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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE5C09 it is the complementary color #11A3F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE5C09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE5C09 shade: #F35C04, #FF6E17, #FF802A, #FF923D and #FFA450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE5C09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE5C09 shade: #EE5C09, #DD4A00, #CC3800, #BB2600 and #AA1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE5C09 shade: #EC5B08, #EC1D08 and #EC0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE5C09 shade: #EC5B08, #EC9808, #ECD508, #C5EC08 and #87EC08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE5C09 shade matches the following richer shades: #EC5B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE5C09 shade: #EC5B08, #D8601C, #C46530, #B06B43 and #9D7057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE5C09 shade: #EC0832, #EC1B08, #EC5808, #EC9408 and #ECD108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE5C09 shade: #9C3C05, #C44B07, #EC5B08, #F77226 and #F88C4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE5C09 shade: #EE5C09, #6FEC08 and #0813EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE5C09 shade: #EE5C09, #08EC58 and #5808EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE5C09 shade: #EE5C09, #6FEC08, #089CEC and #8508EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE5C09 shade: #EE5C09, #2AEC08, #089CEC and #CA08EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 96 / 7

HEX #EE5C09

RGB 238 92 9

HSL 21.75, 0.93%, 0.48%

LAB 57.9, 53.46, 65.78

 

Complementary color

CMYK 93 / 34 / 0 / 4

HEX #11A3F6

RGB 17 163 246

HSL 201.75, 0.93%, 0.52%

LAB 64.13, -5.12, -50.9

 

CMYK 0 / 62 / 98 / 5

HEX #F35C04

RGB 243 92 4

HSL 22.09, 0.97%, 0.48%

LAB 58.71, 55.18, 67.61

 

CMYK 0 / 57 / 91 / 0

HEX #FF6E17

RGB 255 110 23

HSL 22.5, 1%, 0.55%

LAB 63.73, 51.63, 67.8

 

CMYK 0 / 50 / 84 / 0

HEX #FF802A

RGB 255 128 42

HSL 24.23, 1%, 0.58%

LAB 67.18, 43.43, 64.43

 

CMYK 0 / 43 / 76 / 0

HEX #FF923D

RGB 255 146 61

HSL 26.29, 1%, 0.62%

LAB 70.98, 34.98, 60.36

 

CMYK 0 / 36 / 69 / 0

HEX #FFA450

RGB 255 164 80

HSL 28.8, 1%, 0.66%

LAB 75.07, 26.53, 56.12

 

CMYK 0 / 61 / 96 / 7

HEX #EE5C09

RGB 238 92 9

HSL 21.75, 0.93%, 0.48%

LAB 57.9, 53.46, 65.78

 

CMYK 0 / 67 / 100 / 13

HEX #DD4A00

RGB 221 74 0

HSL 20.09, 1%, 0.43%

LAB 52.14, 55.09, 62.91

 

CMYK 0 / 73 / 100 / 20

HEX #CC3800

RGB 204 56 0

HSL 16.47, 1%, 0.4%

LAB 46.53, 56.35, 58.46

 

CMYK 0 / 80 / 100 / 27

HEX #BB2600

RGB 187 38 0

HSL 12.19, 1%, 0.37%

LAB 41.14, 56.88, 54.13

 

CMYK 0 / 88 / 100 / 33

HEX #AA1400

RGB 170 20 0

HSL 7.06, 1%, 0.33%

LAB 36.07, 56.3, 49.91

 

CMYK 0 / 61 / 97 / 7

HEX #EC5B08

RGB 236 91 8

HSL 21.84, 0.93%, 0.48%

LAB 57.4, 53.19, 65.5

 

CMYK 0 / 88 / 97 / 7

HEX #EC1D08

RGB 236 29 8

HSL 5.53, 0.93%, 0.48%

LAB 50.37, 72.57, 61.69

 

CMYK 0 / 97 / 97 / 7

HEX #EC0808

RGB 236 8 8

HSL 0, 0.93%, 0.48%

LAB 49.53, 75, 61.29

 

CMYK 0 / 61 / 97 / 7

HEX #EC5B08

RGB 236 91 8

HSL 21.84, 0.93%, 0.48%

LAB 57.4, 53.19, 65.5

 

CMYK 0 / 36 / 97 / 7

HEX #EC9808

RGB 236 152 8

HSL 37.89, 0.93%, 0.48%

LAB 69.69, 22.83, 73.39

 

CMYK 0 / 10 / 97 / 7

HEX #ECD508

RGB 236 213 8

HSL 53.95, 0.93%, 0.48%

LAB 84.71, -8.95, 84.06

 

CMYK 17 / 0 / 97 / 7

HEX #C5EC08

RGB 197 236 8

HSL 70.26, 0.93%, 0.48%

LAB 87.91, -36.18, 85.15

 

CMYK 43 / 0 / 97 / 7

HEX #87EC08

RGB 135 236 8

HSL 86.58, 0.93%, 0.48%

LAB 84.57, -58.68, 81.1

 

CMYK 0 / 61 / 97 / 7

HEX #EC5B08

RGB 236 91 8

HSL 21.84, 0.93%, 0.48%

LAB 57.4, 53.19, 65.5

 

CMYK 0 / 61 / 97 / 7

HEX #EC5B08

RGB 236 91 8

HSL 21.84, 0.93%, 0.48%

LAB 57.4, 53.19, 65.5

 

CMYK 0 / 56 / 87 / 15

HEX #D8601C

RGB 216 96 28

HSL 21.7, 0.77%, 0.48%

LAB 55.12, 43.83, 57.13

 

CMYK 0 / 48 / 76 / 23

HEX #C46530

RGB 196 101 48

HSL 21.49, 0.61%, 0.48%

LAB 53.23, 34.1, 45.76

 

CMYK 0 / 39 / 62 / 31

HEX #B06B43

RGB 176 107 67

HSL 22.02, 0.45%, 0.48%

LAB 52.01, 23.66, 33.75

 

CMYK 0 / 29 / 45 / 38

HEX #9D7057

RGB 157 112 87

HSL 21.43, 0.29%, 0.48%

LAB 51.2, 14.6, 20.94

 

CMYK 0 / 97 / 79 / 7

HEX #EC0832

RGB 236 8 50

HSL 348.95, 0.93%, 0.48%

LAB 49.78, 75.71, 43.36

 

CMYK 0 / 89 / 97 / 7

HEX #EC1B08

RGB 236 27 8

HSL 5, 0.93%, 0.48%

LAB 50.26, 72.89, 61.64

 

CMYK 0 / 63 / 97 / 7

HEX #EC5808

RGB 236 88 8

HSL 21.05, 0.93%, 0.48%

LAB 56.91, 54.48, 65.21

 

CMYK 0 / 37 / 97 / 7

HEX #EC9408

RGB 236 148 8

HSL 36.84, 0.93%, 0.48%

LAB 68.77, 24.95, 72.77

 

CMYK 0 / 11 / 97 / 7

HEX #ECD108

RGB 236 209 8

HSL 52.89, 0.93%, 0.48%

LAB 83.68, -6.93, 83.31

 

CMYK 0 / 62 / 97 / 39

HEX #9C3C05

RGB 156 60 5

HSL 21.85, 0.94%, 0.32%

LAB 38.39, 37.85, 47.79

 

CMYK 0 / 62 / 96 / 23

HEX #C44B07

RGB 196 75 7

HSL 21.59, 0.93%, 0.4%

LAB 47.99, 45.92, 56.63

 

CMYK 0 / 61 / 97 / 7

HEX #EC5B08

RGB 236 91 8

HSL 21.84, 0.93%, 0.48%

LAB 57.4, 53.19, 65.5

 

CMYK 0 / 54 / 85 / 3

HEX #F77226

RGB 247 114 38

HSL 21.82, 0.93%, 0.56%

LAB 63.3, 47.09, 62.16

 

CMYK 0 / 44 / 69 / 3

HEX #F88C4E

RGB 248 140 78

HSL 21.88, 0.92%, 0.64%

LAB 68.94, 36.06, 50.09

 

CMYK 0 / 61 / 96 / 7

HEX #EE5C09

RGB 238 92 9

HSL 21.75, 0.93%, 0.48%

LAB 57.9, 53.46, 65.78

 

CMYK 53 / 0 / 97 / 7

HEX #6FEC08

RGB 111 236 8

HSL 92.89, 0.93%, 0.48%

LAB 83.65, -65.76, 79.98

 

CMYK 97 / 92 / 0 / 7

HEX #0813EC

RGB 8 19 236

HSL 237.11, 0.93%, 0.48%

LAB 30.82, 71.22, -99.61

 

CMYK 0 / 61 / 96 / 7

HEX #EE5C09

RGB 238 92 9

HSL 21.75, 0.93%, 0.48%

LAB 57.9, 53.46, 65.78

 

CMYK 97 / 0 / 63 / 7

HEX #08EC58

RGB 8 236 88

HSL 141.05, 0.93%, 0.48%

LAB 82.24, -76.14, 57.08

 

CMYK 63 / 97 / 0 / 7

HEX #5808EC

RGB 88 8 236

HSL 261.05, 0.93%, 0.48%

LAB 34.61, 75.5, -93.17

 

CMYK 0 / 61 / 96 / 7

HEX #EE5C09

RGB 238 92 9

HSL 21.75, 0.93%, 0.48%

LAB 57.9, 53.46, 65.78

 

CMYK 53 / 0 / 97 / 7

HEX #6FEC08

RGB 111 236 8

HSL 92.89, 0.93%, 0.48%

LAB 83.65, -65.76, 79.98

 

CMYK 97 / 34 / 0 / 7

HEX #089CEC

RGB 8 156 236

HSL 201.05, 0.93%, 0.48%

LAB 61.55, -5.08, -49.49

 

CMYK 44 / 97 / 0 / 7

HEX #8508EC

RGB 133 8 236

HSL 272.89, 0.93%, 0.48%

LAB 39.94, 78.8, -84.18

 

CMYK 0 / 61 / 96 / 7

HEX #EE5C09

RGB 238 92 9

HSL 21.75, 0.93%, 0.48%

LAB 57.9, 53.46, 65.78

 

CMYK 82 / 0 / 97 / 7

HEX #2AEC08

RGB 42 236 8

HSL 111.05, 0.93%, 0.48%

LAB 82.11, -78.73, 78.1

 

CMYK 97 / 34 / 0 / 7

HEX #089CEC

RGB 8 156 236

HSL 201.05, 0.93%, 0.48%

LAB 61.55, -5.08, -49.49

 

CMYK 14 / 97 / 0 / 7

HEX #CA08EC

RGB 202 8 236

HSL 291.05, 0.93%, 0.48%

LAB 50.44, 87.03, -66.6

 

Description

Color code: HEX #EE5C09 | qconv.com Color code: HEX #EE5C09 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 92 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 92 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 96 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 96% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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