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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEC05D it is the complementary color #113FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEC05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEC05D shade: #F3C058, #FFD26B, #FFE47E, #FFF691 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEC05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEC05D shade: #EEC05D, #DDAE4A, #CC9C37, #BB8A24 and #AA7811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEC05D shade: #EEC05D, #EE995D, #EE725D and #EE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEC05D shade: #EEC05D, #EEE75D, #CDEE5D, #A6EE5D and #7FEE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEC05D shade matches the following richer shades: #EEC05D and #FCC54F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEC05D shade: #EEC05D, #DFBA6B, #D1B57A, #C2B088 and #B4AB97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEC05D shade: #EE705D, #EE975D, #EEBD5D, #EEE45D and #D1EE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEC05D shade: #E1A117, #EAB138, #EEC05D, #F1CE82 and #F5DDA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEC05D shade: #EEC05D, #70EE5D and #845DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEC05D shade: #EEC05D, #5DEEBD and #BD5DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEC05D shade: #EEC05D, #70EE5D, #5D8DEE and #DA5DEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEC05D shade: #EEC05D, #5DEE75, #5D8DEE and #EE5DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

Complementary color

CMYK 90 / 61 / 0 / 36

HEX #113FA2

RGB 17 63 162

HSL 220.97, 0.81%, 0.35%

LAB 30.12, 25.09, -57.42

 

CMYK 0 / 21 / 64 / 5

HEX #F3C058

RGB 243 192 88

HSL 40.26, 0.87%, 0.65%

LAB 80.44, 7.38, 57.97

 

CMYK 0 / 18 / 58 / 0

HEX #FFD26B

RGB 255 210 107

HSL 41.76, 1%, 0.71%

LAB 86.21, 4.28, 56.11

 

CMYK 0 / 11 / 51 / 0

HEX #FFE47E

RGB 255 228 126

HSL 47.44, 1%, 0.75%

LAB 90.9, -3.39, 52.72

 

CMYK 0 / 4 / 43 / 0

HEX #FFF691

RGB 255 246 145

HSL 55.09, 1%, 0.78%

LAB 95.67, -10.62, 49.5

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 0 / 21 / 67 / 13

HEX #DDAE4A

RGB 221 174 74

HSL 40.82, 0.68%, 0.58%

LAB 73.64, 6.75, 56.19

 

CMYK 0 / 24 / 73 / 20

HEX #CC9C37

RGB 204 156 55

HSL 40.67, 0.59%, 0.51%

LAB 67.19, 8.06, 57.1

 

CMYK 0 / 26 / 81 / 27

HEX #BB8A24

RGB 187 138 36

HSL 40.53, 0.68%, 0.44%

LAB 60.67, 9.6, 57.52

 

CMYK 0 / 29 / 90 / 33

HEX #AA7811

RGB 170 120 17

HSL 40.39, 0.82%, 0.37%

LAB 54.05, 11.42, 56.89

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 0 / 36 / 61 / 7

HEX #EE995D

RGB 238 153 93

HSL 24.83, 0.81%, 0.65%

LAB 70.7, 26.2, 44.27

 

CMYK 0 / 52 / 61 / 7

HEX #EE725D

RGB 238 114 93

HSL 8.69, 0.81%, 0.65%

LAB 62.51, 46.19, 34.27

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 0 / 3 / 61 / 7

HEX #EEE75D

RGB 238 231 93

HSL 57.1, 0.81%, 0.65%

LAB 89.91, -14.19, 66

 

CMYK 14 / 0 / 61 / 7

HEX #CDEE5D

RGB 205 238 93

HSL 73.66, 0.81%, 0.65%

LAB 89.35, -30.68, 64.69

 

CMYK 30 / 0 / 61 / 7

HEX #A6EE5D

RGB 166 238 93

HSL 89.79, 0.81%, 0.65%

LAB 87.02, -45.12, 61.46

 

CMYK 47 / 0 / 61 / 7

HEX #7FEE5D

RGB 127 238 93

HSL 105.93, 0.81%, 0.65%

LAB 85.23, -57.6, 58.96

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 0 / 22 / 69 / 1

HEX #FCC54F

RGB 252 197 79

HSL 40.92, 0.97%, 0.65%

LAB 82.48, 8.02, 64.33

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 0 / 17 / 52 / 13

HEX #DFBA6B

RGB 223 186 107

HSL 40.86, 0.64%, 0.65%

LAB 77.2, 3.62, 44.68

 

CMYK 0 / 13 / 42 / 18

HEX #D1B57A

RGB 209 181 122

HSL 40.69, 0.49%, 0.65%

LAB 74.83, 1.99, 33.75

 

CMYK 0 / 9 / 30 / 24

HEX #C2B088

RGB 194 176 136

HSL 41.38, 0.32%, 0.65%

LAB 72.43, 0.34, 22.87

 

CMYK 0 / 5 / 16 / 29

HEX #B4AB97

RGB 180 171 151

HSL 41.38, 0.16%, 0.65%

LAB 70.22, -0.19, 11.46

 

CMYK 0 / 53 / 61 / 7

HEX #EE705D

RGB 238 112 93

HSL 7.86, 0.81%, 0.65%

LAB 62.13, 47.15, 33.8

 

CMYK 0 / 37 / 61 / 7

HEX #EE975D

RGB 238 151 93

HSL 24, 0.81%, 0.65%

LAB 70.25, 27.25, 43.73

 

CMYK 0 / 21 / 61 / 7

HEX #EEBD5D

RGB 238 189 93

HSL 39.72, 0.81%, 0.65%

LAB 79.25, 7.19, 54.21

 

CMYK 0 / 4 / 61 / 7

HEX #EEE45D

RGB 238 228 93

HSL 55.86, 0.81%, 0.65%

LAB 89.14, -12.71, 65.16

 

CMYK 12 / 0 / 61 / 7

HEX #D1EE5D

RGB 209 238 93

HSL 72, 0.81%, 0.65%

LAB 89.62, -29.13, 65.06

 

CMYK 0 / 28 / 90 / 12

HEX #E1A117

RGB 225 161 23

HSL 40.99, 0.81%, 0.49%

LAB 70.57, 13.52, 71.02

 

CMYK 0 / 24 / 76 / 8

HEX #EAB138

RGB 234 177 56

HSL 40.79, 0.81%, 0.57%

LAB 75.59, 9.83, 65.94

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 0 / 15 / 46 / 5

HEX #F1CE82

RGB 241 206 130

HSL 41.08, 0.8%, 0.73%

LAB 84.2, 2.6, 42.23

 

CMYK 0 / 10 / 31 / 4

HEX #F5DDA8

RGB 245 221 168

HSL 41.3, 0.79%, 0.81%

LAB 88.9, 0.62, 29.07

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 53 / 0 / 61 / 7

HEX #70EE5D

RGB 112 238 93

HSL 112.14, 0.81%, 0.65%

LAB 84.68, -61.69, 58.2

 

CMYK 45 / 61 / 0 / 7

HEX #845DEE

RGB 132 93 238

HSL 256.14, 0.81%, 0.65%

LAB 50.58, 49.1, -67.92

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 61 / 0 / 21 / 7

HEX #5DEEBD

RGB 93 238 189

HSL 159.72, 0.81%, 0.65%

LAB 85.58, -50.25, 12.3

 

CMYK 21 / 61 / 0 / 7

HEX #BD5DEE

RGB 189 93 238

HSL 279.72, 0.81%, 0.65%

LAB 56.9, 61.51, -57.41

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 53 / 0 / 61 / 7

HEX #70EE5D

RGB 112 238 93

HSL 112.14, 0.81%, 0.65%

LAB 84.68, -61.69, 58.2

 

CMYK 61 / 41 / 0 / 7

HEX #5D8DEE

RGB 93 141 238

HSL 220.14, 0.81%, 0.65%

LAB 59.48, 13.08, -53.77

 

CMYK 8 / 61 / 0 / 7

HEX #DA5DEE

RGB 218 93 238

HSL 291.72, 0.81%, 0.65%

LAB 60.7, 68.29, -51.13

 

CMYK 0 / 19 / 61 / 7

HEX #EEC05D

RGB 238 192 93

HSL 40.97, 0.81%, 0.65%

LAB 79.99, 5.62, 55.05

 

CMYK 61 / 0 / 51 / 7

HEX #5DEE75

RGB 93 238 117

HSL 129.93, 0.81%, 0.65%

LAB 84.36, -63.28, 46.9

 

CMYK 61 / 41 / 0 / 7

HEX #5D8DEE

RGB 93 141 238

HSL 220.14, 0.81%, 0.65%

LAB 59.48, 13.08, -53.77

 

CMYK 0 / 61 / 11 / 7

HEX #EE5DD5

RGB 238 93 213

HSL 310.34, 0.81%, 0.65%

LAB 62.35, 69.09, -34.35

 

Description

Color code: HEX #EEC05D | qconv.com Color code: HEX #EEC05D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 192 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 192 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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