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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDC58 it is the complementary color #1223A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDC58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDDC58 shade: #F2DC53, #FFEE66, #FFFF79, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDC58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDDC58 shade: #EDDC58, #DCCA45, #CBB832, #BAA61F and #A9940C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDDC58 shade: #EDDC58, #EDB458, #ED8C58, #ED6458 and #ED5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDDC58 shade: #EDDC58, #D6ED58, #AEED58, #86ED58 and #5EED58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDDC58 shade matches the following richer shades: #EDDC58 and #FCE849

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDDC58 shade: #EDDC58, #DED167, #CFC576, #C0BA85 and #B2AE94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDDC58 shade: #ED8C58, #EDB458, #EDDC58, #D7ED58 and #AFED58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDDC58 shade: #DCC617, #E9D433, #EDDC58, #F1E47E and #F5ECA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDDC58 shade: #EDDC58, #58ED65 and #A058ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDDC58 shade: #EDDC58, #58EDDC and #DC58ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDDC58 shade: #EDDC58, #58ED65, #586AED and #ED58E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDDC58 shade: #EDDC58, #58ED91, #586AED and #ED58B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

Complementary color

CMYK 89 / 79 / 0 / 35

HEX #1223A7

RGB 18 35 167

HSL 233.15, 0.81%, 0.36%

LAB 24.07, 44.82, -70.41

 

CMYK 0 / 9 / 66 / 5

HEX #F2DC53

RGB 242 220 83

HSL 51.7, 0.86%, 0.64%

LAB 87.33, -7.68, 67.45

 

CMYK 0 / 7 / 60 / 0

HEX #FFEE66

RGB 255 238 102

HSL 53.33, 1%, 0.7%

LAB 93.18, -10.17, 66.17

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 0 / 8 / 69 / 14

HEX #DCCA45

RGB 220 202 69

HSL 52.85, 0.68%, 0.57%

LAB 80.68, -8.53, 65.55

 

CMYK 0 / 9 / 75 / 20

HEX #CBB832

RGB 203 184 50

HSL 52.55, 0.6%, 0.5%

LAB 74.32, -7.44, 65.8

 

CMYK 0 / 11 / 83 / 27

HEX #BAA61F

RGB 186 166 31

HSL 52.26, 0.71%, 0.43%

LAB 67.88, -6.16, 65.29

 

CMYK 0 / 12 / 93 / 34

HEX #A9940C

RGB 169 148 12

HSL 51.97, 0.87%, 0.35%

LAB 61.34, -4.62, 63.47

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 0 / 24 / 63 / 7

HEX #EDB458

RGB 237 180 88

HSL 37.05, 0.81%, 0.64%

LAB 76.89, 11.17, 53.85

 

CMYK 0 / 41 / 63 / 7

HEX #ED8C58

RGB 237 140 88

HSL 20.94, 0.81%, 0.64%

LAB 67.62, 32.3, 43.15

 

CMYK 0 / 58 / 63 / 7

HEX #ED6458

RGB 237 100 88

HSL 4.83, 0.81%, 0.64%

LAB 59.73, 52.12, 33.55

 

CMYK 0 / 63 / 63 / 7

HEX #ED5858

RGB 237 88 88

HSL 0, 0.81%, 0.64%

LAB 57.74, 57.4, 31.05

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 10 / 0 / 63 / 7

HEX #D6ED58

RGB 214 237 88

HSL 69.26, 0.81%, 0.64%

LAB 89.66, -27.04, 67.23

 

CMYK 27 / 0 / 63 / 7

HEX #AEED58

RGB 174 237 88

HSL 85.37, 0.81%, 0.64%

LAB 87.13, -42.24, 63.77

 

CMYK 43 / 0 / 63 / 7

HEX #86ED58

RGB 134 237 88

HSL 101.48, 0.81%, 0.64%

LAB 85.17, -55.61, 61.06

 

CMYK 60 / 0 / 63 / 7

HEX #5EED58

RGB 94 237 88

HSL 117.58, 0.81%, 0.64%

LAB 83.78, -66.14, 59.14

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 0 / 8 / 71 / 1

HEX #FCE849

RGB 252 232 73

HSL 53.3, 0.97%, 0.64%

LAB 91.18, -10.03, 75.38

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 0 / 6 / 54 / 13

HEX #DED167

RGB 222 209 103

HSL 53.45, 0.64%, 0.64%

LAB 82.97, -9.01, 53.46

 

CMYK 0 / 5 / 43 / 19

HEX #CFC576

RGB 207 197 118

HSL 53.26, 0.48%, 0.64%

LAB 78.76, -7.6, 40.77

 

CMYK 0 / 3 / 31 / 25

HEX #C0BA85

RGB 192 186 133

HSL 53.9, 0.32%, 0.64%

LAB 74.84, -6.13, 27.69

 

CMYK 0 / 2 / 17 / 30

HEX #B2AE94

RGB 178 174 148

HSL 52, 0.16%, 0.64%

LAB 70.78, -3.03, 13.87

 

CMYK 0 / 41 / 63 / 7

HEX #ED8C58

RGB 237 140 88

HSL 20.94, 0.81%, 0.64%

LAB 67.62, 32.3, 43.15

 

CMYK 0 / 24 / 63 / 7

HEX #EDB458

RGB 237 180 88

HSL 37.05, 0.81%, 0.64%

LAB 76.89, 11.17, 53.85

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 9 / 0 / 63 / 7

HEX #D7ED58

RGB 215 237 88

HSL 68.86, 0.81%, 0.64%

LAB 89.73, -26.64, 67.32

 

CMYK 26 / 0 / 63 / 7

HEX #AFED58

RGB 175 237 88

HSL 84.97, 0.81%, 0.64%

LAB 87.19, -41.88, 63.84

 

CMYK 0 / 10 / 90 / 14

HEX #DCC617

RGB 220 198 23

HSL 53.3, 0.81%, 0.48%

LAB 79.42, -8.05, 77.64

 

CMYK 0 / 9 / 78 / 9

HEX #E9D433

RGB 233 212 51

HSL 53.08, 0.81%, 0.56%

LAB 84.3, -8.86, 75.56

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 0 / 5 / 48 / 5

HEX #F1E47E

RGB 241 228 126

HSL 53.22, 0.8%, 0.72%

LAB 89.72, -8.96, 51.02

 

CMYK 0 / 4 / 33 / 4

HEX #F5ECA3

RGB 245 236 163

HSL 53.41, 0.8%, 0.8%

LAB 92.6, -7.57, 36.54

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 63 / 0 / 57 / 7

HEX #58ED65

RGB 88 237 101

HSL 125.23, 0.81%, 0.64%

LAB 83.75, -66, 53.47

 

CMYK 32 / 63 / 0 / 7

HEX #A058ED

RGB 160 88 237

HSL 268.99, 0.81%, 0.64%

LAB 52.47, 57.25, -64.15

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 63 / 0 / 7 / 7

HEX #58EDDC

RGB 88 237 220

HSL 173.15, 0.81%, 0.64%

LAB 85.91, -43.25, -3.48

 

CMYK 7 / 63 / 0 / 7

HEX #DC58ED

RGB 220 88 237

HSL 293.15, 0.81%, 0.64%

LAB 60.17, 70.67, -51.41

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 63 / 0 / 57 / 7

HEX #58ED65

RGB 88 237 101

HSL 125.23, 0.81%, 0.64%

LAB 83.75, -66, 53.47

 

CMYK 63 / 55 / 0 / 7

HEX #586AED

RGB 88 106 237

HSL 232.75, 0.81%, 0.64%

LAB 50.09, 33.17, -68.3

 

CMYK 0 / 63 / 5 / 7

HEX #ED58E1

RGB 237 88 225

HSL 304.83, 0.81%, 0.64%

LAB 62.02, 72.68, -41.62

 

CMYK 0 / 7 / 63 / 7

HEX #EDDC58

RGB 237 220 88

HSL 53.15, 0.81%, 0.64%

LAB 86.95, -9.45, 64.87

 

CMYK 63 / 0 / 39 / 7

HEX #58ED91

RGB 88 237 145

HSL 142.95, 0.81%, 0.64%

LAB 84.32, -59.55, 33.16

 

CMYK 63 / 55 / 0 / 7

HEX #586AED

RGB 88 106 237

HSL 232.75, 0.81%, 0.64%

LAB 50.09, 33.17, -68.3

 

CMYK 0 / 63 / 24 / 7

HEX #ED58B4

RGB 237 88 180

HSL 322.95, 0.81%, 0.64%

LAB 60.14, 66.22, -18.99

 

Description

Color code: HEX #EDDC58 | qconv.com Color code: HEX #EDDC58 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 220 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 220 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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