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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB2F0 it is the complementary color #114D0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB2F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEB2F0 shade: #F3B2EB, #FFC4FE, #FFD6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB2F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEB2F0 shade: #EEB2F0, #DDA0DD, #CC8ECA, #BB7CB7 and #AA6AA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEB2F0 shade: #EDB2EF, #EFB2E1, #EFB2D0, #EFB2C0 and #EFB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEB2F0 shade: #EDB2EF, #DDB2EF, #CCB2EF, #BCB2EF and #B2B2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEB2F0 shade matches the following richer shades: #EDB2EF, #F4AAF7 and #FBA3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEB2F0 shade: #EDB2EF, #E6B9E8, #DFC1E0, #D9C8D9 and #D2D0D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEB2F0 shade: #CCB2EF, #DDB2EF, #EDB2EF, #EFB2E1 and #EFB2D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEB2F0 shade: #DE6DE2, #E68FE9, #EDB2EF, #F5D4F6 and #FDF7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEB2F0 shade: #EEB2F0, #EFBCB2 and #B2EFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEB2F0 shade: #EEB2F0, #EFEDB2 and #B2EFED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEB2F0 shade: #EEB2F0, #EFBCB2, #B4EFB2 and #B2E5EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEB2F0 shade: #EEB2F0, #EFCFB2, #B4EFB2 and #B2D3EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 26 / 0 / 6

HEX #EEB2F0

RGB 238 178 240

HSL 298.06, 0.67%, 0.82%

LAB 79.79, 31.9, -22.39

 

Complementary color

CMYK 78 / 0 / 81 / 70

HEX #114D0F

RGB 17 77 15

HSL 118.06, 0.67%, 0.18%

LAB 28.01, -32.19, 29.6

 

CMYK 0 / 27 / 3 / 5

HEX #F3B2EB

RGB 243 178 235

HSL 307.38, 0.73%, 0.83%

LAB 80.12, 32.61, -19.15

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FE

RGB 255 196 254

HSL 301.02, 1%, 0.88%

LAB 85.95, 30.39, -20.37

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 1 / 26 / 0 / 6

HEX #EEB2F0

RGB 238 178 240

HSL 298.06, 0.67%, 0.82%

LAB 79.79, 31.9, -22.39

 

CMYK 0 / 28 / 0 / 13

HEX #DDA0DD

RGB 221 160 221

HSL 300, 0.47%, 0.75%

LAB 73.37, 32.54, -22

 

CMYK 0 / 30 / 1 / 20

HEX #CC8ECA

RGB 204 142 202

HSL 301.94, 0.38%, 0.68%

LAB 66.86, 33.22, -21.59

 

CMYK 0 / 34 / 2 / 27

HEX #BB7CB7

RGB 187 124 183

HSL 303.81, 0.32%, 0.61%

LAB 60.25, 33.94, -21.14

 

CMYK 0 / 38 / 4 / 33

HEX #AA6AA4

RGB 170 106 164

HSL 305.63, 0.27%, 0.54%

LAB 53.53, 34.7, -20.66

 

CMYK 1 / 26 / 0 / 6

HEX #EDB2EF

RGB 237 178 239

HSL 298.03, 0.66%, 0.82%

LAB 79.66, 31.39, -22.06

 

CMYK 0 / 26 / 6 / 6

HEX #EFB2E1

RGB 239 178 225

HSL 313.77, 0.66%, 0.82%

LAB 79.4, 29.55, -14.88

 

CMYK 0 / 26 / 13 / 6

HEX #EFB2D0

RGB 239 178 208

HSL 330.49, 0.66%, 0.82%

LAB 78.89, 26.7, -6.44

 

CMYK 0 / 26 / 20 / 6

HEX #EFB2C0

RGB 239 178 192

HSL 346.23, 0.66%, 0.82%

LAB 78.46, 24.21, 1.6

 

CMYK 0 / 26 / 26 / 6

HEX #EFB2B2

RGB 239 178 178

HSL 0, 0.66%, 0.82%

LAB 78.11, 22.19, 8.7

 

CMYK 1 / 26 / 0 / 6

HEX #EDB2EF

RGB 237 178 239

HSL 298.03, 0.66%, 0.82%

LAB 79.66, 31.39, -22.06

 

CMYK 8 / 26 / 0 / 6

HEX #DDB2EF

RGB 221 178 239

HSL 282.3, 0.66%, 0.82%

LAB 78.14, 26.28, -24.52

 

CMYK 15 / 26 / 0 / 6

HEX #CCB2EF

RGB 204 178 239

HSL 265.57, 0.66%, 0.82%

LAB 76.62, 20.92, -26.96

 

CMYK 21 / 26 / 0 / 6

HEX #BCB2EF

RGB 188 178 239

HSL 249.84, 0.66%, 0.82%

LAB 75.3, 16.01, -29.1

 

CMYK 26 / 26 / 0 / 6

HEX #B2B2EF

RGB 178 178 239

HSL 240, 0.66%, 0.82%

LAB 74.53, 13.03, -30.35

 

CMYK 1 / 26 / 0 / 6

HEX #EDB2EF

RGB 237 178 239

HSL 298.03, 0.66%, 0.82%

LAB 79.66, 31.39, -22.06

 

CMYK 1 / 31 / 0 / 3

HEX #F4AAF7

RGB 244 170 247

HSL 297.66, 0.83%, 0.82%

LAB 78.87, 39.31, -27.51

 

CMYK 1 / 36 / 0 / 0

HEX #FBA3FE

RGB 251 163 254

HSL 298.02, 0.98%, 0.82%

LAB 78.38, 46.37, -31.96

 

CMYK 1 / 26 / 0 / 6

HEX #EDB2EF

RGB 237 178 239

HSL 298.03, 0.66%, 0.82%

LAB 79.66, 31.39, -22.06

 

CMYK 1 / 20 / 0 / 9

HEX #E6B9E8

RGB 230 185 232

HSL 297.45, 0.51%, 0.82%

LAB 80.37, 24.08, -17.27

 

CMYK 0 / 14 / 0 / 12

HEX #DFC1E0

RGB 223 193 224

HSL 298.06, 0.33%, 0.82%

LAB 81.41, 15.99, -11.49

 

CMYK 0 / 8 / 0 / 15

HEX #D9C8D9

RGB 217 200 217

HSL 300, 0.18%, 0.82%

LAB 82.42, 8.94, -6.3

 

CMYK 0 / 1 / 0 / 18

HEX #D2D0D2

RGB 210 208 210

HSL 300, 0.02%, 0.82%

LAB 83.69, 1.05, -0.76

 

CMYK 15 / 26 / 0 / 6

HEX #CCB2EF

RGB 204 178 239

HSL 265.57, 0.66%, 0.82%

LAB 76.62, 20.92, -26.96

 

CMYK 8 / 26 / 0 / 6

HEX #DDB2EF

RGB 221 178 239

HSL 282.3, 0.66%, 0.82%

LAB 78.14, 26.28, -24.52

 

CMYK 1 / 26 / 0 / 6

HEX #EDB2EF

RGB 237 178 239

HSL 298.03, 0.66%, 0.82%

LAB 79.66, 31.39, -22.06

 

CMYK 0 / 26 / 6 / 6

HEX #EFB2E1

RGB 239 178 225

HSL 313.77, 0.66%, 0.82%

LAB 79.4, 29.55, -14.88

 

CMYK 0 / 26 / 13 / 6

HEX #EFB2D1

RGB 239 178 209

HSL 329.51, 0.66%, 0.82%

LAB 78.92, 26.86, -6.94

 

CMYK 2 / 52 / 0 / 11

HEX #DE6DE2

RGB 222 109 226

HSL 297.95, 0.67%, 0.66%

LAB 63.31, 59.94, -40.3

 

CMYK 1 / 39 / 0 / 9

HEX #E68FE9

RGB 230 143 233

HSL 298, 0.67%, 0.74%

LAB 71.11, 46.57, -31.96

 

CMYK 1 / 26 / 0 / 6

HEX #EDB2EF

RGB 237 178 239

HSL 298.03, 0.66%, 0.82%

LAB 79.66, 31.39, -22.06

 

CMYK 0 / 14 / 0 / 4

HEX #F5D4F6

RGB 245 212 246

HSL 298.24, 0.65%, 0.9%

LAB 88.52, 17.27, -12.37

 

CMYK 0 / 2 / 0 / 1

HEX #FDF7FD

RGB 253 247 253

HSL 300, 0.6%, 0.98%

LAB 97.83, 3.05, -2.17

 

CMYK 1 / 26 / 0 / 6

HEX #EEB2F0

RGB 238 178 240

HSL 298.06, 0.67%, 0.82%

LAB 79.79, 31.9, -22.39

 

CMYK 0 / 21 / 26 / 6

HEX #EFBCB2

RGB 239 188 178

HSL 9.84, 0.66%, 0.82%

LAB 80.48, 16.88, 12.06

 

CMYK 26 / 0 / 11 / 6

HEX #B2EFD5

RGB 178 239 213

HSL 154.43, 0.66%, 0.82%

LAB 89.86, -24.45, 6.37

 

CMYK 1 / 26 / 0 / 6

HEX #EEB2F0

RGB 238 178 240

HSL 298.06, 0.67%, 0.82%

LAB 79.79, 31.9, -22.39

 

CMYK 0 / 1 / 26 / 6

HEX #EFEDB2

RGB 239 237 178

HSL 58.03, 0.66%, 0.82%

LAB 92.63, -8.45, 28.91

 

CMYK 26 / 0 / 1 / 6

HEX #B2EFED

RGB 178 239 237

HSL 178.03, 0.66%, 0.82%

LAB 90.47, -19.49, -5.27

 

CMYK 1 / 26 / 0 / 6

HEX #EEB2F0

RGB 238 178 240

HSL 298.06, 0.67%, 0.82%

LAB 79.79, 31.9, -22.39

 

CMYK 0 / 21 / 26 / 6

HEX #EFBCB2

RGB 239 188 178

HSL 9.84, 0.66%, 0.82%

LAB 80.48, 16.88, 12.06

 

CMYK 25 / 0 / 26 / 6

HEX #B4EFB2

RGB 180 239 178

HSL 118.03, 0.66%, 0.82%

LAB 89.23, -30.15, 23.62

 

CMYK 26 / 4 / 0 / 6

HEX #B2E5EF

RGB 178 229 239

HSL 189.84, 0.66%, 0.82%

LAB 87.84, -14.05, -10.21

 

CMYK 1 / 26 / 0 / 6

HEX #EEB2F0

RGB 238 178 240

HSL 298.06, 0.67%, 0.82%

LAB 79.79, 31.9, -22.39

 

CMYK 0 / 13 / 26 / 6

HEX #EFCFB2

RGB 239 207 178

HSL 28.52, 0.66%, 0.82%

LAB 85.09, 6.89, 18.55

 

CMYK 25 / 0 / 26 / 6

HEX #B4EFB2

RGB 180 239 178

HSL 118.03, 0.66%, 0.82%

LAB 89.23, -30.15, 23.62

 

CMYK 26 / 12 / 0 / 6

HEX #B2D3EF

RGB 178 211 239

HSL 207.54, 0.66%, 0.82%

LAB 83.07, -4.78, -17.36

 

Description

Color code: HEX #EEB2F0 | qconv.com Color code: HEX #EEB2F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 178 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 178 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 26 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 26% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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