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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDEFDC it is the complementary color #121023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDEFDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDEFDC shade: #F2EFD7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDEFDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDEFDC shade: #EDEFDC, #DCDDC9, #CBCBB6, #BAB9A3 and #A9A790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDEFDC shade: #ECEEDC, #EEEBDC, #EEE6DC, #EEE1DC and #EEDCDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDEFDC shade: #ECEEDC, #E7EEDC, #E2EEDC, #DDEEDC and #DCEEDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDEFDC shade matches the following richer shades: #ECEEDC, #F0F3D7, #F3F7D3 and #F6FBCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDEFDC shade: #ECEEDC, #E9EAE0, #E6E6E4, #E3E2E8 and #DFDEEC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDEFDC shade: #EEE6DC, #EEEBDC, #EDEEDC, #E8EEDC and #E2EEDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDEFDC shade: #CFD4A3, #DEE1BF, #ECEEDC and #FBFBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDEFDC shade: #EDEFDC, #DCEEE1 and #E9DCEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDEFDC shade: #EDEFDC, #DCEDEE and #EEDCED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDEFDC shade: #EDEFDC, #DCEEE1, #DDDCEE and #EEDCE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDEFDC shade: #EDEFDC, #DCEEE7, #DDDCEE and #EEDCE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

Complementary color

CMYK 49 / 54 / 0 / 86

HEX #121023

RGB 18 16 35

HSL 246.32, 0.37%, 0.1%

LAB 5.61, 6.08, -12.45

 

CMYK 0 / 1 / 11 / 5

HEX #F2EFD7

RGB 242 239 215

HSL 53.33, 0.51%, 0.9%

LAB 94.11, -3, 11.97

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

CMYK 0 / 0 / 9 / 13

HEX #DCDDC9

RGB 220 221 201

HSL 63, 0.23%, 0.83%

LAB 87.56, -3.79, 9.7

 

CMYK 0 / 0 / 10 / 20

HEX #CBCBB6

RGB 203 203 182

HSL 60, 0.17%, 0.75%

LAB 81.17, -3.65, 10.48

 

CMYK 0 / 1 / 12 / 27

HEX #BAB9A3

RGB 186 185 163

HSL 57.39, 0.14%, 0.68%

LAB 74.69, -3.49, 11.3

 

CMYK 0 / 1 / 15 / 34

HEX #A9A790

RGB 169 167 144

HSL 55.2, 0.13%, 0.61%

LAB 68.08, -3.32, 12.17

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 0 / 1 / 8 / 7

HEX #EEEBDC

RGB 238 235 220

HSL 50, 0.35%, 0.9%

LAB 92.91, -1.55, 7.62

 

CMYK 0 / 3 / 8 / 7

HEX #EEE6DC

RGB 238 230 220

HSL 33.33, 0.35%, 0.9%

LAB 91.66, 1.01, 5.82

 

CMYK 0 / 5 / 8 / 7

HEX #EEE1DC

RGB 238 225 220

HSL 16.67, 0.35%, 0.9%

LAB 90.41, 3.58, 4.02

 

CMYK 0 / 8 / 8 / 7

HEX #EEDCDC

RGB 238 220 220

HSL 0, 0.35%, 0.9%

LAB 89.17, 6.17, 2.22

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 3 / 0 / 8 / 7

HEX #E7EEDC

RGB 231 238 220

HSL 83.33, 0.35%, 0.9%

LAB 93.15, -5.47, 7.9

 

CMYK 5 / 0 / 8 / 7

HEX #E2EEDC

RGB 226 238 220

HSL 100, 0.35%, 0.9%

LAB 92.79, -7.17, 7.33

 

CMYK 7 / 0 / 8 / 7

HEX #DDEEDC

RGB 221 238 220

HSL 116.67, 0.35%, 0.9%

LAB 92.44, -8.86, 6.78

 

CMYK 8 / 0 / 6 / 7

HEX #DCEEDF

RGB 220 238 223

HSL 130, 0.35%, 0.9%

LAB 92.44, -8.66, 5.22

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 1 / 0 / 12 / 5

HEX #F0F3D7

RGB 240 243 215

HSL 66.43, 0.54%, 0.9%

LAB 94.96, -5.71, 13.17

 

CMYK 2 / 0 / 15 / 3

HEX #F3F7D3

RGB 243 247 211

HSL 66.67, 0.69%, 0.9%

LAB 96.11, -7.29, 16.88

 

CMYK 2 / 0 / 18 / 2

HEX #F6FBCF

RGB 246 251 207

HSL 66.82, 0.85%, 0.9%

LAB 97.27, -8.83, 20.57

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 0 / 0 / 4 / 8

HEX #E9EAE0

RGB 233 234 224

HSL 66, 0.19%, 0.9%

LAB 92.38, -2.08, 4.72

 

CMYK 0 / 0 / 1 / 10

HEX #E6E6E4

RGB 230 230 228

HSL 60, 0.04%, 0.9%

LAB 91.24, -0.35, 0.96

 

CMYK 2 / 3 / 0 / 9

HEX #E3E2E8

RGB 227 226 232

HSL 250, 0.12%, 0.9%

LAB 90.11, 1.42, -2.81

 

CMYK 6 / 6 / 0 / 7

HEX #DFDEEC

RGB 223 222 236

HSL 244.29, 0.27%, 0.9%

LAB 88.92, 2.92, -6.71

 

CMYK 0 / 3 / 8 / 7

HEX #EEE6DC

RGB 238 230 220

HSL 33.33, 0.35%, 0.9%

LAB 91.66, 1.01, 5.82

 

CMYK 0 / 1 / 8 / 7

HEX #EEEBDC

RGB 238 235 220

HSL 50, 0.35%, 0.9%

LAB 92.91, -1.55, 7.62

 

CMYK 0 / 0 / 8 / 7

HEX #EDEEDC

RGB 237 238 220

HSL 63.33, 0.35%, 0.9%

LAB 93.59, -3.42, 8.59

 

CMYK 3 / 0 / 8 / 7

HEX #E8EEDC

RGB 232 238 220

HSL 80, 0.35%, 0.9%

LAB 93.22, -5.13, 8.01

 

CMYK 5 / 0 / 8 / 7

HEX #E2EEDC

RGB 226 238 220

HSL 100, 0.35%, 0.9%

LAB 92.79, -7.17, 7.33

 

CMYK 2 / 0 / 23 / 17

HEX #CFD4A3

RGB 207 212 163

HSL 66.12, 0.36%, 0.74%

LAB 83.44, -9.74, 23.74

 

CMYK 1 / 0 / 15 / 12

HEX #DEE1BF

RGB 222 225 191

HSL 65.29, 0.36%, 0.82%

LAB 88.52, -6.72, 16.32

 

CMYK 1 / 0 / 8 / 7

HEX #ECEEDC

RGB 236 238 220

HSL 66.67, 0.35%, 0.9%

LAB 93.52, -3.76, 8.47

 

CMYK 0 / 0 / 1 / 2

HEX #FBFBF8

RGB 251 251 248

HSL 60, 0.27%, 0.98%

LAB 98.54, -0.52, 1.42

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

CMYK 8 / 0 / 5 / 7

HEX #DCEEE1

RGB 220 238 225

HSL 136.67, 0.35%, 0.9%

LAB 92.49, -8.3, 4.24

 

CMYK 2 / 8 / 0 / 7

HEX #E9DCEE

RGB 233 220 238

HSL 283.33, 0.35%, 0.9%

LAB 89.24, 7.64, -7.19

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

CMYK 8 / 0 / 0 / 7

HEX #DCEDEE

RGB 220 237 238

HSL 183.33, 0.35%, 0.9%

LAB 92.56, -5.4, -2.42

 

CMYK 0 / 8 / 0 / 7

HEX #EEDCED

RGB 238 220 237

HSL 303.33, 0.35%, 0.9%

LAB 89.62, 9.12, -6.07

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

CMYK 8 / 0 / 5 / 7

HEX #DCEEE1

RGB 220 238 225

HSL 136.67, 0.35%, 0.9%

LAB 92.49, -8.3, 4.24

 

CMYK 7 / 8 / 0 / 7

HEX #DDDCEE

RGB 221 220 238

HSL 243.33, 0.35%, 0.9%

LAB 88.32, 3.69, -8.66

 

CMYK 0 / 8 / 2 / 7

HEX #EEDCE9

RGB 238 220 233

HSL 316.67, 0.35%, 0.9%

LAB 89.51, 8.41, -4.13

 

CMYK 1 / 0 / 8 / 6

HEX #EDEFDC

RGB 237 239 220

HSL 66.32, 0.37%, 0.9%

LAB 93.84, -3.92, 8.95

 

CMYK 8 / 0 / 3 / 7

HEX #DCEEE7

RGB 220 238 231

HSL 156.67, 0.35%, 0.9%

LAB 92.63, -7.21, 1.34

 

CMYK 7 / 8 / 0 / 7

HEX #DDDCEE

RGB 221 220 238

HSL 243.33, 0.35%, 0.9%

LAB 88.32, 3.69, -8.66

 

CMYK 0 / 8 / 5 / 7

HEX #EEDCE3

RGB 238 220 227

HSL 336.67, 0.35%, 0.9%

LAB 89.35, 7.36, -1.2

 

Description

Color code: HEX #EDEFDC | qconv.com Color code: HEX #EDEFDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 239 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 239 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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