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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEBC5D it is the complementary color #1143A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEBC5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEBC5D shade: #F3BC58, #FFCE6B, #FFE07E, #FFF291 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEBC5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEBC5D shade: #EEBC5D, #DDAA4A, #CC9837, #BB8624 and #AA7411

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEBC5D shade: #EEBC5D, #EE955D, #EE6E5D and #EE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEBC5D shade: #EEBC5D, #EEE35D, #D1EE5D, #AAEE5D and #83EE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEBC5D shade matches the following richer shades: #EEBC5D and #FCC04F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEBC5D shade: #EEBC5D, #DFB76B, #D1B37A, #C2AE88 and #B4AA97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEBC5D shade: #EE6E5D, #EE945D, #EEBB5D, #EEE15D and #D3EE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEBC5D shade: #E19B17, #EAAC38, #EEBC5D, #F1CB82 and #F5DBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEBC5D shade: #EEBC5D, #73EE5D and #815DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEBC5D shade: #EEBC5D, #5DEEBB and #BB5DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEBC5D shade: #EEBC5D, #73EE5D, #5D90EE and #D85DEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEBC5D shade: #EEBC5D, #5DEE73, #5D90EE and #EE5DD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

Complementary color

CMYK 90 / 59 / 0 / 36

HEX #1143A2

RGB 17 67 162

HSL 219.31, 0.81%, 0.35%

LAB 31.21, 22.35, -55.63

 

CMYK 0 / 23 / 64 / 5

HEX #F3BC58

RGB 243 188 88

HSL 38.71, 0.87%, 0.65%

LAB 79.46, 9.47, 56.89

 

CMYK 0 / 19 / 58 / 0

HEX #FFCE6B

RGB 255 206 107

HSL 40.14, 1%, 0.71%

LAB 85.23, 6.34, 54.98

 

CMYK 0 / 12 / 51 / 0

HEX #FFE07E

RGB 255 224 126

HSL 45.58, 1%, 0.75%

LAB 89.9, -1.37, 51.51

 

CMYK 0 / 5 / 43 / 0

HEX #FFF291

RGB 255 242 145

HSL 52.91, 1%, 0.78%

LAB 94.66, -8.65, 48.24

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 0 / 23 / 67 / 13

HEX #DDAA4A

RGB 221 170 74

HSL 39.18, 0.68%, 0.58%

LAB 72.64, 8.87, 55.12

 

CMYK 0 / 25 / 73 / 20

HEX #CC9837

RGB 204 152 55

HSL 39.06, 0.59%, 0.51%

LAB 66.19, 10.22, 56.1

 

CMYK 0 / 28 / 81 / 27

HEX #BB8624

RGB 187 134 36

HSL 38.94, 0.68%, 0.44%

LAB 59.66, 11.81, 56.61

 

CMYK 0 / 32 / 90 / 33

HEX #AA7411

RGB 170 116 17

HSL 38.82, 0.82%, 0.37%

LAB 53.03, 13.67, 56.1

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 0 / 37 / 61 / 7

HEX #EE955D

RGB 238 149 93

HSL 23.17, 0.81%, 0.65%

LAB 69.8, 28.31, 43.19

 

CMYK 0 / 54 / 61 / 7

HEX #EE6E5D

RGB 238 110 93

HSL 7.03, 0.81%, 0.65%

LAB 61.76, 48.12, 33.33

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 0 / 5 / 61 / 7

HEX #EEE35D

RGB 238 227 93

HSL 55.45, 0.81%, 0.65%

LAB 88.88, -12.21, 64.88

 

CMYK 12 / 0 / 61 / 7

HEX #D1EE5D

RGB 209 238 93

HSL 72, 0.81%, 0.65%

LAB 89.62, -29.13, 65.06

 

CMYK 29 / 0 / 61 / 7

HEX #AAEE5D

RGB 170 238 93

HSL 88.14, 0.81%, 0.65%

LAB 87.23, -43.71, 61.76

 

CMYK 45 / 0 / 61 / 7

HEX #83EE5D

RGB 131 238 93

HSL 104.28, 0.81%, 0.65%

LAB 85.38, -56.44, 59.19

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 0 / 24 / 69 / 1

HEX #FCC04F

RGB 252 192 79

HSL 39.19, 0.97%, 0.65%

LAB 81.27, 10.62, 63.07

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 0 / 18 / 52 / 13

HEX #DFB76B

RGB 223 183 107

HSL 39.31, 0.64%, 0.65%

LAB 76.45, 5.2, 43.76

 

CMYK 0 / 14 / 42 / 18

HEX #D1B37A

RGB 209 179 122

HSL 39.31, 0.49%, 0.65%

LAB 74.32, 3.06, 33.09

 

CMYK 0 / 10 / 30 / 24

HEX #C2AE88

RGB 194 174 136

HSL 39.31, 0.32%, 0.65%

LAB 71.91, 1.41, 22.16

 

CMYK 0 / 6 / 16 / 29

HEX #B4AA97

RGB 180 170 151

HSL 39.31, 0.16%, 0.65%

LAB 69.96, 0.35, 11.08

 

CMYK 0 / 54 / 61 / 7

HEX #EE6E5D

RGB 238 110 93

HSL 7.03, 0.81%, 0.65%

LAB 61.76, 48.12, 33.33

 

CMYK 0 / 38 / 61 / 7

HEX #EE945D

RGB 238 148 93

HSL 22.76, 0.81%, 0.65%

LAB 69.57, 28.83, 42.92

 

CMYK 0 / 21 / 61 / 7

HEX #EEBB5D

RGB 238 187 93

HSL 38.9, 0.81%, 0.65%

LAB 78.76, 8.24, 53.65

 

CMYK 0 / 5 / 61 / 7

HEX #EEE15D

RGB 238 225 93

HSL 54.62, 0.81%, 0.65%

LAB 88.36, -11.22, 64.32

 

CMYK 11 / 0 / 61 / 7

HEX #D3EE5D

RGB 211 238 93

HSL 71.17, 0.81%, 0.65%

LAB 89.76, -28.35, 65.25

 

CMYK 0 / 31 / 90 / 12

HEX #E19B17

RGB 225 155 23

HSL 39.21, 0.81%, 0.49%

LAB 69.12, 16.72, 69.92

 

CMYK 0 / 26 / 76 / 8

HEX #EAAC38

RGB 234 172 56

HSL 39.1, 0.81%, 0.57%

LAB 74.37, 12.47, 64.79

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 0 / 16 / 46 / 5

HEX #F1CB82

RGB 241 203 130

HSL 39.46, 0.8%, 0.73%

LAB 83.46, 4.15, 41.28

 

CMYK 0 / 11 / 31 / 4

HEX #F5DBA8

RGB 245 219 168

HSL 39.74, 0.79%, 0.81%

LAB 88.4, 1.65, 28.4

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 52 / 0 / 61 / 7

HEX #73EE5D

RGB 115 238 93

HSL 110.9, 0.81%, 0.65%

LAB 84.78, -60.91, 58.35

 

CMYK 46 / 61 / 0 / 7

HEX #815DEE

RGB 129 93 238

HSL 254.9, 0.81%, 0.65%

LAB 50.3, 48.51, -68.39

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 61 / 0 / 21 / 7

HEX #5DEEBB

RGB 93 238 187

HSL 158.9, 0.81%, 0.65%

LAB 85.54, -50.7, 13.28

 

CMYK 21 / 61 / 0 / 7

HEX #BB5DEE

RGB 187 93 238

HSL 278.9, 0.81%, 0.65%

LAB 56.65, 61.05, -57.83

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 52 / 0 / 61 / 7

HEX #73EE5D

RGB 115 238 93

HSL 110.9, 0.81%, 0.65%

LAB 84.78, -60.91, 58.35

 

CMYK 61 / 39 / 0 / 7

HEX #5D90EE

RGB 93 144 238

HSL 218.9, 0.81%, 0.65%

LAB 60.29, 11.29, -52.48

 

CMYK 9 / 61 / 0 / 7

HEX #D85DEE

RGB 216 93 238

HSL 290.9, 0.81%, 0.65%

LAB 60.43, 67.82, -51.58

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5D

RGB 238 188 93

HSL 39.31, 0.81%, 0.65%

LAB 79, 7.71, 53.93

 

CMYK 61 / 0 / 52 / 7

HEX #5DEE73

RGB 93 238 115

HSL 129.1, 0.81%, 0.65%

LAB 84.34, -63.55, 47.81

 

CMYK 61 / 39 / 0 / 7

HEX #5D90EE

RGB 93 144 238

HSL 218.9, 0.81%, 0.65%

LAB 60.29, 11.29, -52.48

 

CMYK 0 / 61 / 9 / 7

HEX #EE5DD8

RGB 238 93 216

HSL 309.1, 0.81%, 0.65%

LAB 62.48, 69.54, -35.84

 

Description

Color code: HEX #EEBC5D | qconv.com Color code: HEX #EEBC5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 188 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 188 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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