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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE22B4 it is the complementary color #11DD4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE22B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE22B4 shade: #F322AF, #FF34C2, #FF46D5, #FF58E8 and #FF6AFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE22B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE22B4 shade: #EE22B4, #DD10A1, #CC008E, #BB007B and #AA0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE22B4 shade: #EE20B3, #EE207C, #EE2044 and #EE2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE22B4 shade: #EE20B3, #EE20EB, #B920EE, #8220EE and #4A20EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE22B4 shade matches the following richer shades: #EE20B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE22B4 shade: #EE20B3, #DA33AB, #C746A2, #B45A9A and #A06D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE22B4 shade: #BA20EE, #EE20EA, #EE20B3, #EE207C and #EE2045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE22B4 shade: #AE0D80, #D5109D, #EE20B3, #F146C0 and #F36CCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE22B4 shade: #EE22B4, #EE8320 and #20EED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE22B4 shade: #EE22B4, #B3EE20 and #20B3EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE22B4 shade: #EE22B4, #EE8320, #20EE5A and #208AEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE22B4 shade: #EE22B4, #EEC120, #20EE5A and #204CEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 24 / 7

HEX #EE22B4

RGB 238 34 180

HSL 317.06, 0.86%, 0.53%

LAB 54.68, 82.36, -27.37

 

Complementary color

CMYK 92 / 0 / 66 / 13

HEX #11DD4B

RGB 17 221 75

HSL 137.06, 0.86%, 0.47%

LAB 77.48, -72.82, 57.16

 

CMYK 0 / 86 / 28 / 5

HEX #F322AF

RGB 243 34 175

HSL 319.52, 0.9%, 0.54%

LAB 55.37, 82.84, -23.3

 

CMYK 0 / 80 / 24 / 0

HEX #FF34C2

RGB 255 52 194

HSL 318.03, 1%, 0.6%

LAB 59.54, 83.89, -27.7

 

CMYK 0 / 73 / 16 / 0

HEX #FF46D5

RGB 255 70 213

HSL 313.62, 1%, 0.64%

LAB 62.04, 81.4, -34.64

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E8

RGB 255 88 232

HSL 308.26, 1%, 0.67%

LAB 65.01, 78.03, -40.64

 

CMYK 0 / 58 / 2 / 0

HEX #FF6AFB

RGB 255 106 251

HSL 301.61, 1%, 0.71%

LAB 68.41, 73.96, -45.8

 

CMYK 0 / 86 / 24 / 7

HEX #EE22B4

RGB 238 34 180

HSL 317.06, 0.86%, 0.53%

LAB 54.68, 82.36, -27.37

 

CMYK 0 / 93 / 27 / 13

HEX #DD10A1

RGB 221 16 161

HSL 317.56, 0.86%, 0.46%

LAB 49.88, 79.27, -23.86

 

CMYK 0 / 100 / 30 / 20

HEX #CC008E

RGB 204 0 142

HSL 318.24, 1%, 0.4%

LAB 45.35, 75.19, -19.69

 

CMYK 0 / 100 / 34 / 27

HEX #BB007B

RGB 187 0 123

HSL 320.53, 1%, 0.37%

LAB 41.21, 69.74, -14.65

 

CMYK 0 / 100 / 39 / 33

HEX #AA0068

RGB 170 0 104

HSL 323.29, 1%, 0.33%

LAB 37.01, 64.24, -9.38

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 0 / 87 / 48 / 7

HEX #EE207C

RGB 238 32 124

HSL 333.2, 0.86%, 0.53%

LAB 52.58, 77.25, 2.73

 

CMYK 0 / 87 / 71 / 7

HEX #EE2044

RGB 238 32 68

HSL 349.51, 0.86%, 0.53%

LAB 51.41, 73.91, 34.92

 

CMYK 0 / 87 / 87 / 7

HEX #EE2020

RGB 238 32 32

HSL 0, 0.86%, 0.53%

LAB 51.05, 72.87, 53.92

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 0 / 87 / 1 / 7

HEX #EE20EB

RGB 238 32 235

HSL 300.87, 0.86%, 0.53%

LAB 57.28, 89.84, -54.72

 

CMYK 22 / 87 / 0 / 7

HEX #B920EE

RGB 185 32 238

HSL 284.56, 0.86%, 0.53%

LAB 48.91, 81.84, -70.33

 

CMYK 45 / 87 / 0 / 7

HEX #8220EE

RGB 130 32 238

HSL 268.54, 0.86%, 0.53%

LAB 41.14, 74.73, -83.35

 

CMYK 69 / 87 / 0 / 7

HEX #4A20EE

RGB 74 32 238

HSL 252.23, 0.86%, 0.53%

LAB 35.33, 69.96, -93.15

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 0 / 77 / 22 / 15

HEX #DA33AB

RGB 218 51 171

HSL 316.89, 0.69%, 0.53%

LAB 52.08, 73.11, -26.41

 

CMYK 0 / 65 / 19 / 22

HEX #C746A2

RGB 199 70 162

HSL 317.21, 0.54%, 0.53%

LAB 50.84, 60.69, -23.28

 

CMYK 0 / 50 / 14 / 29

HEX #B45A9A

RGB 180 90 154

HSL 317.33, 0.38%, 0.53%

LAB 51.09, 44.73, -18.41

 

CMYK 0 / 32 / 9 / 37

HEX #A06D92

RGB 160 109 146

HSL 316.47, 0.21%, 0.53%

LAB 52.38, 26.26, -11.98

 

CMYK 22 / 87 / 0 / 7

HEX #BA20EE

RGB 186 32 238

HSL 284.85, 0.86%, 0.53%

LAB 49.06, 81.98, -70.07

 

CMYK 0 / 87 / 2 / 7

HEX #EE20EA

RGB 238 32 234

HSL 301.17, 0.86%, 0.53%

LAB 57.22, 89.7, -54.25

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 0 / 87 / 48 / 7

HEX #EE207C

RGB 238 32 124

HSL 333.2, 0.86%, 0.53%

LAB 52.58, 77.25, 2.73

 

CMYK 0 / 87 / 71 / 7

HEX #EE2045

RGB 238 32 69

HSL 349.22, 0.86%, 0.53%

LAB 51.43, 73.95, 34.35

 

CMYK 0 / 93 / 26 / 32

HEX #AE0D80

RGB 174 13 128

HSL 317.14, 0.86%, 0.37%

LAB 39.32, 66.19, -20.87

 

CMYK 0 / 92 / 26 / 16

HEX #D5109D

RGB 213 16 157

HSL 317.06, 0.86%, 0.45%

LAB 48.2, 77.21, -24.19

 

CMYK 0 / 87 / 25 / 7

HEX #EE20B3

RGB 238 32 179

HSL 317.18, 0.86%, 0.53%

LAB 54.52, 82.58, -27.03

 

CMYK 0 / 71 / 20 / 5

HEX #F146C0

RGB 241 70 192

HSL 317.19, 0.86%, 0.61%

LAB 58.87, 75.4, -27.77

 

CMYK 0 / 56 / 16 / 5

HEX #F36CCD

RGB 243 108 205

HSL 316.89, 0.85%, 0.69%

LAB 65.11, 62.82, -25.52

 

CMYK 0 / 86 / 24 / 7

HEX #EE22B4

RGB 238 34 180

HSL 317.06, 0.86%, 0.53%

LAB 54.68, 82.36, -27.37

 

CMYK 0 / 45 / 87 / 7

HEX #EE8320

RGB 238 131 32

HSL 28.83, 0.86%, 0.53%

LAB 65.37, 35, 65.35

 

CMYK 87 / 0 / 10 / 7

HEX #20EED6

RGB 32 238 214

HSL 173.01, 0.86%, 0.53%

LAB 85.15, -51.26, -1.54

 

CMYK 0 / 86 / 24 / 7

HEX #EE22B4

RGB 238 34 180

HSL 317.06, 0.86%, 0.53%

LAB 54.68, 82.36, -27.37

 

CMYK 25 / 0 / 87 / 7

HEX #B3EE20

RGB 179 238 32

HSL 77.18, 0.86%, 0.53%

LAB 87.41, -43.64, 81.25

 

CMYK 87 / 25 / 0 / 7

HEX #20B3EE

RGB 32 179 238

HSL 197.18, 0.86%, 0.53%

LAB 68.55, -16.06, -39.58

 

CMYK 0 / 86 / 24 / 7

HEX #EE22B4

RGB 238 34 180

HSL 317.06, 0.86%, 0.53%

LAB 54.68, 82.36, -27.37

 

CMYK 0 / 45 / 87 / 7

HEX #EE8320

RGB 238 131 32

HSL 28.83, 0.86%, 0.53%

LAB 65.37, 35, 65.35

 

CMYK 87 / 0 / 62 / 7

HEX #20EE5A

RGB 32 238 90

HSL 136.89, 0.86%, 0.53%

LAB 83.02, -75.32, 57.15

 

CMYK 87 / 42 / 0 / 7

HEX #208AEE

RGB 32 138 238

HSL 209.13, 0.86%, 0.53%

LAB 56.74, 7.32, -58.25

 

CMYK 0 / 86 / 24 / 7

HEX #EE22B4

RGB 238 34 180

HSL 317.06, 0.86%, 0.53%

LAB 54.68, 82.36, -27.37

 

CMYK 0 / 19 / 87 / 7

HEX #EEC120

RGB 238 193 32

HSL 46.89, 0.86%, 0.53%

LAB 79.85, 2.46, 76.93

 

CMYK 87 / 0 / 62 / 7

HEX #20EE5A

RGB 32 238 90

HSL 136.89, 0.86%, 0.53%

LAB 83.02, -75.32, 57.15

 

CMYK 87 / 68 / 0 / 7

HEX #204CEE

RGB 32 76 238

HSL 227.18, 0.86%, 0.53%

LAB 40.65, 46.16, -84.4

 

Description

Color code: HEX #EE22B4 | qconv.com Color code: HEX #EE22B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 34 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 34 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 24 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 24% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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