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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE337A it is the complementary color #11CC85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE337A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE337A shade: #F33375, #FF4588, #FF579B, #FF69AE and #FF7BC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE337A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE337A shade: #EE337A, #DD2167, #CC0F54, #BB0041 and #AA002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE337A shade: #EE347A, #EE3448 and #EE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE337A shade: #EE347A, #EE34AD, #EE34DF, #CB34EE and #9934EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE337A shade matches the following richer shades: #EE347A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE337A shade: #EE347A, #DC457F, #CB5783, #B96987 and #A77B8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE337A shade: #EE34DF, #EE34AD, #EE347B, #EE3449 and #EE5034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE337A shade: #C00F52, #E61263, #EE347A, #F15A93 and #F480AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE337A shade: #EE337A, #EECC34 and #34C6EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE337A shade: #EE337A, #7BEE34 and #347BEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE337A shade: #EE337A, #EECC34, #34EEA7 and #3456EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE337A shade: #EE337A, #D8EE34, #34EEA7 and #4934EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

Complementary color

CMYK 92 / 0 / 35 / 20

HEX #11CC85

RGB 17 204 133

HSL 157.22, 0.85%, 0.43%

LAB 72.89, -58.34, 23.84

 

CMYK 0 / 79 / 52 / 5

HEX #F33375

RGB 243 51 117

HSL 339.38, 0.89%, 0.58%

LAB 54.77, 73.85, 10.19

 

CMYK 0 / 73 / 47 / 0

HEX #FF4588

RGB 255 69 136

HSL 338.39, 1%, 0.64%

LAB 59.25, 73.32, 5.59

 

CMYK 0 / 66 / 39 / 0

HEX #FF579B

RGB 255 87 155

HSL 335.71, 1%, 0.67%

LAB 62.03, 68.79, -1.44

 

CMYK 0 / 59 / 32 / 0

HEX #FF69AE

RGB 255 105 174

HSL 332.4, 1%, 0.71%

LAB 65.29, 63.54, -7.53

 

CMYK 0 / 52 / 24 / 0

HEX #FF7BC1

RGB 255 123 193

HSL 328.18, 1%, 0.74%

LAB 68.95, 57.81, -12.79

 

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

CMYK 0 / 85 / 53 / 13

HEX #DD2167

RGB 221 33 103

HSL 337.66, 0.74%, 0.5%

LAB 48.81, 71.4, 9.68

 

CMYK 0 / 93 / 59 / 20

HEX #CC0F54

RGB 204 15 84

HSL 338.1, 0.86%, 0.43%

LAB 43.97, 68.85, 14.23

 

CMYK 0 / 100 / 65 / 27

HEX #BB0041

RGB 187 0 65

HSL 339.14, 1%, 0.37%

LAB 39.49, 65.22, 19.64

 

CMYK 0 / 100 / 73 / 33

HEX #AA002E

RGB 170 0 46

HSL 343.76, 1%, 0.33%

LAB 35.49, 60.18, 25.96

 

CMYK 0 / 78 / 49 / 7

HEX #EE347A

RGB 238 52 122

HSL 337.42, 0.85%, 0.57%

LAB 54.07, 72.68, 6.07

 

CMYK 0 / 78 / 70 / 7

HEX #EE3448

RGB 238 52 72

HSL 353.55, 0.85%, 0.57%

LAB 53.06, 69.56, 34.54

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 78 / 49 / 7

HEX #EE347A

RGB 238 52 122

HSL 337.42, 0.85%, 0.57%

LAB 54.07, 72.68, 6.07

 

CMYK 0 / 78 / 27 / 7

HEX #EE34AD

RGB 238 52 173

HSL 320.97, 0.85%, 0.57%

LAB 55.74, 77.67, -21.65

 

CMYK 0 / 78 / 6 / 7

HEX #EE34DF

RGB 238 52 223

HSL 304.84, 0.85%, 0.57%

LAB 58, 84.14, -46.82

 

CMYK 15 / 78 / 0 / 7

HEX #CB34EE

RGB 203 52 238

HSL 288.71, 0.85%, 0.57%

LAB 53.3, 79.95, -63.08

 

CMYK 36 / 78 / 0 / 7

HEX #9934EE

RGB 153 52 238

HSL 272.58, 0.85%, 0.57%

LAB 46.18, 71.65, -74.97

 

CMYK 0 / 78 / 49 / 7

HEX #EE347A

RGB 238 52 122

HSL 337.42, 0.85%, 0.57%

LAB 54.07, 72.68, 6.07

 

CMYK 0 / 78 / 49 / 7

HEX #EE347A

RGB 238 52 122

HSL 337.42, 0.85%, 0.57%

LAB 54.07, 72.68, 6.07

 

CMYK 0 / 69 / 42 / 14

HEX #DC457F

RGB 220 69 127

HSL 336.95, 0.68%, 0.57%

LAB 52.95, 62.78, 1.06

 

CMYK 0 / 57 / 35 / 20

HEX #CB5783

RGB 203 87 131

HSL 337.24, 0.53%, 0.57%

LAB 53.12, 50.41, -1.42

 

CMYK 0 / 43 / 27 / 27

HEX #B96987

RGB 185 105 135

HSL 337.5, 0.36%, 0.57%

LAB 54.2, 35.67, -2.48

 

CMYK 0 / 26 / 17 / 35

HEX #A77B8B

RGB 167 123 139

HSL 338.18, 0.2%, 0.57%

LAB 56.33, 19.64, -1.93

 

CMYK 0 / 78 / 6 / 7

HEX #EE34DF

RGB 238 52 223

HSL 304.84, 0.85%, 0.57%

LAB 58, 84.14, -46.82

 

CMYK 0 / 78 / 27 / 7

HEX #EE34AD

RGB 238 52 173

HSL 320.97, 0.85%, 0.57%

LAB 55.74, 77.67, -21.65

 

CMYK 0 / 78 / 48 / 7

HEX #EE347B

RGB 238 52 123

HSL 337.1, 0.85%, 0.57%

LAB 54.09, 72.76, 5.51

 

CMYK 0 / 78 / 69 / 7

HEX #EE3449

RGB 238 52 73

HSL 353.23, 0.85%, 0.57%

LAB 53.07, 69.61, 33.98

 

CMYK 0 / 66 / 78 / 7

HEX #EE5034

RGB 238 80 52

HSL 9.03, 0.85%, 0.57%

LAB 56.25, 59.32, 49.01

 

CMYK 0 / 92 / 57 / 25

HEX #C00F52

RGB 192 15 82

HSL 337.29, 0.86%, 0.41%

LAB 41.47, 65.82, 11.65

 

CMYK 0 / 92 / 57 / 10

HEX #E61263

RGB 230 18 99

HSL 337.08, 0.85%, 0.49%

LAB 49.69, 75.6, 13.62

 

CMYK 0 / 78 / 49 / 7

HEX #EE347A

RGB 238 52 122

HSL 337.42, 0.85%, 0.57%

LAB 54.07, 72.68, 6.07

 

CMYK 0 / 63 / 39 / 5

HEX #F15A93

RGB 241 90 147

HSL 337.35, 0.84%, 0.65%

LAB 60, 62.7, -0.05

 

CMYK 0 / 48 / 30 / 4

HEX #F480AC

RGB 244 128 172

HSL 337.24, 0.84%, 0.73%

LAB 67.76, 49.13, -2.92

 

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

CMYK 0 / 14 / 78 / 7

HEX #EECC34

RGB 238 204 52

HSL 49.03, 0.85%, 0.57%

LAB 82.71, -2.65, 74

 

CMYK 78 / 17 / 0 / 7

HEX #34C6EE

RGB 52 198 238

HSL 192.9, 0.85%, 0.57%

LAB 74.38, -24.33, -30.52

 

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

CMYK 48 / 0 / 78 / 7

HEX #7BEE34

RGB 123 238 52

HSL 97.1, 0.85%, 0.57%

LAB 84.8, -61.77, 73.23

 

CMYK 78 / 48 / 0 / 7

HEX #347BEE

RGB 52 123 238

HSL 217.1, 0.85%, 0.57%

LAB 53.02, 18.21, -64.2

 

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

CMYK 0 / 14 / 78 / 7

HEX #EECC34

RGB 238 204 52

HSL 49.03, 0.85%, 0.57%

LAB 82.71, -2.65, 74

 

CMYK 78 / 0 / 30 / 7

HEX #34EEA7

RGB 52 238 167

HSL 157.1, 0.85%, 0.57%

LAB 84.31, -60.95, 21.82

 

CMYK 78 / 64 / 0 / 7

HEX #3456EE

RGB 52 86 238

HSL 229.03, 0.85%, 0.57%

LAB 43.59, 41.4, -79.54

 

CMYK 0 / 79 / 49 / 7

HEX #EE337A

RGB 238 51 122

HSL 337.22, 0.85%, 0.57%

LAB 53.97, 72.95, 5.94

 

CMYK 9 / 0 / 78 / 7

HEX #D8EE34

RGB 216 238 52

HSL 67.1, 0.85%, 0.57%

LAB 89.86, -28.53, 79.72

 

CMYK 78 / 0 / 30 / 7

HEX #34EEA7

RGB 52 238 167

HSL 157.1, 0.85%, 0.57%

LAB 84.31, -60.95, 21.82

 

CMYK 69 / 78 / 0 / 7

HEX #4934EE

RGB 73 52 238

HSL 246.77, 0.85%, 0.57%

LAB 37.92, 62, -88.85

 

Description

Color code: HEX #EE337A | qconv.com Color code: HEX #EE337A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 51 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 51 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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