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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE0080 it is the complementary color #11FF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE0080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE0080 shade: #F3007B, #FF128E, #FF24A1, #FF36B4 and #FF48C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE0080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE0080 shade: #EE0080, #DD006D, #CC005A, #BB0047 and #AA0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE0080 shade: #EF0080, #EF0040 and #EF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE0080 shade: #EF0080, #EF00C1, #DD00EF, #9C00EF and #5B00EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE0080 shade matches the following richer shades: #EF0080

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE0080 shade: #EF0080, #DC137F, #C8267D, #B53A7C and #A24D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE0080 shade: #DB00EF, #EF00C3, #EF0083, #EF0043 and #EF0003

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE0080 shade: #9D0054, #C6006A, #EF0080, #FF1995 and #FF43A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE0080 shade: #EE0080, #EF9B00 and #00E3EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE0080 shade: #EE0080, #83EF00 and #0083EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE0080 shade: #EE0080, #EF9B00, #00EF6B and #0053EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE0080 shade: #EE0080, #EFE300, #00EF6B and #000BEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 46 / 7

HEX #EE0080

RGB 238 0 128

HSL 327.73, 1%, 0.47%

LAB 51.54, 80.93, -1.21

 

Complementary color

CMYK 93 / 0 / 50 / 0

HEX #11FF7F

RGB 17 255 127

HSL 147.73, 1%, 0.53%

LAB 88.53, -76.42, 47.11

 

CMYK 0 / 100 / 49 / 5

HEX #F3007B

RGB 243 0 123

HSL 329.63, 1%, 0.48%

LAB 52.38, 81.62, 3.16

 

CMYK 0 / 93 / 44 / 0

HEX #FF128E

RGB 255 18 142

HSL 328.61, 1%, 0.54%

LAB 55.73, 84.34, -3.07

 

CMYK 0 / 86 / 37 / 0

HEX #FF24A1

RGB 255 36 161

HSL 325.75, 1%, 0.57%

LAB 57.17, 83.63, -12.17

 

CMYK 0 / 79 / 29 / 0

HEX #FF36B4

RGB 255 54 180

HSL 322.39, 1%, 0.61%

LAB 59.15, 81.83, -20.23

 

CMYK 0 / 72 / 22 / 0

HEX #FF48C7

RGB 255 72 199

HSL 318.36, 1%, 0.64%

LAB 61.67, 78.99, -27.26

 

CMYK 0 / 100 / 46 / 7

HEX #EE0080

RGB 238 0 128

HSL 327.73, 1%, 0.47%

LAB 51.54, 80.93, -1.21

 

CMYK 0 / 100 / 51 / 13

HEX #DD006D

RGB 221 0 109

HSL 330.41, 1%, 0.43%

LAB 47.59, 75.81, 4.26

 

CMYK 0 / 100 / 56 / 20

HEX #CC005A

RGB 204 0 90

HSL 333.53, 1%, 0.4%

LAB 43.62, 70.68, 9.97

 

CMYK 0 / 100 / 62 / 27

HEX #BB0047

RGB 187 0 71

HSL 337.22, 1%, 0.37%

LAB 39.61, 65.55, 15.96

 

CMYK 0 / 100 / 69 / 33

HEX #AA0034

RGB 170 0 52

HSL 341.65, 1%, 0.33%

LAB 35.58, 60.45, 22.23

 

CMYK 0 / 100 / 46 / 6

HEX #EF0080

RGB 239 0 128

HSL 327.87, 1%, 0.47%

LAB 51.73, 81.15, -0.9

 

CMYK 0 / 100 / 73 / 6

HEX #EF0040

RGB 239 0 64

HSL 343.93, 1%, 0.47%

LAB 50.36, 77.47, 36.09

 

CMYK 0 / 100 / 100 / 6

HEX #EF0000

RGB 239 0 0

HSL 0, 1%, 0.47%

LAB 49.92, 76.27, 64

 

CMYK 0 / 100 / 46 / 6

HEX #EF0080

RGB 239 0 128

HSL 327.87, 1%, 0.47%

LAB 51.73, 81.15, -0.9

 

CMYK 0 / 100 / 19 / 6

HEX #EF00C1

RGB 239 0 193

HSL 311.55, 1%, 0.47%

LAB 54.24, 87.58, -35.58

 

CMYK 8 / 100 / 0 / 6

HEX #DD00EF

RGB 221 0 239

HSL 295.48, 1%, 0.47%

LAB 53.6, 90.83, -63.01

 

CMYK 35 / 100 / 0 / 6

HEX #9C00EF

RGB 156 0 239

HSL 279.16, 1%, 0.47%

LAB 43.21, 82.5, -80.38

 

CMYK 62 / 100 / 0 / 6

HEX #5B00EF

RGB 91 0 239

HSL 262.85, 1%, 0.47%

LAB 34.92, 77.41, -94.36

 

CMYK 0 / 100 / 46 / 6

HEX #EF0080

RGB 239 0 128

HSL 327.87, 1%, 0.47%

LAB 51.73, 81.15, -0.9

 

CMYK 0 / 100 / 46 / 6

HEX #EF0080

RGB 239 0 128

HSL 327.87, 1%, 0.47%

LAB 51.73, 81.15, -0.9

 

CMYK 0 / 91 / 42 / 14

HEX #DC137F

RGB 220 19 127

HSL 327.76, 0.84%, 0.47%

LAB 48.53, 75.33, -5.44

 

CMYK 0 / 81 / 38 / 22

HEX #C8267D

RGB 200 38 125

HSL 327.78, 0.68%, 0.47%

LAB 45.83, 67.01, -8.65

 

CMYK 0 / 68 / 31 / 29

HEX #B53A7C

RGB 181 58 124

HSL 327.8, 0.51%, 0.47%

LAB 44.67, 55.44, -10.13

 

CMYK 0 / 52 / 24 / 36

HEX #A24D7B

RGB 162 77 123

HSL 327.53, 0.36%, 0.47%

LAB 44.83, 40.7, -9.58

 

CMYK 8 / 100 / 0 / 6

HEX #DB00EF

RGB 219 0 239

HSL 294.98, 1%, 0.47%

LAB 53.27, 90.53, -63.57

 

CMYK 0 / 100 / 18 / 6

HEX #EF00C3

RGB 239 0 195

HSL 311.05, 1%, 0.47%

LAB 54.33, 87.82, -36.59

 

CMYK 0 / 100 / 45 / 6

HEX #EF0083

RGB 239 0 131

HSL 327.11, 1%, 0.47%

LAB 51.83, 81.38, -2.58

 

CMYK 0 / 100 / 72 / 6

HEX #EF0043

RGB 239 0 67

HSL 343.18, 1%, 0.47%

LAB 50.4, 77.59, 34.36

 

CMYK 0 / 100 / 99 / 6

HEX #EF0003

RGB 239 0 3

HSL 359.25, 1%, 0.47%

LAB 49.93, 76.3, 63.17

 

CMYK 0 / 100 / 46 / 38

HEX #9D0054

RGB 157 0 84

HSL 327.9, 1%, 0.31%

LAB 33.58, 59.49, -1.89

 

CMYK 0 / 100 / 46 / 22

HEX #C6006A

RGB 198 0 106

HSL 327.88, 1%, 0.39%

LAB 42.83, 70.53, -1.37

 

CMYK 0 / 100 / 46 / 6

HEX #EF0080

RGB 239 0 128

HSL 327.87, 1%, 0.47%

LAB 51.73, 81.15, -0.9

 

CMYK 0 / 90 / 42 / 0

HEX #FF1995

RGB 255 25 149

HSL 327.65, 1%, 0.55%

LAB 56.21, 84.16, -6.52

 

CMYK 0 / 74 / 34 / 0

HEX #FF43A8

RGB 255 67 168

HSL 327.77, 1%, 0.63%

LAB 59.98, 76.97, -12.02

 

CMYK 0 / 100 / 46 / 7

HEX #EE0080

RGB 238 0 128

HSL 327.73, 1%, 0.47%

LAB 51.54, 80.93, -1.21

 

CMYK 0 / 35 / 100 / 6

HEX #EF9B00

RGB 239 155 0

HSL 38.91, 1%, 0.47%

LAB 70.73, 22.45, 75.27

 

CMYK 100 / 5 / 0 / 6

HEX #00E3EF

RGB 0 227 239

HSL 183.01, 1%, 0.47%

LAB 82.47, -40.46, -18.75

 

CMYK 0 / 100 / 46 / 7

HEX #EE0080

RGB 238 0 128

HSL 327.73, 1%, 0.47%

LAB 51.54, 80.93, -1.21

 

CMYK 45 / 0 / 100 / 6

HEX #83EF00

RGB 131 239 0

HSL 87.11, 1%, 0.47%

LAB 85.28, -61.15, 82.25

 

CMYK 100 / 45 / 0 / 6

HEX #0083EF

RGB 0 131 239

HSL 207.11, 1%, 0.47%

LAB 54.52, 10.74, -62.39

 

CMYK 0 / 100 / 46 / 7

HEX #EE0080

RGB 238 0 128

HSL 327.73, 1%, 0.47%

LAB 51.54, 80.93, -1.21

 

CMYK 0 / 35 / 100 / 6

HEX #EF9B00

RGB 239 155 0

HSL 38.91, 1%, 0.47%

LAB 70.73, 22.45, 75.27

 

CMYK 100 / 0 / 55 / 6

HEX #00EF6B

RGB 0 239 107

HSL 146.86, 1%, 0.47%

LAB 83.33, -74.91, 50.01

 

CMYK 100 / 65 / 0 / 6

HEX #0053EF

RGB 0 83 239

HSL 219.16, 1%, 0.47%

LAB 41.87, 41.21, -82.97

 

CMYK 0 / 100 / 46 / 7

HEX #EE0080

RGB 238 0 128

HSL 327.73, 1%, 0.47%

LAB 51.54, 80.93, -1.21

 

CMYK 0 / 5 / 100 / 6

HEX #EFE300

RGB 239 227 0

HSL 56.99, 1%, 0.47%

LAB 88.59, -14.7, 87.68

 

CMYK 100 / 0 / 55 / 6

HEX #00EF6B

RGB 0 239 107

HSL 146.86, 1%, 0.47%

LAB 83.33, -74.91, 50.01

 

CMYK 100 / 95 / 0 / 6

HEX #000BEF

RGB 0 11 239

HSL 237.24, 1%, 0.47%

LAB 30.57, 73.6, -101.73

 

Description

Color code: HEX #EE0080 | qconv.com Color code: HEX #EE0080 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, none green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 0 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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