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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA6FC it is the complementary color #115903. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA6FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA6FC shade: #F3A6F7, #FFB8FF, #FFCAFF, #FFDCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA6FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA6FC shade: #EEA6FC, #DD94E9, #CC82D6, #BB70C3 and #AA5EB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA6FC shade: #EDA6FB, #FBA6F2, #FBA6DB, #FBA6C4 and #FBA6AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA6FC shade: #EDA6FB, #D6A6FB, #BFA6FB, #A8A6FB and #A6A6FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA6FC shade matches the following richer shades: #EDA6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA6FC shade: #EDA6FB, #E8ADF4, #E3B5EC, #DEBCE5 and #D9C4DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA6FC shade: #C0A6FB, #D6A6FB, #EDA6FB, #FBA6F3 and #FBA6DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA6FC shade: #DE56F8, #E67EFA, #EDA6FB, #F5CEFD and #FDF6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA6FC shade: #EEA6FC, #FBA9A6 and #A6FBCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA6FC shade: #EEA6FC, #FBEDA6 and #A6FBED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA6FC shade: #EEA6FC, #FBA9A6, #B4FBA6 and #A6F8FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA6FC shade: #EEA6FC, #FBC2A6, #B4FBA6 and #A6DFFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 34 / 0 / 1

HEX #EEA6FC

RGB 238 166 252

HSL 290.23, 0.93%, 0.82%

LAB 77.57, 40.5, -32.25

 

Complementary color

CMYK 81 / 0 / 97 / 65

HEX #115903

RGB 17 89 3

HSL 110.23, 0.93%, 0.18%

LAB 32.41, -37.42, 37.9

 

CMYK 2 / 33 / 0 / 3

HEX #F3A6F7

RGB 243 166 247

HSL 297.04, 0.84%, 0.81%

LAB 77.9, 41.1, -29

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 6 / 34 / 0 / 1

HEX #EEA6FC

RGB 238 166 252

HSL 290.23, 0.93%, 0.82%

LAB 77.57, 40.5, -32.25

 

CMYK 5 / 36 / 0 / 9

HEX #DD94E9

RGB 221 148 233

HSL 291.53, 0.66%, 0.75%

LAB 71.17, 41.22, -31.95

 

CMYK 5 / 39 / 0 / 16

HEX #CC82D6

RGB 204 130 214

HSL 292.86, 0.51%, 0.67%

LAB 64.69, 41.96, -31.62

 

CMYK 4 / 43 / 0 / 24

HEX #BB70C3

RGB 187 112 195

HSL 294.22, 0.41%, 0.6%

LAB 58.13, 42.72, -31.25

 

CMYK 3 / 47 / 0 / 31

HEX #AA5EB0

RGB 170 94 176

HSL 295.61, 0.34%, 0.53%

LAB 51.48, 43.47, -30.82

 

CMYK 6 / 34 / 0 / 2

HEX #EDA6FB

RGB 237 166 251

HSL 290.12, 0.91%, 0.82%

LAB 77.43, 40.01, -31.94

 

CMYK 0 / 34 / 4 / 2

HEX #FBA6F2

RGB 251 166 242

HSL 306.35, 0.91%, 0.82%

LAB 78.57, 42.7, -25.2

 

CMYK 0 / 34 / 13 / 2

HEX #FBA6DB

RGB 251 166 219

HSL 322.59, 0.91%, 0.82%

LAB 77.81, 38.85, -13.89

 

CMYK 0 / 34 / 22 / 2

HEX #FBA6C4

RGB 251 166 196

HSL 338.82, 0.91%, 0.82%

LAB 77.14, 35.36, -2.35

 

CMYK 0 / 34 / 31 / 2

HEX #FBA6AD

RGB 251 166 173

HSL 355.06, 0.91%, 0.82%

LAB 76.56, 32.25, 9.37

 

CMYK 6 / 34 / 0 / 2

HEX #EDA6FB

RGB 237 166 251

HSL 290.12, 0.91%, 0.82%

LAB 77.43, 40.01, -31.94

 

CMYK 15 / 34 / 0 / 2

HEX #D6A6FB

RGB 214 166 251

HSL 273.88, 0.91%, 0.82%

LAB 75.16, 33.06, -35.62

 

CMYK 24 / 34 / 0 / 2

HEX #BFA6FB

RGB 191 166 251

HSL 257.65, 0.91%, 0.82%

LAB 73.1, 26.29, -38.99

 

CMYK 33 / 34 / 0 / 2

HEX #A8A6FB

RGB 168 166 251

HSL 241.41, 0.91%, 0.82%

LAB 71.26, 19.83, -42

 

CMYK 34 / 34 / 0 / 2

HEX #A6A6FB

RGB 166 166 251

HSL 240, 0.91%, 0.82%

LAB 71.11, 19.29, -42.24

 

CMYK 6 / 34 / 0 / 2

HEX #EDA6FB

RGB 237 166 251

HSL 290.12, 0.91%, 0.82%

LAB 77.43, 40.01, -31.94

 

CMYK 6 / 34 / 0 / 2

HEX #EDA6FB

RGB 237 166 251

HSL 290.12, 0.91%, 0.82%

LAB 77.43, 40.01, -31.94

 

CMYK 5 / 29 / 0 / 4

HEX #E8ADF4

RGB 232 173 244

HSL 289.86, 0.76%, 0.82%

LAB 78.21, 33.41, -27

 

CMYK 4 / 23 / 0 / 7

HEX #E3B5EC

RGB 227 181 236

HSL 290.18, 0.59%, 0.82%

LAB 79.29, 26, -21.09

 

CMYK 3 / 18 / 0 / 10

HEX #DEBCE5

RGB 222 188 229

HSL 289.76, 0.44%, 0.82%

LAB 80.27, 19.28, -15.9

 

CMYK 2 / 12 / 0 / 13

HEX #D9C4DE

RGB 217 196 222

HSL 288.46, 0.28%, 0.82%

LAB 81.57, 12, -10.23

 

CMYK 24 / 34 / 0 / 2

HEX #C0A6FB

RGB 192 166 251

HSL 258.35, 0.91%, 0.82%

LAB 73.18, 26.58, -38.85

 

CMYK 15 / 34 / 0 / 2

HEX #D6A6FB

RGB 214 166 251

HSL 273.88, 0.91%, 0.82%

LAB 75.16, 33.06, -35.62

 

CMYK 6 / 34 / 0 / 2

HEX #EDA6FB

RGB 237 166 251

HSL 290.12, 0.91%, 0.82%

LAB 77.43, 40.01, -31.94

 

CMYK 0 / 34 / 3 / 2

HEX #FBA6F3

RGB 251 166 243

HSL 305.65, 0.91%, 0.82%

LAB 78.61, 42.87, -25.68

 

CMYK 0 / 34 / 12 / 2

HEX #FBA6DC

RGB 251 166 220

HSL 321.88, 0.91%, 0.82%

LAB 77.84, 39.01, -14.38

 

CMYK 10 / 65 / 0 / 3

HEX #DE56F8

RGB 222 86 248

HSL 290.37, 0.92%, 0.65%

LAB 60.75, 73.88, -56.57

 

CMYK 8 / 50 / 0 / 2

HEX #E67EFA

RGB 230 126 250

HSL 290.32, 0.93%, 0.74%

LAB 68.49, 58.31, -45.35

 

CMYK 6 / 34 / 0 / 2

HEX #EDA6FB

RGB 237 166 251

HSL 290.12, 0.91%, 0.82%

LAB 77.43, 40.01, -31.94

 

CMYK 3 / 19 / 0 / 1

HEX #F5CEFD

RGB 245 206 253

HSL 289.79, 0.92%, 0.9%

LAB 87.31, 21.71, -17.88

 

CMYK 0 / 3 / 0 / 0

HEX #FDF6FE

RGB 253 246 254

HSL 292.5, 0.8%, 0.98%

LAB 97.61, 3.73, -3.01

 

CMYK 6 / 34 / 0 / 1

HEX #EEA6FC

RGB 238 166 252

HSL 290.23, 0.93%, 0.82%

LAB 77.57, 40.5, -32.25

 

CMYK 0 / 33 / 34 / 2

HEX #FBA9A6

RGB 251 169 166

HSL 2.12, 0.91%, 0.82%

LAB 77.06, 29.81, 13.91

 

CMYK 34 / 0 / 19 / 2

HEX #A6FBCB

RGB 166 251 203

HSL 146.12, 0.91%, 0.82%

LAB 92.32, -35.58, 14.96

 

CMYK 6 / 34 / 0 / 1

HEX #EEA6FC

RGB 238 166 252

HSL 290.23, 0.93%, 0.82%

LAB 77.57, 40.5, -32.25

 

CMYK 0 / 6 / 34 / 2

HEX #FBEDA6

RGB 251 237 166

HSL 50.12, 0.91%, 0.82%

LAB 93.38, -5.44, 36.15

 

CMYK 34 / 0 / 6 / 2

HEX #A6FBED

RGB 166 251 237

HSL 170.12, 0.91%, 0.82%

LAB 93.11, -28.63, -1.46

 

CMYK 6 / 34 / 0 / 1

HEX #EEA6FC

RGB 238 166 252

HSL 290.23, 0.93%, 0.82%

LAB 77.57, 40.5, -32.25

 

CMYK 0 / 33 / 34 / 2

HEX #FBA9A6

RGB 251 169 166

HSL 2.12, 0.91%, 0.82%

LAB 77.06, 29.81, 13.91

 

CMYK 28 / 0 / 34 / 2

HEX #B4FBA6

RGB 180 251 166

HSL 110.12, 0.91%, 0.82%

LAB 92.33, -37.55, 33.91

 

CMYK 34 / 1 / 0 / 2

HEX #A6F8FB

RGB 166 248 251

HSL 182.12, 0.91%, 0.82%

LAB 92.67, -24.05, -9.37

 

CMYK 6 / 34 / 0 / 1

HEX #EEA6FC

RGB 238 166 252

HSL 290.23, 0.93%, 0.82%

LAB 77.57, 40.5, -32.25

 

CMYK 0 / 23 / 34 / 2

HEX #FBC2A6

RGB 251 194 166

HSL 19.76, 0.91%, 0.82%

LAB 82.83, 16.67, 21.94

 

CMYK 28 / 0 / 34 / 2

HEX #B4FBA6

RGB 180 251 166

HSL 110.12, 0.91%, 0.82%

LAB 92.33, -37.55, 33.91

 

CMYK 34 / 11 / 0 / 2

HEX #A6DFFB

RGB 166 223 251

HSL 199.76, 0.91%, 0.82%

LAB 85.93, -11.57, -19.46

 

Description

Color code: HEX #EEA6FC | qconv.com Color code: HEX #EEA6FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 166 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 166 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 34 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 34% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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