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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE4DC1 it is the complementary color #11B23E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE4DC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE4DC1 shade: #F34DBC, #FF5FCF, #FF71E2, #FF83F5 and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE4DC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE4DC1 shade: #EE4DC1, #DD3BAE, #CC299B, #BB1788 and #AA0575

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE4DC1 shade: #EE4DC1, #EE4D96, #EE4D6A and #EE4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE4DC1 shade: #EE4DC1, #EE4DEC, #C44DEE, #994DEE and #6D4DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE4DC1 shade matches the following richer shades: #EE4DC1 and #FE3DC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE4DC1 shade: #EE4DC1, #DE5DBA, #CF6DB3, #BF7CAC and #AF8CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE4DC1 shade: #C34DEE, #EE4DEE, #EE4DC3, #EE4D98 and #EE4D6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE4DC1 shade: #D5139F, #EB27B4, #EE4DC1, #F273CE and #F599DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE4DC1 shade: #EE4DC1, #EE984D and #4DEED9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE4DC1 shade: #EE4DC1, #C3EE4D and #4DC3EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE4DC1 shade: #EE4DC1, #EE984D, #4DEE78 and #4DA3EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE4DC1 shade: #EE4DC1, #EEC84D, #4DEE78 and #4D73EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

Complementary color

CMYK 90 / 0 / 65 / 30

HEX #11B23E

RGB 17 178 62

HSL 136.77, 0.83%, 0.38%

LAB 63.6, -61.26, 47.31

 

CMYK 0 / 68 / 23 / 5

HEX #F34DBC

RGB 243 77 188

HSL 319.88, 0.87%, 0.63%

LAB 59.88, 73, -23.89

 

CMYK 0 / 63 / 19 / 0

HEX #FF5FCF

RGB 255 95 207

HSL 318, 1%, 0.69%

LAB 64.92, 71.84, -26.78

 

CMYK 0 / 56 / 11 / 0

HEX #FF71E2

RGB 255 113 226

HSL 312.25, 1%, 0.72%

LAB 68.43, 67.06, -31.98

 

CMYK 0 / 49 / 4 / 0

HEX #FF83F5

RGB 255 131 245

HSL 304.84, 1%, 0.76%

LAB 72.29, 61.86, -36.47

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 73 / 21 / 13

HEX #DD3BAE

RGB 221 59 174

HSL 317.41, 0.7%, 0.55%

LAB 53.55, 71.82, -25.84

 

CMYK 0 / 80 / 24 / 20

HEX #CC299B

RGB 204 41 155

HSL 318.04, 0.67%, 0.48%

LAB 47.99, 70.58, -23.44

 

CMYK 0 / 88 / 27 / 27

HEX #BB1788

RGB 187 23 136

HSL 318.66, 0.78%, 0.41%

LAB 42.7, 68.4, -20.39

 

CMYK 0 / 97 / 31 / 33

HEX #AA0575

RGB 170 5 117

HSL 319.27, 0.94%, 0.34%

LAB 37.73, 65.01, -16.51

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 68 / 37 / 7

HEX #EE4D96

RGB 238 77 150

HSL 332.8, 0.83%, 0.62%

LAB 57.74, 67.24, -5.17

 

CMYK 0 / 68 / 55 / 7

HEX #EE4D6A

RGB 238 77 106

HSL 349.19, 0.83%, 0.62%

LAB 56.61, 63.32, 19.14

 

CMYK 0 / 68 / 68 / 7

HEX #EE4D4D

RGB 238 77 77

HSL 0, 0.83%, 0.62%

LAB 56.11, 61.54, 35.34

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 68 / 1 / 7

HEX #EE4DEC

RGB 238 77 236

HSL 300.75, 0.83%, 0.62%

LAB 61.26, 78.68, -48.96

 

CMYK 18 / 68 / 0 / 7

HEX #C44DEE

RGB 196 77 238

HSL 284.35, 0.83%, 0.62%

LAB 55.29, 70.03, -59.94

 

CMYK 36 / 68 / 0 / 7

HEX #994DEE

RGB 153 77 238

HSL 268.32, 0.83%, 0.62%

LAB 49.8, 61.37, -69.08

 

CMYK 54 / 68 / 0 / 7

HEX #6D4DEE

RGB 109 77 238

HSL 251.93, 0.83%, 0.62%

LAB 45.26, 53.67, -76.66

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 76 / 21 / 0

HEX #FE3DC8

RGB 254 61 200

HSL 316.79, 0.99%, 0.62%

LAB 60.41, 82.11, -29.8

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 58 / 16 / 13

HEX #DE5DBA

RGB 222 93 186

HSL 316.74, 0.66%, 0.62%

LAB 58.88, 60.76, -24.55

 

CMYK 0 / 47 / 14 / 19

HEX #CF6DB3

RGB 207 109 179

HSL 317.14, 0.51%, 0.62%

LAB 59.4, 47.63, -19.94

 

CMYK 0 / 35 / 10 / 25

HEX #BF7CAC

RGB 191 124 172

HSL 317.01, 0.34%, 0.62%

LAB 60.31, 33.3, -14.73

 

CMYK 0 / 20 / 6 / 31

HEX #AF8CA5

RGB 175 140 165

HSL 317.14, 0.18%, 0.62%

LAB 62.16, 17.52, -8.15

 

CMYK 18 / 68 / 0 / 7

HEX #C34DEE

RGB 195 77 238

HSL 283.98, 0.83%, 0.62%

LAB 55.16, 69.82, -60.16

 

CMYK 0 / 68 / 0 / 7

HEX #EE4DEE

RGB 238 77 238

HSL 300, 0.83%, 0.62%

LAB 61.36, 79, -49.91

 

CMYK 0 / 68 / 18 / 7

HEX #EE4DC3

RGB 238 77 195

HSL 316.02, 0.83%, 0.62%

LAB 59.37, 72.67, -28.76

 

CMYK 0 / 68 / 36 / 7

HEX #EE4D98

RGB 238 77 152

HSL 332.05, 0.83%, 0.62%

LAB 57.8, 67.45, -6.25

 

CMYK 0 / 68 / 54 / 7

HEX #EE4D6D

RGB 238 77 109

HSL 348.07, 0.83%, 0.62%

LAB 56.67, 63.54, 17.46

 

CMYK 0 / 91 / 25 / 16

HEX #D5139F

RGB 213 19 159

HSL 316.7, 0.84%, 0.45%

LAB 48.4, 77.09, -25.06

 

CMYK 0 / 83 / 23 / 8

HEX #EB27B4

RGB 235 39 180

HSL 316.84, 0.83%, 0.54%

LAB 54.46, 80.81, -27.75

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 52 / 15 / 5

HEX #F273CE

RGB 242 115 206

HSL 317.01, 0.83%, 0.7%

LAB 66.21, 59.48, -24.41

 

CMYK 0 / 38 / 11 / 4

HEX #F599DB

RGB 245 153 219

HSL 316.96, 0.82%, 0.78%

LAB 74.39, 43.64, -19.12

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 36 / 68 / 7

HEX #EE984D

RGB 238 152 77

HSL 27.95, 0.83%, 0.62%

LAB 70.29, 25.74, 51.72

 

CMYK 68 / 0 / 9 / 7

HEX #4DEED9

RGB 77 238 217

HSL 172.17, 0.83%, 0.62%

LAB 85.87, -46.1, -1.99

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 18 / 0 / 68 / 7

HEX #C3EE4D

RGB 195 238 77

HSL 76.02, 0.83%, 0.62%

LAB 88.58, -35.61, 69.95

 

CMYK 68 / 18 / 0 / 7

HEX #4DC3EE

RGB 77 195 238

HSL 196.02, 0.83%, 0.62%

LAB 74.05, -19.78, -30.98

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 36 / 68 / 7

HEX #EE984D

RGB 238 152 77

HSL 27.95, 0.83%, 0.62%

LAB 70.29, 25.74, 51.72

 

CMYK 68 / 0 / 50 / 7

HEX #4DEE78

RGB 77 238 120

HSL 136.02, 0.83%, 0.62%

LAB 84.01, -65.91, 44.96

 

CMYK 68 / 32 / 0 / 7

HEX #4DA3EE

RGB 77 163 238

HSL 207.95, 0.83%, 0.62%

LAB 64.92, -2.44, -45.2

 

CMYK 0 / 68 / 19 / 7

HEX #EE4DC1

RGB 238 77 193

HSL 316.77, 0.83%, 0.62%

LAB 59.28, 72.4, -27.75

 

CMYK 0 / 16 / 68 / 7

HEX #EEC84D

RGB 238 200 77

HSL 45.84, 0.83%, 0.62%

LAB 81.85, 0.5, 64.08

 

CMYK 68 / 0 / 50 / 7

HEX #4DEE78

RGB 77 238 120

HSL 136.02, 0.83%, 0.62%

LAB 84.01, -65.91, 44.96

 

CMYK 68 / 52 / 0 / 7

HEX #4D73EE

RGB 77 115 238

HSL 225.84, 0.83%, 0.62%

LAB 51.85, 26.28, -66.05

 

Description

Color code: HEX #EE4DC1 | qconv.com Color code: HEX #EE4DC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 77 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 77 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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