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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE49DA it is the complementary color #11B625. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE49DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE49DA shade: #F349D5, #FF5BE8, #FF6DFB, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE49DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE49DA shade: #EE49DA, #DD37C7, #CC25B4, #BB13A1 and #AA018E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE49DA shade: #EE49DA, #EE49AD, #EE4981, #EE4954 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE49DA shade: #EE49DA, #D549EE, #A949EE, #7C49EE and #5049EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE49DA shade matches the following richer shades: #EE49DA and #FE38E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE49DA shade: #EE49DA, #DE59CD, #CD69C1, #BD79B5 and #AD89A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE49DA shade: #A949EE, #D549EE, #EE49DA, #EE49AE and #EE4982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE49DA shade: #D113BA, #EA23D2, #EE49DA, #F16EE1 and #F594E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE49DA shade: #EE49DA, #EE7D49 and #49EEBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE49DA shade: #EE49DA, #DAEE49 and #49DAEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE49DA shade: #EE49DA, #EE7D49, #49EE5C and #49B9EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE49DA shade: #EE49DA, #EEAE49, #49EE5C and #4988EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

Complementary color

CMYK 91 / 0 / 80 / 29

HEX #11B625

RGB 17 182 37

HSL 127.27, 0.83%, 0.39%

LAB 64.73, -64.65, 57.77

 

CMYK 0 / 70 / 12 / 5

HEX #F349D5

RGB 243 73 213

HSL 310.59, 0.88%, 0.62%

LAB 60.45, 77.72, -37.26

 

CMYK 0 / 64 / 9 / 0

HEX #FF5BE8

RGB 255 91 232

HSL 308.41, 1%, 0.68%

LAB 65.41, 76.92, -40.01

 

CMYK 0 / 57 / 2 / 0

HEX #FF6DFB

RGB 255 109 251

HSL 301.64, 1%, 0.71%

LAB 68.87, 72.71, -45.08

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 75 / 10 / 13

HEX #DD37C7

RGB 221 55 199

HSL 307.95, 0.71%, 0.54%

LAB 54.27, 76.42, -39.22

 

CMYK 0 / 82 / 12 / 20

HEX #CC25B4

RGB 204 37 180

HSL 308.62, 0.69%, 0.47%

LAB 48.83, 74.81, -36.94

 

CMYK 0 / 90 / 14 / 27

HEX #BB13A1

RGB 187 19 161

HSL 309.29, 0.82%, 0.4%

LAB 43.66, 72.18, -34.03

 

CMYK 0 / 99 / 16 / 33

HEX #AA018E

RGB 170 1 142

HSL 309.94, 0.99%, 0.34%

LAB 38.76, 68.47, -30.44

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 69 / 27 / 7

HEX #EE49AD

RGB 238 73 173

HSL 323.64, 0.83%, 0.61%

LAB 58, 71.27, -18.19

 

CMYK 0 / 69 / 46 / 7

HEX #EE4981

RGB 238 73 129

HSL 339.64, 0.83%, 0.61%

LAB 56.61, 66.66, 5.55

 

CMYK 0 / 69 / 65 / 7

HEX #EE4954

RGB 238 73 84

HSL 356, 0.83%, 0.61%

LAB 55.67, 63.4, 30.78

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 11 / 69 / 0 / 7

HEX #D549EE

RGB 213 73 238

HSL 290.91, 0.83%, 0.61%

LAB 57.16, 75.1, -56.82

 

CMYK 29 / 69 / 0 / 7

HEX #A949EE

RGB 169 73 238

HSL 274.91, 0.83%, 0.61%

LAB 51.12, 66.24, -66.85

 

CMYK 48 / 69 / 0 / 7

HEX #7C49EE

RGB 124 73 238

HSL 258.55, 0.83%, 0.61%

LAB 45.94, 58.13, -75.5

 

CMYK 66 / 69 / 0 / 7

HEX #5049EE

RGB 80 73 238

HSL 242.55, 0.83%, 0.61%

LAB 42.22, 51.91, -81.74

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 78 / 9 / 0

HEX #FE38E6

RGB 254 56 230

HSL 307.27, 0.99%, 0.61%

LAB 61.32, 87.32, -45.34

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 60 / 8 / 13

HEX #DE59CD

RGB 222 89 205

HSL 307.67, 0.67%, 0.61%

LAB 59.05, 65.38, -35.14

 

CMYK 0 / 49 / 6 / 20

HEX #CD69C1

RGB 205 105 193

HSL 307.2, 0.5%, 0.61%

LAB 58.91, 51.34, -28.71

 

CMYK 0 / 36 / 4 / 26

HEX #BD79B5

RGB 189 121 181

HSL 307.06, 0.34%, 0.61%

LAB 59.73, 35.87, -20.77

 

CMYK 0 / 21 / 2 / 32

HEX #AD89A9

RGB 173 137 169

HSL 306.67, 0.18%, 0.61%

LAB 61.34, 19.25, -11.66

 

CMYK 29 / 69 / 0 / 7

HEX #A949EE

RGB 169 73 238

HSL 274.91, 0.83%, 0.61%

LAB 51.12, 66.24, -66.85

 

CMYK 11 / 69 / 0 / 7

HEX #D549EE

RGB 213 73 238

HSL 290.91, 0.83%, 0.61%

LAB 57.16, 75.1, -56.82

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 69 / 27 / 7

HEX #EE49AE

RGB 238 73 174

HSL 323.27, 0.83%, 0.61%

LAB 58.04, 71.39, -18.72

 

CMYK 0 / 69 / 45 / 7

HEX #EE4982

RGB 238 73 130

HSL 339.27, 0.83%, 0.61%

LAB 56.64, 66.75, 4.99

 

CMYK 0 / 91 / 11 / 18

HEX #D113BA

RGB 209 19 186

HSL 307.26, 0.83%, 0.45%

LAB 48.97, 79.68, -40.18

 

CMYK 0 / 85 / 10 / 8

HEX #EA23D2

RGB 234 35 210

HSL 307.24, 0.83%, 0.53%

LAB 55.43, 85.15, -43.54

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 54 / 7 / 5

HEX #F16EE1

RGB 241 110 225

HSL 307.33, 0.82%, 0.69%

LAB 65.97, 64.44, -35.39

 

CMYK 0 / 40 / 5 / 4

HEX #F594E9

RGB 245 148 233

HSL 307.42, 0.83%, 0.77%

LAB 73.85, 48.55, -27.59

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 47 / 69 / 7

HEX #EE7D49

RGB 238 125 73

HSL 18.91, 0.83%, 0.61%

LAB 64.42, 39.54, 47.16

 

CMYK 69 / 0 / 20 / 7

HEX #49EEBF

RGB 73 238 191

HSL 162.91, 0.83%, 0.61%

LAB 85.16, -53.03, 10.6

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 8 / 0 / 69 / 7

HEX #DAEE49

RGB 218 238 73

HSL 67.27, 0.83%, 0.61%

LAB 90.11, -26.8, 73.43

 

CMYK 69 / 8 / 0 / 7

HEX #49DAEE

RGB 73 218 238

HSL 187.27, 0.83%, 0.61%

LAB 80.59, -31.75, -20.99

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 47 / 69 / 7

HEX #EE7D49

RGB 238 125 73

HSL 18.91, 0.83%, 0.61%

LAB 64.42, 39.54, 47.16

 

CMYK 69 / 0 / 61 / 7

HEX #49EE5C

RGB 73 238 92

HSL 126.91, 0.83%, 0.61%

LAB 83.62, -70.15, 57.14

 

CMYK 69 / 22 / 0 / 7

HEX #49B9EE

RGB 73 185 238

HSL 199.27, 0.83%, 0.61%

LAB 71.07, -15.12, -35.6

 

CMYK 0 / 69 / 8 / 7

HEX #EE49DA

RGB 238 73 218

HSL 307.27, 0.83%, 0.61%

LAB 59.89, 77.3, -41.01

 

CMYK 0 / 27 / 69 / 7

HEX #EEAE49

RGB 238 174 73

HSL 36.73, 0.83%, 0.61%

LAB 75.41, 13.88, 59.05

 

CMYK 69 / 0 / 61 / 7

HEX #49EE5C

RGB 73 238 92

HSL 126.91, 0.83%, 0.61%

LAB 83.62, -70.15, 57.14

 

CMYK 69 / 43 / 0 / 7

HEX #4988EE

RGB 73 136 238

HSL 217.09, 0.83%, 0.61%

LAB 57.27, 12.81, -57.35

 

Description

Color code: HEX #EE49DA | qconv.com Color code: HEX #EE49DA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 73 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 73 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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