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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA9DC it is the complementary color #115623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA9DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA9DC shade: #F3A9D7, #FFBBEA, #FFCDFD, #FFDFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA9DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA9DC shade: #EEA9DC, #DD97C9, #CC85B6, #BB73A3 and #AA6190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA9DC shade: #EEA9DC, #EEA9C9, #EEA9B7 and #EEA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA9DC shade: #EEA9DC, #EDA9EE, #DBA9EE, #C8A9EE and #B6A9EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA9DC shade matches the following richer shades: #EEA9DC, #F6A1E0 and #FE99E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA9DC shade: #EEA9DC, #E5B2D8, #DDBAD4, #D5C2D0 and #CDCACC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA9DC shade: #DAA9EE, #EDA9EE, #EEA9DD, #EEA9CA and #EEA9B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA9DC shade: #E064C0, #E787CE, #EEA9DC, #F4CCEA and #FBEEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA9DC shade: #EEA9DC, #EEC8A9 and #A9EEE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA9DC shade: #EEA9DC, #DDEEA9 and #A9DDEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA9DC shade: #EEA9DC, #EEC8A9, #A9EEBA and #A9CFEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA9DC shade: #EEA9DC, #EEDDA9, #A9EEBA and #A9BAEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

Complementary color

CMYK 80 / 0 / 59 / 66

HEX #115623

RGB 17 86 35

HSL 135.65, 0.67%, 0.2%

LAB 31.57, -33.14, 23.57

 

CMYK 0 / 30 / 12 / 5

HEX #F3A9D7

RGB 243 169 215

HSL 322.7, 0.76%, 0.81%

LAB 77.48, 33.97, -12.3

 

CMYK 0 / 27 / 8 / 0

HEX #FFBBEA

RGB 255 187 234

HSL 318.53, 1%, 0.87%

LAB 83.31, 31.65, -13.7

 

CMYK 0 / 20 / 1 / 0

HEX #FFCDFD

RGB 255 205 253

HSL 302.4, 1%, 0.9%

LAB 87.98, 25.49, -16.79

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 32 / 9 / 13

HEX #DD97C9

RGB 221 151 201

HSL 317.14, 0.51%, 0.73%

LAB 70.68, 33.82, -15.07

 

CMYK 0 / 35 / 11 / 20

HEX #CC85B6

RGB 204 133 182

HSL 318.59, 0.41%, 0.66%

LAB 64.15, 34.54, -14.47

 

CMYK 0 / 39 / 13 / 27

HEX #BB73A3

RGB 187 115 163

HSL 320, 0.35%, 0.59%

LAB 57.53, 35.31, -13.8

 

CMYK 0 / 43 / 15 / 33

HEX #AA6190

RGB 170 97 144

HSL 321.37, 0.3%, 0.52%

LAB 50.81, 36.11, -13.05

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 29 / 16 / 7

HEX #EEA9C9

RGB 238 169 201

HSL 332.17, 0.67%, 0.8%

LAB 76.54, 30.02, -6.13

 

CMYK 0 / 29 / 23 / 7

HEX #EEA9B7

RGB 238 169 183

HSL 347.83, 0.67%, 0.8%

LAB 76.05, 27.31, 2.99

 

CMYK 0 / 29 / 29 / 7

HEX #EEA9A9

RGB 238 169 169

HSL 0, 0.67%, 0.8%

LAB 75.71, 25.38, 10.16

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 29 / 0 / 7

HEX #EDA9EE

RGB 237 169 238

HSL 299.13, 0.67%, 0.8%

LAB 77.61, 35.99, -24.64

 

CMYK 8 / 29 / 0 / 7

HEX #DBA9EE

RGB 219 169 238

HSL 283.48, 0.67%, 0.8%

LAB 75.83, 30.31, -27.52

 

CMYK 16 / 29 / 0 / 7

HEX #C8A9EE

RGB 200 169 238

HSL 266.96, 0.67%, 0.8%

LAB 74.08, 24.4, -30.36

 

CMYK 24 / 29 / 0 / 7

HEX #B6A9EE

RGB 182 169 238

HSL 251.3, 0.67%, 0.8%

LAB 72.56, 18.96, -32.83

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 35 / 9 / 4

HEX #F6A1E0

RGB 246 161 224

HSL 315.53, 0.83%, 0.8%

LAB 76.35, 40.64, -18.86

 

CMYK 0 / 40 / 10 / 0

HEX #FE99E4

RGB 254 153 228

HSL 315.45, 0.98%, 0.8%

LAB 75.73, 47.96, -21.9

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 22 / 6 / 10

HEX #E5B2D8

RGB 229 178 216

HSL 315.29, 0.5%, 0.8%

LAB 78.14, 24.62, -12

 

CMYK 0 / 16 / 4 / 13

HEX #DDBAD4

RGB 221 186 212

HSL 315.43, 0.34%, 0.8%

LAB 79.18, 16.89, -8.37

 

CMYK 0 / 9 / 2 / 16

HEX #D5C2D0

RGB 213 194 208

HSL 315.79, 0.18%, 0.8%

LAB 80.34, 9.13, -4.57

 

CMYK 0 / 1 / 0 / 20

HEX #CDCACC

RGB 205 202 204

HSL 320, 0.03%, 0.8%

LAB 81.61, 1.4, -0.64

 

CMYK 8 / 29 / 0 / 7

HEX #DAA9EE

RGB 218 169 238

HSL 282.61, 0.67%, 0.8%

LAB 75.73, 29.99, -27.68

 

CMYK 0 / 29 / 0 / 7

HEX #EDA9EE

RGB 237 169 238

HSL 299.13, 0.67%, 0.8%

LAB 77.61, 35.99, -24.64

 

CMYK 0 / 29 / 7 / 7

HEX #EEA9DD

RGB 238 169 221

HSL 314.78, 0.67%, 0.8%

LAB 77.15, 33.3, -16.12

 

CMYK 0 / 29 / 15 / 7

HEX #EEA9CA

RGB 238 169 202

HSL 331.3, 0.67%, 0.8%

LAB 76.57, 30.18, -6.63

 

CMYK 0 / 29 / 23 / 7

HEX #EEA9B8

RGB 238 169 184

HSL 346.96, 0.67%, 0.8%

LAB 76.08, 27.45, 2.49

 

CMYK 0 / 55 / 14 / 12

HEX #E064C0

RGB 224 100 192

HSL 315.48, 0.67%, 0.64%

LAB 60.58, 59.09, -25.36

 

CMYK 0 / 42 / 11 / 9

HEX #E787CE

RGB 231 135 206

HSL 315.63, 0.67%, 0.72%

LAB 68.59, 46.32, -20.9

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 16 / 4 / 4

HEX #F4CCEA

RGB 244 204 234

HSL 315, 0.65%, 0.88%

LAB 86.19, 19.01, -9.51

 

CMYK 0 / 5 / 1 / 2

HEX #FBEEF8

RGB 251 238 248

HSL 313.85, 0.62%, 0.96%

LAB 95.34, 6.1, -3.26

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 16 / 29 / 7

HEX #EEC8A9

RGB 238 200 169

HSL 26.96, 0.67%, 0.8%

LAB 83.1, 8.97, 20.52

 

CMYK 29 / 0 / 5 / 7

HEX #A9EEE3

RGB 169 238 227

HSL 170.43, 0.67%, 0.8%

LAB 89.45, -23.72, -1.59

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 7 / 0 / 29 / 7

HEX #DDEEA9

RGB 221 238 169

HSL 74.78, 0.67%, 0.8%

LAB 91.41, -16.75, 31.61

 

CMYK 29 / 7 / 0 / 7

HEX #A9DDEE

RGB 169 221 238

HSL 194.78, 0.67%, 0.8%

LAB 85.16, -12.79, -13.74

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 16 / 29 / 7

HEX #EEC8A9

RGB 238 200 169

HSL 26.96, 0.67%, 0.8%

LAB 83.1, 8.97, 20.52

 

CMYK 29 / 0 / 22 / 7

HEX #A9EEBA

RGB 169 238 186

HSL 134.78, 0.67%, 0.8%

LAB 88.51, -31.81, 18.41

 

CMYK 29 / 13 / 0 / 7

HEX #A9CFEE

RGB 169 207 238

HSL 206.96, 0.67%, 0.8%

LAB 81.42, -5.52, -19.36

 

CMYK 0 / 29 / 8 / 7

HEX #EEA9DC

RGB 238 169 220

HSL 315.65, 0.67%, 0.8%

LAB 77.11, 33.13, -15.62

 

CMYK 0 / 7 / 29 / 7

HEX #EEDDA9

RGB 238 221 169

HSL 45.22, 0.67%, 0.8%

LAB 88.33, -1.9, 27.69

 

CMYK 29 / 0 / 22 / 7

HEX #A9EEBA

RGB 169 238 186

HSL 134.78, 0.67%, 0.8%

LAB 88.51, -31.81, 18.41

 

CMYK 29 / 22 / 0 / 7

HEX #A9BAEE

RGB 169 186 238

HSL 225.22, 0.67%, 0.8%

LAB 75.9, 5.76, -27.77

 

Description

Color code: HEX #EEA9DC | qconv.com Color code: HEX #EEA9DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 169 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 169 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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