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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEBDE1 it is the complementary color #11421E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEBDE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEBDE1 shade: #F3BDDC, #FFCFEF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEBDE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEBDE1 shade: #EEBDE1, #DDABCE, #CC99BB, #BB87A8 and #AA7595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEBDE1 shade: #EEBEE1, #EEBED4, #EEBEC7 and #EEBEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEBDE1 shade: #EEBEE1, #EEBEEE, #E1BEEE, #D4BEEE and #C7BEEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEBDE1 shade matches the following richer shades: #EEBEE1, #F4B7E4 and #FBB0E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEBDE1 shade: #EEBEE1, #E7C4DE, #E1CBDB, #DAD1D8 and #D3D8D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEBDE1 shade: #E0BEEE, #EDBEEE, #EEBEE2, #EEBED5 and #EEBEC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEBDE1 shade: #DD7CC3, #E59DD2, #EEBEE1 and #F6DEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEBDE1 shade: #EEBDE1, #EED3BE and #BEEEE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEBDE1 shade: #EEBDE1, #E2EEBE and #BEE2EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEBDE1 shade: #EEBDE1, #EED3BE, #BEEECA and #BED8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEBDE1 shade: #EEBDE1, #EEE2BE, #BEEECA and #BECAEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 5 / 7

HEX #EEBDE1

RGB 238 189 225

HSL 315.92, 0.59%, 0.84%

LAB 81.84, 23.36, -11.24

 

Complementary color

CMYK 74 / 0 / 55 / 74

HEX #11421E

RGB 17 66 30

HSL 135.92, 0.59%, 0.16%

LAB 24.03, -25.57, 17.19

 

CMYK 0 / 22 / 9 / 5

HEX #F3BDDC

RGB 243 189 220

HSL 325.56, 0.69%, 0.85%

LAB 82.17, 24.21, -8.01

 

CMYK 0 / 19 / 6 / 0

HEX #FFCFEF

RGB 255 207 239

HSL 320, 1%, 0.91%

LAB 88.03, 21.99, -9.32

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 21 / 5 / 7

HEX #EEBDE1

RGB 238 189 225

HSL 315.92, 0.59%, 0.84%

LAB 81.84, 23.36, -11.24

 

CMYK 0 / 23 / 7 / 13

HEX #DDABCE

RGB 221 171 206

HSL 318, 0.42%, 0.77%

LAB 75.42, 23.91, -10.7

 

CMYK 0 / 25 / 8 / 20

HEX #CC99BB

RGB 204 153 187

HSL 320, 0.33%, 0.7%

LAB 68.9, 24.5, -10.15

 

CMYK 0 / 28 / 10 / 27

HEX #BB87A8

RGB 187 135 168

HSL 321.92, 0.28%, 0.63%

LAB 62.27, 25.14, -9.55

 

CMYK 0 / 31 / 12 / 33

HEX #AA7595

RGB 170 117 149

HSL 323.77, 0.24%, 0.56%

LAB 55.52, 25.85, -8.91

 

CMYK 0 / 20 / 5 / 7

HEX #EEBEE1

RGB 238 190 225

HSL 316.25, 0.59%, 0.84%

LAB 82.08, 22.83, -10.89

 

CMYK 0 / 20 / 11 / 7

HEX #EEBED4

RGB 238 190 212

HSL 332.5, 0.59%, 0.84%

LAB 81.71, 20.62, -4.46

 

CMYK 0 / 20 / 16 / 7

HEX #EEBEC7

RGB 238 190 199

HSL 348.75, 0.59%, 0.84%

LAB 81.36, 18.54, 2.03

 

CMYK 0 / 20 / 20 / 7

HEX #EEBEBE

RGB 238 190 190

HSL 0, 0.59%, 0.84%

LAB 81.14, 17.18, 6.55

 

CMYK 0 / 20 / 5 / 7

HEX #EEBEE1

RGB 238 190 225

HSL 316.25, 0.59%, 0.84%

LAB 82.08, 22.83, -10.89

 

CMYK 0 / 20 / 0 / 7

HEX #EEBEEE

RGB 238 190 238

HSL 300, 0.59%, 0.84%

LAB 82.47, 25.15, -17.26

 

CMYK 5 / 20 / 0 / 7

HEX #E1BEEE

RGB 225 190 238

HSL 283.75, 0.59%, 0.84%

LAB 81.3, 20.91, -19.15

 

CMYK 11 / 20 / 0 / 7

HEX #D4BEEE

RGB 212 190 238

HSL 267.5, 0.59%, 0.84%

LAB 80.18, 16.72, -20.95

 

CMYK 16 / 20 / 0 / 7

HEX #C7BEEE

RGB 199 190 238

HSL 251.25, 0.59%, 0.84%

LAB 79.12, 12.62, -22.65

 

CMYK 0 / 20 / 5 / 7

HEX #EEBEE1

RGB 238 190 225

HSL 316.25, 0.59%, 0.84%

LAB 82.08, 22.83, -10.89

 

CMYK 0 / 25 / 7 / 4

HEX #F4B7E4

RGB 244 183 228

HSL 315.74, 0.73%, 0.84%

LAB 81.13, 29.08, -13.86

 

CMYK 0 / 30 / 8 / 2

HEX #FBB0E7

RGB 251 176 231

HSL 316, 0.9%, 0.84%

LAB 80.36, 35.59, -16.55

 

CMYK 0 / 20 / 5 / 7

HEX #EEBEE1

RGB 238 190 225

HSL 316.25, 0.59%, 0.84%

LAB 82.08, 22.83, -10.89

 

CMYK 0 / 15 / 4 / 9

HEX #E7C4DE

RGB 231 196 222

HSL 315.43, 0.42%, 0.84%

LAB 82.78, 16.73, -8.31

 

CMYK 0 / 10 / 3 / 12

HEX #E1CBDB

RGB 225 203 219

HSL 316.36, 0.27%, 0.84%

LAB 83.88, 10.44, -5.13

 

CMYK 0 / 4 / 1 / 15

HEX #DAD1D8

RGB 218 209 216

HSL 313.33, 0.11%, 0.84%

LAB 84.72, 4.34, -2.36

 

CMYK 2 / 0 / 1 / 15

HEX #D3D8D5

RGB 211 216 213

HSL 144, 0.06%, 0.84%

LAB 85.89, -2.23, 0.87

 

CMYK 6 / 20 / 0 / 7

HEX #E0BEEE

RGB 224 190 238

HSL 282.5, 0.59%, 0.84%

LAB 81.21, 20.58, -19.29

 

CMYK 0 / 20 / 0 / 7

HEX #EDBEEE

RGB 237 190 238

HSL 298.75, 0.59%, 0.84%

LAB 82.38, 24.82, -17.4

 

CMYK 0 / 20 / 5 / 7

HEX #EEBEE2

RGB 238 190 226

HSL 315, 0.59%, 0.84%

LAB 82.11, 23, -11.38

 

CMYK 0 / 20 / 11 / 7

HEX #EEBED5

RGB 238 190 213

HSL 331.25, 0.59%, 0.84%

LAB 81.73, 20.79, -4.95

 

CMYK 0 / 20 / 16 / 7

HEX #EEBEC8

RGB 238 190 200

HSL 347.5, 0.59%, 0.84%

LAB 81.39, 18.7, 1.53

 

CMYK 0 / 44 / 12 / 13

HEX #DD7CC3

RGB 221 124 195

HSL 316.08, 0.59%, 0.68%

LAB 64.75, 47, -20.71

 

CMYK 0 / 31 / 8 / 10

HEX #E59DD2

RGB 229 157 210

HSL 315.83, 0.58%, 0.76%

LAB 73.17, 34.82, -16.19

 

CMYK 0 / 20 / 5 / 7

HEX #EEBEE1

RGB 238 190 225

HSL 316.25, 0.59%, 0.84%

LAB 82.08, 22.83, -10.89

 

CMYK 0 / 10 / 2 / 4

HEX #F6DEF0

RGB 246 222 240

HSL 315, 0.57%, 0.92%

LAB 90.84, 11.29, -5.77

 

CMYK 0 / 21 / 5 / 7

HEX #EEBDE1

RGB 238 189 225

HSL 315.92, 0.59%, 0.84%

LAB 81.84, 23.36, -11.24

 

CMYK 0 / 11 / 20 / 7

HEX #EED3BE

RGB 238 211 190

HSL 26.25, 0.59%, 0.84%

LAB 86.25, 6.14, 13.83

 

CMYK 20 / 0 / 3 / 7

HEX #BEEEE7

RGB 190 238 231

HSL 171.25, 0.59%, 0.84%

LAB 90.72, -16.71, -1.69

 

CMYK 0 / 21 / 5 / 7

HEX #EEBDE1

RGB 238 189 225

HSL 315.92, 0.59%, 0.84%

LAB 81.84, 23.36, -11.24

 

CMYK 5 / 0 / 20 / 7

HEX #E2EEBE

RGB 226 238 190

HSL 75, 0.59%, 0.84%

LAB 92.15, -11.98, 21.95

 

CMYK 20 / 5 / 0 / 7

HEX #BEE2EE

RGB 190 226 238

HSL 195, 0.59%, 0.84%

LAB 87.73, -9.19, -9.76

 

CMYK 0 / 21 / 5 / 7

HEX #EEBDE1

RGB 238 189 225

HSL 315.92, 0.59%, 0.84%

LAB 81.84, 23.36, -11.24

 

CMYK 0 / 11 / 20 / 7

HEX #EED3BE

RGB 238 211 190

HSL 26.25, 0.59%, 0.84%

LAB 86.25, 6.14, 13.83

 

CMYK 20 / 0 / 15 / 7

HEX #BEEECA

RGB 190 238 202

HSL 135, 0.59%, 0.84%

LAB 90.03, -22.28, 12.42

 

CMYK 20 / 9 / 0 / 7

HEX #BED8EE

RGB 190 216 238

HSL 207.5, 0.59%, 0.84%

LAB 85.11, -4.02, -13.67

 

CMYK 0 / 21 / 5 / 7

HEX #EEBDE1

RGB 238 189 225

HSL 315.92, 0.59%, 0.84%

LAB 81.84, 23.36, -11.24

 

CMYK 0 / 5 / 20 / 7

HEX #EEE2BE

RGB 238 226 190

HSL 45, 0.59%, 0.84%

LAB 89.99, -1.6, 19.09

 

CMYK 20 / 0 / 15 / 7

HEX #BEEECA

RGB 190 238 202

HSL 135, 0.59%, 0.84%

LAB 90.03, -22.28, 12.42

 

CMYK 20 / 15 / 0 / 7

HEX #BECAEE

RGB 190 202 238

HSL 225, 0.59%, 0.84%

LAB 81.49, 3.37, -19.12

 

Description

Color code: HEX #EEBDE1 | qconv.com Color code: HEX #EEBDE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 189 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 189 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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