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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB138 it is the complementary color #114EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEB138 shade: #F3B133, #FFC346, #FFD559, #FFE76C and #FFF97F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEB138 shade: #EEB138, #DD9F25, #CC8D12, #BB7B00 and #AA6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEB138 shade: #EDB139, #ED8139, #ED5039 and #ED3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEB138 shade: #EDB139, #EDE239, #C9ED39, #98ED39 and #68ED39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEB138 shade matches the following richer shades: #EDB139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEB138 shade: #EDB139, #DCAB4B, #CBA65C, #B9A06D and #A89A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEB138 shade: #ED4E39, #ED7E39, #EDAE39, #EDDE39 and #CCED39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEB138 shade: #C48811, #EAA214, #EDB139, #F1C05F and #F4CF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEB138 shade: #EEB138, #54ED39 and #6639ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEB138 shade: #EEB138, #39EDAE and #AE39ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEB138 shade: #EEB138, #54ED39, #3978ED and #D239ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEB138 shade: #EEB138, #39ED54, #3978ED and #ED39D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 76 / 7

HEX #EEB138

RGB 238 177 56

HSL 39.89, 0.84%, 0.58%

LAB 76.01, 11.54, 66.49

 

Complementary color

CMYK 91 / 61 / 0 / 22

HEX #114EC7

RGB 17 78 199

HSL 219.89, 0.84%, 0.42%

LAB 37.28, 29.68, -67.61

 

CMYK 0 / 27 / 79 / 5

HEX #F3B133

RGB 243 177 51

HSL 39.38, 0.89%, 0.58%

LAB 76.52, 13.48, 68.93

 

CMYK 0 / 24 / 73 / 0

HEX #FFC346

RGB 255 195 70

HSL 40.54, 1%, 0.64%

LAB 82.23, 9.88, 67.81

 

CMYK 0 / 16 / 65 / 0

HEX #FFD559

RGB 255 213 89

HSL 44.82, 1%, 0.67%

LAB 86.79, 1.59, 64.76

 

CMYK 0 / 9 / 58 / 0

HEX #FFE76C

RGB 255 231 108

HSL 50.2, 1%, 0.71%

LAB 91.46, -6.29, 61.66

 

CMYK 0 / 2 / 50 / 0

HEX #FFF97F

RGB 255 249 127

HSL 57.19, 1%, 0.75%

LAB 96.22, -13.71, 58.61

 

CMYK 0 / 26 / 76 / 7

HEX #EEB138

RGB 238 177 56

HSL 39.89, 0.84%, 0.58%

LAB 76.01, 11.54, 66.49

 

CMYK 0 / 28 / 83 / 13

HEX #DD9F25

RGB 221 159 37

HSL 39.78, 0.73%, 0.51%

LAB 69.68, 13.17, 66.53

 

CMYK 0 / 31 / 91 / 20

HEX #CC8D12

RGB 204 141 18

HSL 39.68, 0.84%, 0.44%

LAB 63.29, 15.04, 65.49

 

CMYK 0 / 34 / 100 / 27

HEX #BB7B00

RGB 187 123 0

HSL 39.47, 1%, 0.37%

LAB 56.81, 17.16, 63.06

 

CMYK 0 / 38 / 100 / 33

HEX #AA6900

RGB 170 105 0

HSL 37.06, 1%, 0.33%

LAB 50.27, 19.6, 57.73

 

CMYK 0 / 25 / 76 / 7

HEX #EDB139

RGB 237 177 57

HSL 40, 0.83%, 0.58%

LAB 75.91, 11.15, 65.99

 

CMYK 0 / 46 / 76 / 7

HEX #ED8139

RGB 237 129 57

HSL 24, 0.83%, 0.58%

LAB 64.96, 36.38, 55.34

 

CMYK 0 / 66 / 76 / 7

HEX #ED5039

RGB 237 80 57

HSL 7.67, 0.83%, 0.58%

LAB 56.13, 59.17, 46.27

 

CMYK 0 / 76 / 76 / 7

HEX #ED3939

RGB 237 57 57

HSL 0, 0.83%, 0.58%

LAB 53.2, 67.24, 43.15

 

CMYK 0 / 25 / 76 / 7

HEX #EDB139

RGB 237 177 57

HSL 40, 0.83%, 0.58%

LAB 75.91, 11.15, 65.99

 

CMYK 0 / 5 / 76 / 7

HEX #EDE239

RGB 237 226 57

HSL 56.33, 0.83%, 0.58%

LAB 88.3, -13.95, 77.49

 

CMYK 15 / 0 / 76 / 7

HEX #C9ED39

RGB 201 237 57

HSL 72, 0.83%, 0.58%

LAB 88.58, -33.85, 76.77

 

CMYK 36 / 0 / 76 / 7

HEX #98ED39

RGB 152 237 57

HSL 88.33, 0.83%, 0.58%

LAB 85.78, -51.98, 73.13

 

CMYK 56 / 0 / 76 / 7

HEX #68ED39

RGB 104 237 57

HSL 104.33, 0.83%, 0.58%

LAB 83.87, -66.26, 70.64

 

CMYK 0 / 25 / 76 / 7

HEX #EDB139

RGB 237 177 57

HSL 40, 0.83%, 0.58%

LAB 75.91, 11.15, 65.99

 

CMYK 0 / 25 / 76 / 7

HEX #EDB139

RGB 237 177 57

HSL 40, 0.83%, 0.58%

LAB 75.91, 11.15, 65.99

 

CMYK 0 / 22 / 66 / 14

HEX #DCAB4B

RGB 220 171 75

HSL 39.72, 0.67%, 0.58%

LAB 72.79, 7.97, 54.8

 

CMYK 0 / 18 / 55 / 20

HEX #CBA65C

RGB 203 166 92

HSL 40, 0.52%, 0.58%

LAB 69.99, 4.64, 43.01

 

CMYK 0 / 14 / 41 / 27

HEX #B9A06D

RGB 185 160 109

HSL 40.26, 0.35%, 0.58%

LAB 66.95, 2.01, 29.96

 

CMYK 0 / 8 / 24 / 34

HEX #A89A7F

RGB 168 154 127

HSL 39.51, 0.19%, 0.58%

LAB 64.14, 0.73, 16.06

 

CMYK 0 / 67 / 76 / 7

HEX #ED4E39

RGB 237 78 57

HSL 7, 0.83%, 0.58%

LAB 55.84, 59.96, 45.96

 

CMYK 0 / 47 / 76 / 7

HEX #ED7E39

RGB 237 126 57

HSL 23, 0.83%, 0.58%

LAB 64.34, 37.91, 54.71

 

CMYK 0 / 27 / 76 / 7

HEX #EDAE39

RGB 237 174 57

HSL 39, 0.83%, 0.58%

LAB 75.18, 12.73, 65.3

 

CMYK 0 / 6 / 76 / 7

HEX #EDDE39

RGB 237 222 57

HSL 55, 0.83%, 0.58%

LAB 87.26, -11.97, 76.54

 

CMYK 14 / 0 / 76 / 7

HEX #CCED39

RGB 204 237 57

HSL 71, 0.83%, 0.58%

LAB 88.78, -32.66, 77.02

 

CMYK 0 / 31 / 91 / 23

HEX #C48811

RGB 196 136 17

HSL 39.89, 0.84%, 0.42%

LAB 61.12, 14.22, 63.65

 

CMYK 0 / 31 / 91 / 8

HEX #EAA214

RGB 234 162 20

HSL 39.81, 0.84%, 0.5%

LAB 71.81, 16.82, 73

 

CMYK 0 / 25 / 76 / 7

HEX #EDB139

RGB 237 177 57

HSL 40, 0.83%, 0.58%

LAB 75.91, 11.15, 65.99

 

CMYK 0 / 20 / 61 / 5

HEX #F1C05F

RGB 241 192 95

HSL 39.86, 0.84%, 0.66%

LAB 80.31, 7, 54.56

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF85

RGB 244 207 133

HSL 40, 0.83%, 0.74%

LAB 84.77, 3.57, 41.49

 

CMYK 0 / 26 / 76 / 7

HEX #EEB138

RGB 238 177 56

HSL 39.89, 0.84%, 0.58%

LAB 76.01, 11.54, 66.49

 

CMYK 65 / 0 / 76 / 7

HEX #54ED39

RGB 84 237 57

HSL 111, 0.83%, 0.58%

LAB 83.31, -70.78, 69.91

 

CMYK 57 / 76 / 0 / 7

HEX #6639ED

RGB 102 57 237

HSL 255, 0.83%, 0.58%

LAB 41, 62.36, -83.12

 

CMYK 0 / 26 / 76 / 7

HEX #EEB138

RGB 238 177 56

HSL 39.89, 0.84%, 0.58%

LAB 76.01, 11.54, 66.49

 

CMYK 76 / 0 / 27 / 7

HEX #39EDAE

RGB 57 237 174

HSL 159, 0.83%, 0.58%

LAB 84.22, -58.52, 18.08

 

CMYK 27 / 76 / 0 / 7

HEX #AE39ED

RGB 174 57 237

HSL 279, 0.83%, 0.58%

LAB 49.54, 73.13, -68.81

 

CMYK 0 / 26 / 76 / 7

HEX #EEB138

RGB 238 177 56

HSL 39.89, 0.84%, 0.58%

LAB 76.01, 11.54, 66.49

 

CMYK 65 / 0 / 76 / 7

HEX #54ED39

RGB 84 237 57

HSL 111, 0.83%, 0.58%

LAB 83.31, -70.78, 69.91

 

CMYK 76 / 49 / 0 / 7

HEX #3978ED

RGB 57 120 237

HSL 219, 0.83%, 0.58%

LAB 52.31, 20.24, -64.79

 

CMYK 11 / 76 / 0 / 7

HEX #D239ED

RGB 210 57 237

HSL 291, 0.83%, 0.58%

LAB 54.81, 79.61, -60.05

 

CMYK 0 / 26 / 76 / 7

HEX #EEB138

RGB 238 177 56

HSL 39.89, 0.84%, 0.58%

LAB 76.01, 11.54, 66.49

 

CMYK 76 / 0 / 65 / 7

HEX #39ED54

RGB 57 237 84

HSL 129, 0.83%, 0.58%

LAB 82.96, -73.09, 59.64

 

CMYK 76 / 49 / 0 / 7

HEX #3978ED

RGB 57 120 237

HSL 219, 0.83%, 0.58%

LAB 52.31, 20.24, -64.79

 

CMYK 0 / 76 / 11 / 7

HEX #ED39D2

RGB 237 57 210

HSL 309, 0.83%, 0.58%

LAB 57.64, 80.82, -40.03

 

Description

Color code: HEX #EEB138 | qconv.com Color code: HEX #EEB138 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 177 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 177 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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