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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE2F24 it is the complementary color #11D0DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE2F24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE2F24 shade: #F32F1F, #FF4132, #FF5345, #FF6558 and #FF776B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE2F24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE2F24 shade: #EE2F24, #DD1D11, #CC0B00, #BB0000 and #AA0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE2F24 shade: #EE2F24 and #EE2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE2F24 shade: #EE2F24, #EE6624, #EE9C24, #EED324 and #D3EE24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE2F24 shade matches the following richer shades: #EE2F24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE2F24 shade: #EE2F24, #DB4037, #C8514A, #B5625D and #A27370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE2F24 shade: #EE2486, #EE2450, #EE2E24, #EE6424 and #EE9A24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE2F24 shade: #B3160D, #D91B10, #EE2F24, #F1544B and #F47871

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE2F24 shade: #EE2F24, #BCEE24 and #246BEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE2F24 shade: #EE2F24, #24EE2E and #2E24EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE2F24 shade: #EE2F24, #BCEE24, #24E4EE and #5724EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE2F24 shade: #EE2F24, #7FEE24, #24E4EE and #9324EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

Complementary color

CMYK 92 / 5 / 0 / 14

HEX #11D0DB

RGB 17 208 219

HSL 183.27, 0.86%, 0.46%

LAB 76.28, -37.43, -17.42

 

CMYK 0 / 81 / 87 / 5

HEX #F32F1F

RGB 243 47 31

HSL 4.53, 0.9%, 0.54%

LAB 53.15, 71, 56.43

 

CMYK 0 / 75 / 80 / 0

HEX #FF4132

RGB 255 65 50

HSL 4.39, 1%, 0.6%

LAB 57.34, 69.81, 52.1

 

CMYK 0 / 67 / 73 / 0

HEX #FF5345

RGB 255 83 69

HSL 4.52, 1%, 0.64%

LAB 59.78, 64.25, 44.78

 

CMYK 0 / 60 / 65 / 0

HEX #FF6558

RGB 255 101 88

HSL 4.67, 1%, 0.67%

LAB 62.74, 57.83, 37.89

 

CMYK 0 / 53 / 58 / 0

HEX #FF776B

RGB 255 119 107

HSL 4.86, 1%, 0.71%

LAB 66.15, 50.86, 31.66

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 0 / 87 / 92 / 13

HEX #DD1D11

RGB 221 29 17

HSL 3.53, 0.86%, 0.47%

LAB 47.35, 68.71, 55.81

 

CMYK 0 / 95 / 100 / 20

HEX #CC0B00

RGB 204 11 0

HSL 3.24, 1%, 0.4%

LAB 42.88, 66.66, 56.94

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 0 / 85 / 85 / 7

HEX #EE2424

RGB 238 36 36

HSL 0, 0.86%, 0.54%

LAB 51.34, 72.19, 52.29

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 0 / 57 / 85 / 7

HEX #EE6624

RGB 238 102 36

HSL 19.6, 0.86%, 0.54%

LAB 59.71, 49.37, 59.35

 

CMYK 0 / 34 / 85 / 7

HEX #EE9C24

RGB 238 156 36

HSL 35.64, 0.86%, 0.54%

LAB 70.93, 22.01, 68.66

 

CMYK 0 / 11 / 85 / 7

HEX #EED324

RGB 238 211 36

HSL 51.98, 0.86%, 0.54%

LAB 84.43, -6.67, 79.75

 

CMYK 11 / 0 / 85 / 7

HEX #D3EE24

RGB 211 238 36

HSL 68.02, 0.86%, 0.54%

LAB 89.45, -31.03, 83.01

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 0 / 71 / 75 / 14

HEX #DB4037

RGB 219 64 55

HSL 3.29, 0.69%, 0.54%

LAB 50.69, 59.42, 40.56

 

CMYK 0 / 60 / 63 / 22

HEX #C8514A

RGB 200 81 74

HSL 3.33, 0.53%, 0.54%

LAB 50.29, 46.97, 28.46

 

CMYK 0 / 46 / 49 / 29

HEX #B5625D

RGB 181 98 93

HSL 3.41, 0.37%, 0.54%

LAB 51.09, 32.86, 17.83

 

CMYK 0 / 29 / 31 / 36

HEX #A27370

RGB 162 115 112

HSL 3.6, 0.21%, 0.54%

LAB 53.07, 18.11, 9.04

 

CMYK 0 / 85 / 44 / 7

HEX #EE2486

RGB 238 36 134

HSL 330.89, 0.86%, 0.54%

LAB 53.12, 77.35, -2.5

 

CMYK 0 / 85 / 66 / 7

HEX #EE2450

RGB 238 36 80

HSL 346.93, 0.86%, 0.54%

LAB 51.86, 73.7, 28.34

 

CMYK 0 / 81 / 85 / 7

HEX #EE2E24

RGB 238 46 36

HSL 2.97, 0.86%, 0.54%

LAB 52.13, 69.96, 52.96

 

CMYK 0 / 58 / 85 / 7

HEX #EE6424

RGB 238 100 36

HSL 19.01, 0.86%, 0.54%

LAB 59.36, 50.29, 59.05

 

CMYK 0 / 35 / 85 / 7

HEX #EE9A24

RGB 238 154 36

HSL 35.05, 0.86%, 0.54%

LAB 70.47, 23.06, 68.28

 

CMYK 0 / 88 / 93 / 30

HEX #B3160D

RGB 179 22 13

HSL 3.25, 0.86%, 0.38%

LAB 38.18, 58.58, 47.14

 

CMYK 0 / 88 / 93 / 15

HEX #D91B10

RGB 217 27 16

HSL 3.28, 0.86%, 0.46%

LAB 46.41, 67.99, 55.17

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 0 / 65 / 69 / 5

HEX #F1544B

RGB 241 84 75

HSL 3.25, 0.86%, 0.62%

LAB 57.61, 59.65, 38.38

 

CMYK 0 / 51 / 54 / 4

HEX #F47871

RGB 244 120 113

HSL 3.21, 0.86%, 0.7%

LAB 64.85, 46.91, 26.32

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 21 / 0 / 85 / 7

HEX #BCEE24

RGB 188 238 36

HSL 74.85, 0.86%, 0.54%

LAB 87.95, -40.1, 81.16

 

CMYK 85 / 55 / 0 / 7

HEX #246BEE

RGB 36 107 238

HSL 218.91, 0.86%, 0.54%

LAB 48.34, 26.94, -71.81

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 85 / 0 / 81 / 7

HEX #24EE2E

RGB 36 238 46

HSL 122.97, 0.86%, 0.54%

LAB 82.77, -78.62, 72.25

 

CMYK 81 / 85 / 0 / 7

HEX #2E24EE

RGB 46 36 238

HSL 242.97, 0.86%, 0.54%

LAB 34.02, 67.18, -95.38

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 21 / 0 / 85 / 7

HEX #BCEE24

RGB 188 238 36

HSL 74.85, 0.86%, 0.54%

LAB 87.95, -40.1, 81.16

 

CMYK 85 / 4 / 0 / 7

HEX #24E4EE

RGB 36 228 238

HSL 182.97, 0.86%, 0.54%

LAB 82.93, -39.92, -17.51

 

CMYK 63 / 85 / 0 / 7

HEX #5724EE

RGB 87 36 238

HSL 255.15, 0.86%, 0.54%

LAB 36.86, 69.53, -90.58

 

CMYK 0 / 80 / 85 / 7

HEX #EE2F24

RGB 238 47 36

HSL 3.27, 0.86%, 0.54%

LAB 52.22, 69.71, 53.03

 

CMYK 47 / 0 / 85 / 7

HEX #7FEE24

RGB 127 238 36

HSL 92.97, 0.86%, 0.54%

LAB 84.89, -61.28, 77.32

 

CMYK 85 / 4 / 0 / 7

HEX #24E4EE

RGB 36 228 238

HSL 182.97, 0.86%, 0.54%

LAB 82.93, -39.92, -17.51

 

CMYK 38 / 85 / 0 / 7

HEX #9324EE

RGB 147 36 238

HSL 272.97, 0.86%, 0.54%

LAB 43.71, 75.71, -79.05

 

Description

Color code: HEX #EE2F24 | qconv.com Color code: HEX #EE2F24 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 47 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 47 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 85 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 85% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Online Poker News - ...
Link: http://pokerfuse.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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