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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEC874 it is the complementary color #11378B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEC874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEC874 shade: #F3C86F, #FFDA82, #FFEC95, #FFFEA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEC874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEC874 shade: #EEC874, #DDB661, #CCA44E, #BB923B and #AA8028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEC874 shade: #EDC772, #EDA572, #ED8472 and #ED7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEC874 shade: #EDC772, #EDE872, #D1ED72, #B0ED72 and #8FED72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEC874 shade matches the following richer shades: #EDC772 and #FACC65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEC874 shade: #EDC772, #E0C27F, #D4BD8B, #C7B898 and #BAB3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEC874 shade: #ED8472, #EDA572, #EDC672, #EDE772 and #D2ED72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEC874 shade: #E4AA28, #E9B84D, #EDC772, #F2D597 and #F6E4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEC874 shade: #EEC874, #80ED72 and #9572ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEC874 shade: #EEC874, #72EDC6 and #C672ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEC874 shade: #EEC874, #80ED72, #7299ED and #DF72ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEC874 shade: #EEC874, #72ED88, #7299ED and #ED72D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 51 / 7

HEX #EEC874

RGB 238 200 116

HSL 41.31, 0.78%, 0.69%

LAB 82.24, 3.22, 46.69

 

Complementary color

CMYK 88 / 60 / 0 / 45

HEX #11378B

RGB 17 55 139

HSL 221.31, 0.78%, 0.31%

LAB 25.91, 21.25, -50.22

 

CMYK 0 / 18 / 54 / 5

HEX #F3C86F

RGB 243 200 111

HSL 40.45, 0.85%, 0.69%

LAB 82.65, 4.85, 49.74

 

CMYK 0 / 15 / 49 / 0

HEX #FFDA82

RGB 255 218 130

HSL 42.24, 1%, 0.75%

LAB 88.45, 2.03, 47.81

 

CMYK 0 / 7 / 42 / 0

HEX #FFEC95

RGB 255 236 149

HSL 49.25, 1%, 0.79%

LAB 93.2, -5.26, 44.44

 

CMYK 0 / 0 / 34 / 0

HEX #FFFEA8

RGB 255 254 168

HSL 59.31, 1%, 0.83%

LAB 98.02, -12.12, 41.3

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 16 / 51 / 7

HEX #EEC874

RGB 238 200 116

HSL 41.31, 0.78%, 0.69%

LAB 82.24, 3.22, 46.69

 

CMYK 0 / 18 / 56 / 13

HEX #DDB661

RGB 221 182 97

HSL 41.13, 0.65%, 0.62%

LAB 75.88, 4.08, 47.97

 

CMYK 0 / 20 / 62 / 20

HEX #CCA44E

RGB 204 164 78

HSL 40.95, 0.55%, 0.55%

LAB 69.43, 5.08, 49.23

 

CMYK 0 / 22 / 68 / 27

HEX #BB923B

RGB 187 146 59

HSL 40.78, 0.52%, 0.48%

LAB 62.88, 6.26, 50.37

 

CMYK 0 / 25 / 76 / 33

HEX #AA8028

RGB 170 128 40

HSL 40.62, 0.62%, 0.41%

LAB 56.23, 7.67, 51.2

 

CMYK 0 / 16 / 52 / 7

HEX #EDC772

RGB 237 199 114

HSL 41.46, 0.77%, 0.69%

LAB 81.87, 3.16, 47.21

 

CMYK 0 / 30 / 52 / 7

HEX #EDA572

RGB 237 165 114

HSL 24.88, 0.77%, 0.69%

LAB 73.63, 21.07, 36.97

 

CMYK 0 / 44 / 52 / 7

HEX #ED8472

RGB 237 132 114

HSL 8.78, 0.77%, 0.69%

LAB 66.31, 38.4, 27.51

 

CMYK 0 / 52 / 52 / 7

HEX #ED7272

RGB 237 114 114

HSL 0, 0.77%, 0.69%

LAB 62.72, 47.41, 22.73

 

CMYK 0 / 16 / 52 / 7

HEX #EDC772

RGB 237 199 114

HSL 41.46, 0.77%, 0.69%

LAB 81.87, 3.16, 47.21

 

CMYK 0 / 2 / 52 / 7

HEX #EDE872

RGB 237 232 114

HSL 57.56, 0.77%, 0.69%

LAB 90.29, -13.56, 57.23

 

CMYK 12 / 0 / 52 / 7

HEX #D1ED72

RGB 209 237 114

HSL 73.66, 0.77%, 0.69%

LAB 89.55, -26.96, 55.84

 

CMYK 26 / 0 / 52 / 7

HEX #B0ED72

RGB 176 237 114

HSL 89.76, 0.77%, 0.69%

LAB 87.49, -39.18, 52.9

 

CMYK 40 / 0 / 52 / 7

HEX #8FED72

RGB 143 237 114

HSL 105.85, 0.77%, 0.69%

LAB 85.82, -50.19, 50.49

 

CMYK 0 / 16 / 52 / 7

HEX #EDC772

RGB 237 199 114

HSL 41.46, 0.77%, 0.69%

LAB 81.87, 3.16, 47.21

 

CMYK 0 / 18 / 60 / 2

HEX #FACC65

RGB 250 204 101

HSL 41.48, 0.94%, 0.69%

LAB 84.2, 4.9, 56.45

 

CMYK 0 / 16 / 52 / 7

HEX #EDC772

RGB 237 199 114

HSL 41.46, 0.77%, 0.69%

LAB 81.87, 3.16, 47.21

 

CMYK 0 / 13 / 43 / 12

HEX #E0C27F

RGB 224 194 127

HSL 41.44, 0.61%, 0.69%

LAB 79.59, 1.73, 37.57

 

CMYK 0 / 11 / 34 / 17

HEX #D4BD8B

RGB 212 189 139

HSL 41.1, 0.46%, 0.69%

LAB 77.43, 0.92, 28.29

 

CMYK 0 / 8 / 24 / 22

HEX #C7B898

RGB 199 184 152

HSL 40.85, 0.3%, 0.69%

LAB 75.26, 0.23, 18.2

 

CMYK 0 / 4 / 11 / 27

HEX #BAB3A5

RGB 186 179 165

HSL 40, 0.13%, 0.69%

LAB 73.15, 0.04, 8.02

 

CMYK 0 / 44 / 52 / 7

HEX #ED8472

RGB 237 132 114

HSL 8.78, 0.77%, 0.69%

LAB 66.31, 38.4, 27.51

 

CMYK 0 / 30 / 52 / 7

HEX #EDA572

RGB 237 165 114

HSL 24.88, 0.77%, 0.69%

LAB 73.63, 21.07, 36.97

 

CMYK 0 / 16 / 52 / 7

HEX #EDC672

RGB 237 198 114

HSL 40.98, 0.77%, 0.69%

LAB 81.62, 3.68, 46.9

 

CMYK 0 / 3 / 52 / 7

HEX #EDE772

RGB 237 231 114

HSL 57.07, 0.77%, 0.69%

LAB 90.03, -13.07, 56.92

 

CMYK 11 / 0 / 52 / 7

HEX #D2ED72

RGB 210 237 114

HSL 73.17, 0.77%, 0.69%

LAB 89.62, -26.58, 55.94

 

CMYK 0 / 25 / 82 / 11

HEX #E4AA28

RGB 228 170 40

HSL 41.49, 0.78%, 0.53%

LAB 73.15, 10.42, 68.89

 

CMYK 0 / 21 / 67 / 9

HEX #E9B84D

RGB 233 184 77

HSL 41.15, 0.78%, 0.61%

LAB 77.36, 6.73, 59.22

 

CMYK 0 / 16 / 52 / 7

HEX #EDC772

RGB 237 199 114

HSL 41.46, 0.77%, 0.69%

LAB 81.87, 3.16, 47.21

 

CMYK 0 / 12 / 38 / 5

HEX #F2D597

RGB 242 213 151

HSL 40.88, 0.78%, 0.77%

LAB 86.36, 1.57, 34.37

 

CMYK 0 / 7 / 24 / 4

HEX #F6E4BB

RGB 246 228 187

HSL 41.69, 0.77%, 0.85%

LAB 91.08, -0.11, 22.26

 

CMYK 0 / 16 / 51 / 7

HEX #EEC874

RGB 238 200 116

HSL 41.31, 0.78%, 0.69%

LAB 82.24, 3.22, 46.69

 

CMYK 46 / 0 / 52 / 7

HEX #80ED72

RGB 128 237 114

HSL 113.17, 0.77%, 0.69%

LAB 85.19, -54.63, 49.58

 

CMYK 37 / 52 / 0 / 7

HEX #9572ED

RGB 149 114 237

HSL 257.07, 0.77%, 0.69%

LAB 56.62, 40.85, -57.55

 

CMYK 0 / 16 / 51 / 7

HEX #EEC874

RGB 238 200 116

HSL 41.31, 0.78%, 0.69%

LAB 82.24, 3.22, 46.69

 

CMYK 52 / 0 / 16 / 7

HEX #72EDC6

RGB 114 237 198

HSL 160.98, 0.77%, 0.69%

LAB 86.12, -43.61, 8.45

 

CMYK 16 / 52 / 0 / 7

HEX #C672ED

RGB 198 114 237

HSL 280.98, 0.77%, 0.69%

LAB 61.79, 53.23, -49.02

 

CMYK 0 / 16 / 51 / 7

HEX #EEC874

RGB 238 200 116

HSL 41.31, 0.78%, 0.69%

LAB 82.24, 3.22, 46.69

 

CMYK 46 / 0 / 52 / 7

HEX #80ED72

RGB 128 237 114

HSL 113.17, 0.77%, 0.69%

LAB 85.19, -54.63, 49.58

 

CMYK 52 / 35 / 0 / 7

HEX #7299ED

RGB 114 153 237

HSL 220.98, 0.77%, 0.69%

LAB 63.73, 9.92, -46.41

 

CMYK 6 / 52 / 0 / 7

HEX #DF72ED

RGB 223 114 237

HSL 293.17, 0.77%, 0.69%

LAB 64.83, 59.82, -44.01

 

CMYK 0 / 16 / 51 / 7

HEX #EEC874

RGB 238 200 116

HSL 41.31, 0.78%, 0.69%

LAB 82.24, 3.22, 46.69

 

CMYK 52 / 0 / 43 / 7

HEX #72ED88

RGB 114 237 136

HSL 130.73, 0.77%, 0.69%

LAB 84.96, -55.33, 38.62

 

CMYK 52 / 35 / 0 / 7

HEX #7299ED

RGB 114 153 237

HSL 220.98, 0.77%, 0.69%

LAB 63.73, 9.92, -46.41

 

CMYK 0 / 52 / 9 / 7

HEX #ED72D7

RGB 237 114 215

HSL 310.73, 0.77%, 0.69%

LAB 65.71, 59.9, -30.27

 

Description

Color code: HEX #EEC874 | qconv.com Color code: HEX #EEC874 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 200 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 200 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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