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Color name
HEX #EEA248

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA248 it is the complementary color #115DB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA248 shade: #F3A243, #FFB456, #FFC669, #FFD87C and #FFEA8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA248 shade: #EEA248, #DD9035, #CC7E22, #BB6C0F and #AA5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA248 shade: #EEA249, #EE7549, #EE4949 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA248 shade: #EEA249, #EECF49, #E0EE49, #B4EE49 and #87EE49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA248 shade matches the following richer shades: #EEA249 and #FEA338

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA248 shade: #EEA249, #DEA159, #CD9F69, #BD9E79 and #AD9D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA248 shade: #EE4949, #EE7549, #EEA149, #EECD49 and #E3EE49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA248 shade: #D17A13, #EA8F23, #EEA249, #F1B56E and #F5C894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA248 shade: #EEA248, #75EE49 and #5F49EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA248 shade: #EEA248, #49EEA1 and #A149EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA248 shade: #EEA248, #75EE49, #4996EE and #C249EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA248 shade: #EEA248, #49EE4E, #4996EE and #EE49E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 70 / 7

HEX #EEA248

RGB 238 162 72

HSL 32.53, 0.83%, 0.61%

LAB 72.55, 20.18, 56.48

 

Complementary color

CMYK 91 / 49 / 0 / 28

HEX #115DB7

RGB 17 93 183

HSL 212.53, 0.83%, 0.39%

LAB 40.19, 13.37, -53.54

 

CMYK 0 / 33 / 72 / 5

HEX #F3A243

RGB 243 162 67

HSL 32.39, 0.88%, 0.61%

LAB 73.09, 22.02, 59.42

 

CMYK 0 / 29 / 66 / 0

HEX #FFB456

RGB 255 180 86

HSL 33.37, 1%, 0.67%

LAB 78.8, 18.5, 57.43

 

CMYK 0 / 22 / 59 / 0

HEX #FFC669

RGB 255 198 105

HSL 37.2, 1%, 0.71%

LAB 83.27, 10.33, 53.63

 

CMYK 0 / 15 / 51 / 0

HEX #FFD87C

RGB 255 216 124

HSL 42.14, 1%, 0.74%

LAB 87.89, 2.53, 50.03

 

CMYK 0 / 8 / 44 / 0

HEX #FFEA8F

RGB 255 234 143

HSL 48.75, 1%, 0.78%

LAB 92.61, -4.85, 46.65

 

CMYK 0 / 32 / 70 / 7

HEX #EEA248

RGB 238 162 72

HSL 32.53, 0.83%, 0.61%

LAB 72.55, 20.18, 56.48

 

CMYK 0 / 35 / 76 / 13

HEX #DD9035

RGB 221 144 53

HSL 32.5, 0.71%, 0.54%

LAB 66.19, 21.76, 57.59

 

CMYK 0 / 38 / 83 / 20

HEX #CC7E22

RGB 204 126 34

HSL 32.47, 0.71%, 0.47%

LAB 59.78, 23.56, 58.21

 

CMYK 0 / 42 / 92 / 27

HEX #BB6C0F

RGB 187 108 15

HSL 32.44, 0.85%, 0.4%

LAB 53.3, 25.62, 57.76

 

CMYK 0 / 47 / 100 / 33

HEX #AA5A00

RGB 170 90 0

HSL 31.76, 1%, 0.33%

LAB 46.79, 27.91, 55.53

 

CMYK 0 / 32 / 69 / 7

HEX #EEA249

RGB 238 162 73

HSL 32.36, 0.83%, 0.61%

LAB 72.56, 20.23, 56.04

 

CMYK 0 / 51 / 69 / 7

HEX #EE7549

RGB 238 117 73

HSL 16, 0.83%, 0.61%

LAB 62.83, 43.54, 45.36

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 32 / 69 / 7

HEX #EEA249

RGB 238 162 73

HSL 32.36, 0.83%, 0.61%

LAB 72.56, 20.23, 56.04

 

CMYK 0 / 13 / 69 / 7

HEX #EECF49

RGB 238 207 73

HSL 48.73, 0.83%, 0.61%

LAB 83.59, -3.29, 67.46

 

CMYK 6 / 0 / 69 / 7

HEX #E0EE49

RGB 224 238 73

HSL 65.09, 0.83%, 0.61%

LAB 90.54, -24.39, 74

 

CMYK 24 / 0 / 69 / 7

HEX #B4EE49

RGB 180 238 73

HSL 81.09, 0.83%, 0.61%

LAB 87.65, -41.52, 70.16

 

CMYK 43 / 0 / 69 / 7

HEX #87EE49

RGB 135 238 73

HSL 97.45, 0.83%, 0.61%

LAB 85.39, -56.9, 67.14

 

CMYK 0 / 32 / 69 / 7

HEX #EEA249

RGB 238 162 73

HSL 32.36, 0.83%, 0.61%

LAB 72.56, 20.23, 56.04

 

CMYK 0 / 36 / 78 / 0

HEX #FEA338

RGB 254 163 56

HSL 32.42, 0.99%, 0.61%

LAB 74.54, 25.6, 65.76

 

CMYK 0 / 32 / 69 / 7

HEX #EEA249

RGB 238 162 73

HSL 32.36, 0.83%, 0.61%

LAB 72.56, 20.23, 56.04

 

CMYK 0 / 27 / 60 / 13

HEX #DEA159

RGB 222 161 89

HSL 32.48, 0.67%, 0.61%

LAB 70.69, 15.08, 45.82

 

CMYK 0 / 22 / 49 / 20

HEX #CD9F69

RGB 205 159 105

HSL 32.4, 0.5%, 0.61%

LAB 68.6, 10.42, 34.62

 

CMYK 0 / 16 / 36 / 26

HEX #BD9E79

RGB 189 158 121

HSL 32.65, 0.34%, 0.61%

LAB 67.02, 6.15, 23.62

 

CMYK 0 / 9 / 21 / 32

HEX #AD9D89

RGB 173 157 137

HSL 33.33, 0.18%, 0.61%

LAB 65.6, 2.55, 12.59

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 51 / 69 / 7

HEX #EE7549

RGB 238 117 73

HSL 16, 0.83%, 0.61%

LAB 62.83, 43.54, 45.36

 

CMYK 0 / 32 / 69 / 7

HEX #EEA149

RGB 238 161 73

HSL 32, 0.83%, 0.61%

LAB 72.33, 20.76, 55.79

 

CMYK 0 / 14 / 69 / 7

HEX #EECD49

RGB 238 205 73

HSL 48, 0.83%, 0.61%

LAB 83.08, -2.27, 66.95

 

CMYK 5 / 0 / 69 / 7

HEX #E3EE49

RGB 227 238 73

HSL 64, 0.83%, 0.61%

LAB 90.76, -23.18, 74.29

 

CMYK 0 / 42 / 91 / 18

HEX #D17A13

RGB 209 122 19

HSL 32.53, 0.83%, 0.45%

LAB 59.45, 27.5, 62.68

 

CMYK 0 / 39 / 85 / 8

HEX #EA8F23

RGB 234 143 35

HSL 32.56, 0.83%, 0.53%

LAB 67.47, 27.17, 65.91

 

CMYK 0 / 32 / 69 / 7

HEX #EEA249

RGB 238 162 73

HSL 32.36, 0.83%, 0.61%

LAB 72.56, 20.23, 56.04

 

CMYK 0 / 25 / 54 / 5

HEX #F1B56E

RGB 241 181 110

HSL 32.52, 0.82%, 0.69%

LAB 77.8, 13.89, 44.32

 

CMYK 0 / 18 / 40 / 4

HEX #F5C894

RGB 245 200 148

HSL 32.16, 0.83%, 0.77%

LAB 83.37, 9.15, 32.02

HEX #F5C894

CMYK 0 / 32 / 70 / 7

HEX #EEA248

RGB 238 162 72

HSL 32.53, 0.83%, 0.61%

LAB 72.55, 20.18, 56.48

 

CMYK 51 / 0 / 69 / 7

HEX #75EE49

RGB 117 238 73

HSL 104, 0.83%, 0.61%

LAB 84.7, -62.13, 66.2

 

CMYK 60 / 69 / 0 / 7

HEX #5F49EE

RGB 95 73 238

HSL 248, 0.83%, 0.61%

LAB 43.32, 53.78, -79.9

 

CMYK 0 / 32 / 70 / 7

HEX #EEA248

RGB 238 162 72

HSL 32.53, 0.83%, 0.61%

LAB 72.55, 20.18, 56.48

 

CMYK 69 / 0 / 32 / 7

HEX #49EEA1

RGB 73 238 161

HSL 152, 0.83%, 0.61%

LAB 84.56, -59.5, 25.29

 

CMYK 32 / 69 / 0 / 7

HEX #A149EE

RGB 161 73 238

HSL 272, 0.83%, 0.61%

LAB 50.12, 64.71, -68.52

 

CMYK 0 / 32 / 70 / 7

HEX #EEA248

RGB 238 162 72

HSL 32.53, 0.83%, 0.61%

LAB 72.55, 20.18, 56.48

 

CMYK 51 / 0 / 69 / 7

HEX #75EE49

RGB 117 238 73

HSL 104, 0.83%, 0.61%

LAB 84.7, -62.13, 66.2

 

CMYK 69 / 37 / 0 / 7

HEX #4996EE

RGB 73 150 238

HSL 212, 0.83%, 0.61%

LAB 61.13, 4.46, -51.19

 

CMYK 18 / 69 / 0 / 7

HEX #C249EE

RGB 194 73 238

HSL 284, 0.83%, 0.61%

LAB 54.46, 71.2, -61.3

 

CMYK 0 / 32 / 70 / 7

HEX #EEA248

RGB 238 162 72

HSL 32.53, 0.83%, 0.61%

LAB 72.55, 20.18, 56.48

 

CMYK 69 / 0 / 67 / 7

HEX #49EE4E

RGB 73 238 78

HSL 121.82, 0.83%, 0.61%

LAB 83.5, -71.55, 62.69

 

CMYK 69 / 37 / 0 / 7

HEX #4996EE

RGB 73 150 238

HSL 212, 0.83%, 0.61%

LAB 61.13, 4.46, -51.19

 

CMYK 0 / 69 / 3 / 7

HEX #EE49E8

RGB 238 73 232

HSL 302.18, 0.83%, 0.61%

LAB 60.58, 79.41, -47.8

 

Description

Color code: HEX #EEA248 | qconv.com Color code: HEX #EEA248 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 162 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 162 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 70 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 70% 7% C M Y K

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