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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDF088 it is the complementary color #120F77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDF088. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDF088 shade: #F2F083, #FFFF96, #FFFFA9, #FFFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDF088. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDF088 shade: #EDF088, #DCDE75, #CBCC62, #BABA4F and #A9A83C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDF088 shade: #EDF088, #F0D788, #F0BB88, #F09F88 and #F08888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDF088 shade: #EDF088, #D1F088, #B5F088, #99F088 and #88F094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDF088 shade matches the following richer shades: #EDF088 and #F7FB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDF088 shade: #EDF088, #E3E593, #D9DA9E, #CFD0A9 and #C4C5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDF088 shade: #F0BA88, #F0D688, #EEF088, #D3F088 and #B7F088

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDF088 shade: #E2E73F, #E7EB64, #EDF088, #F2F4AD and #F8F9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDF088 shade: #EDF088, #88F09F and #C888F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDF088 shade: #EDF088, #88EEF0 and #F088EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDF088 shade: #EDF088, #88F09F, #8A88F0 and #F088DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDF088 shade: #EDF088, #88F0BE, #8A88F0 and #F088BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

Complementary color

CMYK 85 / 87 / 0 / 53

HEX #120F77

RGB 18 15 119

HSL 241.73, 0.78%, 0.26%

LAB 14.41, 39.13, -56.52

 

CMYK 0 / 1 / 46 / 5

HEX #F2F083

RGB 242 240 131

HSL 58.92, 0.81%, 0.73%

LAB 92.94, -14.05, 52.58

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 1 / 0 / 47 / 13

HEX #DCDE75

RGB 220 222 117

HSL 61.14, 0.61%, 0.66%

LAB 86.38, -15.12, 50.87

 

CMYK 0 / 0 / 52 / 20

HEX #CBCC62

RGB 203 204 98

HSL 60.57, 0.51%, 0.59%

LAB 80.05, -14.65, 51.99

 

CMYK 0 / 0 / 58 / 27

HEX #BABA4F

RGB 186 186 79

HSL 60, 0.44%, 0.52%

LAB 73.62, -14.07, 53.02

 

CMYK 0 / 1 / 64 / 34

HEX #A9A83C

RGB 169 168 60

HSL 59.45, 0.48%, 0.45%

LAB 67.1, -13.36, 53.87

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 0 / 10 / 43 / 6

HEX #F0D788

RGB 240 215 136

HSL 45.58, 0.78%, 0.74%

LAB 86.46, -1.83, 42.06

 

CMYK 0 / 22 / 43 / 6

HEX #F0BB88

RGB 240 187 136

HSL 29.42, 0.78%, 0.74%

LAB 79.52, 12.72, 33.12

 

CMYK 0 / 34 / 43 / 6

HEX #F09F88

RGB 240 159 136

HSL 13.27, 0.78%, 0.74%

LAB 72.96, 27.53, 24.38

 

CMYK 0 / 43 / 43 / 6

HEX #F08888

RGB 240 136 136

HSL 0, 0.78%, 0.74%

LAB 67.96, 39.54, 17.54

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 13 / 0 / 43 / 6

HEX #D1F088

RGB 209 240 136

HSL 77.88, 0.78%, 0.74%

LAB 90.62, -26.18, 46.8

 

CMYK 25 / 0 / 43 / 6

HEX #B5F088

RGB 181 240 136

HSL 94.04, 0.78%, 0.74%

LAB 88.89, -36.3, 44.25

 

CMYK 36 / 0 / 43 / 6

HEX #99F088

RGB 153 240 136

HSL 110.19, 0.78%, 0.74%

LAB 87.42, -45.57, 42.09

 

CMYK 43 / 0 / 38 / 6

HEX #88F094

RGB 136 240 148

HSL 126.92, 0.78%, 0.74%

LAB 86.85, -48.87, 35.27

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 2 / 0 / 50 / 2

HEX #F7FB7E

RGB 247 251 126

HSL 61.92, 0.94%, 0.74%

LAB 96.11, -17.89, 58.78

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 1 / 0 / 36 / 10

HEX #E3E593

RGB 227 229 147

HSL 61.46, 0.61%, 0.74%

LAB 89.15, -12.78, 39.79

 

CMYK 0 / 0 / 28 / 15

HEX #D9DA9E

RGB 217 218 158

HSL 61, 0.45%, 0.74%

LAB 85.69, -9.73, 29.51

 

CMYK 0 / 0 / 19 / 18

HEX #CFD0A9

RGB 207 208 169

HSL 61.54, 0.29%, 0.74%

LAB 82.51, -6.82, 19.3

 

CMYK 1 / 0 / 9 / 23

HEX #C4C5B3

RGB 196 197 179

HSL 63.33, 0.13%, 0.74%

LAB 79, -3.52, 8.91

 

CMYK 0 / 23 / 43 / 6

HEX #F0BA88

RGB 240 186 136

HSL 28.85, 0.78%, 0.74%

LAB 79.28, 13.24, 32.8

 

CMYK 0 / 11 / 43 / 6

HEX #F0D688

RGB 240 214 136

HSL 45, 0.78%, 0.74%

LAB 86.2, -1.32, 41.74

 

CMYK 1 / 0 / 43 / 6

HEX #EEF088

RGB 238 240 136

HSL 61.15, 0.78%, 0.74%

LAB 92.7, -15.13, 49.83

 

CMYK 12 / 0 / 43 / 6

HEX #D3F088

RGB 211 240 136

HSL 76.73, 0.78%, 0.74%

LAB 90.76, -25.43, 47

 

CMYK 24 / 0 / 43 / 6

HEX #B7F088

RGB 183 240 136

HSL 92.88, 0.78%, 0.74%

LAB 89, -35.6, 44.42

 

CMYK 2 / 0 / 73 / 9

HEX #E2E73F

RGB 226 231 63

HSL 61.79, 0.78%, 0.58%

LAB 88.77, -20.69, 75.72

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB64

RGB 231 235 100

HSL 61.78, 0.77%, 0.66%

LAB 90.47, -18.49, 63.5

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 1 / 0 / 29 / 4

HEX #F2F4AD

RGB 242 244 173

HSL 61.69, 0.76%, 0.82%

LAB 94.57, -11.46, 34.08

 

CMYK 0 / 0 / 16 / 2

HEX #F8F9D2

RGB 248 249 210

HSL 61.54, 0.76%, 0.9%

LAB 96.97, -6.69, 18.64

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 43 / 0 / 34 / 6

HEX #88F09F

RGB 136 240 159

HSL 133.27, 0.78%, 0.74%

LAB 87.03, -47.09, 29.97

 

CMYK 17 / 43 / 0 / 6

HEX #C888F0

RGB 200 136 240

HSL 276.92, 0.78%, 0.74%

LAB 66.66, 42.86, -42.99

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 43 / 1 / 0 / 6

HEX #88EEF0

RGB 136 238 240

HSL 181.15, 0.78%, 0.74%

LAB 88.29, -29.23, -10.28

 

CMYK 0 / 43 / 1 / 6

HEX #F088EE

RGB 240 136 238

HSL 301.15, 0.78%, 0.74%

LAB 71.08, 53.97, -34.65

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 43 / 0 / 34 / 6

HEX #88F09F

RGB 136 240 159

HSL 133.27, 0.78%, 0.74%

LAB 87.03, -47.09, 29.97

 

CMYK 43 / 43 / 0 / 6

HEX #8A88F0

RGB 138 136 240

HSL 241.15, 0.78%, 0.74%

LAB 61.05, 26.33, -52.21

 

CMYK 0 / 43 / 9 / 6

HEX #F088DA

RGB 240 136 218

HSL 312.69, 0.78%, 0.74%

LAB 70.31, 50.58, -24.83

 

CMYK 1 / 0 / 43 / 6

HEX #EDF088

RGB 237 240 136

HSL 61.73, 0.78%, 0.74%

LAB 92.62, -15.52, 49.72

 

CMYK 43 / 0 / 21 / 6

HEX #88F0BE

RGB 136 240 190

HSL 151.15, 0.78%, 0.74%

LAB 87.62, -41.37, 14.86

 

CMYK 43 / 43 / 0 / 6

HEX #8A88F0

RGB 138 136 240

HSL 241.15, 0.78%, 0.74%

LAB 61.05, 26.33, -52.21

 

CMYK 0 / 43 / 23 / 6

HEX #F088BA

RGB 240 136 186

HSL 331.15, 0.78%, 0.74%

LAB 69.24, 45.68, -8.65

 

Description

Color code: HEX #EDF088 | qconv.com Color code: HEX #EDF088 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 240 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 240 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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