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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE7649 it is the complementary color #1189B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE7649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE7649 shade: #F37644, #FF8857, #FF9A6A, #FFAC7D and #FFBE90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE7649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE7649 shade: #EE7649, #DD6436, #CC5223, #BB4010 and #AA2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE7649 shade: #EE7649, #EE4949 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE7649 shade: #EE7649, #EEA249, #EECF49, #E0EE49 and #B4EE49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE7649 shade matches the following richer shades: #EE7649 and #FE6E38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE7649 shade: #EE7649, #DE7D59, #CD8469, #BD8B79 and #AD9389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE7649 shade: #EE4975, #EE4949, #EE7549, #EEA149 and #EECD49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE7649 shade: #D14713, #EA5923, #EE7649, #F1926E and #F5AE94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE7649 shade: #EE7649, #A1EE49 and #495FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE7649 shade: #EE7649, #49EE75 and #7549EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE7649 shade: #EE7649, #A1EE49, #49C2EE and #9649EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE7649 shade: #EE7649, #6FEE49, #49C2EE and #C749EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

Complementary color

CMYK 91 / 25 / 0 / 29

HEX #1189B6

RGB 17 137 182

HSL 196.36, 0.83%, 0.39%

LAB 53.37, -13.92, -32.03

 

CMYK 0 / 51 / 72 / 5

HEX #F37644

RGB 243 118 68

HSL 17.14, 0.88%, 0.61%

LAB 63.7, 44.69, 49.06

 

CMYK 0 / 47 / 66 / 0

HEX #FF8857

RGB 255 136 87

HSL 17.5, 1%, 0.67%

LAB 69.15, 41.28, 46.05

 

CMYK 0 / 40 / 58 / 0

HEX #FF9A6A

RGB 255 154 106

HSL 19.33, 1%, 0.71%

LAB 73.16, 33.34, 41.03

 

CMYK 0 / 33 / 51 / 0

HEX #FFAC7D

RGB 255 172 125

HSL 21.69, 1%, 0.75%

LAB 77.43, 25.48, 36.46

 

CMYK 0 / 25 / 44 / 0

HEX #FFBE90

RGB 255 190 144

HSL 24.86, 1%, 0.78%

LAB 81.89, 17.86, 32.33

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 0 / 55 / 76 / 13

HEX #DD6436

RGB 221 100 54

HSL 16.53, 0.71%, 0.54%

LAB 56.83, 44.59, 47.73

 

CMYK 0 / 60 / 83 / 20

HEX #CC5223

RGB 204 82 35

HSL 16.69, 0.71%, 0.47%

LAB 50.68, 46.16, 49.79

 

CMYK 0 / 66 / 91 / 27

HEX #BB4010

RGB 187 64 16

HSL 16.84, 0.84%, 0.4%

LAB 44.62, 47.66, 51.19

 

CMYK 0 / 73 / 100 / 33

HEX #AA2E00

RGB 170 46 0

HSL 16.24, 1%, 0.33%

LAB 38.73, 48.86, 51.1

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 0 / 32 / 69 / 7

HEX #EEA249

RGB 238 162 73

HSL 32.36, 0.83%, 0.61%

LAB 72.56, 20.23, 56.04

 

CMYK 0 / 13 / 69 / 7

HEX #EECF49

RGB 238 207 73

HSL 48.73, 0.83%, 0.61%

LAB 83.59, -3.29, 67.46

 

CMYK 6 / 0 / 69 / 7

HEX #E0EE49

RGB 224 238 73

HSL 65.09, 0.83%, 0.61%

LAB 90.54, -24.39, 74

 

CMYK 24 / 0 / 69 / 7

HEX #B4EE49

RGB 180 238 73

HSL 81.09, 0.83%, 0.61%

LAB 87.65, -41.52, 70.16

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 0 / 57 / 78 / 0

HEX #FE6E38

RGB 254 110 56

HSL 16.36, 0.99%, 0.61%

LAB 63.76, 52.05, 55.42

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 0 / 44 / 60 / 13

HEX #DE7D59

RGB 222 125 89

HSL 16.24, 0.67%, 0.61%

LAB 62.44, 34.28, 35.88

 

CMYK 0 / 36 / 49 / 20

HEX #CD8469

RGB 205 132 105

HSL 16.2, 0.5%, 0.61%

LAB 62.08, 25.12, 26.19

 

CMYK 0 / 26 / 36 / 26

HEX #BD8B79

RGB 189 139 121

HSL 15.88, 0.34%, 0.61%

LAB 62.22, 16.61, 17.1

 

CMYK 0 / 15 / 21 / 32

HEX #AD9389

RGB 173 147 137

HSL 16.67, 0.18%, 0.61%

LAB 62.98, 8.08, 8.89

 

CMYK 0 / 69 / 51 / 7

HEX #EE4975

RGB 238 73 117

HSL 344, 0.83%, 0.61%

LAB 56.31, 65.64, 12.23

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 51 / 69 / 7

HEX #EE7549

RGB 238 117 73

HSL 16, 0.83%, 0.61%

LAB 62.83, 43.54, 45.36

 

CMYK 0 / 32 / 69 / 7

HEX #EEA149

RGB 238 161 73

HSL 32, 0.83%, 0.61%

LAB 72.33, 20.76, 55.79

 

CMYK 0 / 14 / 69 / 7

HEX #EECD49

RGB 238 205 73

HSL 48, 0.83%, 0.61%

LAB 83.08, -2.27, 66.95

 

CMYK 0 / 66 / 91 / 18

HEX #D14713

RGB 209 71 19

HSL 16.42, 0.83%, 0.45%

LAB 49.63, 52.43, 55.55

 

CMYK 0 / 62 / 85 / 8

HEX #EA5923

RGB 234 89 35

HSL 16.28, 0.83%, 0.53%

LAB 56.84, 53.76, 57.08

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 0 / 39 / 54 / 5

HEX #F1926E

RGB 241 146 110

HSL 16.49, 0.82%, 0.69%

LAB 69.74, 32.34, 34.25

 

CMYK 0 / 29 / 40 / 4

HEX #F5AE94

RGB 245 174 148

HSL 16.08, 0.83%, 0.77%

LAB 77.17, 22.82, 23.7

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 32 / 0 / 69 / 7

HEX #A1EE49

RGB 161 238 73

HSL 88, 0.83%, 0.61%

LAB 86.61, -48.36, 68.77

 

CMYK 69 / 60 / 0 / 7

HEX #495FEE

RGB 73 95 238

HSL 232, 0.83%, 0.61%

LAB 46.68, 38.1, -74.46

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 69 / 0 / 51 / 7

HEX #49EE75

RGB 73 238 117

HSL 136, 0.83%, 0.61%

LAB 83.89, -67.01, 46.22

 

CMYK 51 / 69 / 0 / 7

HEX #7549EE

RGB 117 73 238

HSL 256, 0.83%, 0.61%

LAB 45.25, 57, -76.66

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 32 / 0 / 69 / 7

HEX #A1EE49

RGB 161 238 73

HSL 88, 0.83%, 0.61%

LAB 86.61, -48.36, 68.77

 

CMYK 69 / 18 / 0 / 7

HEX #49C2EE

RGB 73 194 238

HSL 196, 0.83%, 0.61%

LAB 73.66, -19.83, -31.59

 

CMYK 37 / 69 / 0 / 7

HEX #9649EE

RGB 150 73 238

HSL 268, 0.83%, 0.61%

LAB 48.79, 62.65, -70.74

 

CMYK 0 / 50 / 69 / 7

HEX #EE7649

RGB 238 118 73

HSL 16.36, 0.83%, 0.61%

LAB 63.02, 43.04, 45.59

 

CMYK 53 / 0 / 69 / 7

HEX #6FEE49

RGB 111 238 73

HSL 106.18, 0.83%, 0.61%

LAB 84.49, -63.73, 65.92

 

CMYK 69 / 18 / 0 / 7

HEX #49C2EE

RGB 73 194 238

HSL 196, 0.83%, 0.61%

LAB 73.66, -19.83, -31.59

 

CMYK 16 / 69 / 0 / 7

HEX #C749EE

RGB 199 73 238

HSL 285.82, 0.83%, 0.61%

LAB 55.15, 72.22, -60.14

 

Description

Color code: HEX #EE7649 | qconv.com Color code: HEX #EE7649 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 118 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 118 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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