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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA53E it is the complementary color #115AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA53E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA53E shade: #F3A539, #FFB74C, #FFC95F, #FFDB72 and #FFED85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA53E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA53E shade: #EEA53E, #DD932B, #CC8118, #BB6F05 and #AA5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA53E shade: #EEA53E, #EE763E, #EE463E and #EE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA53E shade: #EEA53E, #EED43E, #D8EE3E, #A9EE3E and #79EE3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA53E shade matches the following richer shades: #EEA53E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA53E shade: #EEA53E, #DDA24F, #CC9F60, #BB9C71 and #AA9982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA53E shade: #EE473E, #EE763E, #EEA53E, #EED33E and #D9EE3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA53E shade: #C87C11, #EA9318, #EEA53E, #F1B764 and #F4C88A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA53E shade: #EEA53E, #64EE3E and #5E3EEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA53E shade: #EEA53E, #3EEEA5 and #A53EEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA53E shade: #EEA53E, #64EE3E, #3E87EE and #C83EEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA53E shade: #EEA53E, #3EEE4D, #3E87EE and #EE3EDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

Complementary color

CMYK 91 / 53 / 0 / 24

HEX #115AC1

RGB 17 90 193

HSL 215.11, 0.84%, 0.41%

LAB 40.05, 19.36, -59.61

 

CMYK 0 / 32 / 77 / 5

HEX #F3A539

RGB 243 165 57

HSL 34.84, 0.89%, 0.59%

LAB 73.71, 20.01, 64.13

 

CMYK 0 / 28 / 70 / 0

HEX #FFB74C

RGB 255 183 76

HSL 35.87, 1%, 0.65%

LAB 79.41, 16.41, 62.5

 

CMYK 0 / 21 / 63 / 0

HEX #FFC95F

RGB 255 201 95

HSL 39.75, 1%, 0.69%

LAB 83.89, 8.11, 58.98

 

CMYK 0 / 14 / 55 / 0

HEX #FFDB72

RGB 255 219 114

HSL 44.68, 1%, 0.72%

LAB 88.51, 0.2, 55.53

 

CMYK 0 / 7 / 48 / 0

HEX #FFED85

RGB 255 237 133

HSL 51.15, 1%, 0.76%

LAB 93.24, -7.28, 52.24

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 33 / 81 / 13

HEX #DD932B

RGB 221 147 43

HSL 35.06, 0.72%, 0.52%

LAB 66.84, 19.78, 62.06

 

CMYK 0 / 37 / 88 / 20

HEX #CC8118

RGB 204 129 24

HSL 35, 0.79%, 0.45%

LAB 60.43, 21.69, 61.87

 

CMYK 0 / 41 / 97 / 27

HEX #BB6F05

RGB 187 111 5

HSL 34.95, 0.95%, 0.38%

LAB 53.97, 23.84, 60.24

 

CMYK 0 / 45 / 100 / 33

HEX #AA5D00

RGB 170 93 0

HSL 32.82, 1%, 0.33%

LAB 47.46, 26.27, 55.95

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 50 / 74 / 7

HEX #EE763E

RGB 238 118 62

HSL 19.09, 0.84%, 0.59%

LAB 62.91, 42.53, 50.95

 

CMYK 0 / 71 / 74 / 7

HEX #EE463E

RGB 238 70 62

HSL 2.73, 0.84%, 0.59%

LAB 54.97, 63.45, 42.41

 

CMYK 0 / 74 / 74 / 7

HEX #EE3E3E

RGB 238 62 62

HSL 0, 0.84%, 0.59%

LAB 54, 66.16, 41.32

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 11 / 74 / 7

HEX #EED43E

RGB 238 212 62

HSL 51.14, 0.84%, 0.59%

LAB 84.8, -6.34, 72.66

 

CMYK 9 / 0 / 74 / 7

HEX #D8EE3E

RGB 216 238 62

HSL 67.5, 0.84%, 0.59%

LAB 89.9, -28.13, 76.84

 

CMYK 29 / 0 / 74 / 7

HEX #A9EE3E

RGB 169 238 62

HSL 83.52, 0.84%, 0.59%

LAB 86.96, -46.17, 73.01

 

CMYK 49 / 0 / 74 / 7

HEX #79EE3E

RGB 121 238 62

HSL 99.89, 0.84%, 0.59%

LAB 84.77, -61.78, 70.13

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 27 / 64 / 13

HEX #DDA24F

RGB 221 162 79

HSL 35.07, 0.68%, 0.59%

LAB 70.72, 13.45, 50.69

 

CMYK 0 / 22 / 53 / 20

HEX #CC9F60

RGB 204 159 96

HSL 35, 0.51%, 0.59%

LAB 68.37, 9.18, 39.02

 

CMYK 0 / 17 / 40 / 27

HEX #BB9C71

RGB 187 156 113

HSL 34.86, 0.35%, 0.59%

LAB 66.16, 5.47, 26.81

 

CMYK 0 / 10 / 24 / 33

HEX #AA9982

RGB 170 153 130

HSL 34.5, 0.19%, 0.59%

LAB 64.11, 2.52, 14.38

 

CMYK 0 / 70 / 74 / 7

HEX #EE473E

RGB 238 71 62

HSL 3.07, 0.84%, 0.59%

LAB 55.1, 63.09, 42.55

 

CMYK 0 / 50 / 74 / 7

HEX #EE763E

RGB 238 118 62

HSL 19.09, 0.84%, 0.59%

LAB 62.91, 42.53, 50.95

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 11 / 74 / 7

HEX #EED33E

RGB 238 211 62

HSL 50.8, 0.84%, 0.59%

LAB 84.54, -5.83, 72.42

 

CMYK 9 / 0 / 74 / 7

HEX #D9EE3E

RGB 217 238 62

HSL 67.16, 0.84%, 0.59%

LAB 89.97, -27.73, 76.93

 

CMYK 0 / 38 / 92 / 22

HEX #C87C11

RGB 200 124 17

HSL 35.08, 0.84%, 0.43%

LAB 58.73, 22.54, 62.08

 

CMYK 0 / 37 / 90 / 8

HEX #EA9318

RGB 234 147 24

HSL 35.14, 0.83%, 0.51%

LAB 68.33, 24.83, 69.57

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 0 / 24 / 59 / 5

HEX #F1B764

RGB 241 183 100

HSL 35.32, 0.83%, 0.67%

LAB 78.16, 12.07, 49.7

 

CMYK 0 / 18 / 43 / 4

HEX #F4C88A

RGB 244 200 138

HSL 35.09, 0.83%, 0.75%

LAB 83.11, 7.7, 36.83

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 58 / 0 / 74 / 7

HEX #64EE3E

RGB 100 238 62

HSL 107.05, 0.84%, 0.59%

LAB 84.07, -67.26, 69.21

 

CMYK 61 / 74 / 0 / 7

HEX #5E3EEE

RGB 94 62 238

HSL 250.91, 0.84%, 0.59%

LAB 41.21, 59.32, -83.36

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 74 / 0 / 31 / 7

HEX #3EEEA5

RGB 62 238 165

HSL 155.11, 0.84%, 0.59%

LAB 84.43, -60.21, 23.03

 

CMYK 31 / 74 / 0 / 7

HEX #A53EEE

RGB 165 62 238

HSL 275.11, 0.84%, 0.59%

LAB 49.03, 69.96, -70.26

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 58 / 0 / 74 / 7

HEX #64EE3E

RGB 100 238 62

HSL 107.05, 0.84%, 0.59%

LAB 84.07, -67.26, 69.21

 

CMYK 74 / 43 / 0 / 7

HEX #3E87EE

RGB 62 135 238

HSL 215.11, 0.84%, 0.59%

LAB 56.61, 11.95, -58.42

 

CMYK 16 / 74 / 0 / 7

HEX #C83EEE

RGB 200 62 238

HSL 287.05, 0.84%, 0.59%

LAB 53.92, 76.34, -62.12

 

CMYK 0 / 31 / 74 / 7

HEX #EEA53E

RGB 238 165 62

HSL 35.11, 0.84%, 0.59%

LAB 73.18, 18.12, 61.42

 

CMYK 74 / 0 / 68 / 7

HEX #3EEE4D

RGB 62 238 77

HSL 125.11, 0.84%, 0.59%

LAB 83.29, -73.38, 62.78

 

CMYK 74 / 43 / 0 / 7

HEX #3E87EE

RGB 62 135 238

HSL 215.11, 0.84%, 0.59%

LAB 56.61, 11.95, -58.42

 

CMYK 0 / 74 / 6 / 7

HEX #EE3EDF

RGB 238 62 223

HSL 305.11, 0.84%, 0.59%

LAB 58.93, 81.47, -45.35

 

Description

Color code: HEX #EEA53E | qconv.com Color code: HEX #EEA53E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 165 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 165 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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