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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE46D it is the complementary color #121B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE46D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDE46D shade: #F2E468, #FFF67B, #FFFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE46D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDE46D shade: #EDE46D, #DCD25A, #CBC047, #BAAE34 and #A99C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDE46D shade: #EDE46D, #EDC16D, #ED9F6D, #ED7D6D and #ED6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDE46D shade: #EDE46D, #D3ED6D, #B1ED6D, #8FED6D and #6DED6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDE46D shade matches the following richer shades: #EDE46D and #FAEF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDE46D shade: #EDE46D, #DFD87A, #D2CD88, #C5C295 and #B8B6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDE46D shade: #ED9E6D, #EDC06D, #EDE26D, #D5ED6D and #B3ED6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDE46D shade: #E3D624, #E8DD49, #EDE46D, #F1EA92 and #F6F1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDE46D shade: #EDE46D, #6DED7C and #AF6DED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDE46D shade: #EDE46D, #6DEDE2 and #E26DED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDE46D shade: #EDE46D, #6DED7C, #6D78ED and #ED6DDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDE46D shade: #EDE46D, #6DEDA2, #6D78ED and #ED6DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

Complementary color

CMYK 88 / 82 / 0 / 43

HEX #121B92

RGB 18 27 146

HSL 235.78, 0.78%, 0.32%

LAB 19.99, 42.03, -64.31

 

CMYK 0 / 6 / 57 / 5

HEX #F2E468

RGB 242 228 104

HSL 53.91, 0.84%, 0.68%

LAB 89.56, -10.33, 60.99

 

CMYK 0 / 4 / 52 / 0

HEX #FFF67B

RGB 255 246 123

HSL 55.91, 1%, 0.74%

LAB 95.41, -12.57, 59.48

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 0 / 5 / 59 / 14

HEX #DCD25A

RGB 220 210 90

HSL 55.38, 0.65%, 0.61%

LAB 82.94, -11.3, 59.25

 

CMYK 0 / 5 / 65 / 20

HEX #CBC047

RGB 203 192 71

HSL 55, 0.56%, 0.54%

LAB 76.59, -10.5, 60.09

 

CMYK 0 / 6 / 72 / 27

HEX #BAAE34

RGB 186 174 52

HSL 54.63, 0.56%, 0.47%

LAB 70.15, -9.54, 60.59

 

CMYK 0 / 8 / 80 / 34

HEX #A99C21

RGB 169 156 33

HSL 54.26, 0.67%, 0.4%

LAB 63.61, -8.38, 60.42

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 0 / 19 / 54 / 7

HEX #EDC16D

RGB 237 193 109

HSL 39.38, 0.78%, 0.68%

LAB 80.32, 5.87, 47.78

 

CMYK 0 / 33 / 54 / 7

HEX #ED9F6D

RGB 237 159 109

HSL 23.44, 0.78%, 0.68%

LAB 72.16, 23.83, 37.75

 

CMYK 0 / 47 / 54 / 7

HEX #ED7D6D

RGB 237 125 109

HSL 7.5, 0.78%, 0.68%

LAB 64.78, 41.54, 28.28

 

CMYK 0 / 54 / 54 / 7

HEX #ED6D6D

RGB 237 109 109

HSL 0, 0.78%, 0.68%

LAB 61.69, 49.41, 24.2

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 11 / 0 / 54 / 7

HEX #D3ED6D

RGB 211 237 109

HSL 72.19, 0.78%, 0.68%

LAB 89.64, -26.63, 58.23

 

CMYK 25 / 0 / 54 / 7

HEX #B1ED6D

RGB 177 237 109

HSL 88.13, 0.78%, 0.68%

LAB 87.49, -39.33, 55.19

 

CMYK 40 / 0 / 54 / 7

HEX #8FED6D

RGB 143 237 109

HSL 104.06, 0.78%, 0.68%

LAB 85.76, -50.75, 52.72

 

CMYK 54 / 0 / 54 / 7

HEX #6DED6E

RGB 109 237 110

HSL 120.47, 0.78%, 0.68%

LAB 84.46, -60.17, 50.39

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 0 / 4 / 62 / 2

HEX #FAEF60

RGB 250 239 96

HSL 55.71, 0.94%, 0.68%

LAB 92.97, -13.06, 68.34

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 0 / 3 / 45 / 13

HEX #DFD87A

RGB 223 216 122

HSL 55.84, 0.61%, 0.68%

LAB 85.1, -10.47, 46.97

 

CMYK 0 / 2 / 35 / 18

HEX #D2CD88

RGB 210 205 136

HSL 55.95, 0.45%, 0.68%

LAB 81.37, -8.53, 35.01

 

CMYK 0 / 2 / 24 / 23

HEX #C5C295

RGB 197 194 149

HSL 56.25, 0.29%, 0.68%

LAB 77.65, -6.21, 23.08

 

CMYK 0 / 1 / 12 / 28

HEX #B8B6A2

RGB 184 182 162

HSL 54.55, 0.13%, 0.68%

LAB 73.71, -2.8, 10.43

 

CMYK 0 / 33 / 54 / 7

HEX #ED9E6D

RGB 237 158 109

HSL 22.97, 0.78%, 0.68%

LAB 71.94, 24.36, 37.46

 

CMYK 0 / 19 / 54 / 7

HEX #EDC06D

RGB 237 192 109

HSL 38.91, 0.78%, 0.68%

LAB 80.07, 6.4, 47.48

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26D

RGB 237 226 109

HSL 54.84, 0.78%, 0.68%

LAB 88.69, -10.99, 57.64

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6D

RGB 213 237 109

HSL 71.25, 0.78%, 0.68%

LAB 89.78, -25.86, 58.43

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 0 / 6 / 84 / 11

HEX #E3D624

RGB 227 214 36

HSL 55.92, 0.77%, 0.52%

LAB 84.25, -12.85, 79.21

 

CMYK 0 / 5 / 69 / 9

HEX #E8DD49

RGB 232 221 73

HSL 55.85, 0.78%, 0.6%

LAB 86.68, -12.85, 70.38

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 0 / 3 / 39 / 5

HEX #F1EA92

RGB 241 234 146

HSL 55.58, 0.77%, 0.76%

LAB 91.51, -9.99, 43.55

 

CMYK 0 / 2 / 26 / 4

HEX #F6F1B7

RGB 246 241 183

HSL 55.24, 0.78%, 0.84%

LAB 94.28, -7.21, 28.69

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 54 / 0 / 48 / 7

HEX #6DED7C

RGB 109 237 124

HSL 127.03, 0.78%, 0.68%

LAB 84.63, -58.32, 44.01

 

CMYK 26 / 54 / 0 / 7

HEX #AF6DED

RGB 175 109 237

HSL 270.94, 0.78%, 0.68%

LAB 58.19, 49.94, -54.89

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 54 / 0 / 5 / 7

HEX #6DEDE2

RGB 109 237 226

HSL 174.84, 0.78%, 0.68%

LAB 86.66, -38.01, -5.47

 

CMYK 5 / 54 / 0 / 7

HEX #E26DED

RGB 226 109 237

HSL 294.84, 0.78%, 0.68%

LAB 64.34, 62.96, -44.76

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 54 / 0 / 48 / 7

HEX #6DED7C

RGB 109 237 124

HSL 127.03, 0.78%, 0.68%

LAB 84.63, -58.32, 44.01

 

CMYK 54 / 49 / 0 / 7

HEX #6D78ED

RGB 109 120 237

HSL 234.84, 0.78%, 0.68%

LAB 54.86, 28.46, -60.54

 

CMYK 0 / 54 / 6 / 7

HEX #ED6DDE

RGB 237 109 222

HSL 307.03, 0.78%, 0.68%

LAB 65.13, 63.32, -35.07

 

CMYK 0 / 4 / 54 / 7

HEX #EDE46D

RGB 237 228 109

HSL 55.78, 0.78%, 0.68%

LAB 89.2, -11.98, 58.24

 

CMYK 54 / 0 / 32 / 7

HEX #6DEDA2

RGB 109 237 162

HSL 144.84, 0.78%, 0.68%

LAB 85.21, -52.1, 25.83

 

CMYK 54 / 49 / 0 / 7

HEX #6D78ED

RGB 109 120 237

HSL 234.84, 0.78%, 0.68%

LAB 54.86, 28.46, -60.54

 

CMYK 0 / 54 / 22 / 7

HEX #ED6DB8

RGB 237 109 184

HSL 324.84, 0.78%, 0.68%

LAB 63.67, 57.62, -15.91

 

Description

Color code: HEX #EDE46D | qconv.com Color code: HEX #EDE46D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 228 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 228 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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