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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE34E5 it is the complementary color #11CB1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE34E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE34E5 shade: #F334E0, #FF46F3, #FF58FF, #FF6AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE34E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE34E5 shade: #EE34E5, #DD22D2, #CC10BF, #BB00AC and #AA0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE34E5 shade: #EE34E5, #EE34B3, #EE3481, #EE344E and #EE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE34E5 shade: #EE34E5, #C534EE, #9334EE, #6034EE and #3434EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE34E5 shade matches the following richer shades: #EE34E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE34E5 shade: #EE34E5, #DC45D5, #CB57C5, #B969B5 and #A77BA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE34E5 shade: #9134EE, #C334EE, #EE34E8, #EE34B6 and #EE3484

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE34E5 shade: #C00FB8, #E612DC, #EE34E5, #F15AEA and #F480EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE34E5 shade: #EE34E5, #EE5F34 and #34EEAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE34E5 shade: #EE34E5, #E8EE34 and #34E8EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE34E5 shade: #EE34E5, #EE5F34, #34EE3A and #34C3EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE34E5 shade: #EE34E5, #EE9734, #34EE3A and #348BEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

Complementary color

CMYK 92 / 0 / 87 / 20

HEX #11CB1A

RGB 17 203 26

HSL 122.9, 0.85%, 0.43%

LAB 71.49, -71.18, 66.69

 

CMYK 0 / 79 / 8 / 5

HEX #F334E0

RGB 243 52 224

HSL 305.97, 0.89%, 0.58%

LAB 58.87, 85.27, -45.94

 

CMYK 0 / 73 / 5 / 0

HEX #FF46F3

RGB 255 70 243

HSL 303.89, 1%, 0.64%

LAB 63.43, 85.59, -49.23

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 85 / 5 / 13

HEX #DD22D2

RGB 221 34 210

HSL 303.53, 0.73%, 0.5%

LAB 53.13, 82.92, -47.32

 

CMYK 0 / 92 / 6 / 20

HEX #CC10BF

RGB 204 16 191

HSL 304.15, 0.85%, 0.43%

LAB 48.22, 79.82, -44.34

 

CMYK 0 / 100 / 8 / 27

HEX #BB00AC

RGB 187 0 172

HSL 304.81, 1%, 0.37%

LAB 43.57, 75.68, -40.74

 

CMYK 0 / 100 / 10 / 33

HEX #AA0099

RGB 170 0 153

HSL 306, 1%, 0.33%

LAB 39.32, 70.06, -36.27

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 78 / 25 / 7

HEX #EE34B3

RGB 238 52 179

HSL 319.03, 0.85%, 0.57%

LAB 55.98, 78.37, -24.78

 

CMYK 0 / 78 / 46 / 7

HEX #EE3481

RGB 238 52 129

HSL 335.16, 0.85%, 0.57%

LAB 54.26, 73.26, 2.15

 

CMYK 0 / 78 / 67 / 7

HEX #EE344E

RGB 238 52 78

HSL 351.61, 0.85%, 0.57%

LAB 53.15, 69.84, 31.14

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 17 / 78 / 0 / 7

HEX #C534EE

RGB 197 52 238

HSL 286.77, 0.85%, 0.57%

LAB 52.4, 78.9, -64.59

 

CMYK 38 / 78 / 0 / 7

HEX #9334EE

RGB 147 52 238

HSL 270.65, 0.85%, 0.57%

LAB 45.4, 70.75, -76.27

 

CMYK 60 / 78 / 0 / 7

HEX #6034EE

RGB 96 52 238

HSL 254.19, 0.85%, 0.57%

LAB 39.77, 64.17, -85.73

 

CMYK 78 / 78 / 0 / 7

HEX #3434EE

RGB 52 52 238

HSL 240, 0.85%, 0.57%

LAB 36.67, 60.53, -90.97

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 69 / 3 / 14

HEX #DC45D5

RGB 220 69 213

HSL 302.78, 0.68%, 0.57%

LAB 56.36, 73.86, -43.93

 

CMYK 0 / 57 / 3 / 20

HEX #CB57C5

RGB 203 87 197

HSL 303.1, 0.53%, 0.57%

LAB 55.63, 59.97, -36.13

 

CMYK 0 / 43 / 2 / 27

HEX #B969B5

RGB 185 105 181

HSL 303, 0.36%, 0.57%

LAB 55.84, 43.18, -26.79

 

CMYK 0 / 26 / 1 / 35

HEX #A77BA5

RGB 167 123 165

HSL 302.73, 0.2%, 0.57%

LAB 57.17, 24.32, -15.72

 

CMYK 39 / 78 / 0 / 7

HEX #9134EE

RGB 145 52 238

HSL 270, 0.85%, 0.57%

LAB 45.15, 70.45, -76.7

 

CMYK 18 / 78 / 0 / 7

HEX #C334EE

RGB 195 52 238

HSL 286.13, 0.85%, 0.57%

LAB 52.1, 78.55, -65.09

 

CMYK 0 / 78 / 3 / 7

HEX #EE34E8

RGB 238 52 232

HSL 301.94, 0.85%, 0.57%

LAB 58.47, 85.45, -51.14

 

CMYK 0 / 78 / 24 / 7

HEX #EE34B6

RGB 238 52 182

HSL 318.06, 0.85%, 0.57%

LAB 56.1, 78.73, -26.33

 

CMYK 0 / 78 / 45 / 7

HEX #EE3484

RGB 238 52 132

HSL 334.19, 0.85%, 0.57%

LAB 54.34, 73.52, 0.48

 

CMYK 0 / 92 / 4 / 25

HEX #C00FB8

RGB 192 15 184

HSL 302.71, 0.86%, 0.41%

LAB 45.65, 76.82, -44.47

 

CMYK 0 / 92 / 4 / 10

HEX #E612DC

RGB 230 18 220

HSL 302.83, 0.85%, 0.49%

LAB 54.47, 88.14, -50.8

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 63 / 3 / 5

HEX #F15AEA

RGB 241 90 234

HSL 302.78, 0.84%, 0.65%

LAB 63.3, 74.28, -44.58

 

CMYK 0 / 48 / 2 / 4

HEX #F480EF

RGB 244 128 239

HSL 302.59, 0.84%, 0.73%

LAB 70.11, 59.2, -36.67

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 60 / 78 / 7

HEX #EE5F34

RGB 238 95 52

HSL 13.87, 0.85%, 0.57%

LAB 58.61, 53.01, 51.37

 

CMYK 78 / 0 / 29 / 7

HEX #34EEAA

RGB 52 238 170

HSL 158.06, 0.85%, 0.57%

LAB 84.37, -60.31, 20.35

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 3 / 0 / 78 / 7

HEX #E8EE34

RGB 232 238 52

HSL 61.94, 0.85%, 0.57%

LAB 91.03, -22.02, 81.21

 

CMYK 78 / 3 / 0 / 7

HEX #34E8EE

RGB 52 232 238

HSL 181.94, 0.85%, 0.57%

LAB 84.29, -40.54, -15.45

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 60 / 78 / 7

HEX #EE5F34

RGB 238 95 52

HSL 13.87, 0.85%, 0.57%

LAB 58.61, 53.01, 51.37

 

CMYK 78 / 0 / 76 / 7

HEX #34EE3A

RGB 52 238 58

HSL 121.94, 0.85%, 0.57%

LAB 83.01, -76.23, 69.1

 

CMYK 78 / 18 / 0 / 7

HEX #34C3EE

RGB 52 195 238

HSL 193.87, 0.85%, 0.57%

LAB 73.5, -22.81, -31.87

 

CMYK 0 / 78 / 4 / 7

HEX #EE34E5

RGB 238 52 229

HSL 302.9, 0.85%, 0.57%

LAB 58.31, 85.01, -49.7

 

CMYK 0 / 37 / 78 / 7

HEX #EE9734

RGB 238 151 52

HSL 31.94, 0.85%, 0.57%

LAB 69.87, 25.13, 62.22

 

CMYK 78 / 0 / 76 / 7

HEX #34EE3A

RGB 52 238 58

HSL 121.94, 0.85%, 0.57%

LAB 83.01, -76.23, 69.1

 

CMYK 78 / 42 / 0 / 7

HEX #348BEE

RGB 52 139 238

HSL 211.94, 0.85%, 0.57%

LAB 57.43, 8.39, -57.12

 

Description

Color code: HEX #EE34E5 | qconv.com Color code: HEX #EE34E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 52 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 52 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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