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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE1BA3 it is the complementary color #11E45C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE1BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE1BA3 shade: #F31B9E, #FF2DB1, #FF3FC4, #FF51D7 and #FF63EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE1BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE1BA3 shade: #EE1BA3, #DD0990, #CC007D, #BB006A and #AA0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE1BA3 shade: #ED1BA3, #ED1B6A, #ED1B31 and #ED1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE1BA3 shade: #ED1BA3, #ED1BDB, #C71BED, #8E1BED and #551BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE1BA3 shade matches the following richer shades: #ED1BA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE1BA3 shade: #ED1BA3, #DA2F9D, #C64297, #B25691 and #9E6A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE1BA3 shade: #C71BED, #ED1BDC, #ED1BA4, #ED1B6C and #ED1B33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE1BA3 shade: #A90C72, #D00F8B, #ED1BA3, #F041B2 and #F368C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE1BA3 shade: #EE1BA3, #ED8F1B and #1BEDE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE1BA3 shade: #EE1BA3, #A4ED1B and #1BA4ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE1BA3 shade: #EE1BA3, #ED8F1B, #1BED65 and #1B7AED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE1BA3 shade: #EE1BA3, #EDCE1B, #1BED65 and #1B3AED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 32 / 7

HEX #EE1BA3

RGB 238 27 163

HSL 321.33, 0.86%, 0.52%

LAB 53.61, 81.61, -19.04

 

Complementary color

CMYK 93 / 0 / 60 / 11

HEX #11E45C

RGB 17 228 92

HSL 141.33, 0.86%, 0.48%

LAB 79.83, -72.98, 52.62

 

CMYK 0 / 89 / 35 / 5

HEX #F31B9E

RGB 243 27 158

HSL 323.61, 0.9%, 0.53%

LAB 54.35, 82.16, -14.87

 

CMYK 0 / 82 / 31 / 0

HEX #FF2DB1

RGB 255 45 177

HSL 322.29, 1%, 0.59%

LAB 58.33, 83.54, -19.74

 

CMYK 0 / 75 / 23 / 0

HEX #FF3FC4

RGB 255 63 196

HSL 318.44, 1%, 0.62%

LAB 60.61, 81.3, -27.19

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D7

RGB 255 81 215

HSL 313.79, 1%, 0.66%

LAB 63.39, 78.1, -33.66

 

CMYK 0 / 61 / 8 / 0

HEX #FF63EA

RGB 255 99 234

HSL 308.08, 1%, 0.69%

LAB 66.61, 74.13, -39.24

 

CMYK 0 / 89 / 32 / 7

HEX #EE1BA3

RGB 238 27 163

HSL 321.33, 0.86%, 0.52%

LAB 53.61, 81.61, -19.04

 

CMYK 0 / 96 / 35 / 13

HEX #DD0990

RGB 221 9 144

HSL 321.79, 0.92%, 0.45%

LAB 48.98, 78.11, -15.05

 

CMYK 0 / 100 / 39 / 20

HEX #CC007D

RGB 204 0 125

HSL 323.24, 1%, 0.4%

LAB 44.69, 73.49, -10.29

 

CMYK 0 / 100 / 43 / 27

HEX #BB006A

RGB 187 0 106

HSL 325.99, 1%, 0.37%

LAB 40.58, 68.12, -4.95

 

CMYK 0 / 100 / 49 / 33

HEX #AA0057

RGB 170 0 87

HSL 329.29, 1%, 0.33%

LAB 36.43, 62.71, 0.66

 

CMYK 0 / 89 / 31 / 7

HEX #ED1BA3

RGB 237 27 163

HSL 321.14, 0.85%, 0.52%

LAB 53.42, 81.4, -19.34

 

CMYK 0 / 89 / 55 / 7

HEX #ED1B6A

RGB 237 27 106

HSL 337.43, 0.85%, 0.52%

LAB 51.64, 76.51, 12.28

 

CMYK 0 / 89 / 79 / 7

HEX #ED1B31

RGB 237 27 49

HSL 353.71, 0.85%, 0.52%

LAB 50.7, 73.84, 44.92

 

CMYK 0 / 89 / 89 / 7

HEX #ED1B1B

RGB 237 27 27

HSL 0, 0.85%, 0.52%

LAB 50.53, 73.36, 55.63

 

CMYK 0 / 89 / 31 / 7

HEX #ED1BA3

RGB 237 27 163

HSL 321.14, 0.85%, 0.52%

LAB 53.42, 81.4, -19.34

 

CMYK 0 / 89 / 8 / 7

HEX #ED1BDB

RGB 237 27 219

HSL 305.14, 0.85%, 0.52%

LAB 55.99, 88.15, -47.75

 

CMYK 16 / 89 / 0 / 7

HEX #C71BED

RGB 199 27 237

HSL 289.14, 0.85%, 0.52%

LAB 50.73, 84.63, -66.7

 

CMYK 40 / 89 / 0 / 7

HEX #8E1BED

RGB 142 27 237

HSL 272.86, 0.85%, 0.52%

LAB 42.23, 77.02, -80.93

 

CMYK 64 / 89 / 0 / 7

HEX #551BED

RGB 85 27 237

HSL 256.57, 0.85%, 0.52%

LAB 35.65, 71.87, -92.01

 

CMYK 0 / 89 / 31 / 7

HEX #ED1BA3

RGB 237 27 163

HSL 321.14, 0.85%, 0.52%

LAB 53.42, 81.4, -19.34

 

CMYK 0 / 89 / 31 / 7

HEX #ED1BA3

RGB 237 27 163

HSL 321.14, 0.85%, 0.52%

LAB 53.42, 81.4, -19.34

 

CMYK 0 / 78 / 28 / 15

HEX #DA2F9D

RGB 218 47 157

HSL 321.4, 0.7%, 0.52%

LAB 51.12, 72.5, -19.61

 

CMYK 0 / 67 / 24 / 22

HEX #C64297

RGB 198 66 151

HSL 321.36, 0.54%, 0.52%

LAB 49.66, 60.49, -18.58

 

CMYK 0 / 52 / 19 / 30

HEX #B25691

RGB 178 86 145

HSL 321.52, 0.37%, 0.52%

LAB 49.7, 44.69, -15.24

 

CMYK 0 / 33 / 11 / 38

HEX #9E6A8C

RGB 158 106 140

HSL 320.77, 0.21%, 0.52%

LAB 51.23, 26.18, -10.2

 

CMYK 16 / 89 / 0 / 7

HEX #C71BED

RGB 199 27 237

HSL 289.14, 0.85%, 0.52%

LAB 50.73, 84.63, -66.7

 

CMYK 0 / 89 / 7 / 7

HEX #ED1BDC

RGB 237 27 220

HSL 304.86, 0.85%, 0.52%

LAB 56.04, 88.29, -48.23

 

CMYK 0 / 89 / 31 / 7

HEX #ED1BA4

RGB 237 27 164

HSL 320.86, 0.85%, 0.52%

LAB 53.46, 81.5, -19.87

 

CMYK 0 / 89 / 54 / 7

HEX #ED1B6C

RGB 237 27 108

HSL 336.86, 0.85%, 0.52%

LAB 51.69, 76.65, 11.13

 

CMYK 0 / 89 / 78 / 7

HEX #ED1B33

RGB 237 27 51

HSL 353.14, 0.85%, 0.52%

LAB 50.72, 73.89, 43.84

 

CMYK 0 / 93 / 33 / 34

HEX #A90C72

RGB 169 12 114

HSL 321.02, 0.87%, 0.35%

LAB 37.69, 63.65, -14.72

 

CMYK 0 / 93 / 33 / 18

HEX #D00F8B

RGB 208 15 139

HSL 321.45, 0.87%, 0.44%

LAB 46.47, 74.34, -16.08

 

CMYK 0 / 89 / 31 / 7

HEX #ED1BA3

RGB 237 27 163

HSL 321.14, 0.85%, 0.52%

LAB 53.42, 81.4, -19.34

 

CMYK 0 / 73 / 26 / 6

HEX #F041B2

RGB 240 65 178

HSL 321.26, 0.85%, 0.6%

LAB 57.58, 75.02, -21.7

 

CMYK 0 / 57 / 20 / 5

HEX #F368C2

RGB 243 104 194

HSL 321.15, 0.85%, 0.68%

LAB 64.04, 63.02, -20.95

 

CMYK 0 / 89 / 32 / 7

HEX #EE1BA3

RGB 238 27 163

HSL 321.33, 0.86%, 0.52%

LAB 53.61, 81.61, -19.04

 

CMYK 0 / 40 / 89 / 7

HEX #ED8F1B

RGB 237 143 27

HSL 33.14, 0.85%, 0.52%

LAB 67.82, 28.25, 68.62

 

CMYK 89 / 0 / 4 / 7

HEX #1BEDE3

RGB 27 237 227

HSL 177.14, 0.85%, 0.52%

LAB 85.17, -47.55, -8.36

 

CMYK 0 / 89 / 32 / 7

HEX #EE1BA3

RGB 238 27 163

HSL 321.33, 0.86%, 0.52%

LAB 53.61, 81.61, -19.04

 

CMYK 31 / 0 / 89 / 7

HEX #A4ED1B

RGB 164 237 27

HSL 80.86, 0.85%, 0.52%

LAB 86.28, -48.87, 80.84

 

CMYK 89 / 31 / 0 / 7

HEX #1BA4ED

RGB 27 164 237

HSL 200.86, 0.85%, 0.52%

LAB 64.08, -8.51, -46.05

 

CMYK 0 / 89 / 32 / 7

HEX #EE1BA3

RGB 238 27 163

HSL 321.33, 0.86%, 0.52%

LAB 53.61, 81.61, -19.04

 

CMYK 0 / 40 / 89 / 7

HEX #ED8F1B

RGB 237 143 27

HSL 33.14, 0.85%, 0.52%

LAB 67.82, 28.25, 68.62

 

CMYK 89 / 0 / 57 / 7

HEX #1BED65

RGB 27 237 101

HSL 141.14, 0.85%, 0.52%

LAB 82.78, -74.03, 52.09

 

CMYK 89 / 49 / 0 / 7

HEX #1B7AED

RGB 27 122 237

HSL 212.86, 0.85%, 0.52%

LAB 52.14, 16.51, -65.1

 

CMYK 0 / 89 / 32 / 7

HEX #EE1BA3

RGB 238 27 163

HSL 321.33, 0.86%, 0.52%

LAB 53.61, 81.61, -19.04

 

CMYK 0 / 13 / 89 / 7

HEX #EDCE1B

RGB 237 206 27

HSL 51.14, 0.85%, 0.52%

LAB 83.03, -4.74, 80.41

 

CMYK 89 / 0 / 57 / 7

HEX #1BED65

RGB 27 237 101

HSL 141.14, 0.85%, 0.52%

LAB 82.78, -74.03, 52.09

 

CMYK 89 / 76 / 0 / 7

HEX #1B3AED

RGB 27 58 237

HSL 231.14, 0.85%, 0.52%

LAB 36.69, 55.96, -90.38

 

Description

Color code: HEX #EE1BA3 | qconv.com Color code: HEX #EE1BA3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 27 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 27 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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