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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDED51 it is the complementary color #1212AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDED51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDED51 shade: #F2ED4C, #FFFF5F, #FFFF72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDED51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDED51 shade: #EDED51, #DCDB3E, #CBC92B, #BAB718 and #A9A505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDED51 shade: #ECEC4F, #ECC24F, #EC974F, #EC6D4F and #EC4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDED51 shade: #ECEC4F, #C2EC4F, #97EC4F, #6DEC4F and #4FEC5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDED51 shade matches the following richer shades: #ECEC4F and #FCFC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDED51 shade: #ECEC4F, #DCDC5F, #CDCD6E, #BDBD7E and #ADAD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDED51 shade: #EC984F, #ECC24F, #ECEC4F, #C2EC4F and #98EC4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDED51 shade: #D3D316, #E8E82A, #ECEC4F, #F0F074 and #F4F49A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDED51 shade: #EDED51, #4FEC6F and #AD4FEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDED51 shade: #EDED51, #4FECEC and #EC4FEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDED51 shade: #EDED51, #4FEC6F, #4F4FEC and #EC4FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDED51 shade: #EDED51, #4FEC9E, #4F4FEC and #EC4F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 66 / 7

HEX #EDED51

RGB 237 237 81

HSL 60, 0.81%, 0.62%

LAB 91.31, -18.23, 72.19

 

Complementary color

CMYK 90 / 90 / 0 / 32

HEX #1212AE

RGB 18 18 174

HSL 240, 0.81%, 0.38%

LAB 22.36, 54.72, -77.47

 

CMYK 0 / 2 / 69 / 5

HEX #F2ED4C

RGB 242 237 76

HSL 58.19, 0.86%, 0.62%

LAB 91.67, -16.45, 74.51

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 66 / 7

HEX #EDED51

RGB 237 237 81

HSL 60, 0.81%, 0.62%

LAB 91.31, -18.23, 72.19

 

CMYK 0 / 0 / 72 / 14

HEX #DCDB3E

RGB 220 219 62

HSL 59.62, 0.69%, 0.55%

LAB 85.11, -17.37, 72.42

 

CMYK 0 / 1 / 79 / 20

HEX #CBC92B

RGB 203 201 43

HSL 59.25, 0.65%, 0.48%

LAB 78.84, -16.35, 72.06

 

CMYK 0 / 2 / 87 / 27

HEX #BAB718

RGB 186 183 24

HSL 58.89, 0.77%, 0.41%

LAB 72.48, -15.14, 70.71

 

CMYK 0 / 2 / 97 / 34

HEX #A9A505

RGB 169 165 5

HSL 58.54, 0.94%, 0.34%

LAB 66.03, -13.71, 67.96

 

CMYK 0 / 0 / 67 / 7

HEX #ECEC4F

RGB 236 236 79

HSL 60, 0.81%, 0.62%

LAB 90.96, -18.26, 72.55

 

CMYK 0 / 18 / 67 / 7

HEX #ECC24F

RGB 236 194 79

HSL 43.95, 0.81%, 0.62%

LAB 80.17, 2.88, 61.42

 

CMYK 0 / 36 / 67 / 7

HEX #EC974F

RGB 236 151 79

HSL 27.52, 0.81%, 0.62%

LAB 69.85, 25.56, 50.19

 

CMYK 0 / 54 / 67 / 7

HEX #EC6D4F

RGB 236 109 79

HSL 11.46, 0.81%, 0.62%

LAB 61.08, 47.01, 40.1

 

CMYK 0 / 67 / 67 / 7

HEX #EC4F4F

RGB 236 79 79

HSL 0, 0.81%, 0.62%

LAB 56.08, 60.23, 34.09

 

CMYK 0 / 0 / 67 / 7

HEX #ECEC4F

RGB 236 236 79

HSL 60, 0.81%, 0.62%

LAB 90.96, -18.26, 72.55

 

CMYK 18 / 0 / 67 / 7

HEX #C2EC4F

RGB 194 236 79

HSL 76.05, 0.81%, 0.62%

LAB 87.98, -34.96, 68.56

 

CMYK 36 / 0 / 67 / 7

HEX #97EC4F

RGB 151 236 79

HSL 92.48, 0.81%, 0.62%

LAB 85.57, -50.53, 65.3

 

CMYK 54 / 0 / 67 / 7

HEX #6DEC4F

RGB 109 236 79

HSL 108.54, 0.81%, 0.62%

LAB 83.86, -63.04, 62.98

 

CMYK 67 / 0 / 61 / 7

HEX #4FEC5B

RGB 79 236 91

HSL 124.59, 0.81%, 0.62%

LAB 83.13, -68.53, 57.05

 

CMYK 0 / 0 / 67 / 7

HEX #ECEC4F

RGB 236 236 79

HSL 60, 0.81%, 0.62%

LAB 90.96, -18.26, 72.55

 

CMYK 0 / 0 / 75 / 1

HEX #FCFC3F

RGB 252 252 63

HSL 60, 0.97%, 0.62%

LAB 96.28, -20.17, 83.39

 

CMYK 0 / 0 / 67 / 7

HEX #ECEC4F

RGB 236 236 79

HSL 60, 0.81%, 0.62%

LAB 90.96, -18.26, 72.55

 

CMYK 0 / 0 / 57 / 14

HEX #DCDC5F

RGB 220 220 95

HSL 60, 0.64%, 0.62%

LAB 85.62, -15.94, 60.04

 

CMYK 0 / 0 / 46 / 20

HEX #CDCD6E

RGB 205 205 110

HSL 60, 0.49%, 0.62%

LAB 80.61, -13.27, 46.98

 

CMYK 0 / 0 / 33 / 26

HEX #BDBD7E

RGB 189 189 126

HSL 60, 0.32%, 0.62%

LAB 75.28, -9.75, 31.91

 

CMYK 0 / 0 / 18 / 32

HEX #ADAD8E

RGB 173 173 142

HSL 60, 0.16%, 0.62%

LAB 69.98, -5.34, 15.97

 

CMYK 0 / 36 / 67 / 7

HEX #EC984F

RGB 236 152 79

HSL 27.9, 0.81%, 0.62%

LAB 70.07, 25.03, 50.44

 

CMYK 0 / 18 / 67 / 7

HEX #ECC24F

RGB 236 194 79

HSL 43.95, 0.81%, 0.62%

LAB 80.17, 2.88, 61.42

 

CMYK 0 / 0 / 67 / 7

HEX #ECEC4F

RGB 236 236 79

HSL 60, 0.81%, 0.62%

LAB 90.96, -18.26, 72.55

 

CMYK 18 / 0 / 67 / 7

HEX #C2EC4F

RGB 194 236 79

HSL 76.05, 0.81%, 0.62%

LAB 87.98, -34.96, 68.56

 

CMYK 36 / 0 / 67 / 7

HEX #98EC4F

RGB 152 236 79

HSL 92.1, 0.81%, 0.62%

LAB 85.62, -50.19, 65.37

 

CMYK 0 / 0 / 90 / 17

HEX #D3D316

RGB 211 211 22

HSL 60, 0.81%, 0.46%

LAB 82.11, -18.43, 79.57

 

CMYK 0 / 0 / 82 / 9

HEX #E8E82A

RGB 232 232 42

HSL 60, 0.81%, 0.54%

LAB 89.41, -19.44, 82.32

 

CMYK 0 / 0 / 67 / 7

HEX #ECEC4F

RGB 236 236 79

HSL 60, 0.81%, 0.62%

LAB 90.96, -18.26, 72.55

 

CMYK 0 / 0 / 52 / 6

HEX #F0F074

RGB 240 240 116

HSL 60, 0.81%, 0.7%

LAB 92.62, -16.13, 59.09

 

CMYK 0 / 0 / 37 / 4

HEX #F4F49A

RGB 244 244 154

HSL 60, 0.8%, 0.78%

LAB 94.43, -12.93, 43.38

 

CMYK 0 / 0 / 66 / 7

HEX #EDED51

RGB 237 237 81

HSL 60, 0.81%, 0.62%

LAB 91.31, -18.23, 72.19

 

CMYK 67 / 0 / 53 / 7

HEX #4FEC6F

RGB 79 236 111

HSL 132.23, 0.81%, 0.62%

LAB 83.34, -66.12, 48.38

 

CMYK 27 / 67 / 0 / 7

HEX #AD4FEC

RGB 173 79 236

HSL 275.92, 0.81%, 0.62%

LAB 52.43, 63.99, -63.58

 

CMYK 0 / 0 / 66 / 7

HEX #EDED51

RGB 237 237 81

HSL 60, 0.81%, 0.62%

LAB 91.31, -18.23, 72.19

 

CMYK 67 / 0 / 0 / 7

HEX #4FECEC

RGB 79 236 236

HSL 180, 0.81%, 0.62%

LAB 85.86, -39.89, -11.99

 

CMYK 0 / 67 / 0 / 7

HEX #EC4FEC

RGB 236 79 236

HSL 300, 0.81%, 0.62%

LAB 61.2, 77.54, -49.06

 

CMYK 0 / 0 / 66 / 7

HEX #EDED51

RGB 237 237 81

HSL 60, 0.81%, 0.62%

LAB 91.31, -18.23, 72.19

 

CMYK 67 / 0 / 53 / 7

HEX #4FEC6F

RGB 79 236 111

HSL 132.23, 0.81%, 0.62%

LAB 83.34, -66.12, 48.38

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEC

RGB 79 79 236

HSL 240, 0.81%, 0.62%

LAB 43.23, 47.75, -78.96

 

CMYK 0 / 67 / 13 / 7

HEX #EC4FCD

RGB 236 79 205

HSL 311.85, 0.81%, 0.62%

LAB 59.74, 72.84, -33.91

 

CMYK 0 / 0 / 66 / 7

HEX #EDED51

RGB 237 237 81

HSL 60, 0.81%, 0.62%

LAB 91.31, -18.23, 72.19

 

CMYK 67 / 0 / 33 / 7

HEX #4FEC9E

RGB 79 236 158

HSL 150.19, 0.81%, 0.62%

LAB 84.03, -58.38, 26.13

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEC

RGB 79 79 236

HSL 240, 0.81%, 0.62%

LAB 43.23, 47.75, -78.96

 

CMYK 0 / 67 / 33 / 7

HEX #EC4F9E

RGB 236 79 158

HSL 329.81, 0.81%, 0.62%

LAB 57.94, 66.81, -9.59

 

Description

Color code: HEX #EDED51 | qconv.com Color code: HEX #EDED51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 237 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 237 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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