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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE5CA4 it is the complementary color #11A35B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE5CA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE5CA4 shade: #F35C9F, #FF6EB2, #FF80C5, #FF92D8 and #FFA4EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE5CA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE5CA4 shade: #EE5CA4, #DD4A91, #CC387E, #BB266B and #AA1458

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE5CA4 shade: #EE5DA4, #EE5D7D and #EE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE5CA4 shade: #EE5DA4, #EE5DCB, #E95DEE, #C25DEE and #9B5DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE5CA4 shade matches the following richer shades: #EE5DA4 and #FC4FA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE5CA4 shade: #EE5DA4, #DF6BA4, #D17AA5, #C288A5 and #B497A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE5CA4 shade: #E95DEE, #EE5DCC, #EE5DA5, #EE5D7F and #EE625D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE5CA4 shade: #E1177B, #EA388F, #EE5DA4, #F182B9 and #F5A8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE5CA4 shade: #EE5CA4, #EEC25D and #5DDFEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE5CA4 shade: #EE5CA4, #A5EE5D and #5DA5EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE5CA4 shade: #EE5CA4, #EEC25D, #5DEEA5 and #5D88EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE5CA4 shade: #EE5CA4, #EEEE5D, #5DEEA5 and #5D5DEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 31 / 7

HEX #EE5CA4

RGB 238 92 164

HSL 330.41, 0.81%, 0.65%

LAB 60.35, 62.87, -9.44

 

Complementary color

CMYK 90 / 0 / 44 / 36

HEX #11A35B

RGB 17 163 91

HSL 150.41, 0.81%, 0.35%

LAB 59.04, -51.94, 27.67

 

CMYK 0 / 62 / 35 / 5

HEX #F35C9F

RGB 243 92 159

HSL 333.38, 0.86%, 0.66%

LAB 60.97, 63.76, -5.54

 

CMYK 0 / 57 / 30 / 0

HEX #FF6EB2

RGB 255 110 178

HSL 331.86, 1%, 0.72%

LAB 66.23, 61.83, -8.4

 

CMYK 0 / 50 / 23 / 0

HEX #FF80C5

RGB 255 128 197

HSL 327.4, 1%, 0.75%

LAB 69.99, 55.98, -13.48

 

CMYK 0 / 43 / 15 / 0

HEX #FF92D8

RGB 255 146 216

HSL 321.47, 1%, 0.79%

LAB 74.05, 49.92, -17.88

 

CMYK 0 / 36 / 8 / 0

HEX #FFA4EB

RGB 255 164 235

HSL 313.19, 1%, 0.82%

LAB 78.35, 43.8, -21.71

 

CMYK 0 / 61 / 31 / 7

HEX #EE5CA4

RGB 238 92 164

HSL 330.41, 0.81%, 0.65%

LAB 60.35, 62.87, -9.44

 

CMYK 0 / 67 / 34 / 13

HEX #DD4A91

RGB 221 74 145

HSL 331.02, 0.68%, 0.58%

LAB 54.36, 63.05, -7.56

 

CMYK 0 / 73 / 38 / 20

HEX #CC387E

RGB 204 56 126

HSL 331.62, 0.59%, 0.51%

LAB 48.48, 62.83, -5.24

 

CMYK 0 / 80 / 43 / 27

HEX #BB266B

RGB 187 38 107

HSL 332.21, 0.66%, 0.44%

LAB 42.78, 61.96, -2.32

 

CMYK 0 / 88 / 48 / 33

HEX #AA1458

RGB 170 20 88

HSL 332.8, 0.79%, 0.37%

LAB 37.39, 60.09, 1.42

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA4

RGB 238 93 164

HSL 330.62, 0.81%, 0.65%

LAB 60.5, 62.45, -9.21

 

CMYK 0 / 61 / 47 / 7

HEX #EE5D7D

RGB 238 93 125

HSL 346.76, 0.81%, 0.65%

LAB 59.42, 58.37, 11.89

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA4

RGB 238 93 164

HSL 330.62, 0.81%, 0.65%

LAB 60.5, 62.45, -9.21

 

CMYK 0 / 61 / 15 / 7

HEX #EE5DCB

RGB 238 93 203

HSL 314.48, 0.81%, 0.65%

LAB 61.93, 67.61, -29.35

 

CMYK 2 / 61 / 0 / 7

HEX #E95DEE

RGB 233 93 238

HSL 297.93, 0.81%, 0.65%

LAB 62.78, 71.84, -47.7

 

CMYK 18 / 61 / 0 / 7

HEX #C25DEE

RGB 194 93 238

HSL 281.79, 0.81%, 0.65%

LAB 57.53, 62.66, -56.37

 

CMYK 35 / 61 / 0 / 7

HEX #9B5DEE

RGB 155 93 238

HSL 265.66, 0.81%, 0.65%

LAB 52.92, 53.88, -64.03

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA4

RGB 238 93 164

HSL 330.62, 0.81%, 0.65%

LAB 60.5, 62.45, -9.21

 

CMYK 0 / 69 / 35 / 1

HEX #FC4FA4

RGB 252 79 164

HSL 330.52, 0.97%, 0.65%

LAB 60.75, 71.83, -8.6

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA4

RGB 238 93 164

HSL 330.62, 0.81%, 0.65%

LAB 60.5, 62.45, -9.21

 

CMYK 0 / 52 / 26 / 13

HEX #DF6BA4

RGB 223 107 164

HSL 330.52, 0.64%, 0.65%

LAB 60.68, 51.5, -9.18

 

CMYK 0 / 42 / 21 / 18

HEX #D17AA5

RGB 209 122 165

HSL 330.34, 0.49%, 0.65%

LAB 61.82, 39.41, -8.25

 

CMYK 0 / 30 / 15 / 24

HEX #C288A5

RGB 194 136 165

HSL 330, 0.32%, 0.65%

LAB 63.17, 26.58, -6.42

 

CMYK 0 / 16 / 8 / 29

HEX #B497A5

RGB 180 151 165

HSL 331.03, 0.16%, 0.65%

LAB 65.4, 13.17, -3.29

 

CMYK 2 / 61 / 0 / 7

HEX #E95DEE

RGB 233 93 238

HSL 297.93, 0.81%, 0.65%

LAB 62.78, 71.84, -47.7

 

CMYK 0 / 61 / 14 / 7

HEX #EE5DCC

RGB 238 93 204

HSL 314.07, 0.81%, 0.65%

LAB 61.97, 67.75, -29.86

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA5

RGB 238 93 165

HSL 330.21, 0.81%, 0.65%

LAB 60.54, 62.57, -9.74

 

CMYK 0 / 61 / 47 / 7

HEX #EE5D7F

RGB 238 93 127

HSL 345.93, 0.81%, 0.65%

LAB 59.47, 58.55, 10.79

 

CMYK 0 / 59 / 61 / 7

HEX #EE625D

RGB 238 98 93

HSL 2.07, 0.81%, 0.65%

LAB 59.62, 53.69, 30.62

 

CMYK 0 / 90 / 45 / 12

HEX #E1177B

RGB 225 23 123

HSL 330.3, 0.81%, 0.49%

LAB 49.56, 75.58, -1.38

 

CMYK 0 / 76 / 39 / 8

HEX #EA388F

RGB 234 56 143

HSL 330.67, 0.81%, 0.57%

LAB 54.35, 72.42, -6.15

 

CMYK 0 / 61 / 31 / 7

HEX #EE5DA4

RGB 238 93 164

HSL 330.62, 0.81%, 0.65%

LAB 60.5, 62.45, -9.21

 

CMYK 0 / 46 / 23 / 5

HEX #F182B9

RGB 241 130 185

HSL 330.27, 0.8%, 0.73%

LAB 68.14, 48.89, -9.71

 

CMYK 0 / 31 / 16 / 4

HEX #F5A8CE

RGB 245 168 206

HSL 330.39, 0.79%, 0.81%

LAB 77.21, 33.74, -7.79

 

CMYK 0 / 61 / 31 / 7

HEX #EE5CA4

RGB 238 92 164

HSL 330.41, 0.81%, 0.65%

LAB 60.35, 62.87, -9.44

 

CMYK 0 / 18 / 61 / 7

HEX #EEC25D

RGB 238 194 93

HSL 41.79, 0.81%, 0.65%

LAB 80.49, 4.58, 55.62

 

CMYK 61 / 6 / 0 / 7

HEX #5DDFEE

RGB 93 223 238

HSL 186.21, 0.81%, 0.65%

LAB 82.53, -31.17, -18.01

 

CMYK 0 / 61 / 31 / 7

HEX #EE5CA4

RGB 238 92 164

HSL 330.41, 0.81%, 0.65%

LAB 60.35, 62.87, -9.44

 

CMYK 31 / 0 / 61 / 7

HEX #A5EE5D

RGB 165 238 93

HSL 90.21, 0.81%, 0.65%

LAB 86.97, -45.46, 61.39

 

CMYK 61 / 31 / 0 / 7

HEX #5DA5EE

RGB 93 165 238

HSL 210.21, 0.81%, 0.65%

LAB 66.07, -0.89, -43.35

 

CMYK 0 / 61 / 31 / 7

HEX #EE5CA4

RGB 238 92 164

HSL 330.41, 0.81%, 0.65%

LAB 60.35, 62.87, -9.44

 

CMYK 0 / 18 / 61 / 7

HEX #EEC25D

RGB 238 194 93

HSL 41.79, 0.81%, 0.65%

LAB 80.49, 4.58, 55.62

 

CMYK 61 / 0 / 31 / 7

HEX #5DEEA5

RGB 93 238 165

HSL 149.79, 0.81%, 0.65%

LAB 85.09, -55.28, 24.05

 

CMYK 61 / 43 / 0 / 7

HEX #5D88EE

RGB 93 136 238

HSL 222.21, 0.81%, 0.65%

LAB 58.14, 16.07, -55.9

 

CMYK 0 / 61 / 31 / 7

HEX #EE5CA4

RGB 238 92 164

HSL 330.41, 0.81%, 0.65%

LAB 60.35, 62.87, -9.44

 

CMYK 0 / 0 / 61 / 7

HEX #EEEE5D

RGB 238 238 93

HSL 60, 0.81%, 0.65%

LAB 91.74, -17.61, 67.96

 

CMYK 61 / 0 / 31 / 7

HEX #5DEEA5

RGB 93 238 165

HSL 149.79, 0.81%, 0.65%

LAB 85.09, -55.28, 24.05

 

CMYK 61 / 61 / 0 / 7

HEX #5D5DEE

RGB 93 93 238

HSL 240, 0.81%, 0.65%

LAB 47.4, 42.13, -73.22

 

Description

Color code: HEX #EE5CA4 | qconv.com Color code: HEX #EE5CA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 92 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 92 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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