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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDFBB6 it is the complementary color #120449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDFBB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDFBB6 shade: #F2FBB1, #FFFFC4, #FFFFD7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDFBB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDFBB6 shade: #EDFBB6, #DCE9A3, #CBD790, #BAC57D and #A9B36A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDFBB6 shade: #EDFBB6, #FBF6B6, #FBE4B6, #FBD1B6 and #FBBEB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDFBB6 shade: #EDFBB6, #DAFBB6, #C8FBB6, #B6FBB7 and #B6FBC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDFBB6 shade matches the following richer shades: #EDFBB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDFBB6 shade: #EDFBB6, #E9F4BC, #E5EEC2, #E2E8C8 and #DEE2CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDFBB6 shade: #FBE4B6, #FBF6B6, #EDFBB6, #DBFBB6 and #C8FBB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDFBB6 shade: #DAF767, #E3F98F, #EDFBB6 and #F6FDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDFBB6 shade: #EDFBB6, #B6FBD1 and #EDB6FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDFBB6 shade: #EDFBB6, #B6EDFB and #FBB6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDFBB6 shade: #EDFBB6, #B6FBD1, #C4B6FB and #FBB6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDFBB6 shade: #EDFBB6, #B6FBE6, #C4B6FB and #FBB6CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

Complementary color

CMYK 75 / 95 / 0 / 71

HEX #120449

RGB 18 4 73

HSL 252.17, 0.9%, 0.15%

LAB 6.29, 29.21, -39.16

 

CMYK 4 / 0 / 29 / 2

HEX #F2FBB1

RGB 242 251 177

HSL 67.3, 0.9%, 0.84%

LAB 96.43, -14.4, 34.56

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 6 / 0 / 30 / 9

HEX #DCE9A3

RGB 220 233 163

HSL 71.14, 0.61%, 0.78%

LAB 89.92, -15.45, 32.66

 

CMYK 6 / 0 / 33 / 16

HEX #CBD790

RGB 203 215 144

HSL 70.14, 0.47%, 0.7%

LAB 83.61, -15.31, 33.74

 

CMYK 6 / 0 / 37 / 23

HEX #BAC57D

RGB 186 197 125

HSL 69.17, 0.38%, 0.63%

LAB 77.19, -15.14, 34.88

 

CMYK 6 / 0 / 41 / 30

HEX #A9B36A

RGB 169 179 106

HSL 68.22, 0.32%, 0.56%

LAB 70.67, -14.93, 36.06

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 0 / 2 / 27 / 2

HEX #FBF6B6

RGB 251 246 182

HSL 55.65, 0.9%, 0.85%

LAB 95.91, -7.98, 31.47

 

CMYK 0 / 9 / 27 / 2

HEX #FBE4B6

RGB 251 228 182

HSL 40, 0.9%, 0.85%

LAB 91.4, 1.08, 25.35

 

CMYK 0 / 17 / 27 / 2

HEX #FBD1B6

RGB 251 209 182

HSL 23.48, 0.9%, 0.85%

LAB 86.74, 10.87, 18.91

 

CMYK 0 / 24 / 27 / 2

HEX #FBBEB6

RGB 251 190 182

HSL 6.96, 0.9%, 0.85%

LAB 82.22, 20.81, 12.56

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 13 / 0 / 27 / 2

HEX #DAFBB6

RGB 218 251 182

HSL 88.7, 0.9%, 0.85%

LAB 94.86, -22.34, 29.65

 

CMYK 20 / 0 / 27 / 2

HEX #C8FBB6

RGB 200 251 182

HSL 104.35, 0.9%, 0.85%

LAB 93.73, -28.53, 27.93

 

CMYK 27 / 0 / 27 / 2

HEX #B6FBB7

RGB 182 251 183

HSL 120.87, 0.9%, 0.85%

LAB 92.73, -34.26, 25.89

 

CMYK 27 / 0 / 20 / 2

HEX #B6FBC9

RGB 182 251 201

HSL 136.52, 0.9%, 0.85%

LAB 93.08, -31.19, 17.19

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 5 / 0 / 23 / 4

HEX #E9F4BC

RGB 233 244 188

HSL 71.79, 0.72%, 0.85%

LAB 94.17, -12.75, 25.83

 

CMYK 4 / 0 / 18 / 7

HEX #E5EEC2

RGB 229 238 194

HSL 72.27, 0.56%, 0.85%

LAB 92.44, -10.32, 20.33

 

CMYK 3 / 0 / 14 / 9

HEX #E2E8C8

RGB 226 232 200

HSL 71.25, 0.41%, 0.85%

LAB 90.8, -7.44, 14.9

 

CMYK 2 / 0 / 8 / 11

HEX #DEE2CF

RGB 222 226 207

HSL 72.63, 0.25%, 0.85%

LAB 89.12, -4.65, 8.81

 

CMYK 0 / 9 / 27 / 2

HEX #FBE4B6

RGB 251 228 182

HSL 40, 0.9%, 0.85%

LAB 91.4, 1.08, 25.35

 

CMYK 0 / 2 / 27 / 2

HEX #FBF6B6

RGB 251 246 182

HSL 55.65, 0.9%, 0.85%

LAB 95.91, -7.98, 31.47

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 13 / 0 / 27 / 2

HEX #DBFBB6

RGB 219 251 182

HSL 87.83, 0.9%, 0.85%

LAB 94.92, -21.99, 29.75

 

CMYK 20 / 0 / 27 / 2

HEX #C8FBB6

RGB 200 251 182

HSL 104.35, 0.9%, 0.85%

LAB 93.73, -28.53, 27.93

 

CMYK 12 / 0 / 58 / 3

HEX #DAF767

RGB 218 247 103

HSL 72.08, 0.9%, 0.69%

LAB 92.75, -29.11, 64.5

 

CMYK 9 / 0 / 43 / 2

HEX #E3F98F

RGB 227 249 143

HSL 72.45, 0.9%, 0.77%

LAB 94.34, -22.97, 48.35

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 3 / 0 / 13 / 1

HEX #F6FDDD

RGB 246 253 221

HSL 73.13, 0.89%, 0.93%

LAB 98.06, -7.69, 14.53

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 27 / 0 / 17 / 2

HEX #B6FBD1

RGB 182 251 209

HSL 143.48, 0.9%, 0.85%

LAB 93.25, -29.73, 13.31

 

CMYK 6 / 27 / 0 / 2

HEX #EDB6FB

RGB 237 182 251

HSL 287.83, 0.9%, 0.85%

LAB 80.97, 31.52, -26.5

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 27 / 6 / 0 / 2

HEX #B6EDFB

RGB 182 237 251

HSL 192.17, 0.9%, 0.85%

LAB 90.54, -14.27, -12.44

 

CMYK 0 / 27 / 6 / 2

HEX #FBB6ED

RGB 251 182 237

HSL 312.17, 0.9%, 0.85%

LAB 81.88, 33.46, -17.49

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 27 / 0 / 17 / 2

HEX #B6FBD1

RGB 182 251 209

HSL 143.48, 0.9%, 0.85%

LAB 93.25, -29.73, 13.31

 

CMYK 22 / 27 / 0 / 2

HEX #C4B6FB

RGB 196 182 251

HSL 252.17, 0.9%, 0.85%

LAB 77.37, 18.94, -32.33

 

CMYK 0 / 27 / 11 / 2

HEX #FBB6DF

RGB 251 182 223

HSL 324.35, 0.9%, 0.85%

LAB 81.45, 31.12, -10.61

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB6

RGB 237 251 182

HSL 72.17, 0.9%, 0.85%

LAB 96.15, -15.57, 31.62

 

CMYK 27 / 0 / 8 / 2

HEX #B6FBE6

RGB 182 251 230

HSL 161.74, 0.9%, 0.85%

LAB 93.73, -25.64, 3.17

 

CMYK 22 / 27 / 0 / 2

HEX #C4B6FB

RGB 196 182 251

HSL 252.17, 0.9%, 0.85%

LAB 77.37, 18.94, -32.33

 

CMYK 0 / 27 / 20 / 2

HEX #FBB6CA

RGB 251 182 202

HSL 342.61, 0.9%, 0.85%

LAB 80.87, 27.84, -0.15

 

Description

Color code: HEX #EDFBB6 | qconv.com Color code: HEX #EDFBB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 251 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 251 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 27 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 27% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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