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Color name
HEX #EE1AE5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE1AE5 it is the complementary color #11E51A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE1AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE1AE5 shade: #F31AE0, #FF2CF3, #FF3EFF, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE1AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE1AE5 shade: #EE1AE5, #DD08D2, #CC00BF, #BB00AC and #AA0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE1AE5 shade: #ED1BE4, #ED1BAC, #ED1B73, #ED1B3A and #ED1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE1AE5 shade: #ED1BE4, #BE1BED, #851BED, #4C1BED and #1B1BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE1AE5 shade matches the following richer shades: #ED1BE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE1AE5 shade: #ED1BE4, #DA2FD2, #C642C0, #B256AE and #9E6A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE1AE5 shade: #841BED, #BC1BED, #ED1BE6, #ED1BAE and #ED1B76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE1AE5 shade: #A90CA3, #D00FC8, #ED1BE4, #F041E9 and #F368ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE1AE5 shade: #EE1AE5, #ED4C1B and #1BEDA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE1AE5 shade: #EE1AE5, #E6ED1B and #1BE6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE1AE5 shade: #EE1AE5, #ED4C1B, #1BED22 and #1BBCED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE1AE5 shade: #EE1AE5, #ED8B1B, #1BED22 and #1B7DED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 4 / 7

HEX #EE1AE5

RGB 238 26 229

HSL 302.55, 0.86%, 0.52%

LAB 56.66, 89.84, -52.33

 

Complementary color

CMYK 93 / 0 / 89 / 10

HEX #11E51A

RGB 17 229 26

HSL 122.55, 0.86%, 0.48%

LAB 79.75, -78.28, 73.85

 

CMYK 0 / 89 / 8 / 5

HEX #F31AE0

RGB 243 26 224

HSL 305.25, 0.9%, 0.53%

LAB 57.25, 90.02, -48.52

 

CMYK 0 / 83 / 5 / 0

HEX #FF2CF3

RGB 255 44 243

HSL 303.41, 1%, 0.59%

LAB 61.25, 91.9, -52.7

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFF

RGB 255 62 255

HSL 300, 1%, 0.62%

LAB 63.28, 89.59, -56.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 89 / 4 / 7

HEX #EE1AE5

RGB 238 26 229

HSL 302.55, 0.86%, 0.52%

LAB 56.66, 89.84, -52.33

 

CMYK 0 / 96 / 5 / 13

HEX #DD08D2

RGB 221 8 210

HSL 303.1, 0.93%, 0.45%

LAB 52.06, 86.07, -49.03

 

CMYK 0 / 100 / 6 / 20

HEX #CC00BF

RGB 204 0 191

HSL 303.82, 1%, 0.4%

LAB 47.75, 81.21, -45.09

 

CMYK 0 / 100 / 8 / 27

HEX #BB00AC

RGB 187 0 172

HSL 304.81, 1%, 0.37%

LAB 43.57, 75.68, -40.74

 

CMYK 0 / 100 / 10 / 33

HEX #AA0099

RGB 170 0 153

HSL 306, 1%, 0.33%

LAB 39.32, 70.06, -36.27

 

CMYK 0 / 89 / 4 / 7

HEX #ED1BE4

RGB 237 27 228

HSL 302.57, 0.85%, 0.52%

LAB 56.48, 89.39, -52.07

 

CMYK 0 / 89 / 27 / 7

HEX #ED1BAC

RGB 237 27 172

HSL 318.57, 0.85%, 0.52%

LAB 53.78, 82.36, -24.09

 

CMYK 0 / 89 / 51 / 7

HEX #ED1B73

RGB 237 27 115

HSL 334.86, 0.85%, 0.52%

LAB 51.87, 77.14, 7.12

 

CMYK 0 / 89 / 76 / 7

HEX #ED1B3A

RGB 237 27 58

HSL 351.14, 0.85%, 0.52%

LAB 50.8, 74.12, 39.97

 

CMYK 0 / 89 / 89 / 7

HEX #ED1B1B

RGB 237 27 27

HSL 0, 0.85%, 0.52%

LAB 50.53, 73.36, 55.63

 

CMYK 0 / 89 / 4 / 7

HEX #ED1BE4

RGB 237 27 228

HSL 302.57, 0.85%, 0.52%

LAB 56.48, 89.39, -52.07

 

CMYK 20 / 89 / 0 / 7

HEX #BE1BED

RGB 190 27 237

HSL 286.57, 0.85%, 0.52%

LAB 49.31, 83.3, -69.08

 

CMYK 44 / 89 / 0 / 7

HEX #851BED

RGB 133 27 237

HSL 270.29, 0.85%, 0.52%

LAB 41.03, 76.02, -82.95

 

CMYK 68 / 89 / 0 / 7

HEX #4C1BED

RGB 76 27 237

HSL 254, 0.85%, 0.52%

LAB 34.87, 71.31, -93.33

 

CMYK 89 / 89 / 0 / 7

HEX #1B1BED

RGB 27 27 237

HSL 240, 0.85%, 0.52%

LAB 32.1, 69.48, -98.02

 

CMYK 0 / 89 / 4 / 7

HEX #ED1BE4

RGB 237 27 228

HSL 302.57, 0.85%, 0.52%

LAB 56.48, 89.39, -52.07

 

CMYK 0 / 89 / 4 / 7

HEX #ED1BE4

RGB 237 27 228

HSL 302.57, 0.85%, 0.52%

LAB 56.48, 89.39, -52.07

 

CMYK 0 / 78 / 4 / 15

HEX #DA2FD2

RGB 218 47 210

HSL 302.81, 0.7%, 0.52%

LAB 53.59, 79.55, -46.63

 

CMYK 0 / 67 / 3 / 22

HEX #C642C0

RGB 198 66 192

HSL 302.73, 0.54%, 0.52%

LAB 51.51, 66.56, -39.78

 

CMYK 0 / 52 / 2 / 30

HEX #B256AE

RGB 178 86 174

HSL 302.61, 0.37%, 0.52%

LAB 50.89, 49.54, -30.49

 

CMYK 0 / 33 / 1 / 38

HEX #9E6A9C

RGB 158 106 156

HSL 302.31, 0.21%, 0.52%

LAB 51.81, 29.15, -18.74

 

CMYK 44 / 89 / 0 / 7

HEX #841BED

RGB 132 27 237

HSL 270, 0.85%, 0.52%

LAB 40.9, 75.91, -83.16

 

CMYK 21 / 89 / 0 / 7

HEX #BC1BED

RGB 188 27 237

HSL 286, 0.85%, 0.52%

LAB 48.99, 83.01, -69.6

 

CMYK 0 / 89 / 3 / 7

HEX #ED1BE6

RGB 237 27 230

HSL 302, 0.85%, 0.52%

LAB 56.59, 89.67, -53.02

 

CMYK 0 / 89 / 27 / 7

HEX #ED1BAE

RGB 237 27 174

HSL 318, 0.85%, 0.52%

LAB 53.86, 82.58, -25.13

 

CMYK 0 / 89 / 50 / 7

HEX #ED1B76

RGB 237 27 118

HSL 334, 0.85%, 0.52%

LAB 51.95, 77.36, 5.42

 

CMYK 0 / 93 / 4 / 34

HEX #A90CA3

RGB 169 12 163

HSL 302.29, 0.87%, 0.35%

LAB 40.15, 70.02, -41

 

CMYK 0 / 93 / 4 / 18

HEX #D00FC8

RGB 208 15 200

HSL 302.49, 0.87%, 0.44%

LAB 49.4, 81.89, -47.65

 

CMYK 0 / 89 / 4 / 7

HEX #ED1BE4

RGB 237 27 228

HSL 302.57, 0.85%, 0.52%

LAB 56.48, 89.39, -52.07

 

CMYK 0 / 73 / 3 / 6

HEX #F041E9

RGB 240 65 233

HSL 302.4, 0.85%, 0.6%

LAB 60.06, 82.49, -49.16

 

CMYK 0 / 57 / 2 / 5

HEX #F368ED

RGB 243 104 237

HSL 302.59, 0.85%, 0.68%

LAB 65.8, 69.54, -42.3

 

CMYK 0 / 89 / 4 / 7

HEX #EE1AE5

RGB 238 26 229

HSL 302.55, 0.86%, 0.52%

LAB 56.66, 89.84, -52.33

 

CMYK 0 / 68 / 89 / 7

HEX #ED4C1B

RGB 237 76 27

HSL 14, 0.85%, 0.52%

LAB 55.33, 59.93, 59.17

 

CMYK 89 / 0 / 32 / 7

HEX #1BEDA0

RGB 27 237 160

HSL 158, 0.85%, 0.52%

LAB 83.62, -64.05, 24.43

 

CMYK 0 / 89 / 4 / 7

HEX #EE1AE5

RGB 238 26 229

HSL 302.55, 0.86%, 0.52%

LAB 56.66, 89.84, -52.33

 

CMYK 3 / 0 / 89 / 7

HEX #E6ED1B

RGB 230 237 27

HSL 62, 0.85%, 0.52%

LAB 90.54, -23, 86.06

 

CMYK 89 / 3 / 0 / 7

HEX #1BE6ED

RGB 27 230 237

HSL 182, 0.85%, 0.52%

LAB 83.41, -41.61, -16.26

 

CMYK 0 / 89 / 4 / 7

HEX #EE1AE5

RGB 238 26 229

HSL 302.55, 0.86%, 0.52%

LAB 56.66, 89.84, -52.33

 

CMYK 0 / 68 / 89 / 7

HEX #ED4C1B

RGB 237 76 27

HSL 14, 0.85%, 0.52%

LAB 55.33, 59.93, 59.17

 

CMYK 89 / 0 / 86 / 7

HEX #1BED22

RGB 27 237 34

HSL 122, 0.85%, 0.52%

LAB 82.33, -79.59, 74.63

 

CMYK 89 / 21 / 0 / 7

HEX #1BBCED

RGB 27 188 237

HSL 194, 0.85%, 0.52%

LAB 71.09, -21.41, -35.09

 

CMYK 0 / 89 / 4 / 7

HEX #EE1AE5

RGB 238 26 229

HSL 302.55, 0.86%, 0.52%

LAB 56.66, 89.84, -52.33

 

CMYK 0 / 41 / 89 / 7

HEX #ED8B1B

RGB 237 139 27

HSL 32, 0.85%, 0.52%

LAB 66.94, 30.34, 67.94

 

CMYK 89 / 0 / 86 / 7

HEX #1BED22

RGB 27 237 34

HSL 122, 0.85%, 0.52%

LAB 82.33, -79.59, 74.63

 

CMYK 89 / 47 / 0 / 7

HEX #1B7DED

RGB 27 125 237

HSL 212, 0.85%, 0.52%

LAB 52.97, 14.64, -63.76

 

Description

Color code: HEX #EE1AE5 | qconv.com Color code: HEX #EE1AE5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 26 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 26 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 4% 7% C M Y K

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