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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE691 it is the complementary color #12196E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE691. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDE691 shade: #F2E68C, #FFF89F, #FFFFB2, #FFFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE691. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDE691 shade: #EDE691, #DCD47E, #CBC26B, #BAB058 and #A99E45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDE691 shade: #EDE691, #EDCD91, #EDB491, #ED9B91 and #ED9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDE691 shade: #EDE691, #DBED91, #C2ED91, #A9ED91 and #91ED91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDE691 shade matches the following richer shades: #EDE691 and #F7EE87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDE691 shade: #EDE691, #E2DD9B, #D8D4A5, #CECBB0 and #C3C3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDE691 shade: #EDB491, #EDCD91, #EDE591, #DCED91 and #C3ED91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDE691 shade: #E1D64A, #E7DE6D, #EDE691, #F2EEB4 and #F8F6D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDE691 shade: #EDE691, #91ED9C and #C091ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDE691 shade: #EDE691, #91EDE5 and #E591ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDE691 shade: #EDE691, #91ED9C, #9199ED and #ED91E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDE691 shade: #EDE691, #91EDB7, #9199ED and #ED91C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

Complementary color

CMYK 84 / 77 / 0 / 57

HEX #12196E

RGB 18 25 110

HSL 235.43, 0.72%, 0.25%

LAB 15.22, 30.36, -49.35

 

CMYK 0 / 5 / 42 / 5

HEX #F2E68C

RGB 242 230 140

HSL 52.94, 0.8%, 0.75%

LAB 90.49, -8.23, 45.21

 

CMYK 0 / 3 / 38 / 0

HEX #FFF89F

RGB 255 248 159

HSL 55.63, 1%, 0.81%

LAB 96.37, -10.17, 43.59

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 0 / 4 / 43 / 14

HEX #DCD47E

RGB 220 212 126

HSL 54.89, 0.57%, 0.68%

LAB 83.87, -9.24, 43.41

 

CMYK 0 / 4 / 47 / 20

HEX #CBC26B

RGB 203 194 107

HSL 54.38, 0.48%, 0.61%

LAB 77.48, -8.76, 44.61

 

CMYK 0 / 5 / 53 / 27

HEX #BAB058

RGB 186 176 88

HSL 53.88, 0.42%, 0.54%

LAB 71, -8.18, 45.81

 

CMYK 0 / 7 / 59 / 34

HEX #A99E45

RGB 169 158 69

HSL 53.4, 0.42%, 0.47%

LAB 64.42, -7.48, 46.94

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 0 / 14 / 39 / 7

HEX #EDCD91

RGB 237 205 145

HSL 39.13, 0.72%, 0.75%

LAB 83.82, 3.08, 34.02

 

CMYK 0 / 24 / 39 / 7

HEX #EDB491

RGB 237 180 145

HSL 22.83, 0.72%, 0.75%

LAB 77.69, 16.21, 25.87

 

CMYK 0 / 35 / 39 / 7

HEX #ED9B91

RGB 237 155 145

HSL 6.52, 0.72%, 0.75%

LAB 71.89, 29.48, 17.93

 

CMYK 0 / 39 / 39 / 7

HEX #ED9191

RGB 237 145 145

HSL 0, 0.72%, 0.75%

LAB 69.68, 34.74, 14.86

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 8 / 0 / 39 / 7

HEX #DBED91

RGB 219 237 145

HSL 71.74, 0.72%, 0.75%

LAB 90.63, -19.98, 42.57

 

CMYK 18 / 0 / 39 / 7

HEX #C2ED91

RGB 194 237 145

HSL 88.04, 0.72%, 0.75%

LAB 88.96, -29.19, 40.1

 

CMYK 29 / 0 / 39 / 7

HEX #A9ED91

RGB 169 237 145

HSL 104.35, 0.72%, 0.75%

LAB 87.51, -37.85, 37.93

 

CMYK 39 / 0 / 39 / 7

HEX #91ED91

RGB 145 237 145

HSL 120, 0.72%, 0.75%

LAB 86.32, -45.45, 36.16

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 0 / 4 / 45 / 3

HEX #F7EE87

RGB 247 238 135

HSL 55.18, 0.88%, 0.75%

LAB 92.87, -10.74, 50.68

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 0 / 2 / 31 / 11

HEX #E2DD9B

RGB 226 221 155

HSL 55.77, 0.55%, 0.75%

LAB 87.12, -8.21, 33.08

 

CMYK 0 / 2 / 24 / 15

HEX #D8D4A5

RGB 216 212 165

HSL 55.29, 0.4%, 0.75%

LAB 84.17, -6.1, 23.81

 

CMYK 0 / 1 / 15 / 19

HEX #CECBB0

RGB 206 203 176

HSL 54, 0.23%, 0.75%

LAB 81.27, -3.52, 13.85

 

CMYK 0 / 0 / 5 / 24

HEX #C3C3BA

RGB 195 195 186

HSL 60, 0.07%, 0.75%

LAB 78.57, -1.62, 4.51

 

CMYK 0 / 24 / 39 / 7

HEX #EDB491

RGB 237 180 145

HSL 22.83, 0.72%, 0.75%

LAB 77.69, 16.21, 25.87

 

CMYK 0 / 14 / 39 / 7

HEX #EDCD91

RGB 237 205 145

HSL 39.13, 0.72%, 0.75%

LAB 83.82, 3.08, 34.02

 

CMYK 0 / 3 / 39 / 7

HEX #EDE591

RGB 237 229 145

HSL 54.78, 0.72%, 0.75%

LAB 89.9, -9.15, 41.91

 

CMYK 7 / 0 / 39 / 7

HEX #DCED91

RGB 220 237 145

HSL 71.09, 0.72%, 0.75%

LAB 90.7, -19.61, 42.68

 

CMYK 18 / 0 / 39 / 7

HEX #C3ED91

RGB 195 237 145

HSL 87.39, 0.72%, 0.75%

LAB 89.02, -28.83, 40.19

 

CMYK 0 / 5 / 67 / 12

HEX #E1D64A

RGB 225 214 74

HSL 55.63, 0.72%, 0.59%

LAB 84.27, -12.22, 67.4

 

CMYK 0 / 4 / 53 / 9

HEX #E7DE6D

RGB 231 222 109

HSL 55.57, 0.72%, 0.67%

LAB 87.16, -11.41, 55.75

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 0 / 2 / 26 / 5

HEX #F2EEB4

RGB 242 238 180

HSL 56.13, 0.7%, 0.83%

LAB 93.16, -7.58, 28.64

 

CMYK 0 / 1 / 13 / 3

HEX #F8F6D8

RGB 248 246 216

HSL 56.25, 0.7%, 0.91%

LAB 96.34, -4.27, 14.68

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 39 / 0 / 34 / 7

HEX #91ED9C

RGB 145 237 156

HSL 127.17, 0.72%, 0.75%

LAB 86.5, -43.74, 30.86

 

CMYK 19 / 39 / 0 / 7

HEX #C091ED

RGB 192 145 237

HSL 270.65, 0.72%, 0.75%

LAB 67.7, 35.01, -39.76

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 39 / 0 / 3 / 7

HEX #91EDE5

RGB 145 237 229

HSL 174.78, 0.72%, 0.75%

LAB 88.09, -29.22, -4.78

 

CMYK 3 / 39 / 0 / 7

HEX #E591ED

RGB 229 145 237

HSL 294.78, 0.72%, 0.75%

LAB 71.57, 45.97, -33.45

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 39 / 0 / 34 / 7

HEX #91ED9C

RGB 145 237 156

HSL 127.17, 0.72%, 0.75%

LAB 86.5, -43.74, 30.86

 

CMYK 39 / 35 / 0 / 7

HEX #9199ED

RGB 145 153 237

HSL 234.78, 0.72%, 0.75%

LAB 65.68, 17.4, -43.2

 

CMYK 0 / 39 / 5 / 7

HEX #ED91E2

RGB 237 145 226

HSL 307.17, 0.72%, 0.75%

LAB 72.06, 46.42, -26.59

 

CMYK 0 / 3 / 39 / 7

HEX #EDE691

RGB 237 230 145

HSL 55.43, 0.72%, 0.75%

LAB 90.16, -9.65, 42.24

 

CMYK 39 / 0 / 23 / 7

HEX #91EDB7

RGB 145 237 183

HSL 144.78, 0.72%, 0.75%

LAB 87, -38.98, 17.68

 

CMYK 39 / 35 / 0 / 7

HEX #9199ED

RGB 145 153 237

HSL 234.78, 0.72%, 0.75%

LAB 65.68, 17.4, -43.2

 

CMYK 0 / 39 / 16 / 7

HEX #ED91C6

RGB 237 145 198

HSL 325.43, 0.72%, 0.75%

LAB 71.1, 41.84, -12.59

 

Description

Color code: HEX #EDE691 | qconv.com Color code: HEX #EDE691 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 230 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 230 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 39 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 39% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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