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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE27EC it is the complementary color #11D813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE27EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE27EC shade: #F327E7, #FF39FA, #FF4BFF, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE27EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE27EC shade: #EE27EC, #DD15D9, #CC03C6, #BB00B3 and #AA00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE27EC shade: #ED25EB, #ED25B5, #ED257F, #ED254A and #ED2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE27EC shade: #ED25EB, #B925ED, #8325ED, #4E25ED and #2525ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE27EC shade matches the following richer shades: #ED25EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE27EC shade: #ED25EB, #DA38D8, #C74BC6, #B45EB3 and #A171A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE27EC shade: #8325ED, #B825ED, #ED25ED, #ED25B8 and #ED2583

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE27EC shade: #B20EB0, #D811D6, #ED25EB, #F04CEE and #F372F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE27EC shade: #EE27EC, #ED4D25 and #25ED9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE27EC shade: #EE27EC, #EDED25 and #25EDED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE27EC shade: #EE27EC, #ED4D25, #25ED25 and #25C5ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE27EC shade: #EE27EC, #ED8925, #25ED25 and #2589ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 1 / 7

HEX #EE27EC

RGB 238 39 236

HSL 300.6, 0.85%, 0.54%

LAB 57.74, 88.81, -54.55

 

Complementary color

CMYK 92 / 0 / 91 / 15

HEX #11D813

RGB 17 216 19

HSL 120.6, 0.85%, 0.46%

LAB 75.62, -74.98, 71.45

 

CMYK 0 / 84 / 5 / 5

HEX #F327E7

RGB 243 39 231

HSL 303.53, 0.89%, 0.55%

LAB 58.3, 88.98, -50.8

 

CMYK 0 / 78 / 2 / 0

HEX #FF39FA

RGB 255 57 250

HSL 301.52, 1%, 0.61%

LAB 62.58, 90.1, -54.47

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 84 / 1 / 7

HEX #EE27EC

RGB 238 39 236

HSL 300.6, 0.85%, 0.54%

LAB 57.74, 88.81, -54.55

 

CMYK 0 / 90 / 2 / 13

HEX #DD15D9

RGB 221 21 217

HSL 301.2, 0.83%, 0.47%

LAB 52.86, 85.87, -51.76

 

CMYK 0 / 99 / 3 / 20

HEX #CC03C6

RGB 204 3 198

HSL 301.79, 0.97%, 0.41%

LAB 48.23, 81.94, -48.39

 

CMYK 0 / 100 / 4 / 27

HEX #BB00B3

RGB 187 0 179

HSL 302.57, 1%, 0.37%

LAB 43.97, 76.67, -44.24

 

CMYK 0 / 100 / 6 / 33

HEX #AA00A0

RGB 170 0 160

HSL 303.53, 1%, 0.33%

LAB 39.72, 71.05, -39.87

 

CMYK 0 / 84 / 1 / 7

HEX #ED25EB

RGB 237 37 235

HSL 300.6, 0.85%, 0.54%

LAB 57.39, 88.84, -54.55

 

CMYK 0 / 84 / 24 / 7

HEX #ED25B5

RGB 237 37 181

HSL 316.8, 0.85%, 0.54%

LAB 54.72, 81.73, -27.89

 

CMYK 0 / 84 / 46 / 7

HEX #ED257F

RGB 237 37 127

HSL 333, 0.85%, 0.54%

LAB 52.8, 76.33, 1.21

 

CMYK 0 / 84 / 69 / 7

HEX #ED254A

RGB 237 37 74

HSL 348.9, 0.85%, 0.54%

LAB 51.64, 72.97, 31.59

 

CMYK 0 / 84 / 84 / 7

HEX #ED2525

RGB 237 37 37

HSL 0, 0.85%, 0.54%

LAB 51.22, 71.74, 51.63

 

CMYK 0 / 84 / 1 / 7

HEX #ED25EB

RGB 237 37 235

HSL 300.6, 0.85%, 0.54%

LAB 57.39, 88.84, -54.55

 

CMYK 22 / 84 / 0 / 7

HEX #B925ED

RGB 185 37 237

HSL 284.4, 0.85%, 0.54%

LAB 49.19, 80.61, -69.3

 

CMYK 45 / 84 / 0 / 7

HEX #8325ED

RGB 131 37 237

HSL 268.2, 0.85%, 0.54%

LAB 41.63, 73.26, -81.97

 

CMYK 67 / 84 / 0 / 7

HEX #4E25ED

RGB 78 37 237

HSL 252.3, 0.85%, 0.54%

LAB 36.09, 68.27, -91.3

 

CMYK 84 / 84 / 0 / 7

HEX #2525ED

RGB 37 37 237

HSL 240, 0.85%, 0.54%

LAB 33.63, 66.19, -95.47

 

CMYK 0 / 84 / 1 / 7

HEX #ED25EB

RGB 237 37 235

HSL 300.6, 0.85%, 0.54%

LAB 57.39, 88.84, -54.55

 

CMYK 0 / 84 / 1 / 7

HEX #ED25EB

RGB 237 37 235

HSL 300.6, 0.85%, 0.54%

LAB 57.39, 88.84, -54.55

 

CMYK 0 / 74 / 1 / 15

HEX #DA38D8

RGB 218 56 216

HSL 300.74, 0.69%, 0.54%

LAB 54.75, 78.04, -48.2

 

CMYK 0 / 62 / 1 / 22

HEX #C74BC6

RGB 199 75 198

HSL 300.48, 0.53%, 0.54%

LAB 53.22, 64.26, -40.52

 

CMYK 0 / 48 / 1 / 29

HEX #B45EB3

RGB 180 94 179

HSL 300.7, 0.36%, 0.54%

LAB 52.91, 47.01, -30.23

 

CMYK 0 / 30 / 0 / 37

HEX #A171A1

RGB 161 113 161

HSL 300, 0.2%, 0.54%

LAB 53.99, 27.17, -18.31

 

CMYK 45 / 84 / 0 / 7

HEX #8325ED

RGB 131 37 237

HSL 268.2, 0.85%, 0.54%

LAB 41.63, 73.26, -81.97

 

CMYK 22 / 84 / 0 / 7

HEX #B825ED

RGB 184 37 237

HSL 284.1, 0.85%, 0.54%

LAB 49.04, 80.45, -69.56

 

CMYK 0 / 84 / 0 / 7

HEX #ED25ED

RGB 237 37 237

HSL 300, 0.85%, 0.54%

LAB 57.5, 89.14, -55.49

 

CMYK 0 / 84 / 22 / 7

HEX #ED25B8

RGB 237 37 184

HSL 315.9, 0.85%, 0.54%

LAB 54.85, 82.08, -29.43

 

CMYK 0 / 84 / 45 / 7

HEX #ED2583

RGB 237 37 131

HSL 331.8, 0.85%, 0.54%

LAB 52.91, 76.67, -1.03

 

CMYK 0 / 92 / 1 / 30

HEX #B20EB0

RGB 178 14 176

HSL 300.73, 0.85%, 0.38%

LAB 42.63, 73.31, -44.7

 

CMYK 0 / 92 / 1 / 15

HEX #D811D6

RGB 216 17 214

HSL 300.6, 0.85%, 0.46%

LAB 51.67, 85.04, -51.99

 

CMYK 0 / 84 / 1 / 7

HEX #ED25EB

RGB 237 37 235

HSL 300.6, 0.85%, 0.54%

LAB 57.39, 88.84, -54.55

 

CMYK 0 / 68 / 1 / 6

HEX #F04CEE

RGB 240 76 238

HSL 300.73, 0.85%, 0.62%

LAB 61.54, 79.77, -49.6

 

CMYK 0 / 53 / 0 / 5

HEX #F372F2

RGB 243 114 242

HSL 300.47, 0.84%, 0.7%

LAB 67.65, 65.97, -42.16

 

CMYK 0 / 84 / 1 / 7

HEX #EE27EC

RGB 238 39 236

HSL 300.6, 0.85%, 0.54%

LAB 57.74, 88.81, -54.55

 

CMYK 0 / 68 / 84 / 7

HEX #ED4D25

RGB 237 77 37

HSL 12, 0.85%, 0.54%

LAB 55.53, 59.75, 55.34

 

CMYK 84 / 0 / 34 / 7

HEX #25ED9D

RGB 37 237 157

HSL 156, 0.85%, 0.54%

LAB 83.65, -64.01, 26.02

 

CMYK 0 / 84 / 1 / 7

HEX #EE27EC

RGB 238 39 236

HSL 300.6, 0.85%, 0.54%

LAB 57.74, 88.81, -54.55

 

CMYK 0 / 0 / 84 / 7

HEX #EDED25

RGB 237 237 37

HSL 60, 0.85%, 0.54%

LAB 91.1, -19.9, 84.96

 

CMYK 84 / 0 / 0 / 7

HEX #25EDED

RGB 37 237 237

HSL 180, 0.85%, 0.54%

LAB 85.54, -44.17, -13.06

 

CMYK 0 / 84 / 1 / 7

HEX #EE27EC

RGB 238 39 236

HSL 300.6, 0.85%, 0.54%

LAB 57.74, 88.81, -54.55

 

CMYK 0 / 68 / 84 / 7

HEX #ED4D25

RGB 237 77 37

HSL 12, 0.85%, 0.54%

LAB 55.53, 59.75, 55.34

 

CMYK 84 / 0 / 84 / 7

HEX #25ED25

RGB 37 237 37

HSL 120, 0.85%, 0.54%

LAB 82.43, -78.69, 74.11

 

CMYK 84 / 17 / 0 / 7

HEX #25C5ED

RGB 37 197 237

HSL 192, 0.85%, 0.54%

LAB 73.83, -25.38, -30.84

 

CMYK 0 / 84 / 1 / 7

HEX #EE27EC

RGB 238 39 236

HSL 300.6, 0.85%, 0.54%

LAB 57.74, 88.81, -54.55

 

CMYK 0 / 42 / 84 / 7

HEX #ED8925

RGB 237 137 37

HSL 30, 0.85%, 0.54%

LAB 66.54, 31.6, 64.65

 

CMYK 84 / 0 / 84 / 7

HEX #25ED25

RGB 37 237 37

HSL 120, 0.85%, 0.54%

LAB 82.43, -78.69, 74.11

 

CMYK 84 / 42 / 0 / 7

HEX #2589ED

RGB 37 137 237

HSL 210, 0.85%, 0.54%

LAB 56.49, 7.9, -58.1

 

Description

Color code: HEX #EE27EC | qconv.com Color code: HEX #EE27EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 39 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 39 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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