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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE3FAC it is the complementary color #11C053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE3FAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE3FAC shade: #F33FA7, #FF51BA, #FF63CD, #FF75E0 and #FF87F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE3FAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE3FAC shade: #EE3FAC, #DD2D99, #CC1B86, #BB0973 and #AA0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE3FAC shade: #EE3EAC, #EE3E7C, #EE3E4D and #EE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE3FAC shade: #EE3EAC, #EE3EDB, #D13EEE, #A23EEE and #733EEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE3FAC shade matches the following richer shades: #EE3EAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE3FAC shade: #EE3EAC, #DD4FA7, #CC60A3, #BB719F and #AA829B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE3FAC shade: #D03EEE, #EE3EDC, #EE3EAD, #EE3E7F and #EE3E50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE3FAC shade: #C81183, #EA189B, #EE3EAC, #F164BC and #F48ACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE3FAC shade: #EE3FAC, #EEA23E and #3EEEE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE3FAC shade: #EE3FAC, #ADEE3E and #3EADEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE3FAC shade: #EE3FAC, #EEA23E, #3EEE7F and #3E8AEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE3FAC shade: #EE3FAC, #EED63E, #3EEE7F and #3E56EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

Complementary color

CMYK 91 / 0 / 57 / 25

HEX #11C053

RGB 17 192 83

HSL 142.63, 0.84%, 0.41%

LAB 68.35, -63.02, 43.25

 

CMYK 0 / 74 / 31 / 5

HEX #F33FA7

RGB 243 63 167

HSL 325.33, 0.88%, 0.6%

LAB 57.46, 75.1, -15.44

 

CMYK 0 / 68 / 27 / 0

HEX #FF51BA

RGB 255 81 186

HSL 323.79, 1%, 0.66%

LAB 62.25, 74.4, -18.96

 

CMYK 0 / 61 / 20 / 0

HEX #FF63CD

RGB 255 99 205

HSL 319.23, 1%, 0.69%

LAB 65.43, 69.97, -24.88

 

CMYK 0 / 54 / 12 / 0

HEX #FF75E0

RGB 255 117 224

HSL 313.48, 1%, 0.73%

LAB 69.01, 64.98, -29.98

 

CMYK 0 / 47 / 5 / 0

HEX #FF87F3

RGB 255 135 243

HSL 306, 1%, 0.76%

LAB 72.93, 59.62, -34.37

 

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

CMYK 0 / 80 / 31 / 13

HEX #DD2D99

RGB 221 45 153

HSL 323.18, 0.72%, 0.52%

LAB 51.32, 73.27, -16.88

 

CMYK 0 / 87 / 34 / 20

HEX #CC1B86

RGB 204 27 134

HSL 323.73, 0.77%, 0.45%

LAB 46.1, 71.23, -13.67

 

CMYK 0 / 95 / 39 / 27

HEX #BB0973

RGB 187 9 115

HSL 324.27, 0.91%, 0.38%

LAB 41.21, 68.04, -9.65

 

CMYK 0 / 100 / 44 / 33

HEX #AA0060

RGB 170 0 96

HSL 326.12, 1%, 0.33%

LAB 36.73, 63.48, -4.7

 

CMYK 0 / 74 / 28 / 7

HEX #EE3EAC

RGB 238 62 172

HSL 322.5, 0.84%, 0.59%

LAB 56.68, 74.75, -19.62

 

CMYK 0 / 74 / 48 / 7

HEX #EE3E7C

RGB 238 62 124

HSL 338.86, 0.84%, 0.59%

LAB 55.15, 69.93, 6.43

 

CMYK 0 / 74 / 68 / 7

HEX #EE3E4D

RGB 238 62 77

HSL 354.89, 0.84%, 0.59%

LAB 54.19, 66.82, 33.01

 

CMYK 0 / 74 / 74 / 7

HEX #EE3E3E

RGB 238 62 62

HSL 0, 0.84%, 0.59%

LAB 54, 66.16, 41.32

 

CMYK 0 / 74 / 28 / 7

HEX #EE3EAC

RGB 238 62 172

HSL 322.5, 0.84%, 0.59%

LAB 56.68, 74.75, -19.62

 

CMYK 0 / 74 / 8 / 7

HEX #EE3EDB

RGB 238 62 219

HSL 306.48, 0.84%, 0.59%

LAB 58.73, 80.89, -43.4

 

CMYK 12 / 74 / 0 / 7

HEX #D13EEE

RGB 209 62 238

HSL 290.11, 0.84%, 0.59%

LAB 55.25, 78.06, -59.91

 

CMYK 32 / 74 / 0 / 7

HEX #A23EEE

RGB 162 62 238

HSL 274.09, 0.84%, 0.59%

LAB 48.64, 69.44, -70.92

 

CMYK 52 / 74 / 0 / 7

HEX #733EEE

RGB 115 62 238

HSL 258.07, 0.84%, 0.59%

LAB 43.16, 62.03, -80.09

 

CMYK 0 / 74 / 28 / 7

HEX #EE3EAC

RGB 238 62 172

HSL 322.5, 0.84%, 0.59%

LAB 56.68, 74.75, -19.62

 

CMYK 0 / 74 / 28 / 7

HEX #EE3EAC

RGB 238 62 172

HSL 322.5, 0.84%, 0.59%

LAB 56.68, 74.75, -19.62

 

CMYK 0 / 64 / 24 / 13

HEX #DD4FA7

RGB 221 79 167

HSL 322.82, 0.68%, 0.59%

LAB 55.84, 63.75, -18.24

 

CMYK 0 / 53 / 20 / 20

HEX #CC60A3

RGB 204 96 163

HSL 322.78, 0.51%, 0.59%

LAB 55.93, 50.68, -16.01

 

CMYK 0 / 40 / 15 / 27

HEX #BB719F

RGB 187 113 159

HSL 322.7, 0.35%, 0.59%

LAB 56.96, 35.73, -12.36

 

CMYK 0 / 24 / 9 / 33

HEX #AA829B

RGB 170 130 155

HSL 322.5, 0.19%, 0.59%

LAB 58.86, 19.55, -7.4

 

CMYK 13 / 74 / 0 / 7

HEX #D03EEE

RGB 208 62 238

HSL 289.77, 0.84%, 0.59%

LAB 55.1, 77.86, -60.15

 

CMYK 0 / 74 / 8 / 7

HEX #EE3EDC

RGB 238 62 220

HSL 306.14, 0.84%, 0.59%

LAB 58.78, 81.04, -43.89

 

CMYK 0 / 74 / 27 / 7

HEX #EE3EAD

RGB 238 62 173

HSL 322.16, 0.84%, 0.59%

LAB 56.72, 74.86, -20.14

 

CMYK 0 / 74 / 47 / 7

HEX #EE3E7F

RGB 238 62 127

HSL 337.84, 0.84%, 0.59%

LAB 55.23, 70.19, 4.75

 

CMYK 0 / 74 / 66 / 7

HEX #EE3E50

RGB 238 62 80

HSL 353.86, 0.84%, 0.59%

LAB 54.24, 66.97, 31.32

 

CMYK 0 / 92 / 35 / 22

HEX #C81183

RGB 200 17 131

HSL 322.62, 0.84%, 0.43%

LAB 44.69, 71.57, -14.05

 

CMYK 0 / 90 / 34 / 8

HEX #EA189B

RGB 234 24 155

HSL 322.57, 0.83%, 0.51%

LAB 52.41, 80.36, -16.19

 

CMYK 0 / 74 / 28 / 7

HEX #EE3EAC

RGB 238 62 172

HSL 322.5, 0.84%, 0.59%

LAB 56.68, 74.75, -19.62

 

CMYK 0 / 59 / 22 / 5

HEX #F164BC

RGB 241 100 188

HSL 322.55, 0.83%, 0.67%

LAB 62.88, 63.37, -19.33

 

CMYK 0 / 43 / 16 / 4

HEX #F48ACC

RGB 244 138 204

HSL 322.64, 0.83%, 0.75%

LAB 70.71, 48.62, -16.42

 

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

CMYK 0 / 32 / 74 / 7

HEX #EEA23E

RGB 238 162 62

HSL 34.09, 0.84%, 0.59%

LAB 72.47, 19.71, 60.72

 

CMYK 74 / 0 / 3 / 7

HEX #3EEEE8

RGB 62 238 232

HSL 177.95, 0.84%, 0.59%

LAB 86.01, -43.94, -9.7

 

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

CMYK 27 / 0 / 74 / 7

HEX #ADEE3E

RGB 173 238 62

HSL 82.16, 0.84%, 0.59%

LAB 87.18, -44.72, 73.3

 

CMYK 74 / 27 / 0 / 7

HEX #3EADEE

RGB 62 173 238

HSL 202.16, 0.84%, 0.59%

LAB 67.34, -10.08, -41.43

 

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

CMYK 0 / 32 / 74 / 7

HEX #EEA23E

RGB 238 162 62

HSL 34.09, 0.84%, 0.59%

LAB 72.47, 19.71, 60.72

 

CMYK 74 / 0 / 47 / 7

HEX #3EEE7F

RGB 62 238 127

HSL 142.16, 0.84%, 0.59%

LAB 83.81, -67.15, 41.29

 

CMYK 74 / 42 / 0 / 7

HEX #3E8AEE

RGB 62 138 238

HSL 214.09, 0.84%, 0.59%

LAB 57.44, 10.13, -57.1

 

CMYK 0 / 74 / 28 / 7

HEX #EE3FAC

RGB 238 63 172

HSL 322.63, 0.84%, 0.59%

LAB 56.79, 74.44, -19.45

 

CMYK 0 / 10 / 74 / 7

HEX #EED63E

RGB 238 214 62

HSL 51.82, 0.84%, 0.59%

LAB 85.31, -7.35, 73.14

 

CMYK 74 / 0 / 47 / 7

HEX #3EEE7F

RGB 62 238 127

HSL 142.16, 0.84%, 0.59%

LAB 83.81, -67.15, 41.29

 

CMYK 74 / 64 / 0 / 7

HEX #3E56EE

RGB 62 86 238

HSL 231.82, 0.84%, 0.59%

LAB 44.02, 42.34, -78.82

 

Description

Color code: HEX #EE3FAC | qconv.com Color code: HEX #EE3FAC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 63 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 63 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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