.85%

LAB 90.14, -19.67, 12.12

 

CMYK 14 / 17 / 0 / 7

HEX #CBC4ED

RGB 203 196 237

HSL 250.24, 0.53%, 0.85%

LAB 80.9, 10.42, -19.39

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 7 / 0 / 17 / 7

HEX #DDEDC4

RGB 221 237 196

HSL 83.41, 0.53%, 0.85%

LAB 91.65, -12.34, 18.11

 

CMYK 17 / 3 / 0 / 7

HEX #C4E5ED

RGB 196 229 237

HSL 191.71, 0.53%, 0.85%

LAB 88.87, -9.1, -7.51

 

CMYK 11 / 17 / 0 / 7

HEX #D4C4ED

RGB 212 196 237

HSL 263.41, 0.53%, 0.85%

LAB 81.62, 13.29, -18.24

 

CMYK 0 / 14 / 17 / 7

HEX #EDCCC4

RGB 237 204 196

HSL 11.71, 0.53%, 0.85%

LAB 84.57, 10.33, 8.26

 

CMYK 12 / 0 / 17 / 7

HEX #D1EDC4

RGB 209 237 196

HSL 100.98, 0.53%, 0.85%

LAB 90.83, -16.5, 16.83

 

CMYK 17 / 3 / 0 / 7

HEX #C4E5ED

RGB 196 229 237

HSL 191.71, 0.53%, 0.85%

LAB 88.87, -9.1, -7.51

 

CMYK 5 / 17 / 0 / 7

HEX #E0C4ED

RGB 224 196 237

HSL 280.98, 0.53%, 0.85%

LAB 82.62, 17.17, -16.63

 

Description

Color code: HEX #EDCCC4 | qconv.com Color code: HEX #EDCCC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 204 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 204 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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