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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE9ED1 it is the complementary color #11612E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE9ED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE9ED1 shade: #F39ECC, #FFB0DF, #FFC2F2, #FFD4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE9ED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE9ED1 shade: #EE9ED1, #DD8CBE, #CC7AAB, #BB6898 and #AA5685

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE9ED1 shade: #EE9FD1, #EE9FBC, #EE9FA7 and #EE9F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE9ED1 shade: #EE9FD1, #EE9FE6, #E09FEE, #CB9FEE and #B59FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE9ED1 shade matches the following richer shades: #EE9FD1 and #F796D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE9ED1 shade: #EE9FD1, #E5A8CF, #DCB1CC, #D2BACA and #C9C3C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE9ED1 shade: #DF9FEE, #EE9FE7, #EE9FD2, #EE9FBD and #EE9FA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE9ED1 shade: #E159B0, #E77CC1, #EE9FD1, #F4C2E2 and #FAE5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE9ED1 shade: #EE9ED1, #EECA9F and #9FEEEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE9ED1 shade: #EE9ED1, #D2EE9F and #9FD2EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE9ED1 shade: #EE9ED1, #EECA9F, #9FEEBB and #9FC2EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE9ED1 shade: #EE9ED1, #EEE29F, #9FEEBB and #9FABEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 12 / 7

HEX #EE9ED1

RGB 238 158 209

HSL 321.75, 0.7%, 0.78%

LAB 74.34, 37.12, -13.78

 

Complementary color

CMYK 82 / 0 / 53 / 62

HEX #11612E

RGB 17 97 46

HSL 141.75, 0.7%, 0.22%

LAB 35.72, -35.62, 22.51

 

CMYK 0 / 35 / 16 / 5

HEX #F39ECC

RGB 243 158 204

HSL 327.53, 0.78%, 0.79%

LAB 74.74, 38, -10.38

 

CMYK 0 / 31 / 13 / 0

HEX #FFB0DF

RGB 255 176 223

HSL 324.3, 1%, 0.85%

LAB 80.54, 35.61, -11.93

 

CMYK 0 / 24 / 5 / 0

HEX #FFC2F2

RGB 255 194 242

HSL 312.79, 1%, 0.88%

LAB 85.13, 29.33, -15.24

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 34 / 12 / 7

HEX #EE9ED1

RGB 238 158 209

HSL 321.75, 0.7%, 0.78%

LAB 74.34, 37.12, -13.78

 

CMYK 0 / 37 / 14 / 13

HEX #DD8CBE

RGB 221 140 190

HSL 322.96, 0.54%, 0.71%

LAB 67.91, 37.86, -13.12

 

CMYK 0 / 40 / 16 / 20

HEX #CC7AAB

RGB 204 122 171

HSL 324.15, 0.45%, 0.64%

LAB 61.39, 38.63, -12.38

 

CMYK 0 / 44 / 19 / 27

HEX #BB6898

RGB 187 104 152

HSL 325.3, 0.38%, 0.57%

LAB 54.8, 39.43, -11.54

 

CMYK 0 / 49 / 22 / 33

HEX #AA5685

RGB 170 86 133

HSL 326.43, 0.33%, 0.5%

LAB 48.13, 40.23, -10.55

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD1

RGB 238 159 209

HSL 322.03, 0.7%, 0.78%

LAB 74.56, 36.59, -13.46

 

CMYK 0 / 33 / 21 / 7

HEX #EE9FBC

RGB 238 159 188

HSL 337.97, 0.7%, 0.78%

LAB 73.94, 33.34, -2.84

 

CMYK 0 / 33 / 30 / 7

HEX #EE9FA7

RGB 238 159 167

HSL 353.92, 0.7%, 0.78%

LAB 73.39, 30.42, 7.95

 

CMYK 0 / 33 / 33 / 7

HEX #EE9F9F

RGB 238 159 159

HSL 0, 0.7%, 0.78%

LAB 73.2, 29.4, 12.09

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD1

RGB 238 159 209

HSL 322.03, 0.7%, 0.78%

LAB 74.56, 36.59, -13.46

 

CMYK 0 / 33 / 3 / 7

HEX #EE9FE6

RGB 238 159 230

HSL 306.08, 0.7%, 0.78%

LAB 75.26, 40.15, -23.88

 

CMYK 6 / 33 / 0 / 7

HEX #E09FEE

RGB 224 159 238

HSL 289.37, 0.7%, 0.78%

LAB 74.07, 37.24, -30.18

 

CMYK 15 / 33 / 0 / 7

HEX #CB9FEE

RGB 203 159 238

HSL 273.42, 0.7%, 0.78%

LAB 72, 30.81, -33.54

 

CMYK 24 / 33 / 0 / 7

HEX #B59FEE

RGB 181 159 238

HSL 256.71, 0.7%, 0.78%

LAB 70.03, 24.25, -36.75

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD1

RGB 238 159 209

HSL 322.03, 0.7%, 0.78%

LAB 74.56, 36.59, -13.46

 

CMYK 0 / 39 / 14 / 3

HEX #F796D4

RGB 247 150 212

HSL 321.65, 0.86%, 0.78%

LAB 73.77, 44.71, -16.19

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD1

RGB 238 159 209

HSL 322.03, 0.7%, 0.78%

LAB 74.56, 36.59, -13.46

 

CMYK 0 / 27 / 10 / 10

HEX #E5A8CF

RGB 229 168 207

HSL 321.64, 0.54%, 0.78%

LAB 75.56, 28.43, -10.97

 

CMYK 0 / 20 / 7 / 14

HEX #DCB1CC

RGB 220 177 204

HSL 322.33, 0.38%, 0.78%

LAB 76.69, 19.98, -7.74

 

CMYK 0 / 11 / 4 / 18

HEX #D2BACA

RGB 210 186 202

HSL 320, 0.21%, 0.78%

LAB 77.92, 11.3, -4.93

 

CMYK 0 / 3 / 1 / 21

HEX #C9C3C7

RGB 201 195 199

HSL 320, 0.05%, 0.78%

LAB 79.37, 2.81, -1.27

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 0 / 33 / 3 / 7

HEX #EE9FE7

RGB 238 159 231

HSL 305.32, 0.7%, 0.78%

LAB 75.29, 40.33, -24.37

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD2

RGB 238 159 210

HSL 321.27, 0.7%, 0.78%

LAB 74.59, 36.75, -13.96

 

CMYK 0 / 33 / 21 / 7

HEX #EE9FBD

RGB 238 159 189

HSL 337.22, 0.7%, 0.78%

LAB 73.96, 33.49, -3.35

 

CMYK 0 / 33 / 29 / 7

HEX #EE9FA8

RGB 238 159 168

HSL 353.16, 0.7%, 0.78%

LAB 73.42, 30.55, 7.43

 

CMYK 0 / 60 / 22 / 12

HEX #E159B0

RGB 225 89 176

HSL 321.62, 0.69%, 0.62%

LAB 58.31, 61.93, -19.64

 

CMYK 0 / 46 / 16 / 9

HEX #E77CC1

RGB 231 124 193

HSL 321.31, 0.69%, 0.7%

LAB 65.95, 49.84, -17.64

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD1

RGB 238 159 209

HSL 322.03, 0.7%, 0.78%

LAB 74.56, 36.59, -13.46

 

CMYK 0 / 20 / 7 / 4

HEX #F4C2E2

RGB 244 194 226

HSL 321.6, 0.69%, 0.86%

LAB 83.6, 22.91, -9.09

 

CMYK 0 / 8 / 3 / 2

HEX #FAE5F3

RGB 250 229 243

HSL 320, 0.68%, 0.94%

LAB 92.94, 9.53, -4.2

 

CMYK 0 / 34 / 12 / 7

HEX #EE9ED1

RGB 238 158 209

HSL 321.75, 0.7%, 0.78%

LAB 74.34, 37.12, -13.78

 

CMYK 0 / 15 / 33 / 7

HEX #EECA9F

RGB 238 202 159

HSL 32.66, 0.7%, 0.78%

LAB 83.4, 6.66, 26.2

 

CMYK 33 / 0 / 2 / 7

HEX #9FEEEA

RGB 159 238 234

HSL 176.96, 0.7%, 0.78%

LAB 89.14, -24.93, -5.77

 

CMYK 0 / 34 / 12 / 7

HEX #EE9ED1

RGB 238 158 209

HSL 321.75, 0.7%, 0.78%

LAB 74.34, 37.12, -13.78

 

CMYK 12 / 0 / 33 / 7

HEX #D2EE9F

RGB 210 238 159

HSL 81.27, 0.7%, 0.78%

LAB 90.48, -22.09, 35.29

 

CMYK 33 / 12 / 0 / 7

HEX #9FD2EE

RGB 159 210 238

HSL 201.27, 0.7%, 0.78%

LAB 81.64, -9.9, -19.09

 

CMYK 0 / 34 / 12 / 7

HEX #EE9ED1

RGB 238 158 209

HSL 321.75, 0.7%, 0.78%

LAB 74.34, 37.12, -13.78

 

CMYK 0 / 15 / 33 / 7

HEX #EECA9F

RGB 238 202 159

HSL 32.66, 0.7%, 0.78%

LAB 83.4, 6.66, 26.2

 

CMYK 33 / 0 / 21 / 7

HEX #9FEEBB

RGB 159 238 187

HSL 141.27, 0.7%, 0.78%

LAB 88.02, -34.65, 17.13

 

CMYK 33 / 18 / 0 / 7

HEX #9FC2EE

RGB 159 194 238

HSL 213.42, 0.7%, 0.78%

LAB 77.36, -1.42, -25.59

 

CMYK 0 / 34 / 12 / 7

HEX #EE9ED1

RGB 238 158 209

HSL 321.75, 0.7%, 0.78%

LAB 74.34, 37.12, -13.78

 

CMYK 0 / 5 / 33 / 7

HEX #EEE29F

RGB 238 226 159

HSL 50.89, 0.7%, 0.78%

LAB 89.43, -5.68, 34.28

 

CMYK 33 / 0 / 21 / 7

HEX #9FEEBB

RGB 159 238 187

HSL 141.27, 0.7%, 0.78%

LAB 88.02, -34.65, 17.13

 

CMYK 33 / 28 / 0 / 7

HEX #9FABEE

RGB 159 171 238

HSL 230.89, 0.7%, 0.78%

LAB 71.33, 11.22, -34.87

 

Description

Color code: HEX #EE9ED1 | qconv.com Color code: HEX #EE9ED1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 158 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 158 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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