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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE0C56 it is the complementary color #11F3A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE0C56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE0C56 shade: #F30C51, #FF1E64, #FF3077, #FF428A and #FF549D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE0C56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE0C56 shade: #EE0C56, #DD0043, #CC0030, #BB001D and #AA000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE0C56 shade: #ED0C56, #ED0C19 and #ED0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE0C56 shade: #ED0C56, #ED0C92, #ED0CCF, #CE0CED and #920CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE0C56 shade matches the following richer shades: #ED0C56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE0C56 shade: #ED0C56, #D9205D, #C43464, #B0496B and #9C5D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE0C56 shade: #ED0CCF, #ED0C93, #ED0C57, #ED0C1B and #ED390C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE0C56 shade: #9F0839, #C60A47, #ED0C56, #F42F6F and #F6568A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE0C56 shade: #EE0C56, #EDCF0C and #0CB1ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE0C56 shade: #EE0C56, #57ED0C and #0C57ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE0C56 shade: #EE0C56, #EDCF0C, #0CEDA2 and #0C2AED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE0C56 shade: #EE0C56, #C7ED0C, #0CEDA2 and #310CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 64 / 7

HEX #EE0C56

RGB 238 12 86

HSL 340.35, 0.9%, 0.49%

LAB 50.82, 77.31, 23.37

 

Complementary color

CMYK 93 / 0 / 30 / 5

HEX #11F3A9

RGB 17 243 169

HSL 160.35, 0.9%, 0.51%

LAB 85.55, -64.75, 22.44

 

CMYK 0 / 95 / 67 / 5

HEX #F30C51

RGB 243 12 81

HSL 342.08, 0.91%, 0.5%

LAB 51.74, 78.23, 27.79

 

CMYK 0 / 88 / 61 / 0

HEX #FF1E64

RGB 255 30 100

HSL 341.33, 1%, 0.56%

LAB 55.18, 79.97, 21.31

 

CMYK 0 / 81 / 53 / 0

HEX #FF3077

RGB 255 48 119

HSL 339.42, 1%, 0.59%

LAB 56.79, 77.76, 12.16

 

CMYK 0 / 74 / 46 / 0

HEX #FF428A

RGB 255 66 138

HSL 337.14, 1%, 0.63%

LAB 58.97, 74.42, 4.01

 

CMYK 0 / 67 / 38 / 0

HEX #FF549D

RGB 255 84 157

HSL 334.39, 1%, 0.66%

LAB 61.68, 70.11, -3.11

 

CMYK 0 / 95 / 64 / 7

HEX #EE0C56

RGB 238 12 86

HSL 340.35, 0.9%, 0.49%

LAB 50.82, 77.31, 23.37

 

CMYK 0 / 100 / 70 / 13

HEX #DD0043

RGB 221 0 67

HSL 341.81, 1%, 0.43%

LAB 46.68, 73.37, 28.99

 

CMYK 0 / 100 / 76 / 20

HEX #CC0030

RGB 204 0 48

HSL 345.88, 1%, 0.4%

LAB 42.84, 68.59, 35.1

 

CMYK 0 / 100 / 84 / 27

HEX #BB001D

RGB 187 0 29

HSL 350.7, 1%, 0.37%

LAB 38.99, 63.87, 40.95

 

CMYK 0 / 100 / 94 / 33

HEX #AA000A

RGB 170 0 10

HSL 356.47, 1%, 0.33%

LAB 35.14, 59.24, 45.41

 

CMYK 0 / 95 / 64 / 7

HEX #ED0C56

RGB 237 12 86

HSL 340.27, 0.9%, 0.49%

LAB 50.62, 77.07, 23.07

 

CMYK 0 / 95 / 89 / 7

HEX #ED0C19

RGB 237 12 25

HSL 356.53, 0.9%, 0.49%

LAB 49.9, 75.11, 56.02

 

CMYK 0 / 95 / 95 / 7

HEX #ED0C0C

RGB 237 12 12

HSL 0, 0.9%, 0.49%

LAB 49.85, 74.96, 60.52

 

CMYK 0 / 95 / 64 / 7

HEX #ED0C56

RGB 237 12 86

HSL 340.27, 0.9%, 0.49%

LAB 50.62, 77.07, 23.07

 

CMYK 0 / 95 / 38 / 7

HEX #ED0C92

RGB 237 12 146

HSL 324.27, 0.9%, 0.49%

LAB 52.22, 81.39, -11.05

 

CMYK 0 / 95 / 13 / 7

HEX #ED0CCF

RGB 237 12 207

HSL 308, 0.9%, 0.49%

LAB 54.84, 88.14, -42.73

 

CMYK 13 / 95 / 0 / 7

HEX #CE0CED

RGB 206 12 237

HSL 291.73, 0.9%, 0.49%

LAB 51.27, 87.45, -65.79

 

CMYK 38 / 95 / 0 / 7

HEX #920CED

RGB 146 12 237

HSL 275.73, 0.9%, 0.49%

LAB 41.98, 79.86, -81.32

 

CMYK 0 / 95 / 64 / 7

HEX #ED0C56

RGB 237 12 86

HSL 340.27, 0.9%, 0.49%

LAB 50.62, 77.07, 23.07

 

CMYK 0 / 95 / 64 / 7

HEX #ED0C56

RGB 237 12 86

HSL 340.27, 0.9%, 0.49%

LAB 50.62, 77.07, 23.07

 

CMYK 0 / 85 / 57 / 15

HEX #D9205D

RGB 217 32 93

HSL 340.22, 0.74%, 0.49%

LAB 47.72, 69.92, 14.2

 

CMYK 0 / 73 / 49 / 23

HEX #C43464

RGB 196 52 100

HSL 340, 0.58%, 0.49%

LAB 45.79, 59.47, 6.58

 

CMYK 0 / 59 / 39 / 31

HEX #B0496B

RGB 176 73 107

HSL 340.19, 0.41%, 0.49%

LAB 45.71, 45.31, 1.73

 

CMYK 0 / 40 / 27 / 39

HEX #9C5D72

RGB 156 93 114

HSL 340, 0.25%, 0.49%

LAB 47.12, 28.57, -0.82

 

CMYK 0 / 95 / 13 / 7

HEX #ED0CCF

RGB 237 12 207

HSL 308, 0.9%, 0.49%

LAB 54.84, 88.14, -42.73

 

CMYK 0 / 95 / 38 / 7

HEX #ED0C93

RGB 237 12 147

HSL 324, 0.9%, 0.49%

LAB 52.26, 81.49, -11.6

 

CMYK 0 / 95 / 63 / 7

HEX #ED0C57

RGB 237 12 87

HSL 340, 0.9%, 0.49%

LAB 50.64, 77.13, 22.49

 

CMYK 0 / 95 / 89 / 7

HEX #ED0C1B

RGB 237 12 27

HSL 356, 0.9%, 0.49%

LAB 49.91, 75.14, 55.18

 

CMYK 0 / 76 / 95 / 7

HEX #ED390C

RGB 237 57 12

HSL 12, 0.9%, 0.49%

LAB 52.9, 66.29, 62.17

 

CMYK 0 / 95 / 64 / 38

HEX #9F0839

RGB 159 8 57

HSL 340.53, 0.9%, 0.33%

LAB 33.65, 56.94, 16.01

 

CMYK 0 / 95 / 64 / 22

HEX #C60A47

RGB 198 10 71

HSL 340.53, 0.9%, 0.41%

LAB 42.27, 67.18, 19.91

 

CMYK 0 / 95 / 64 / 7

HEX #ED0C56

RGB 237 12 86

HSL 340.27, 0.9%, 0.49%

LAB 50.62, 77.07, 23.07

 

CMYK 0 / 81 / 55 / 4

HEX #F42F6F

RGB 244 47 111

HSL 340.51, 0.9%, 0.57%

LAB 54.46, 74.66, 13.39

 

CMYK 0 / 65 / 44 / 4

HEX #F6568A

RGB 246 86 138

HSL 340.5, 0.9%, 0.65%

LAB 59.96, 64.91, 5.25

 

CMYK 0 / 95 / 64 / 7

HEX #EE0C56

RGB 238 12 86

HSL 340.35, 0.9%, 0.49%

LAB 50.82, 77.31, 23.37

 

CMYK 0 / 13 / 95 / 7

HEX #EDCF0C

RGB 237 207 12

HSL 52, 0.9%, 0.49%

LAB 83.26, -5.46, 82.68

 

CMYK 95 / 25 / 0 / 7

HEX #0CB1ED

RGB 12 177 237

HSL 196, 0.9%, 0.49%

LAB 67.75, -16.24, -40.29

 

CMYK 0 / 95 / 64 / 7

HEX #EE0C56

RGB 238 12 86

HSL 340.35, 0.9%, 0.49%

LAB 50.82, 77.31, 23.37

 

CMYK 63 / 0 / 95 / 7

HEX #57ED0C

RGB 87 237 12

HSL 100, 0.9%, 0.49%

LAB 83.24, -71.86, 79.02

 

CMYK 95 / 63 / 0 / 7

HEX #0C57ED

RGB 12 87 237

HSL 220, 0.9%, 0.49%

LAB 42.78, 38.21, -80.36

 

CMYK 0 / 95 / 64 / 7

HEX #EE0C56

RGB 238 12 86

HSL 340.35, 0.9%, 0.49%

LAB 50.82, 77.31, 23.37

 

CMYK 0 / 13 / 95 / 7

HEX #EDCF0C

RGB 237 207 12

HSL 52, 0.9%, 0.49%

LAB 83.26, -5.46, 82.68

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 95 / 82 / 0 / 7

HEX #0C2AED

RGB 12 42 237

HSL 232, 0.9%, 0.49%

LAB 33.67, 63.52, -95.42

 

CMYK 0 / 95 / 64 / 7

HEX #EE0C56

RGB 238 12 86

HSL 340.35, 0.9%, 0.49%

LAB 50.82, 77.31, 23.37

 

CMYK 16 / 0 / 95 / 7

HEX #C7ED0C

RGB 199 237 12

HSL 70.13, 0.9%, 0.49%

LAB 88.32, -35.79, 85.2

 

CMYK 95 / 0 / 32 / 7

HEX #0CEDA2

RGB 12 237 162

HSL 160, 0.9%, 0.49%

LAB 83.58, -64.27, 23.32

 

CMYK 79 / 95 / 0 / 7

HEX #310CED

RGB 49 12 237

HSL 249.87, 0.9%, 0.49%

LAB 31.88, 73.6, -98.37

 

Description

Color code: HEX #EE0C56 | qconv.com Color code: HEX #EE0C56 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 12 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 12 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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